ESAT Bibliography Ja-Ji - Revision history

Temple: /* The list */

2026-02-22T03:26:40Z

The list

Satj: /* The list */

2025-07-22T04:19:28Z

The list

Satj: /* The list */

2025-07-22T04:16:32Z

The list

Satj: /* The list */

2025-07-22T04:13:58Z

The list

Satj at 10:33, 25 August 2023

2023-08-25T10:33:49Z

Satj at 07:21, 25 August 2023

2023-08-25T07:21:48Z

Satj at 15:19, 3 March 2023

2023-03-03T15:19:40Z

Miriamt at 06:54, 6 July 2018

2018-07-06T06:54:08Z

Miriamt at 09:32, 12 September 2012

2012-09-12T09:32:24Z

Miriamt at 10:32, 26 March 2012

2012-03-26T10:32:19Z

@@ Line 77: / Line 77: @@
 [[F. Jason|Jason, F.]] 2006. Heritage sites, libraries get biggest piece of Pallo’s pipe – embrace your heritage – budget vote speech: arts & culture. ''Rootz Africa'', 20(10):92-95.
-[[Chitra Jayathilake|Jayathilake, Chitra]]. 2021. Historicizing Anglophone theater in postcolonial South Africa: Select political and protest plays, ''[[International Journal of Multidisciplinary Studies]]'' (''IJMS''), Volume 8, Issue 1: 70 - 87.
+[[Chitra Jayathilake|Jayathilake, Chitra]]. 2021. Historicizing Anglophone theater in postcolonial South Africa: Select political and protest plays, ''[[International Journal of Multidisciplinary Studies]]'' (''IJMS''), Volume 8, Issue 1: 70 - 87.[https://doi.org/10.4038/IJMS.V8I1.134]
 [[Chris Jeffrey|Jeffrey, Chris]] 2001. ''The Merchant of Venice'' at the Tivoli Amphiheatre. ''[[Shakespeare in Southern Africa]]'', 13:104-106.
@@ Line 99: / Line 99: @@
 [[Biodun Jeyifo|Jeyifo, Biodun]] 2004. ''History & Theatre in Africa'', edited by [[Eckhard Breitinger]] & [[Yvette Hutchison]]. Reviewed in: [[Martin Banham|Banham Martin]], [[James Gibbs|Gibbs, James]], & [[Femi Osofisan|Osofisan, Femi]] (eds.). ''African Theatre: Southern Africa''. Oxford :James Currey. 145-148.
 [[Roychand Jithoo|Jithoo, Roychand]] 1973. Some aspects of the nature and incidence of stuttering among Indian primary school children in Durban. Unpublished master’s thesis. Durban: University of Natal.
 ==Return to==

@@ Line 77: / Line 77: @@
 [[F. Jason|Jason, F.]] 2006. Heritage sites, libraries get biggest piece of Pallo’s pipe – embrace your heritage – budget vote speech: arts & culture. ''Rootz Africa'', 20(10):92-95.
-[[Chitra Jayathilake|Jayathilake, Chitra]]. 2021. Historicizing Anglophone theater in postcolonial South Africa: Select political and protest plays, ''International Journal of Multidisciplinary Studies'' (''IJMS''), Volume 8, Issue 1: 70 - 87.
+[[Chitra Jayathilake|Jayathilake, Chitra]]. 2021. Historicizing Anglophone theater in postcolonial South Africa: Select political and protest plays, ''[[International Journal of Multidisciplinary Studies]]'' (''IJMS''), Volume 8, Issue 1: 70 - 87.
-[[Chris Jeffrey|Jeffrey, Chris]] 2001. ''The Merchant of Venice'' at the Tivoli Amphiheatre. ''Shakespeare in Southern Africa'', 13:104-106.
+[[Chris Jeffrey|Jeffrey, Chris]] 2001. ''The Merchant of Venice'' at the Tivoli Amphiheatre. ''[[Shakespeare in Southern Africa]]'', 13:104-106.
-[[Robert Jeffrey|Jeffery, Robert]] 2008. New music for ''Twelfth Night'': reconstructing musical associations for the 50th anniversary performance of Shakespeare at [[Maynardville]], January 2006.  ''Shakespeare in Southern Africa'', 20:13-23.
+[[Robert Jeffrey|Jeffery, Robert]] 2008. New music for ''Twelfth Night'': reconstructing musical associations for the 50th anniversary performance of Shakespeare at [[Maynardville]], January 2006.  ''[[Shakespeare in Southern Africa]]'', 20:13-23.
-[[Robert Jeffrey|Jeffery, Robert]] 2009. 'Re-writing' Shakespeare in Africa : creating musical relevance for a contemporary South African audience; with special reference to [[Geoffrey Hyland]]'s production of ''Twelfth Night'', or ''What You Will'', staged at [[Maynardville]] Open-Air Theatre in 2006. Unpublished master’s thesis. Cape Town: University of Cape Town.
+[[Robert Jeffrey|Jeffery, Robert]] 2009. 'Re-writing' Shakespeare in Africa : creating musical relevance for a contemporary South African audience; with special reference to [[Geoffrey Hyland]]'s production of ''Twelfth Night'', or ''What You Will'', staged at [[Maynardville]] Open-Air Theatre in 2006. Unpublished master’s thesis. Cape Town: [[University of Cape Town]].
-[[M. Jenkins|Jenkins, M.]] 1970. What’s all the drama about? [University of the Witwatersrand, University players]. ''Personality supplement'', 16-17. October 16.
+[[M. Jenkins|Jenkins, M.]] 1970. What’s all the drama about? [University of the Witwatersrand, University players]. ''[[Personality]] supplement'', 16-17. October 16.
 [[Marilyn Jenkins|Jenkins, Marilyn]] 1979. Dr. [[P.G. du Plessis]]. ''[[Scenaria]]'', (11):40-41.
@@ Line 102: / Line 102: @@
+==Return to==
 Click on the appropriate letters of the alphabet in the sub-list below.

