ESAT Bibliography Or-Oz - Revision history

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2011-06-28T14:27:58Z

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Miriamt: Created page with "Orkin, Martin 1985. Drama in South Africa: Ghandi in South Africa: the play. English Academy review, 2: 61-67. Orkin, Martin 1986. Civility and the English colonial enterprise:..."

2010-12-06T09:41:07Z

Created page with "Orkin, Martin 1985. Drama in South Africa: Ghandi in South Africa: the play. English Academy review, 2: 61-67. Orkin, Martin 1986. Civility and the English colonial enterprise:..."

New page

Orkin, Martin 1985. Drama in South Africa: Ghandi in South Africa: the play. English Academy review, 2: 61-67.

Orkin, Martin 1986. Civility and the English colonial enterprise: notes on Shakespeare’s Othello. Theaoria, 68: 1-14. December.

Orkin, Martin 1987a. Cruelty, King Lear, and the South African Land Act, 1913. Shakespeare survey, 40: 135-143.

Orkin, Martin 1987b. The European challenge. Scenaria, 78: 47-48. July.

Orkin, Martin 1987c. Othello and the ‘plain face’ of racism. Shakespeare quarterly, 38(2): 166-188.

Orkin, Martin 1987d. Shakespeare against Apartheid. Craighall: Donker.

Orkin, Martin 1988a. Body and state in Blood knot / The Blood knot. South African theatre journal, 2(1): 17-34.

Orkin, Martin 1988b. Cruelty, King Lear, and the South African Land Act. In: Wells, Stanley (ed.) Current approaches to Shakespeare through language, text and theatre. (Shakespeare survey : an annual survey of Shakespearian study and production ; 40). Cambridge, Cambridge University Press.

Orkin, Martin 1990. “This bit of the world is ours”: Butler’s national theatre of the fifties. South African theatre journal, 4(2): 87-98.

Orkin, Martin 1991a. Drama and the South African state. Johannesburg: Witwatersrand University Press.

Orkin, Martin 1991b. Shakespeare and the politics of “unrest”. English Academy review, 8: 85-97.

Orkin, Martin 1992. Whose popular theatre and performance? South African theatre journal, 6(2): 30-42.

Orkin, Martin 1993a. The politics of editing the Shakespearean text in South Africa. Current writing, 5(1): 48-59.

Orkin, Martin 1993b. Re-presenting The Tempest in South Africa (1955-1990). Shakespeare in Southern Africa, 6: 45-60.

Orkin, Martin 1995. Introduction to At The Junction: Four Plays by the Junction Avenue Theatre Company. Johannesburg: Witwatersrand University Press.

Orkin, Martin 1996. Possessing the book and peopling the text. Essays in theatre, 15(1): 45-57.

Orkin, Martin 1996b. Whose popular theatre and performance? In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 49-64.

Orkin, Martin 1997a. Shakespeare against apartheid. Johannesburg: Ad Donker.

Orkin, Martin 1997. Whose things of darkness? Reading/representing The tempest in South Africa. In Joughin, John J. (ed.) Shakespeare and national culture. Manchester: Manchester University Press. p. 142-169.

Orkin, Martin 2005. Local Shakespeares: Proximations and Power. London and New York: Routledge.

Osborne, Jane 1990. The Gumboot dance: an historical, socio-economic and cultural perspective. South African theatre journal,, 4(2): 50-79.

Oude Libertas centre. 1977. Architect and builder, 27(12): 18-25.

Oude Libertas-sentrum: ‘n monument vir wyn. 1977. Wynboer, 552: 18-25.

An outsider’s impression on African drama. 1940. South African outlook. 70:126.

Overall, Fiona Robyn 1984. The plays of Guy Menga : theatre and liberation. Johannesburg: University of the Witwatersrand. (MA(Dramatic Art) thesis).

