ESAT Bibliography Mcm-Mda - Revision history

Miriamt at 14:32, 10 August 2011

2011-08-10T14:32:35Z

Miriamt at 10:45, 30 June 2011

2011-06-30T10:45:53Z

Miriamt at 10:44, 30 June 2011

2011-06-30T10:44:03Z

Miriamt at 10:42, 30 June 2011

2011-06-30T10:42:54Z

Miriamt at 12:16, 15 March 2011

2011-03-15T12:16:48Z

Miriamt at 09:56, 12 March 2011

2011-03-12T09:56:30Z

Miriamt at 09:03, 31 January 2011

2011-01-31T09:03:49Z

Miriamt at 08:57, 31 January 2011

2011-01-31T08:57:16Z

Show changes

Miriamt at 12:51, 20 January 2011

2011-01-20T12:51:16Z

Miriamt at 12:15, 3 December 2010

2010-12-03T12:15:28Z

@@ Line 15: / Line 15: @@
 [[Mervyn McMurtry|McMurtry, Mervyn Eric]] 1994. The playwright-performer as scourge and benefactor: an examination of political satire and lampoon in South African theatre, with particular reference to [[Pieter-Dirk Uys]]. Unpublished doctoral dissertation. Durban: University of Natal.
-[[Mervyn McMurtry|McMurtry, Mervyn]] 1994. The rise of the first Ambassador Bezuidenhout: [[Pieter-Dirk Uys]]’s creation of [[Evita Bezuidenhout]], her fictional actuality and his approach to female impersonation. ''''South African Theatre Journal'''', 8(2):79-107.
+[[Mervyn McMurtry|McMurtry, Mervyn]] 1994. The rise of the first Ambassador Bezuidenhout: [[Pieter-Dirk Uys]]’s creation of [[Evita Bezuidenhout]], her fictional actuality and his approach to female impersonation. ''[[South African Theatre Journal]]'', 8(2):79-107.
 [[Mervyn McMurtry|McMurtry, Mervyn]] 1995.  [[Adam Leslie]] and his contribution to satire in intimate review in South African theatre. ''[[South African Theatre Journal]]'', 9(1):3-27.

@@ Line 21: / Line 21: @@
 [[Mervyn McMurtry|McMurtry, Mervyn]] 1996. ''Open Space: Six Contemporary Plays from Africa'', edited by [[Yvette Hutchison]] & [[Kole Omotoso]] and ''The Distance Remains and Other Plays'', by [[Robin Malan]]. Reviewed in: ''[[South African Theatre Journal]]'', 10(1):119-124.
-[[Mervyn McMurtry|McMurtry, Mervyn]] 1998. ‘Greeks bearing gifts’: [[Athol Fugard]]’s ''Orestes'' project and the politics of experience. ''Modern Drama'', 41(1):105-108.
+[[Mervyn McMurtry|McMurtry, Mervyn]] 1998. ‘Greeks bearing gifts’: [[Athol Fugard]]’s ''[[Orestes]]'' project and the politics of experience. ''Modern Drama'', 41(1):105-108.
 [[Mervyn McMurtry|McMurtry, Mervyn]] 2000. Geographies of research:  From “Geographies of Learning”. ''[[South African Theatre Journal]]'', 14:19-27.
@@ Line 27: / Line 27: @@
 [[Mervyn McMurtry|McMurtry, Mervyn]] 2002.  Productions and publication: Issues in the accreditation of creative activity for tenure and promotion at tertiary institutions in the United States of America.  ''[[South African Theatre Journal]]'', 16:80-91.
-[[Mervyn McMurtry|McMurtry, Mervyn E.]] 2006. Experiencing the ‘living monument’: [[Athol Fugard]]’s directing process and the Orestes project. ''[[South African Theatre Journal]]'', 20:30-47.
+[[Mervyn McMurtry|McMurtry, Mervyn E.]] 2006. Experiencing the ‘living monument’: [[Athol Fugard]]’s directing process and the ''[[Orestes]]'' project. ''[[South African Theatre Journal]]'', 20:30-47.
 [[Mabel Elizabeth Lilian McNeil|McNeil, Mabel Elizabeth Lilian]] 1986. A didactical-pedagogical analysis of the 1985 syllabus for speech and drama in the province of Natal. Unpublished master’s thesis. Pretoria:: University of South Africa.

