ESAT Bibliography Mas-Mcl - Revision history

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Satj at 13:26, 26 April 2023

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← Older revision		Revision as of 09:26, 11 February 2026
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	[[Marianne McDonald\|McDonald, Marianne]] 2006c. Wearing the third hat: [[Athol Fugard]] as director. ''[[South African Theatre Journal]]'', 20:207-220.		[[Marianne McDonald\|McDonald, Marianne]] 2006c. Wearing the third hat: [[Athol Fugard]] as director. ''[[South African Theatre Journal]]'', 20:207-220.
		+
		+	[[Marianne McDonald\|McDonald, Marianne]]. 2008. 'Afterword' in Fugard's ''[[Exits and Entrances]]''. Theatre Communications Group: New York.

	[[Marianne McDonald\|McDonald, Marianne]] 2012. ''The Craft of [[Athol Fugard]]: Space, Time, and Silence''. Los Angeles, Murasaki Press.		[[Marianne McDonald\|McDonald, Marianne]] 2012. ''The Craft of [[Athol Fugard]]: Space, Time, and Silence''. Los Angeles, Murasaki Press.

@@ Line 61: / Line 61: @@
 [[Marianne McDonald|McDonald, Marianne]] 2006c. Wearing the third hat: [[Athol Fugard]] as director. ''[[South African Theatre Journal]]'', 20:207-220.
-[[Marianne McDonald|McDonald, Marianne]] 2012. ''The Craft of [[Athol Fugard]]: Space, Time, and Silence''. Los Angeles; Murasaki Press.
+[[Marianne McDonald|McDonald, Marianne]] 2012. ''The Craft of [[Athol Fugard]]: Space, Time, and Silence''. Los Angeles, Murasaki Press.
 [[Murray McGibbon|McGibbon, Murray]] 1986. Theatre in the 21st century : a journey backwards into the future. ''[[NEON]]'', (51):36-40.

@@ Line 39: / Line 39: @@
 [[Doreen Mazibuko|Mazibuko, Doreen]] 1996. Theatre: the political weapon in South Africa, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 219-224.
-[[V. Mazmane|Mazmane, V.]] 1978. Literature and politics among Blacks in South Africa. ''New Classic'', 5:42-57.
+[[V. Mazmane|Mazmane, V.]] 1978. Literature and politics among Blacks in South Africa. ''[[New Classic]]'', 5:42-57.
 [[Mbongeni Ngema]]: drama 1988. 2009. In Watterson, Lore (ed.). ''[[Standard Bank Young Artist Awards, 25 years]]''. Randburg [South Africa] : DeskLink Media. 44-45.
@@ Line 51: / Line 51: @@
 [[C.A. McCarthy|McCarthy, C.A.]] 1990. ''The formative value of drama presentations on selected student teachers''. Unpublished master’s thesis. Durban: [[University of Durban-Westville]].
-[[Hermien Dommisse|McCaul-Dommisse, H.]] 1973. Hoe sal beeldradio ons lewende toneel raak? ''Buurman'', 3(4): 23-24. June.
+[[Hermien Dommisse|McCaul-Dommisse, H.]] 1973. Hoe sal beeldradio ons lewende toneel raak? ''[[Buurman]]'', 3(4): 23-24. June.
 [[Marianne McDonald|McDonald, Marianne]] 2002. 'A gift for his seventieth birthday : [[Athol Fugard]]'s ''[[Sorrows and Rejoicings]]''. ''Theatre Forum'', (21): 3-13.
@@ Line 57: / Line 57: @@
 [[Marianne McDonald|McDonald, Marianne]] 2006a. Preface to ''[[The Abbess]]''. ''[[South African Theatre Journal]]'', 20:335-338.
-[[Marianne McDonald|McDonald, Marianne]] 2006b. The return of the myth: [[Athol Fugard]] and the classics. ''Akroterion'', 51(2):
+[[Marianne McDonald|McDonald, Marianne]] 2006b. The return of the myth: [[Athol Fugard]] and the classics. ''[[Akroterion]]'', 51(2):
 [[Marianne McDonald|McDonald, Marianne]] 2006c. Wearing the third hat: [[Athol Fugard]] as director. ''[[South African Theatre Journal]]'', 20:207-220.
@@ Line 63: / Line 63: @@
 [[Marianne McDonald|McDonald, Marianne]] 2012. ''The Craft of [[Athol Fugard]]: Space, Time, and Silence''. Los Angeles; Murasaki Press.
-[[Murray McGibbon|McGibbon, Murray]] 1986. Theatre in the 21st century : a journey backwards into the future. ''NEON'', (51):36-40.
+[[Murray McGibbon|McGibbon, Murray]] 1986. Theatre in the 21st century : a journey backwards into the future. ''[[NEON]]'', (51):36-40.
 [[Kim McKay|McKay, Kim]] 1987. ''[[The Blood Knot]]'' reborn in the eighties: a reflection of the artist and his times.  ''Modern Drama'', 30(4):496-504.
-[[J. McLaren|McLaren, J.]] & [[D. van der Walt|Van der Walt, D.]] 1978. [[Nasionale Toneelbiblioteek]] en sy dienste. ''Opvoeding en Kultuur'', 2(4):34-35. December.
+[[J. McLaren|McLaren, J.]] & [[D. van der Walt|Van der Walt, D.]] 1978. [[Nasionale Toneelbiblioteek]] en sy dienste. ''[[Opvoeding en Kultuur]]'', 2(4):34-35. December.
 [[Jamie McLaren|McLaren, Jamie]] 2010. Storytelling, drama and play in psychosocial interventions for communities affected by HIV/AIDS in Southern Africa: developing pathways to locally sustainable care. ''[[South African Theatre Journal]]'', 24:67-81.

