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	<id>https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=ESAT_Bibliography_Huo-Huz</id>
	<title>ESAT Bibliography Huo-Huz - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=ESAT_Bibliography_Huo-Huz"/>
	<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=ESAT_Bibliography_Huo-Huz&amp;action=history"/>
	<updated>2026-08-11T17:34:03Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://esat.sun.ac.za/index.php?title=ESAT_Bibliography_Huo-Huz&amp;diff=160561&amp;oldid=prev</id>
		<title>Miriamt at 08:09, 26 November 2018</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=ESAT_Bibliography_Huo-Huz&amp;diff=160561&amp;oldid=prev"/>
		<updated>2018-11-26T08:09:13Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 08:09, 26 November 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l35&quot; &gt;Line 35:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 35:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Yvette Hutchison|Hutchison, Yvette]] 1997. ''Theatre and Drama in Francophone Africa'', by John Conteh-Morgan. Reviewed in: ''[[South African Theatre Journal]]'', 11(1&amp;amp;2):290-292.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Yvette Hutchison|Hutchison, Yvette]] 1997. ''Theatre and Drama in Francophone Africa'', by John Conteh-Morgan. Reviewed in: ''[[South African Theatre Journal]]'', 11(1&amp;amp;2):290-292.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Yvette Hutchison|Hutchison, Yvette]] 1999a. ''[[Black South African Women: An &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;anthology &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;plays&lt;/del&gt;]]'', by [[Kathy A. Perkins]]. Reviewed in: ''[[South African Theatre Journal]]'', 13:206-209.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Yvette Hutchison|Hutchison, Yvette]] 1999a. ''[[Black South African Women: An &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Anthology &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Plays&lt;/ins&gt;]]'', by [[Kathy A. Perkins]]. Reviewed in: ''[[South African Theatre Journal]]'', 13:206-209.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Yvette Hutchison|Hutchison, Yvette]] 1999b. Memory is a weapon:  the uses of history and myth in selected post-1960 Kenyan, Nigerian and South African plays. Unpublished doctoral dissertation. Stellenbsosch: University of Stellenbosch.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Yvette Hutchison|Hutchison, Yvette]] 1999b. Memory is a weapon:  the uses of history and myth in selected post-1960 Kenyan, Nigerian and South African plays. Unpublished doctoral dissertation. Stellenbsosch: University of Stellenbosch.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Miriamt</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=ESAT_Bibliography_Huo-Huz&amp;diff=160559&amp;oldid=prev</id>
		<title>Miriamt at 07:59, 26 November 2018</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=ESAT_Bibliography_Huo-Huz&amp;diff=160559&amp;oldid=prev"/>
		<updated>2018-11-26T07:59:01Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 07:59, 26 November 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l35&quot; &gt;Line 35:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 35:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Yvette Hutchison|Hutchison, Yvette]] 1997. ''Theatre and Drama in Francophone Africa'', by John Conteh-Morgan. Reviewed in: ''[[South African Theatre Journal]]'', 11(1&amp;amp;2):290-292.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Yvette Hutchison|Hutchison, Yvette]] 1997. ''Theatre and Drama in Francophone Africa'', by John Conteh-Morgan. Reviewed in: ''[[South African Theatre Journal]]'', 11(1&amp;amp;2):290-292.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Yvette Hutchison|Hutchison, Yvette]] 1999a. ''Black South African Women: An &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Anthology &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Plays&lt;/del&gt;'', by [[Kathy A. Perkins]]. Reviewed in: ''[[South African Theatre Journal]]'', 13:206-209.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Yvette Hutchison|Hutchison, Yvette]] 1999a. ''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Black South African Women: An &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;anthology &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;plays]]&lt;/ins&gt;'', by [[Kathy A. Perkins]]. Reviewed in: ''[[South African Theatre Journal]]'', 13:206-209.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Yvette Hutchison|Hutchison, Yvette]] 1999b. Memory is a weapon:  the uses of history and myth in selected post-1960 Kenyan, Nigerian and South African plays. Unpublished doctoral dissertation. Stellenbsosch: University of Stellenbosch.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Yvette Hutchison|Hutchison, Yvette]] 1999b. Memory is a weapon:  the uses of history and myth in selected post-1960 Kenyan, Nigerian and South African plays. Unpublished doctoral dissertation. Stellenbsosch: University of Stellenbosch.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Miriamt</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=ESAT_Bibliography_Huo-Huz&amp;diff=103491&amp;oldid=prev</id>