@@ Line 15: / Line 15: @@
 [[Mervyn McMurtry|McMurtry, Mervyn Eric]] 1994. The playwright-performer as scourge and benefactor: an examination of political satire and lampoon in South African theatre, with particular reference to [[Pieter-Dirk Uys]]. Unpublished doctoral dissertation. Durban: University of Natal.
-[[Mervyn McMurtry|McMurtry, Mervyn]] 1994. The rise of the first Ambassador Bezuidenhout: [[Pieter-Dirk Uys]]’s creation of Evita Bezuidenhout, her fictional actuality and his approach to female impersonation. ''''South African Theatre Journal'''', 8(2):79-107.
+[[Mervyn McMurtry|McMurtry, Mervyn]] 1994. The rise of the first Ambassador Bezuidenhout: [[Pieter-Dirk Uys]]’s creation of [[Evita Bezuidenhout]], her fictional actuality and his approach to female impersonation. ''''South African Theatre Journal'''', 8(2):79-107.
 [[Mervyn McMurtry|McMurtry, Mervyn]] 1995.  [[Adam Leslie]] and his contribution to satire in intimate review in South African theatre. ''[[South African Theatre Journal]]'', 9(1):3-27.

@@ Line 49: / Line 49: @@
 [[Zakes Mda|Mda, Zakes]] 1996. Politics and the theatre: current trends in South Africa, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 193-218.
-[[Zakes Mda|Mda, Zakes]] 1997. When People Play People in Post-apartheid South Africa. Interview with D. Salter. Brecht Yearbook 22:283-303.
+[[Zakes Mda|Mda, Zakes]] 1997a. Theatre for children in South Africa. ''Matatu: Journal for African Culture and Society'', (17/18):137-144.
 [[Zakes Mda|Mda, Zakes]] 1998. Current trends in Theatre for Development in South Africa, in [[Derek Attridge|Attridge, Derek]] & [[Rosemary Jolly|Jolly, Rosemary]] (eds.). ''Writing South Africa: Literature, Apartheid and Democracy, 1970-1995''. Cambridge: Cambridge University Press. 257-264.

@@ Line 27: / Line 27: @@
 [[Mervyn McMurtry|McMurtry, Mervyn]] 2002.  Productions and publication: Issues in the accreditation of creative activity for tenure and promotion at tertiary institutions in the United States of America.  ''[[South African Theatre Journal]]'', 16:80-91.
-[[Mervyn McMurtry|McMurtry, Mervyn E.]] 2006. Experiencing the ‘living monument’: [[Athol Fugard]]’s directing process and the Orestes project. ''''South African Theatre Journal'''', 20:30-47.
+[[Mervyn McMurtry|McMurtry, Mervyn E.]] 2006. Experiencing the ‘living monument’: [[Athol Fugard]]’s directing process and the Orestes project. ''[[South African Theatre Journal]]'', 20:30-47.
 [[Mabel Elizabeth Lilian McNeil|McNeil, Mabel Elizabeth Lilian]] 1986. A didactical-pedagogical analysis of the 1985 syllabus for speech and drama in the province of Natal. Unpublished master’s thesis. Pretoria:: University of South Africa.