@@ Line 76: / Line 76: @@
 [[F. Jason|Jason, F.]] 2006. Heritage sites, libraries get biggest piece of Pallo’s pipe – embrace your heritage – budget vote speech: arts & culture. ''Rootz Africa'', 20(10):92-95.
 [[Chris Jeffrey|Jeffrey, Chris]] 2001. ''The Merchant of Venice'' at the Tivoli Amphiheatre. ''Shakespeare in Southern Africa'', 13:104-106.
@@ Line 94: / Line 96: @@
 [[Jerry Mofokeng]]: drama 1994. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 84-85.
 [[Biodun Jeyifo|Jeyifo, Biodun]] 2004. ''History & Theatre in Africa'', edited by [[Eckhard Breitinger]] & [[Yvette Hutchison]]. Reviewed in: [[Martin Banham|Banham Martin]], [[James Gibbs|Gibbs, James]], & [[Femi Osofisan|Osofisan, Femi]] (eds.). ''African Theatre: Southern Africa''. Oxford :James Currey. 145-148.

← Older revision		Revision as of 04:13, 22 July 2025
Line 94:		Line 94:

	[[Jerry Mofokeng]]: drama 1994. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 84-85.		[[Jerry Mofokeng]]: drama 1994. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 84-85.
		+
		+	[[Chitra Jayathilake\|Jayathilake, Chitra]]. 2021. ''International Journal of Multidisciplinary Studies'' (''IJMS''), Volume 8, Issue 1: 70 - 87.

	[[Biodun Jeyifo\|Jeyifo, Biodun]] 2004. ''History & Theatre in Africa'', edited by [[Eckhard Breitinger]] & [[Yvette Hutchison]]. Reviewed in: [[Martin Banham\|Banham Martin]], [[James Gibbs\|Gibbs, James]], & [[Femi Osofisan\|Osofisan, Femi]] (eds.). ''African Theatre: Southern Africa''. Oxford :James Currey. 145-148.		[[Biodun Jeyifo\|Jeyifo, Biodun]] 2004. ''History & Theatre in Africa'', edited by [[Eckhard Breitinger]] & [[Yvette Hutchison]]. Reviewed in: [[Martin Banham\|Banham Martin]], [[James Gibbs\|Gibbs, James]], & [[Femi Osofisan\|Osofisan, Femi]] (eds.). ''African Theatre: Southern Africa''. Oxford :James Currey. 145-148.

@@ Line 9: / Line 9: @@
 Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
+==The list==
 [[JAATS]] het tien suksesvolle jare agter die rug; 1942-1952. ''Helikon'', 1(6):30-34.

