ESAT Bibliography Maa-Mal - Revision history

Satj at 04:19, 20 November 2022

2022-11-20T04:19:27Z

Satj at 13:59, 8 April 2020

2020-04-08T13:59:34Z

Satj at 04:41, 19 February 2020

2020-02-19T04:41:36Z

Miriamt at 15:17, 19 August 2016

2016-08-19T15:17:26Z

Miriamt at 12:02, 27 April 2015

2015-04-27T12:02:00Z

Miriamt at 07:17, 5 October 2013

2013-10-05T07:17:32Z

Miriamt at 10:38, 13 September 2013

2013-09-13T10:38:06Z

Miriamt at 10:37, 13 September 2013

2013-09-13T10:37:09Z

Miriamt at 14:58, 4 April 2013

2013-04-04T14:58:20Z

Satj at 08:03, 30 January 2013

2013-01-30T08:03:21Z

← Older revision		Revision as of 04:19, 20 November 2022
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	[[Bongani Madondo\|Madondo, Bongani]] 1996. On a road to somewhere. ''Mayibuye'', January, 31, 1996:20.		[[Bongani Madondo\|Madondo, Bongani]] 1996. On a road to somewhere. ''Mayibuye'', January, 31, 1996:20.
		+
		+	[[Pedzisai Maedza\|Maedza, Pedzisai]]. 2017. ''Performing Asylum: Theatre of Testimony in South Africa''. African Studies Collection, vol. 66, African Studies Centre, University of Leiden.

	[[Mufunanji Willard Moffati Magalasi\|Magalasi, Mufunanji Willard Moffati]] 1999. Politics, performance and narrative in the plays of [[Dukuza ka Macu]]. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.		[[Mufunanji Willard Moffati Magalasi\|Magalasi, Mufunanji Willard Moffati]] 1999. Politics, performance and narrative in the plays of [[Dukuza ka Macu]]. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.

@@ Line 64: / Line 64: @@
 [[Charles Malan|Malan, Charles]] 1984a. [[Bartho Smit]] se dramatiese kosmologie, veral in ''[[Christine]]'' en ''[[Putsonderwater]]'', in [[Charles Malan|Malan, Charles]] (ed.). ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''.  Johannesburg: Perskor. 64-82.
-[[Charles Malan|Malan, Charles]]. 1984. Inleiding tot Bartho Smit se Werk" In: ''Sestigers in Woord en Beeld: Bartho Smit''. Johannesburg: Perskor.
+[[Charles Malan|Malan, Charles]]. 1984. "Inleiding tot Bartho Smit se Werk" In: ''Sestigers in Woord en Beeld: Bartho Smit''. Johannesburg: [[Perskor]]: pp.86-111.
 [[Charles Malan|Malan, Charles]] (ed.). 1984b. ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''.  Johannesburg: Perskor.

← Older revision		Revision as of 04:41, 19 February 2020
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	[[Charles Malan\|Malan, Charles]] 1984a. [[Bartho Smit]] se dramatiese kosmologie, veral in ''[[Christine]]'' en ''[[Putsonderwater]]'', in [[Charles Malan\|Malan, Charles]] (ed.). ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''. Johannesburg: Perskor. 64-82.		[[Charles Malan\|Malan, Charles]] 1984a. [[Bartho Smit]] se dramatiese kosmologie, veral in ''[[Christine]]'' en ''[[Putsonderwater]]'', in [[Charles Malan\|Malan, Charles]] (ed.). ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''. Johannesburg: Perskor. 64-82.
		+
		+	[[Charles Malan\|Malan, Charles]]. 1984. Inleiding tot Bartho Smit se Werk" In: ''Sestigers in Woord en Beeld: Bartho Smit''. Johannesburg: Perskor.

	[[Charles Malan\|Malan, Charles]] (ed.). 1984b. ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''. Johannesburg: Perskor.		[[Charles Malan\|Malan, Charles]] (ed.). 1984b. ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''. Johannesburg: Perskor.

@@ Line 27: / Line 27: @@
 [[Richard Nndwayamato Madadzhe|Madadzhe, Richard Nndwayamato]] 1985. [[N.A. Milubi]]'s drama : a critical appraisal of dramatic criteria. Unpublished master’s thesis. Pietersburg: University of the North.
-[[R. Madelaine|Madelaine, R.]] 2007. ‘Sharper than a serpent’s tooth’: audiences’ ingratitude and [[Oscar Ashe]]’s tour of Australia, New Zealand and South Africa, 1912-1913. ''Shakespeare in Southern Africa'', 19(7):1-8.
+[[R. Madelaine|Madelaine, R.]] 2007. ‘Sharper than a serpent’s tooth’: audiences’ ingratitude and [[Oscar Ashe]]’s [https://en.wikipedia.org/wiki/Oscar_Asche] tour of Australia, New Zealand and South Africa, 1912-1913. ''Shakespeare in Southern Africa'', 19(7):1-8.
 [[Bongani Madondo|Madondo, Bongani]] 1996. On a road to somewhere. ''Mayibuye'', January, 31, 1996:20.

@@ Line 54: / Line 54: @@
 Making [[Johannesburg Repertory Society|Rep]] history. 1943. ''Playtime'', (32):6-13,32.
-[[Tshokolo Johannes Makutoane|Makutoane, Tshokolo Johannes]] 2003. A functionalist translation of the morality play Everyman into Southern Sotho. Unpublished master’s thesis. Bloemfontein: University of the Free State.
+[[Tshokolo Johannes Makutoane|Makutoane, Tshokolo Johannes]] 2003. A functionalist translation of the morality play ''[[Everyman]]'' into Southern Sotho. Unpublished master’s thesis. Bloemfontein: University of the Free State.
 [[A. Malan|Malan, A.]] 1967. [[Helen Braithwaite]]: grand old lady of the South African stage. ''Personality'', 40-42. May 25.