		<title>Satj at 17:36, 15 April 2016</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=ESAT_Bibliography_Huo-Huz&amp;diff=103491&amp;oldid=prev"/>
		<updated>2016-04-15T17:36:53Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 17:36, 15 April 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l64&quot; &gt;Line 64:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 64:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Yvette Hutchison|Hutchison, Yvette]]. 2013. ''South African Performance and Archives of Memory''&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Yvette Hutchison|Hutchison, Yvette]]. 2013. ''South African Performance and Archives of Memory''&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Oxford&lt;/del&gt;: &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Oxford &lt;/del&gt;University Press.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Manchester and New York&lt;/ins&gt;: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Manchester &lt;/ins&gt;University Press.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=ESAT_Bibliography_Huo-Huz&amp;diff=103490&amp;oldid=prev</id>
		<title>Satj at 17:33, 15 April 2016</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=ESAT_Bibliography_Huo-Huz&amp;diff=103490&amp;oldid=prev"/>
		<updated>2016-04-15T17:33:51Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 17:33, 15 April 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l62&quot; &gt;Line 62:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 62:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Yvette Hutchison|Hutchison, Yvette]] 2010b. Post-1990s verbatim theatre in South Africa : exploring an African concept of &amp;quot;truth&amp;quot;, in Martin, Carol (ed.). ''Dramaturgy of the Real on the World Stage''. Basingstoke [England] ; New York : Palgrave Macmillan. 61-71.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Yvette Hutchison|Hutchison, Yvette]] 2010b. Post-1990s verbatim theatre in South Africa : exploring an African concept of &amp;quot;truth&amp;quot;, in Martin, Carol (ed.). ''Dramaturgy of the Real on the World Stage''. Basingstoke [England] ; New York : Palgrave Macmillan. 61-71.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Yvette Hutchison|Hutchison, Yvette]]. 2013. ''South African Performance and Archives of Memory''&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Oxford: Oxford University Press.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=ESAT_Bibliography_Huo-Huz&amp;diff=40496&amp;oldid=prev</id>
		<title>Miriamt: Created page with &quot;Click on the appropriate letters of the alphabet in the sub-list below.   H-Hat Hau Haw-Her...&quot;</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=ESAT_Bibliography_Huo-Huz&amp;diff=40496&amp;oldid=prev"/>
		<updated>2013-04-17T09:31:38Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;Click on the appropriate letters of the alphabet in the sub-list below.   &lt;a href=&quot;/index.php/ESAT_Bibliography_H-Hat&quot; title=&quot;ESAT Bibliography H-Hat&quot;&gt;H-Hat&lt;/a&gt; &lt;a href=&quot;/index.php/ESAT_Bibliography_Hau&quot; title=&quot;ESAT Bibliography Hau&quot;&gt;Hau&lt;/a&gt; &lt;a href=&quot;/index.php/ESAT_Bibliography_Haw-Her&quot; title=&quot;ESAT Bibliography Haw-Her&quot;&gt;Haw-Her&lt;/a&gt;...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Click on the appropriate letters of the alphabet in the sub-list below. &lt;br /&gt;
&lt;br /&gt;
[[ESAT Bibliography H-Hat|H-Hat]] [[ESAT Bibliography Hau|Hau]] [[ESAT Bibliography Haw-Her|Haw-Her]] [[ESAT Bibliography Hes-Hol|Hes-Hol]] [[ESAT Bibliography Hom-How|Hom-How]] [[ESAT Bibliography Hua-Hun|Hua-Hun]] [[ESAT Bibliography Huo-Huz|Huo-Huz]] [[ESAT Bibliography Hy-Hz|Hy-Hz]]&lt;br /&gt;
&lt;br /&gt;
To return to any other letter, click on the list below&lt;br /&gt;
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[[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H|H]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S|S]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]] &lt;br /&gt;
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]&lt;br /&gt;
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[[Christopher Hurst|Hurst, Christopher]] 2009. Workshopped plays in a South African correction centre : negotiating social relations through theatre. Unpublished doctoral dissertation. Durban: University of KwaZulu-Natal.&lt;br /&gt;
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[[Yvette Hutchison|Hutchison, Yvette]] 1991. ''Playabout: Ten One-Act Plays'', by [[Sue Scott]] and [[Patrick Delahunty]]. Reviewed in: ''[[South African Theatre Journal]]'', 5(2):113-115.&lt;br /&gt;
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[[Yvette Hutchison|Hutchison, Yvette]] 1994.  Masks today:  mediators of a complex reality. ''[[South African Theatre Journal]]'', 8(1):45-62.&lt;br /&gt;
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[[Yvette Hutchison|Hutchison, Yvette]] 1995a. ''Plays for Young Africa'', (2 volumes), by [[Pieter Scholtz]]. Reviewed in: ''[[South African Theatre Journal]]'', 9(1):126-128.&lt;br /&gt;