@@ Line 59: / Line 59: @@
 [[Monwabisi Enock James|James, Monwabisi Enock]] 2005. The elements of drama in the traditional practices of ama-Xhosa culture. Unpublished master’s essay. Stellenbosch: University of Stellenbosch.
-[[Janice Honeyman]]: drama 1982. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 226.
+[[W. Jamieson|Jamieson, W.]] 1951. No we do not need national theatre. ''Outspan'', 49(1262):41. May 4.
 [[Petro Janse van Vuuren|Janse van Vuuren, Petro]] 2007a. The hero’s thesis, the researcher’s quest – exploring the kinds of knowledge gained from process drama workshops. ''[[South African Theatre Journal]]'', 21:221-240.
@@ Line 72: / Line 72: @@
 [[Cornelius January|January, Cornelius]] 1997. 'n Vergelykende studie ten opsigte van die aktiwiteite van stedelike swart amateur gemeenskapsgroepe en plattelandse Swart amateur gemeenskapsgroepe in die apartheidsjare. ("A comparative study regarding the activities of urban black amateur community groups and rural black amateur community groups in the Apartheid years") Unpublished master’s thesis. Bellville: [[University of the Western Cape]].
 [[Neil Jardine|Jardine, Neil]] 1979. Drama in education. ''[[Scenaria]]'', (11):37-38.

@@ Line 71: / Line 71: @@
 [[C. January|January, C.]] 1976. Recent courses in drama. [Make-up]. ''Alpha'', 14(7):8-9.
-[[Cornelius January|January, Cornelius]] 1997. 'n Vergelykende studie ten opsigte van die aktiwiteite van stedelike swart amateur gemeenskapsgroepe en plattelandse Swart amateur gemeenskapsgroepe in die apartheidsjare. Unpublished master’s thesis. Bellville: University of the Western Cape.
+[[Cornelius January|January, Cornelius]] 1997. 'n Vergelykende studie ten opsigte van die aktiwiteite van stedelike swart amateur gemeenskapsgroepe en plattelandse Swart amateur gemeenskapsgroepe in die apartheidsjare. ("A comparative study regarding the activities of urban black amateur community groups and rural black amateur community groups in the Apartheid years") Unpublished master’s thesis. Bellville: [[University of the Western Cape]].
 [[W. Jamieson|Jamieson, W.]] 1951. No we do not need national theatre. ''Outspan'', 49(1262):41. May 4.

@@ Line 17: / Line 17: @@
 [[George Jackson|Jackson, George]] 1984a. Children’s theatre has come home to Johannesburg again. ''[[Scenaria]]'', 8(46):17-20.
-[[George Jackson|Jackson, George]] 1984b. I overstayed my welcome. Scenaria interviews [[Maureen MacAllister]]. ''[[Scenaria]]'', (43):13-15.
+[[George Jackson|Jackson, George]] 1984b. I overstayed my welcome. Scenaria interviews [[Maureen McAllister]]. ''[[Scenaria]]'', (43):13-15.
 [[George Jackson|Jackson, George]] 1984. Actors must be exciting. ''[[Scenaria]]'', (46):29-32.

@@ Line 67: / Line 67: @@
 [[Petro Janse van Vuuren|Janse van Vuuren, Petro]] 2009. Between Bluebeard and my brothers – report on the African Research Conference in Applied Drama and Theatre, 2008. ''[[South African Theatre Journal]]'', 23:222-234.
-[[E. Jansen|Jansen, E.]] 1996. ''Open space : six contemporary plays from Africa'', [[Reza De Wet]], [[Zakes Mda]], K. Saro-Wiwa, Rugyendo, Oyono, Al-Hakim. Reviewed in: ''De Kat'', 12(5):93.
+[[E. Jansen|Jansen, E.]] 1996. ''Open space : six contemporary plays from Africa'', [[Reza de Wet]], [[Zakes Mda]], K. Saro-Wiwa, Rugyendo, Oyono, Al-Hakim. Reviewed in: ''De Kat'', 12(5):93.
 [[C. January|January, C.]] 1976. Recent courses in drama. [Make-up]. ''Alpha'', 14(7):8-9.

← Older revision		Revision as of 10:32, 26 March 2012
Line 10:		Line 10:


		+
		+	[[JAATS]] het tien suksesvolle jare agter die rug; 1942-1952. ''Helikon'', 1(6):30-34.

	[[Caroline Jackson\|Jackson, Caroline]] 1985. South African [[Zakes Mokae]]: an actor against all odds. ''Black Masks'', 2(2):2-3. October.		[[Caroline Jackson\|Jackson, Caroline]] 1985. South African [[Zakes Mokae]]: an actor against all odds. ''Black Masks'', 2(2):2-3. October.