@@ Line 13: / Line 13: @@
 [[Susan McMurray|McMurray, Susan]] 1992. Theatre for Africa – a case study. Unpublished bachelor’s essay. Johannesburg: University of the Witwatersrand.
-[[Mervyn McMurtry|McMurtry, Mervyn Eric]] 1994. The playwright-performer as scourge and benefactor: an examination of political satire and lampoon in South African theatre, with particular reference to [[Uys, Pieter-Dirk|Pieter-Dirk Uys]]. Unpublished doctoral dissertation. Durban: University of Natal.
+[[Mervyn McMurtry|McMurtry, Mervyn Eric]] 1994. The playwright-performer as scourge and benefactor: an examination of political satire and lampoon in South African theatre, with particular reference to [[Pieter-Dirk Uys]]. Unpublished doctoral dissertation. Durban: University of Natal.
-[[Mervyn McMurtry|McMurtry, Mervyn]] 1994. The rise of the first Ambassador Bezuidenhout: [[Uys, Pieter-Dirk|Pieter-Dirk Uys]]’s creation of Evita Bezuidenhout, her fictional actuality and his approach to female impersonation. ''South African Theatre Journal'', 8(2):79-107.
+[[Mervyn McMurtry|McMurtry, Mervyn]] 1994. The rise of the first Ambassador Bezuidenhout: [[Pieter-Dirk Uys]]’s creation of Evita Bezuidenhout, her fictional actuality and his approach to female impersonation. ''''South African Theatre Journal'''', 8(2):79-107.
-[[Mervyn McMurtry|McMurtry, Mervyn]] 1995.  [[Leslie, Adam|Adam Leslie]] and his contribution to satire in intimate review in South African theatre. ''South African Theatre Journal'', 9(1):3-27.
+[[Mervyn McMurtry|McMurtry, Mervyn]] 1995.  [[Adam Leslie]] and his contribution to satire in intimate review in South African theatre. ''[[South African Theatre Journal]]'', 9(1):3-27.
-[[Mervyn McMurtry|McMurtry, Mervyn]] 1996. Open Space: Six Contemporary Plays from Africa edited by [[Hutchison, Yvette|Yvette Hutchison]] & [[Omotoso, Kole|Kole Omotoso]] and The Distance Remains and Other Plays by [[Malan, Robin|Robin Malan]]. Reviewed in: ''South African Theatre Journal'', 10(1):119-124.
+[[Mervyn McMurtry|McMurtry, Mervyn]] 1996. ''Open Space: Six Contemporary Plays from Africa'', edited by [[Yvette Hutchison]] & [[Kole Omotoso]] and ''The Distance Remains and Other Plays'', by [[Robin Malan]]. Reviewed in: ''[[South African Theatre Journal]]'', 10(1):119-124.
-[[Mervyn McMurtry|McMurtry, Mervyn]] 1998. ‘Greeks bearing gifts’: [[Fugard, Athol|Athol Fugard]]’s ''Orestes'' project and the politics of experience. ''Modern Drama'', 41(1):105-108.
+[[Mervyn McMurtry|McMurtry, Mervyn]] 1998. ‘Greeks bearing gifts’: [[Athol Fugard]]’s ''Orestes'' project and the politics of experience. ''Modern Drama'', 41(1):105-108.
-[[Mervyn McMurtry|McMurtry, Mervyn]] 2000. Geographies of research:  From “Geographies of Learning”. ''South African Theatre Journal'', 14:19-27.
+[[Mervyn McMurtry|McMurtry, Mervyn]] 2000. Geographies of research:  From “Geographies of Learning”. ''[[South African Theatre Journal]]'', 14:19-27.
-[[Mervyn McMurtry|McMurtry, Mervyn]] 2002.  Productions and publication: Issues in the accreditation of creative activity for tenure and promotion at tertiary institutions in the United States of America.  ''South African Theatre Journal'', 16:80-91.
+[[Mervyn McMurtry|McMurtry, Mervyn]] 2002.  Productions and publication: Issues in the accreditation of creative activity for tenure and promotion at tertiary institutions in the United States of America.  ''[[South African Theatre Journal]]'', 16:80-91.
-[[Mervyn McMurtry|McMurtry, Mervyn E.]] 2006. Experiencing the ‘living monument’: [[Fugard, Athol|Athol Fugard]]’s directing process and the Orestes project. ''South African Theatre Journal'', 20:30-47.
+[[Mervyn McMurtry|McMurtry, Mervyn E.]] 2006. Experiencing the ‘living monument’: [[Athol Fugard]]’s directing process and the Orestes project. ''''South African Theatre Journal'''', 20:30-47.
 [[Mabel Elizabeth Lilian McNeil|McNeil, Mabel Elizabeth Lilian]] 1986. A didactical-pedagogical analysis of the 1985 syllabus for speech and drama in the province of Natal. Unpublished master’s thesis. Pretoria:: University of South Africa.
-[[Gavin McSweeny|McSweeny, Gavin]] 1977. The [[Market Theatre]]. ''Scenaria'', June/July. 10-11.
+[[Gavin McSweeny|McSweeny, Gavin]] 1977. The [[Market Theatre]]. ''[[Scenaria]]'', June/July. 10-11.
 [[Zakes Mda|Mda, Zakes]] 1983. Commitment and writing in theatre: the South African experience. ''Classic'', 2(1):13-15.