@@ Line 11: / Line 11: @@
 ==The list==
-Masque, pseud. 1950. Shortcomings of the South African stage. ''Trek'', 14(3):27-30.
+[[Masque]], pseud. 1950. Shortcomings of the South African stage. ''[[Trek]]'', 14(3):27-30.
 ''[[Master Harold and the Boys]]'' by [[Athol Fugard]]. 1982. [Dramatic criticiam]. ''[[Standpunte]]'', 35(6):9-14.
@@ Line 19: / Line 19: @@
 [[Sara Matchett|Matchett, Sara]] 2012. Breath as impulse, breath as thread: breath as catalyst for making an autobiographical performance in response to ‘corrective rape’ and hate crimes against lesbians. ''[[South African Theatre Journal]]'', 26(3):280-291.
-[[N.N. Mathonsi|Mathonsi, N.N.]] 2006. Tragic undertones in [[E. Zondi|Elliot Zondi]]'s ''[[Ukufa kukaShaka]]'' (the death of Shaka) - 1960. ''South African Journal of African Languages'', 26(2):
+[[N.N. Mathonsi|Mathonsi, N.N.]] 2006. Tragic undertones in [[E. Zondi|Elliot Zondi]]'s ''[[Ukufa kukaShaka]]'' (the death of Shaka) - 1960. ''[[South African Journal of African Languages]]'', 26(2):
 [[Mokhethi Othniel Matabola|Matabola, Mokhethi Othniel]] 1994 Classification of character in ''[[Molomo wa badimo]]'' by [[J.J. Moiloa]] : a few perspectives. Unpublished honourr’s thesis. Bloemfontein: University of the Orange Free State.
-[[John Matshikiza|Matshikiza, John]] 2007. ''[[Measure for Measure]]'': a very South African scenario. ([[Percy Baneshik]] memorial lecture) ''English Academy Review'', 24(2):131-141.
+[[John Matshikiza|Matshikiza, John]] 2007. ''[[Measure for Measure]]'': a very South African scenario. ([[Percy Baneshik]] memorial lecture) ''[[English Academy Review]]'', 24(2):131-141.
 [[Christine Matzke|Matzke, Christine]], [[Lena van der Hoven]], [[Christopher Odhiambo]] and [[Hilde Roos]]. 2020. ''African Theatre 19. Opera & Music Theatre''.  James Currey (an imprint of Boydell & Brewer)
@@ Line 33: / Line 33: @@
 [[Marc Maufort|Maufort, Marc]] and [[Jessica Maufort|Maufort, Jessica]] (Volume Editors). 2019. ''Forays into Contemporary South African Theatre: Devising New Stage Idioms''. Series: ''[[Cross/Cultures]]'', Volume: 211.
-[[W.D. Maxwell-Mahon|Maxwell-Mahon, W.D.]] 1991. Romeo and Juliet: anatomy of violence. ''Lantern'', 40(3):63-65.
+[[W.D. Maxwell-Mahon|Maxwell-Mahon, W.D.]] 1991. Romeo and Juliet: anatomy of violence. ''[[Lantern]]'', 40(3):63-65.
 [[C.H. Mayer|Mayer, C. H.]] 2005. ''Artificial Walls: South African Narratives on Conflict, Difference and Identity: An Exploratory Study in Post-Apartheid South Africa''. Stuttgart: Ibidem-Verlag.
@@ Line 41: / Line 41: @@
 [[V. Mazmane|Mazmane, V.]] 1978. Literature and politics among Blacks in South Africa. ''New Classic'', 5:42-57.
-[[Mbongeni Ngema]]: drama 1988. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 44-45.
+[[Mbongeni Ngema]]: drama 1988. 2009. In Watterson, Lore (ed.). ''[[Standard Bank Young Artist Awards, 25 years]]''. Randburg [South Africa] : DeskLink Media. 44-45.
 [[Mandla Mbothwe|Mbothwe, Mandla]] 2008. An African dream play - ''[[Isivuno Sama Phupha]]'' : reconstructing the spirit of ubuntu in the contemporary urban 'village' through theatre. Unpublished master’s thesis. Cape Town: University of Cape Town.
@@ Line 49: / Line 49: @@
 [[Blaine McBurney|McBurney, Blaine]] 1987. ''Theatre and Cultural Struggle in South Africa'', by [[Robert Mshengu Kavanagh]]. Reviewed in: ''Contemporary Sociology'', 16(3):391-393.
-[[C.A. McCarthy|McCarthy, C.A.]] 1990. The formative value of drama presentations on selected student teachers. Unpublished master’s thesis. Durban: University of Durban-Westville.
+[[C.A. McCarthy|McCarthy, C.A.]] 1990. ''The formative value of drama presentations on selected student teachers''. Unpublished master’s thesis. Durban: [[University of Durban-Westville]].
 [[Hermien Dommisse|McCaul-Dommisse, H.]] 1973. Hoe sal beeldradio ons lewende toneel raak? ''Buurman'', 3(4): 23-24. June.

