ESAT Bibliography Mop-Mot - Revision history

Miriamt at 15:20, 17 February 2015

2015-02-17T15:20:21Z

2014-04-11T06:02:37Z

2014-04-11T06:02:03Z

2013-02-22T13:51:31Z

2011-09-23T12:09:19Z

2011-08-22T14:21:25Z

2011-08-01T19:01:36Z

2011-08-01T19:00:04Z

2011-06-28T14:25:32Z

2011-06-28T14:22:37Z

@@ Line 43: / Line 43: @@
 [[Gay Morris|Morris, Gay]] 2012. ''Theatre and Citizenship: The History of a Practice'', by David Wiles. Reviewed in ''[[South African Theatre Journal]]'', 26(1):98-100.
-[[Gay Morris|Morris, Gay]]. 2014. Playing with Change: Repetition and Innovation in Township Performance. In Vicki Ann Cremona,  Rikard Hoogland, [[Gay Morris]] and Wilmar Sauter (eds).  ''Playing Culture: Conventions and Extensions of Performance''. Amsterdam:  Rodopi.
+[[Gay Morris|Morris, Gay]]. 2014a. Playing with Change: Repetition and Innovation in Township Performance. In Vicki Ann Cremona,  Rikard Hoogland, [[Gay Morris]] and Wilmar Sauter (eds).  ''Playing Culture: Conventions and Extensions of Performance''. Amsterdam:  Rodopi.
 [[Patricia Morris|Morris, Patricia]] & [[Uys, Pieter-Dirk|Pieter-Dirk Uys]] 1988. Cry freemandela and don’t be such a fool. ''Index on censorship'', 17:22-24.

@@ Line 43: / Line 43: @@
 [[Gay Morris|Morris, Gay]] 2012. ''Theatre and Citizenship: The History of a Practice'', by David Wiles. Reviewed in ''[[South African Theatre Journal]]'', 26(1):98-100.
-[[Gay Morris|Morris, Gay]]. 2014. Playing with Change: Repetition and Innovation in Township Performance. In Vicki Ann Cremona,  Rikard Hoogland, Gay Morris and Wilmar Sauter (eds).  ''Playing Culture: Conventions and Extensions of Performance''. Amsterdam:  Rodopi.
+[[Gay Morris|Morris, Gay]]. 2014. Playing with Change: Repetition and Innovation in Township Performance. In Vicki Ann Cremona,  Rikard Hoogland, [[Gay Morris]] and Wilmar Sauter (eds).  ''Playing Culture: Conventions and Extensions of Performance''. Amsterdam:  Rodopi.
 [[Patricia Morris|Morris, Patricia]] & [[Uys, Pieter-Dirk|Pieter-Dirk Uys]] 1988. Cry freemandela and don’t be such a fool. ''Index on censorship'', 17:22-24.

← Older revision		Revision as of 06:02, 11 April 2014
Line 42:		Line 42:

	[[Gay Morris\|Morris, Gay]] 2012. ''Theatre and Citizenship: The History of a Practice'', by David Wiles. Reviewed in ''[[South African Theatre Journal]]'', 26(1):98-100.		[[Gay Morris\|Morris, Gay]] 2012. ''Theatre and Citizenship: The History of a Practice'', by David Wiles. Reviewed in ''[[South African Theatre Journal]]'', 26(1):98-100.
		+
		+	[[Gay Morris\|Morris, Gay]]. 2014. Playing with Change: Repetition and Innovation in Township Performance. In Vicki Ann Cremona, Rikard Hoogland, Gay Morris and Wilmar Sauter (eds). ''Playing Culture: Conventions and Extensions of Performance''. Amsterdam: Rodopi.

	[[Patricia Morris\|Morris, Patricia]] & [[Uys, Pieter-Dirk\|Pieter-Dirk Uys]] 1988. Cry freemandela and don’t be such a fool. ''Index on censorship'', 17:22-24.		[[Patricia Morris\|Morris, Patricia]] & [[Uys, Pieter-Dirk\|Pieter-Dirk Uys]] 1988. Cry freemandela and don’t be such a fool. ''Index on censorship'', 17:22-24.

← Older revision		Revision as of 13:51, 22 February 2013
Line 40:		Line 40:

	[[Gay Morris\|Morris, Gay]] 2008. Institutional arrangements of theatre in the Cape: the case of township theatre. ''[[South African Theatre Journal]]'', 22:102-118.		[[Gay Morris\|Morris, Gay]] 2008. Institutional arrangements of theatre in the Cape: the case of township theatre. ''[[South African Theatre Journal]]'', 22:102-118.
		+
		+	[[Gay Morris\|Morris, Gay]] 2012. ''Theatre and Citizenship: The History of a Practice'', by David Wiles. Reviewed in ''[[South African Theatre Journal]]'', 26(1):98-100.