← Older revision		Revision as of 05:17, 3 January 2024
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	[[Martin Orkin\|Orkin, Martin]] 2005. ''Local Shakespeares: Proximations and Power''. London and New York: Routledge.		[[Martin Orkin\|Orkin, Martin]] 2005. ''Local Shakespeares: Proximations and Power''. London and New York: Routledge.
		+
		+	[[Bev Orton\|Orton, Bev]]. 2018. Introduction, ''Women, Activism and Apartheid South Africa: Using Play Texts to Document the Herstory of South Africa'' Emerald Publishing Limited, Leeds, pp. 1-13. https://doi.org/10.1108/978-1-78754-525-020181001

	[[Jane Osborne\|Osborne, Jane]] 1990. The Gumboot dance: an historical, socio-economic and cultural perspective. ''[[South African Theatre Journal]]'', 4(2):50-79.		[[Jane Osborne\|Osborne, Jane]] 1990. The Gumboot dance: an historical, socio-economic and cultural perspective. ''[[South African Theatre Journal]]'', 4(2):50-79.

← Older revision		Revision as of 05:14, 3 January 2024
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	Return to [[South_African_Theatre/Bibliography\|A Bibliography of South African South African Theatre and Performance]]		Return to [[South_African_Theatre/Bibliography\|A Bibliography of South African South African Theatre and Performance]]

−		+	==The list==

← Older revision		Revision as of 08:18, 18 March 2020
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	[[Oude Libertas Theatre\|Oude Libertas]]-sentrum: ‘n monument vir wyn. 1977. ''Wynboer'', 552:18-25.		[[Oude Libertas Theatre\|Oude Libertas]]-sentrum: ‘n monument vir wyn. 1977. ''Wynboer'', 552:18-25.
		+
		+	[[M.E. Oudkerk\|Oudkerk, M.E.]] 1993. ''Shakespeare in Afrikaans: A Descriptive Analysis of the Imagery in "The Tempest"'' An unpublished MA dissertation in Translation. University of the Witwatersrand.
		+	Johannesburg, 1993

	An outsider’s impression on African drama. 1940. ''South African Outlook'', 70:126.		An outsider’s impression on African drama. 1940. ''South African Outlook'', 70:126.

← Older revision		Revision as of 14:27, 28 June 2011
Line 49:		Line 49:

	[[Jane Osborne\|Osborne, Jane]] 1990. The Gumboot dance: an historical, socio-economic and cultural perspective. ''[[South African Theatre Journal]]'', 4(2):50-79.		[[Jane Osborne\|Osborne, Jane]] 1990. The Gumboot dance: an historical, socio-economic and cultural perspective. ''[[South African Theatre Journal]]'', 4(2):50-79.
		+
		+	O’Sheel, Patrick 1978. [[Athol Fugard]]’s “Poor theatre”. ''Journal of Commonwealth Literature'', 12:67-77. April

	[[Oude Libertas Theatre\|Oude Libertas]] Centre. 1977. ''Architect and Builder'', 27(12):18-25.		[[Oude Libertas Theatre\|Oude Libertas]] Centre. 1977. ''Architect and Builder'', 27(12):18-25.