@@ Line 15: / Line 15: @@
 ''[[Master Harold and the Boys]]'' by [[Athol Fugard]]. 1982. [Dramatic criticiam]. ''[[Standpunte]]'', 35(6):9-14.
-[[Sara Matchett|Matchett, Sara]] 2009. ''[[Breathing Space]]: Cross-community professional theatre as a means of dissolving fixed geographical landscapes'' LAP Lambert Academic Publishing.
+[[Sara Matchett|Matchett, Sara]] 2009. ''[[Breathing Space]]: Cross-community professional theatre as a means of dissolving fixed geographical landscapes'', Saarbrücken, Germany: LAP Lambert Academic Publishing GmbH & Co. KG.
 [[Sara Matchett|Matchett, Sara]] 2012. Breath as impulse, breath as thread: breath as catalyst for making an autobiographical performance in response to ‘corrective rape’ and hate crimes against lesbians. ''[[South African Theatre Journal]]'', 26(3):280-291.

← Older revision		Revision as of 07:15, 7 July 2024
Line 14:		Line 14:

	''[[Master Harold and the Boys]]'' by [[Athol Fugard]]. 1982. [Dramatic criticiam]. ''[[Standpunte]]'', 35(6):9-14.		''[[Master Harold and the Boys]]'' by [[Athol Fugard]]. 1982. [Dramatic criticiam]. ''[[Standpunte]]'', 35(6):9-14.
		+
		+	[[Sara Matchett\|Matchett, Sara]] 2009.''[[Breathing Space]]: Cross-community professional theatre as a means of dissolving fixed geographical landscapes'' LAP Lambert Academic Publishing.

	[[Sara Matchett\|Matchett, Sara]] 2012. Breath as impulse, breath as thread: breath as catalyst for making an autobiographical performance in response to ‘corrective rape’ and hate crimes against lesbians. ''[[South African Theatre Journal]]'', 26(3):280-291.		[[Sara Matchett\|Matchett, Sara]] 2012. Breath as impulse, breath as thread: breath as catalyst for making an autobiographical performance in response to ‘corrective rape’ and hate crimes against lesbians. ''[[South African Theatre Journal]]'', 26(3):280-291.

← Older revision		Revision as of 12:50, 21 November 2023
Line 22:		Line 22:

	[[John Matshikiza\|Matshikiza, John]] 2007. ''[[Measure for Measure]]'': a very South African scenario. ([[Percy Baneshik]] memorial lecture) ''English Academy Review'', 24(2):131-141.		[[John Matshikiza\|Matshikiza, John]] 2007. ''[[Measure for Measure]]'': a very South African scenario. ([[Percy Baneshik]] memorial lecture) ''English Academy Review'', 24(2):131-141.
		+
		+	[[Christine Matzke\|Matzke, Christine]], [[Lena van der Hoven]], [[Christopher Odhiambo]] and [[Hilde Roos]]. 2020. ''African Theatre 19. Opera & Music Theatre''. James Currey (an imprint of Boydell & Brewer)

	[[Alexander Matthews\|Matthews, Alexander]]. 2014. Work/Life: [[Nicholas Ellenbogen]] – Playwright. An interview posted on ''[[Aerodrome]]''[http://esat.sun.ac.za/index.php?title=ESAT_I_Bibliography_A&action=edit] on 28 Jan 2014 at http://aerodrome.co.za/worklife-nicholas-ellenbogen-playwright/. ''Accessed: 6 September, 2017.''		[[Alexander Matthews\|Matthews, Alexander]]. 2014. Work/Life: [[Nicholas Ellenbogen]] – Playwright. An interview posted on ''[[Aerodrome]]''[http://esat.sun.ac.za/index.php?title=ESAT_I_Bibliography_A&action=edit] on 28 Jan 2014 at http://aerodrome.co.za/worklife-nicholas-ellenbogen-playwright/. ''Accessed: 6 September, 2017.''