@@ Line 35: / Line 35: @@
 [[Zakes Mda|Mda, Zakes]] 1983. Commitment and writing in theatre: the South African experience. ''Classic'', 2(1):13-15.
-[[Zakes Mda|Mda, Zakes]] 1984. Extracts, in Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret (eds.). 1984. Momentum: On Recent South African Writing. Pietermaritzburg: University of Natal Press. 295-297.
+[[Zakes Mda|Mda, Zakes]] 1984. Extracts, in [[Margaret J. Daymond|Daymond, Margaret J.]], [[Johan Jacobs|Jacobs, Johan]] & [[Margaret Lenta|Lenta, Margaret]] (eds.). 1984. “Momentum: On Recent South African Writing”. Pietermaritzburg: University of Natal Press. 295-297.
 [[Zakes Mda|Mda, Zakes]] 1993. ''When People Play People: Development Communication Through Theatre''. Johannesburg: Witwatersrand University Books.
@@ Line 51: / Line 51: @@
 [[Zakes Mda|Mda, Zakes]] 1997. When People Play People in Post-apartheid South Africa. Interview with D. Salter. Brecht Yearbook 22:283-303.
-[[Zakes Mda|Mda, Zakes]] 1998. Current trends in Theatre for Development in South Africa, in Attridge, Derek & Jolly, Rosemary (eds.). Writing South Africa: Literature, Apartheid and Democracy, 1970-1995. Cambridge: Cambridge University Press. 257-264.
+[[Zakes Mda|Mda, Zakes]] 1998. Current trends in Theatre for Development in South Africa, in [[Derek Attridge|Attridge, Derek]] & [[Rosemary Jolly|Jolly, Rosemary]] (eds.). ''Writing South Africa: Literature, Apartheid and Democracy, 1970-1995''. Cambridge: Cambridge University Press. 257-264.
-[[Zakes Mda|Mda, Zakes]] 2002. South African theatre in an era of reconciliation, in [[Frances Harding|Harding, Frances]] (ed.). The Performance Arts in Africa: A Reader. London: Routledge. 279-289.
+[[Zakes Mda|Mda, Zakes]] 2002. South African theatre in an era of reconciliation, in [[Frances Harding|Harding, Frances]] (ed.). ''The Performance Arts in Africa: A Reader''. London: Routledge. 279-289.
-[[Zakes Mda|Mda, Zakes]] 2005. Südafrikanisches Theater im Zeitalter der Aussöhnung, in Arndt, S. & Berndt, K. (eds.). Kreatives Afrika: SchriftstellerInnen über Literatur, Theater und Gesellschaft: eine Festschrift für Eckhard Breitinger. Wuppertal: Peter Hammer Verlag. 117-135.
+[[Zakes Mda|Mda, Zakes]] 2005. Südafrikanisches Theater im Zeitalter der Aussöhnung, in Arndt, S. & Berndt, K. (eds.). ''Kreatives Afrika: SchriftstellerInnen über Literatur, Theater und Gesellschaft: eine Festschrift für Eckhard Breitinger''. Wuppertal: Peter Hammer Verlag. 117-135.
-[[Zakes Mda|Mda, Zakes]] 2007. South African theatre in an era of reconciliation, in Arndt, Susan & Berndt, Katrin (eds.). Words and Worlds: African Writing, Theatre and Society; A Commemorative Publication in Honour of Eckhard Breitinger. Trenton, NJ : Africa World Press. 77-88.
+[[Zakes Mda|Mda, Zakes]] 2007. South African theatre in an era of reconciliation, in Arndt, Susan & Berndt, Katrin (eds.). ''Words and Worlds: African Writing, Theatre and Society; A Commemorative Publication in Honour of Eckhard Breitinger''. Trenton, NJ : Africa World Press. 77-88.
-[[Zakes Mda|Mda, Zakes]] 2009. The fiction of reconciliation: creating dialogue through verbal and performance arts in South Africa. Journal of Human Rights, 8(2):121-132.
+[[Zakes Mda|Mda, Zakes]] 2009. The fiction of reconciliation: creating dialogue through verbal and performance arts in South Africa. ''Journal of Human Rights'', 8(2):121-132.