@@ Line 18: / Line 18: @@
 [[Martin Orkin|Orkin, Martin]] 1987a. Cruelty, ''King Lear'', and the South African Land Act, 1913. ''Shakespeare Survey'', 40:135-143.
-[[Martin Orkin|Orkin, Martin]] 1987b. The European challenge. ''Scenaria'', 78:47-48. July.
+[[Martin Orkin|Orkin, Martin]] 1987b. The European challenge. ''[[Scenaria]]'', 78:47-48. July.
 [[Martin Orkin|Orkin, Martin]] 1987c. ''Othello'' and the ‘plain face’ of racism. ''Shakespeare Quarterly'', 38(2):166-188.
@@ Line 24: / Line 24: @@
 [[Martin Orkin|Orkin, Martin]] 1987d. ''Shakespeare Against Apartheid''. Craighall: Ad Donker.
-[[Martin Orkin|Orkin, Martin]] 1988a. Body and state in Blood Knot / ''[[The Blood Knot]]''. ''South African Theatre Journal'', 2(1):17-34.
+[[Martin Orkin|Orkin, Martin]] 1988a. Body and state in Blood Knot / ''[[The Blood Knot]]''. ''[[South African Theatre Journal]]'', 2(1):17-34.
-[[Martin Orkin|Orkin, Martin]] 1990. “This bit of the world is ours”:  Butler’s national theatre of the fifties. ''South African Theatre Journal'', 4(2):87-98.
+[[Martin Orkin|Orkin, Martin]] 1990. “This bit of the world is ours”:  Butler’s national theatre of the fifties. ''[[South African Theatre Journal]]'', 4(2):87-98.
 [[Martin Orkin|Orkin, Martin]] 1991a. ''Drama and the South African State''. Johannesburg: Witwatersrand University Press.
@@ Line 32: / Line 32: @@
 [[Martin Orkin|Orkin, Martin]] 1991b. Shakespeare and the politics of “unrest”. ''English Academy Review'', 8:85-97.
-[[Martin Orkin|Orkin, Martin]] 1992.  Whose popular theatre and performance? ''South African Theatre Journal'', 6(2):30-42.
+[[Martin Orkin|Orkin, Martin]] 1992.  Whose popular theatre and performance? ''[[South African Theatre Journal]]'', 6(2):30-42.
 [[Martin Orkin|Orkin, Martin]] 1993a. The politics of editing the Shakespearean text in South Africa. ''Current Writing'', 5(1):48-59.
@@ Line 48: / Line 48: @@
 [[Martin Orkin|Orkin, Martin]] 2005. ''Local Shakespeares: Proximations and Power''. London and New York: Routledge.
-[[Jane Osborne|Osborne, Jane]] 1990.  The Gumboot dance:  an historical, socio-economic and cultural perspective. ''South African Theatre Journal'', 4(2):50-79.
+[[Jane Osborne|Osborne, Jane]] 1990.  The Gumboot dance:  an historical, socio-economic and cultural perspective. ''[[South African Theatre Journal]]'', 4(2):50-79.
 [[Oude Libertas Theatre|Oude Libertas]] Centre. 1977. ''Architect and Builder'', 27(12):18-25.
@@ Line 56: / Line 56: @@
 An outsider’s impression on African drama. 1940. ''South African Outlook'', 70:126.
-[[Fiona Robyn Overall|Overall, Fiona Robyn]] 1984. The plays of [[Menga Guy|Guy Menga]] : theatre and liberation. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.
+[[Fiona Robyn Overall|Overall, Fiona Robyn]] 1984. The plays of [[Guy Menga]] : theatre and liberation. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.

← Older revision		Revision as of 14:15, 15 February 2011
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−	[[Martin Orkin\|Orkin, Martin]] 1985. Drama in South Africa: ''[[~~Ghandi~~ in South Africa]]''~~: the play~~. ''English Academy Review'', 2:61-67.	+	[[Martin Orkin\|Orkin, Martin]] 1985. Drama in South Africa: ''[[Gandhi in South Africa : the play]]''. ''English Academy Review'', 2:61-67.

	[[Martin Orkin\|Orkin, Martin]] 1986. Civility and the English colonial enterprise: notes on Shakespeare’s ''Othello''. ''Theaoria'', 68:1-14. December.		[[Martin Orkin\|Orkin, Martin]] 1986. Civility and the English colonial enterprise: notes on Shakespeare’s ''Othello''. ''Theaoria'', 68:1-14. December.