← Older revision		Revision as of 07:17, 5 October 2013
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	[[Isaiah Maishe Maponya\|Maishe Maponya]]: drama 1985. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 30-31.		[[Isaiah Maishe Maponya\|Maishe Maponya]]: drama 1985. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 30-31.
		+
		+	Makaba, C.N. 1985. iDrama: black languages. ''Educamus'' 31(5):

	[[M.P. Makgamatha\|Makgamatha, M.P.]] 1989. System of binary oppositions in the North Sotho nonwane of masilo le masilwane. ''South African Journal of African Languages'', 9(3):105-111.		[[M.P. Makgamatha\|Makgamatha, M.P.]] 1989. System of binary oppositions in the North Sotho nonwane of masilo le masilwane. ''South African Journal of African Languages'', 9(3):105-111.

@@ Line 74: / Line 74: @@
 [[Eunice Malan|Malan, Eunice]] 1990b. Theatre and the environment. ''[[South African Theatre Journal]]'', 4(2):80-86.
-[[Karin Malan|Malan, Karin]] 1983. [[Hennie Aucamp]]: ''[[Met permissie gesé]]'': 'n speurtog. ''[[Tydskrif vir Letterkunde]]'', New Series 21(1):4-13.
+[[Karin Malan|Malan, Karin]] 1983. [[Hennie Aucamp]]: ''[[Met Permissie Gesê|Met permissie gesê]]'': 'n speurtog. ''[[Tydskrif vir Letterkunde]]'', New Series 21(1):4-13.
 [[Robin Malan|Malan, Robin]] 1969a. 'After a series of tragedies...'. ''[[Teater SA]]'', 1(3):4-5.

← Older revision		Revision as of 10:37, 13 September 2013
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	[[Eunice Malan\|Malan, Eunice]] 1990b. Theatre and the environment. ''[[South African Theatre Journal]]'', 4(2):80-86.		[[Eunice Malan\|Malan, Eunice]] 1990b. Theatre and the environment. ''[[South African Theatre Journal]]'', 4(2):80-86.
		+
		+	[[Karin Malan\|Malan, Karin]] 1983. [[Hennie Aucamp]]: ''[[Met permissie gesé]]'': 'n speurtog. ''[[Tydskrif vir Letterkunde]]'', New Series 21(1):4-13.

	[[Robin Malan\|Malan, Robin]] 1969a. 'After a series of tragedies...'. ''[[Teater SA]]'', 1(3):4-5.		[[Robin Malan\|Malan, Robin]] 1969a. 'After a series of tragedies...'. ''[[Teater SA]]'', 1(3):4-5.

@@ Line 74: / Line 74: @@
 [[Eunice Malan|Malan, Eunice]] 1990b. Theatre and the environment. ''[[South African Theatre Journal]]'', 4(2):80-86.
-[[R. Malan|Malan, R.]] 1969. [[Ernest Oppenheimer Theatre|Ernest Oppenheimer-Teater]]. ''Teater SA'', 1(4):22-24. December.
+[[Robin Malan|Malan, Robin]] 1969a. 'After a series of tragedies...'. ''[[Teater SA]]'', 1(3):4-5.
-[[R. Malan|Malan, R.]] 1974. Tie in the [[PACT]], or theatre-in-education in the Performing Arts Council of the Transvaal. ''Crux'', 8(2):28-31. May.
+[[Robin Malan|Malan, Robin]] 1969b. [[Ernest Oppenheimer Theatre|Ernest Oppenheimer-Teater]]. ''[[Teater SA]]'', 1(4):22-24. December.
-[[R. Malan|Malan, R.]] 1979. ''[[Germanicus]]'' ([[N.P. van Wyk Louw]]). ''[[Tydskrif vir Letterkunde]]'', 17(3):169-181. August
+[[Robin Malan|Malan, Robin]] 1974. Tie in the [[PACT]], or theatre-in-education in the Performing Arts Council of the Transvaal. ''Crux'', 8(2):28-31. May.
 [[Nise Malange|Malange, Nise]] 1989. Women workers and the struggle for cultural transformations. ''Staffrider'', 8(3/4):76-80.

← Older revision		Revision as of 08:03, 30 January 2013
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	[[Zine Magubane\|Magubane Zine]] 2004. The revolution betrayed? ''The South Atlantic Quarterly'', 103.4:669.		[[Zine Magubane\|Magubane Zine]] 2004. The revolution betrayed? ''The South Atlantic Quarterly'', 103.4:669.

−	[[Alude Mahali\|Mahali, Alude]] 2011. " 'Piecing together a Girlhood' ": Using the 'Girlfriend Aesthetic' as a Practical Methodology in the Making and Performance of ''Katuntu (...and you too)''~~. "~~ in Igweonu, Kene (ed.). ''Trends in Twenty-First Century African Theatre and Performance''. Amsterdam, Rodopi. 419-441.	+	[[Alude Mahali\|Mahali, Alude]] 2011. 'Piecing together a Girlhood': Using the 'Girlfriend Aesthetic' as a Practical Methodology in the Making and Performance of ''Katuntu (...and you too)'' in Igweonu, Kene (ed.). ''Trends in Twenty-First Century African Theatre and Performance''. Amsterdam, Rodopi. 419-441.