@@ Line 1: / Line 1: @@
 Click on the appropriate letters of the alphabet in the sub-list below.
-[[ESAT Bibliography Ma=Mal|Ma-Mal]] [[ESAT Bibliography Mam-Mar|Mam-Mar]] [[ESAT Bibliography Mas-Mcl|Mas-Mcl]] [[ESAT Bibliography Mcm-Mda|Mcm-Mda]] [[ESAT Bibliography Mde-Mes|Mde-Mes]] [[ESAT Bibliography Met-Miz|Met-Miz]] [[ESAT Bibliography Mja-Moo|Mja-Moo]] [[ESAT Bibliography Mop-Mot|Mop-Mot]] [[ESAT Bibliography Mou-Moz|Mou-Moz]] [[ESAT Bibliography Mpa-Mz|Mpa-Mz]]
+[[ESAT Bibliography Maa-Mal|Maa-Mal]] [[ESAT Bibliography Mam-Mar|Mam-Mar]] [[ESAT Bibliography Mas-Mcl|Mas-Mcl]] [[ESAT Bibliography Mcm-Mda|Mcm-Mda]] [[ESAT Bibliography Mde-Mes|Mde-Mes]] [[ESAT Bibliography Met-Miz|Met-Miz]] [[ESAT Bibliography Mja-Moo|Mja-Moo]] [[ESAT Bibliography Mop-Mot|Mop-Mot]] [[ESAT Bibliography Mou-Moz|Mou-Moz]] [[ESAT Bibliography Mpa-Mz|Mpa-Mz]]
 To return to any other letter, click on the list below