@@ Line 12: / Line 12: @@
-[[Martin Orkin|Orkin, Martin]] 1985. Drama in South Africa: Ghandi in South Africa:  the play. English Academy Review, 2:61-67.
+[[Martin Orkin|Orkin, Martin]] 1985. Drama in South Africa: ''[[Ghandi in South Africa]]'':  the play. ''English Academy Review'', 2:61-67.
-[[Martin Orkin|Orkin, Martin]] 1986. Civility and the English colonial enterprise: notes on Shakespeare’s Othello. Theaoria, 68:1-14. December.
+[[Martin Orkin|Orkin, Martin]] 1986. Civility and the English colonial enterprise: notes on Shakespeare’s ''Othello''. ''Theaoria'', 68:1-14. December.
-[[Martin Orkin|Orkin, Martin]] 1987a. Cruelty, King Lear, and the South African Land Act, 1913. Shakespeare Survey, 40:135-143.
+[[Martin Orkin|Orkin, Martin]] 1987a. Cruelty, ''King Lear'', and the South African Land Act, 1913. ''Shakespeare Survey'', 40:135-143.
-[[Martin Orkin|Orkin, Martin]] 1987b. The European challenge. Scenaria, 78:47-48. July.
+[[Martin Orkin|Orkin, Martin]] 1987b. The European challenge. ''Scenaria'', 78:47-48. July.
-[[Martin Orkin|Orkin, Martin]] 1987c. Othello and the ‘plain face’ of racism. Shakespeare Quarterly, 38(2):166-188.
+[[Martin Orkin|Orkin, Martin]] 1987c. ''Othello'' and the ‘plain face’ of racism. ''Shakespeare Quarterly'', 38(2):166-188.
-[[Martin Orkin|Orkin, Martin]] 1987d. Shakespeare Against Apartheid. Craighall: Ad Donker.
+[[Martin Orkin|Orkin, Martin]] 1987d. ''Shakespeare Against Apartheid''. Craighall: Ad Donker.
-[[Martin Orkin|Orkin, Martin]] 1988a. Body and state in Blood Knot / The Blood Knot. South African Theatre Journal, 2(1):17-34.
+[[Martin Orkin|Orkin, Martin]] 1988a. Body and state in Blood Knot / ''[[The Blood Knot]]''. ''South African Theatre Journal'', 2(1):17-34.
-[[Martin Orkin|Orkin, Martin]] 1990. “This bit of the world is ours”:  Butler’s national theatre of the fifties. South African Theatre Journal, 4(2):87-98.
+[[Martin Orkin|Orkin, Martin]] 1990. “This bit of the world is ours”:  Butler’s national theatre of the fifties. ''South African Theatre Journal'', 4(2):87-98.
-[[Martin Orkin|Orkin, Martin]] 1991a. Drama and the South African State. Johannesburg: Witwatersrand University Press.
+[[Martin Orkin|Orkin, Martin]] 1991a. ''Drama and the South African State''. Johannesburg: Witwatersrand University Press.
-[[Martin Orkin|Orkin, Martin]] 1991b. Shakespeare and the politics of “unrest”. English Academy Review, 8:85-97.
+[[Martin Orkin|Orkin, Martin]] 1991b. Shakespeare and the politics of “unrest”. ''English Academy Review'', 8:85-97.
-[[Martin Orkin|Orkin, Martin]] 1992.  Whose popular theatre and performance? South African Theatre Journal, 6(2):30-42.
+[[Martin Orkin|Orkin, Martin]] 1992.  Whose popular theatre and performance? ''South African Theatre Journal'', 6(2):30-42.
-[[Martin Orkin|Orkin, Martin]] 1993a. The politics of editing the Shakespearean text in South Africa. Current Writing, 5(1):48-59.
+[[Martin Orkin|Orkin, Martin]] 1993a. The politics of editing the Shakespearean text in South Africa. ''Current Writing'', 5(1):48-59.
-[[Martin Orkin|Orkin, Martin]] 1993b. Re-presenting The Tempest in South Africa (1955-1990). Shakespeare in Southern Africa, 6:45-60.
+[[Martin Orkin|Orkin, Martin]] 1993b. Re-presenting ''The Tempest'' in South Africa (1955-1990). ''Shakespeare in Southern Africa'', 6:45-60.
-[[Martin Orkin|Orkin, Martin]] 1995. Introduction to At The Junction: Four Plays by the Junction Avenue Theatre Company. Johannesburg: Witwatersrand University Press.
+[[Martin Orkin|Orkin, Martin]] 1995. Introduction to ''At The Junction: Four Plays by the [[Junction Avenue Theatre Company]]''. Johannesburg: Witwatersrand University Press.
-[[Martin Orkin|Orkin, Martin]] 1996. Possessing the book and peopling the text. Essays in Theatre, 15(1):45-57.
+[[Martin Orkin|Orkin, Martin]] 1996. Possessing the book and peopling the text. ''Essays in Theatre'', 15(1):45-57.
 [[Martin Orkin|Orkin, Martin]] 1996b. Whose popular theatre and performance? , in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 49-64.
-[[Martin Orkin|Orkin, Martin]] 1997. Whose things of darkness? Reading/representing The Tempest in South Africa, in Joughin, John J. (ed.). Shakespeare and National Culture. Manchester: Manchester University Press. 142-169.
+[[Martin Orkin|Orkin, Martin]] 1997. Whose things of darkness? Reading/representing ''The Tempest'' in South Africa, in Joughin, John J. (ed.). ''Shakespeare and National Culture''. Manchester: Manchester University Press. 142-169.
-[[Martin Orkin|Orkin, Martin]] 2005. Local Shakespeares: Proximations and Power. London and New York: Routledge.
+[[Martin Orkin|Orkin, Martin]] 2005. ''Local Shakespeares: Proximations and Power''. London and New York: Routledge.
-Osborne, Jane 1990.  The Gumboot dance:  an historical, socio-economic and cultural perspective. South African Theatre Journal, 4(2):50-79.
+[[Jane Osborne|Osborne, Jane]] 1990.  The Gumboot dance:  an historical, socio-economic and cultural perspective. ''South African Theatre Journal'', 4(2):50-79.
-Oude Libertas Centre. 1977. Architect and Builder, 27(12):18-25.
+[[Oude Libertas Theatre|Oude Libertas]] Centre. 1977. ''Architect and Builder'', 27(12):18-25.
-Oude Libertas-sentrum: ‘n monument vir wyn. 1977. Wynboer, 552:18-25.
+[[Oude Libertas Theatre|Oude Libertas]]-sentrum: ‘n monument vir wyn. 1977. ''Wynboer'', 552:18-25.
-An outsider’s impression on African drama. 1940. South African Outlook. 70:126.
+An outsider’s impression on African drama. 1940. ''South African Outlook'', 70:126.
-Overall, Fiona Robyn 1984. The plays of Guy Menga : theatre and liberation. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.
+[[Fiona Robyn Overall|Overall, Fiona Robyn]] 1984. The plays of [[Menga Guy|Guy Menga]] : theatre and liberation. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.

