ESAT Bibliography Kru-Kz - Revision history

Satj: /* The list */

2024-11-22T04:37:57Z

The list

Satj: /* The list */

2024-11-22T04:35:59Z

The list

Satj: /* The list */

2024-01-05T15:36:21Z

The list

Satj at 07:52, 25 August 2023

2023-08-25T07:52:52Z

Satj at 15:16, 1 October 2022

2022-10-01T15:16:34Z

Satj at 15:15, 1 October 2022

2022-10-01T15:15:25Z

Satj at 15:15, 1 October 2022

2022-10-01T15:15:12Z

Satj at 15:13, 1 October 2022

2022-10-01T15:13:58Z

Satj at 15:08, 1 October 2022

2022-10-01T15:08:48Z

Satj at 15:06, 1 October 2022

2022-10-01T15:06:37Z

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 ==The list==
 [[Anton Krueger|Krueger, Anton]] 2000. Imprisoned by Conviction. ''[[Scrutiny 2]]'', 5(2):59-62.
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 [[C. Kruger|Kruger, C.]] et al. 2005. Communication skills for medical/dental students at the University of Pretoria: lessons learnt from a two-year study using a forum theatre method: original research. ''S.A. Family Practice'', 47(6):60-65.

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 ==The list==
 [[Anton Krueger|Krueger, Anton]] 2000. Imprisoned by Conviction. ''[[Scrutiny 2]]'', 5(2):59-62.
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 [[Anton Krueger|Krueger, Anton]] and [[Zoë Reeve|Reeve, Zoë]] 2015. Spectacles of Participation, Performing amaXhosa Authenticity at the [[National Arts Festival]] of South Africa. In: [[Greg Homann|Homann, Greg]] and [[Marc Maufort|Maufort, Marc]] (Eds). 2015. ''New territories : theatre, drama, and performance in Post-apartheid South Africa''. Bruxelles : P.I.E. Peter Lang: pp. 289-316.
 [[C. Kruger|Kruger, C.]] et al. 2005. Communication skills for medical/dental students at the University of Pretoria: lessons learnt from a two-year study using a forum theatre method: original research. ''S.A. Family Practice'', 47(6):60-65.

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 [[Loren Kruger|Kruger, Loren]] 1998. ''An die Nachgeborenen': Or Marginalia to a history of political theatre in South Africa', ''Brecht Yearbook/Das Brecht-Jahrbuch'', 23:25-27.
-[[Loren Kruger|Kruger, Loren]] 1999a. ''The Drama of South Africa: Plays, Pageants and Publics Since 1910''. London: Routledge.
+[[Loren Kruger|Kruger, Loren]] 1999a. ''The Drama of South Africa: Plays, Pageants and Publics Since 1910''. London: [[Routledge]].
 [[Loren Kruger|Kruger, Loren]] 1999b. Theater for development and TV nation: notes on an educational soap opera in South Africa. ''Research in African Literatures'', 30:106-126.

← Older revision		Revision as of 07:52, 25 August 2023
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	Return to [[South_African_Theatre/Bibliography\|A Bibliography of South African South African Theatre and Performance]]		Return to [[South_African_Theatre/Bibliography\|A Bibliography of South African South African Theatre and Performance]]
		+
		+	==The list==

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-[[Anton Krueger|Krueger, Anton]] 2000. Imprisoned by Conviction. ''[[Scrutiny]] 2'', 5(2):59-62.
+[[Anton Krueger|Krueger, Anton]] 2000. Imprisoned by Conviction. ''[[Scrutiny 2]]'', 5(2):59-62.
 [[Anton Krueger|Krueger, Anton]] 2003. The drama of hunting and healing: interpreting the rituals of the San. ''[[South African Theatre Journal]]'', 17:65-78.
@@ Line 39: / Line 39: @@
 [[Anton Krueger|Krueger, Anton]] 2012b. ''[[The Pump Room]]'', by [[Allan Kolski Horwitz]]. Reviewed in: ''[[South African Theatre Journal]]'', 26(1):100-102.
-[[Anton Krueger|Krueger, Anton]] and [[Zoë Reeve|Reeve, Zoë]] 200*. Spectacles of Participation, Performing amaXhosa Authenticity at the [[National Arts Festival]] of South Africa. In: [[Greg Homann|Homann, Greg]] and [[Marc Maufort|Maufort, Marc]] (Eds). 2015. ''New territories : theatre, drama, and performance in Post-apartheid South Africa''. Bruxelles : P.I.E. Peter Lang: pp. 289-316.
+[[Anton Krueger|Krueger, Anton]] and [[Zoë Reeve|Reeve, Zoë]] 2015. Spectacles of Participation, Performing amaXhosa Authenticity at the [[National Arts Festival]] of South Africa. In: [[Greg Homann|Homann, Greg]] and [[Marc Maufort|Maufort, Marc]] (Eds). 2015. ''New territories : theatre, drama, and performance in Post-apartheid South Africa''. Bruxelles : P.I.E. Peter Lang: pp. 289-316.
 [[Alet Kruger|Kruger, Alet]] 1996. "Bless thee, Bottom, bless thee! Thou art translated!" The Shakespearean phase in South Africa: a socio-cultural perspective. ''[[Journal of Literary Studies]]'', 12:408-428.

← Older revision		Revision as of 15:15, 1 October 2022
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−	[[Anton Krueger\|Krueger, Anton]] 2000. Imprisoned by Conviction. ''[[Scrutiny 2]]'', 5(2):59-62.	+	[[Anton Krueger\|Krueger, Anton]] 2000. Imprisoned by Conviction. ''[[Scrutiny]] 2'', 5(2):59-62.

	[[Anton Krueger\|Krueger, Anton]] 2003. The drama of hunting and healing: interpreting the rituals of the San. ''[[South African Theatre Journal]]'', 17:65-78.		[[Anton Krueger\|Krueger, Anton]] 2003. The drama of hunting and healing: interpreting the rituals of the San. ''[[South African Theatre Journal]]'', 17:65-78.

← Older revision		Revision as of 15:06, 1 October 2022
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	[[Anton Krueger\|Krueger, Anton]] 2012b. ''[[The Pump Room]]'', by [[Allan Kolski Horwitz]]. Reviewed in: ''[[South African Theatre Journal]]'', 26(1):100-102.		[[Anton Krueger\|Krueger, Anton]] 2012b. ''[[The Pump Room]]'', by [[Allan Kolski Horwitz]]. Reviewed in: ''[[South African Theatre Journal]]'', 26(1):100-102.
		+
		+	[[Anton Krueger\|Krueger, Anton]] and [[Zoë Reeve\|Reeve, Zoë]] 200*. Spectacles of Participation, Performing amaXhosa Authenticity at the National Arts Festival of South Africa. In:

	[[Alet Kruger\|Kruger, Alet]] 1996. "Bless thee, Bottom, bless thee! Thou art translated!" The Shakespearean phase in South Africa: a socio-cultural perspective. ''[[Journal of Literary Studies]]'', 12:408-428.		[[Alet Kruger\|Kruger, Alet]] 1996. "Bless thee, Bottom, bless thee! Thou art translated!" The Shakespearean phase in South Africa: a socio-cultural perspective. ''[[Journal of Literary Studies]]'', 12:408-428.