← Older revision		Revision as of 12:15, 3 December 2010
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	Return to [[South_African_Theatre/Bibliography\|A Bibliography of South African South African Theatre and Performance]]		Return to [[South_African_Theatre/Bibliography\|A Bibliography of South African South African Theatre and Performance]]
		+
		+
		+
		+	McMurray, Susan 1992. Theatre for Africa – a case study. Johannesburg: University of the Witwatersrand. (BA essay).
		+
		+
		+	McMurtry, Mervyn Eric 1994. The playwright-performer as scourge and benefactor : an examination of political satire and lampoon in South African theatre, with particular reference to Pieter-Dirk Uys.Durban: University of Natal. (PhD (Speech & Drama) thesis).
		+
		+	McMurtry Mervyn 1994. The rise of the first Ambassador Bezuidenhout: Pieter-Dirk Uys’s creation of Evita Bezuidenhout, her fictional actuality and his approach to female impersonation. South African theatre journal, 8(2): 79-107.
		+
		+	McMurtry, Mervyn 1995. Adam Leslie and his contribution to satire in intimate review in South African theatre. South African theatre journal, 9(1): 3-27.
		+
		+	McMurtry, Mervyn 1996. Open space: six contemporary plays from Africa edited by Yvette Hutchison & Kole Omotoso and The distance remains and other plays by Robin Malan. Reviewed in: South African theare journal. 10(1): 119-124.
		+
		+	McMurtry, Mervyn 1998. ‘Greeks bearing gifts’: Athol Fugard’s Orestes project and the politics of experience. Modern drama, 41(1): 105-108.
		+
		+	MCMURTRY, MERVYN. 2000. Geographies of research: From “Geographies of Learning”. South African theatre journal,, 14:19-27.
		+
		+	MCMURTRY, MERVYN. 2002. Productions and publication: Issues in the accreditation of creativ activity for tenure and promotion at tertiary institutions in the United States of America. South African theatre journal,16: 80 – 91.
		+
		+	McMurtry, Mervyn E. 2006. Experiencing the ‘living monument’: Athol Fugard’s directing process and the Orestes project. South African theatre journal, 20: 30-47.
		+
		+	McMurtry 1996. ROBIN. The Distance Remains and Other Plays (Mervyn) S
		+	outh African Theatre Journal, Vol. 10(1):119-124
		+
		+	McNeil, Mabel Elizabeth Lilian 1986. A didactical-pedagogical analysis of the 1985 syllabus for speech and drama in the province of Natal. Pretoria:: University of South Africa. (M.Ed. thesis).
		+
		+	McSweeny, Gavin 1977. The Market Theatre. Scenaria, June/July. 10-11.
		+	Mda, Zakes 1983. Commitment and writing in theatre: the South African experience. Classic, 2(1): 13-15.
		+
		+	Mda, Zakes 1984. Extracts. In Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret 1984. Momentum: on recent South African writing. Pietermaritzburg: University of Natal Press. p. 295-297.
		+
		+	Mda, Zakes 1993. When people play people: development communication through theatre. Johannesburg: Witwatersrand University Books.
		+
		+	Mda, Zakes 1994a. Marotholi Travelling Theatre: towards an alternative perspective of development. In Gunner, Liz (ed.) Politics and performance: theatre, poetry and song in Southern Africa. Johannesburg: Witwatersrand University Press. p. 203-210.
		+
		+	Mda, Zakes 1994a. Another Theatre of the Absurd. In: Theatre and Performance in Africa, edited by Eckhard Breitinger (ed). Bayreuth African Studies 31, Bayreuth Germany.
		+
		+	Mda, Zakes 1994b. Learning from the ancient wisdom of Africa in the creation and distribution of messages. Current writing, 6(2): 139-150.
		+
		+	Mda, Zakes 1995. Theater and reconciliation in South Africa. Theater magazine, 25(3): 38-45.
		+
		+	Mda, Zakes 1996. ‘Politics and Theatre: current trends in South Africa’. In Davis and Fuchs (eds), Theatre and change in South Africa, Contemporary Theatre studies, 12 Amsterdam, Harwood Academic Publishers
		+
		+	MDA, Zakes 1997. When People Play People in Post-apartheid South Africa. Interview with D. Salter. In: Brecht Yearbook 22:283-303.
		+
		+	Mda, Z. 1994. Another Theatre of the Absurd. In Breitinger, E. (ed) Theatre and Performance in Africa. Bayreuth African Studies 31, Bayreuth Germany.
		+
		+
		+	Mda, Z. 1995. Theater and Reconciliation in South Africa. In Theater 25/3:36-45.
		+
		+	Mda, Zakes 1996. Politics and the theatre: current trends in South Africa. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 193-218.
		+
		+	Mda, Zakes 1998. Current trends in Theatre for Development in South Africa. In: Attridge, Derek and Jolly, Rosemary (eds). Writing South Africa: literature, apartheid, and democracy, 1970-1995. Cambridge: Cambridge University Press. p. 257-264.
		+
		+	Mda, Z. 2002. South African Theatre in an Era of Reconciliation. In: Harding, Frances (ed.) The Performance Arts in Africa. New York: Routledge. 279-289.
		+
		+	Mda, Zakes 2002. South African theatre in an era of reconciliation. In Harding, Frances (ed). The performance arts in Africa: a reader. London: Routledge. p. 279-289.
		+
		+	Mda, Zakes 2005. Südafrikanisches Theater im Zeitalter der Aussöhnung. In: Arndt, Susan & Berndt, Katrin (herausg). .Kreatives Afrika: SchriftstellerInnen über Literatur, Theater und Gesellschaft: eien Festschrift für Eckhard Breitinger. Wuppertal: Peter Hammer Verlag. p. 117-135.
		+
		+	Mda, Zakes 2007. South African theatre in an era of reconciliation. In: Arndt, Susan & Berndt, Katrin (eds). Words and worlds: African writing, theatre and society; a commemorative publication in honour of Eckhard Breitinger. Trenton, NJ : Africa World Press. p. 77-88.
		+
		+	Mda, Zakes 2009. The fiction of reconciliation: creating dialogue through verbal and
		+	performance arts in South Africa. Journal of human rights, 8(2): 121-132.