← Older revision		Revision as of 09:44, 6 December 2010
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		+	[[ESAT Bibliography O-Od\|O-Od]] [[ESAT Bibliography Oe-Ol\|Oe-Ol]] [[ESAT Bibliography Om-Oq\|Om-Oq]] [[ESAT Bibliography Or-Oz\|Or-Oz]]
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	Orkin, Martin 1985. Drama in South Africa: Ghandi in South Africa: the play. English Academy review, 2: 61-67.		Orkin, Martin 1985. Drama in South Africa: Ghandi in South Africa: the play. English Academy review, 2: 61-67.

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	Overall, Fiona Robyn 1984. The plays of Guy Menga : theatre and liberation. Johannesburg: University of the Witwatersrand. (MA(Dramatic Art) thesis).		Overall, Fiona Robyn 1984. The plays of Guy Menga : theatre and liberation. Johannesburg: University of the Witwatersrand. (MA(Dramatic Art) thesis).
		+
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		+	Click on the appropriate letters of the alphabet in the sub-list below.
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		+	[[ESAT Bibliography O-Od\|O-Od]] [[ESAT Bibliography Oe-Ol\|Oe-Ol]] [[ESAT Bibliography Om-Oq\|Om-Oq]] [[ESAT Bibliography Or-Oz\|Or-Oz]]
		+
		+	To return to any other letter, click on the list below
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		+	[[ESAT Bibliography A\|A]] [[ESAT Bibliography B\|B]] [[ESAT Bibliography C\|C]] [[ESAT Bibliography D\|D]] [[ESAT Bibliography E\|E]] [[ESAT Bibliography F\|F]] [[ESAT Bibliography G\|G]] [[ESAT Bibliography H\|H]] [[ESAT Bibliography I\|I]] [[ESAT Bibliography J\|J]] [[ESAT Bibliography K\|K]] [[ESAT Bibliography L\|L]] [[ESAT Bibliography M\|M]] [[ESAT Bibliography N\|N]] [[ESAT Bibliography O\|O]] [[ESAT Bibliography P\|P]] [[ESAT Bibliography Q\|Q]] [[ESAT Bibliography R\|R]] [[ESAT Bibliography S\|S]] [[ESAT Bibliography T\|T]] [[ESAT Bibliography U\|U]] [[ESAT Bibliography V\|V]] [[ESAT Bibliography W\|W]] [[ESAT Bibliography X\|X]] [[ESAT Bibliography Y\|Y]] [[ESAT Bibliography Z\|Z]]
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		+	Return to [[South_African_Theatre/Bibliography\|A Bibliography of South African South African Theatre and Performance]]