	[[Patricia Morris\|Morris, Patricia]] & [[Uys, Pieter-Dirk\|Pieter-Dirk Uys]] 1988. Cry freemandela and don’t be such a fool. ''Index on censorship'', 17:22-24.		[[Patricia Morris\|Morris, Patricia]] & [[Uys, Pieter-Dirk\|Pieter-Dirk Uys]] 1988. Cry freemandela and don’t be such a fool. ''Index on censorship'', 17:22-24.

← Older revision		Revision as of 12:09, 23 September 2011
Line 42:		Line 42:

	[[Patricia Morris\|Morris, Patricia]] & [[Uys, Pieter-Dirk\|Pieter-Dirk Uys]] 1988. Cry freemandela and don’t be such a fool. ''Index on censorship'', 17:22-24.		[[Patricia Morris\|Morris, Patricia]] & [[Uys, Pieter-Dirk\|Pieter-Dirk Uys]] 1988. Cry freemandela and don’t be such a fool. ''Index on censorship'', 17:22-24.
		+
		+	[[Ronald W. Morris\|Morris, Ronald W.]] 1942. A glimpse at the Afrikaans theatre. ''Playtime'', (28):4-5,19,20.

	[[F.E. Morrison\|Morrison, F.E.]] 1987. Die drama: ’n herbesinning. ''Lyra Academica'', 2(1):41-49.		[[F.E. Morrison\|Morrison, F.E.]] 1987. Die drama: ’n herbesinning. ''Lyra Academica'', 2(1):41-49.

← Older revision		Revision as of 14:21, 22 August 2011
Line 32:		Line 32:

	[[Gay Morris\|Morris, Gay]] 2002b. Theatre in education in Cape schools: reflections on South African theatre making practices. ''[[South African Theatre Journal]]'', 16:120 – 136.		[[Gay Morris\|Morris, Gay]] 2002b. Theatre in education in Cape schools: reflections on South African theatre making practices. ''[[South African Theatre Journal]]'', 16:120 – 136.
		+
		+	[[Gay Morris\|Morris, Gay]] 2005. Practising role play: learning through experience. ''[[South African Theatre Journal]]'', 19:58-71.

	[[Gay Morris\|Morris, Gay]] 2006. Considering directors and directing in South African theatre. ''[[South African Theatre Journal]]'', 20:11-29.		[[Gay Morris\|Morris, Gay]] 2006. Considering directors and directing in South African theatre. ''[[South African Theatre Journal]]'', 20:11-29.

@@ Line 21: / Line 21: @@
 [[C.K. Moropa|Moropa, C.K.]] 1986. Art of drama in ‘intsomi’ narration. ''South African Journal of African Languages'', 6(2):91-93.
-[[Gay Morris|Morris, Gay]] 1989a. Drama: Action and Interaction: A Collection of Plays and Activities, by Walter Greyvenstein. Reviewed in: ''[[South African Theatre Journal]]'', 3(2:133-137.
+[[Gay Morris|Morris, Gay]] 1989a. ''Drama: Action and Interaction: A Collection of Plays and Activities'', by [[Walter Greyvenstein]]. Reviewed in: ''[[South African Theatre Journal]]'', 3(2:133-137.
 [[Gay Morris|Morris, Gay]] 1989b. A critical biography of [[Rosalie van der Gucht]] : investigating her contribution to education in South Africa with special reference to speech and drama. Unpublished master’s thesis. Cape Town: University of Cape Town.

@@ Line 37: / Line 37: @@
 [[Gay Morris|Morris, Gay]] 2008. Institutional arrangements of theatre in the Cape: the case of township theatre. ''[[South African Theatre Journal]]'', 22:102-118.
-Morris, Patricia & [[Uys, Pieter-Dirk|Pieter-Dirk Uys]] Cry freemandela and don’t be such a fool. ''Index on censorship'', 17:22-24.
+[[Patricia Morris|Morris, Patricia]] & [[Uys, Pieter-Dirk|Pieter-Dirk Uys]] 1988. Cry freemandela and don’t be such a fool. ''Index on censorship'', 17:22-24.
 [[F.E. Morrison|Morrison, F.E.]] 1987. Die drama: ’n herbesinning. ''Lyra Academica'', 2(1):41-49.

← Older revision		Revision as of 14:22, 28 June 2011
Line 36:		Line 36:

	[[Gay Morris\|Morris, Gay]] 2008. Institutional arrangements of theatre in the Cape: the case of township theatre. ''[[South African Theatre Journal]]'', 22:102-118.		[[Gay Morris\|Morris, Gay]] 2008. Institutional arrangements of theatre in the Cape: the case of township theatre. ''[[South African Theatre Journal]]'', 22:102-118.
		+
		+	Morris, Patricia & [[Uys, Pieter-Dirk\|Pieter-Dirk Uys]] Cry freemandela and don’t be such a fool. ''Index on censorship'', 17:22-24.

	[[F.E. Morrison\|Morrison, F.E.]] 1987. Die drama: ’n herbesinning. ''Lyra Academica'', 2(1):41-49.		[[F.E. Morrison\|Morrison, F.E.]] 1987. Die drama: ’n herbesinning. ''Lyra Academica'', 2(1):41-49.