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[[Yvette Hutchison|Hutchison, Yvette]], [[Anja Huismans|Huismans, Anja]] &amp;amp; [[Rahila Marais|Marais, Rahila]] 1995b. Report on ''African Literature in South Africa:  Towards a Renaissance Conference, Cape Town, 24-25 February 1995''. ''[[South African Theatre Journal]]'', 9(1):96-99.&lt;br /&gt;
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[[Yvette Hutchison|Hutchison, Yvette]] 1996a.  “Access to rather than ownership of”:  South African theatre history and theory at a crossroads. ''[[South African Theatre Journal]]'', 10(1): 35-47.&lt;br /&gt;
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[[Yvette Hutchison|Hutchison, Yvette]] 1996b. An introductory placing of South African theatre in the African context. ''Journal of Literary Studies'', 12(4):470-486.&lt;br /&gt;
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[[Yvette Hutchison|Hutchison, Yvette]] 1996c.  ''Politics and Performance: Theatre, Poetry and Song in Southern Africa'', by [[Liz Gunner]]. Reviewed in: ''[[South African Theatre Journal]]'', 10(1):125-126.&lt;br /&gt;
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[[Yvette Hutchison|Hutchison, Yvette]] 1996d. ''Scars of Conquest/Masks of Resistance : The Invention of Cultural Identities in African, African-American and Caribbean Drama'', by [[Tejumola Olaniyan]].  Reviewed in: ''[[South African Theatre Journal]]'', 10(1):126-129.&lt;br /&gt;
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[[Yvette Hutchison|Hutchison, Yvette]] 1996e.  Theories of drama, theatre and performance in Africa (editorial). ''[[South African Theatre Journal]]'', 10(1):1-2.&lt;br /&gt;
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[[Yvette Hutchison|Hutchison, Yvette]] 1997. ''Theatre and Drama in Francophone Africa'', by John Conteh-Morgan. Reviewed in: ''[[South African Theatre Journal]]'', 11(1&amp;amp;2):290-292.&lt;br /&gt;
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[[Yvette Hutchison|Hutchison, Yvette]] 1999a. ''Black South African Women: An Anthology of Plays'', by [[Kathy A. Perkins]]. Reviewed in: ''[[South African Theatre Journal]]'', 13:206-209.&lt;br /&gt;
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[[Yvette Hutchison|Hutchison, Yvette]] 1999b. Memory is a weapon:  the uses of history and myth in selected post-1960 Kenyan, Nigerian and South African plays. Unpublished doctoral dissertation. Stellenbsosch: University of Stellenbosch.&lt;br /&gt;
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[[Yvette Hutchison|Hutchison, Yvette]] 1999c. Present trends in South African theatre, in [[J.A. Smit|Smit, J.A.]] (ed.). ''The Dancing Dwarf From the Land of Spirits''. Durban: CSSALL. 119-130.&lt;br /&gt;
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[[Yvette Hutchison|Hutchison, Yvette]] 1999d.  The seductive dance between history and literature:  The Moremi legend by historian Samuel Johnson and playwrights [[Duro Ladipo]] and [[Femi Osofisan]]. ''[[South African Theatre Journal]]'', 13(1&amp;amp;2):32-47.&lt;br /&gt;
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[[Yvette Hutchison|Hutchison, Yvette]] 2000.  ''Township Plays'', ''Port Elizabeth Plays'' and ''Interior Plays'', by [[Athol Fugard]]. (3 volumes re-published in 2000). Reviewed in: ''[[South African Theatre Journal]]'', 14:225-229.&lt;br /&gt;
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[[Yvette Hutchison|Hutchison, Yvette]] 2002a. ''African Theatre and the Unmaking of Colonial Marginality'', by [[Bhekizizwe Peterson]]. Reviewed in: ''[[South African Theatre Journal]]'', 16:244-247.&lt;br /&gt;
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[[Yvette Hutchison|Hutchison, Yvette]] 2002b. ''Beyond the Echoes of Soweto: Five Plays'', by [[Matsemela Manaka]]; ''Born in the RSA: Four Workshopped Plays'', by [[Barney Simon]]; ''[[Ubu and the Truth Commission]]'', by [[Jane Taylor]]. Reviewed in: [[Martin Banham|Banham, Martin]], [[James Gibbs|Gibbs, James]] &amp;amp; [[Femi Osofisan|Osofisan, Femi]] (eds.).; [[Jane Plastow|Plastow, Jane]] (reviews ed.), ''African theatre. Women''. Oxford: James Curry. 158-161.&lt;br /&gt;
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[[Yvette Hutchison|Hutchison, Yvette]] 2003. [[Barney Simon]]: brokering cultural interventions. ''Contemporary Theatre Review'', 13(3): 4-15.&lt;br /&gt;
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[[Yvette Hutchison|Hutchison, Yvette]] 2004a. Memory and desire in South Africa: the museum as space for performing cultural identity? In  [[Martin Banham|Banham, Martin]], [[James Gibbs|Gibbs, James]] &amp;amp; [[Femi Osofisan|Osofisan, Femi]] (eds.). ''African Theatre: Southern Africa''. Oxford: James Currey. p. 51-67.&lt;br /&gt;
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[[Yvette Hutchison|Hutchison, Yvette]] 2004b. South African theatre, in [[Martin Banham|Banham, Martin]] (ed.). ''A History of Theatre in Africa''. Cambridge: Cambridge University Press. 312-379.&lt;br /&gt;
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[[Yvette Hutchison|Hutchison, Yvette]] 2005. Truth or bust: consensualising a historic narrative or provoking through theatre. The place of the personal narrative in the [[Truth and Reconciliation Commission]]. ''Contemporary Theatre Review'', 15(3):354-362.&lt;br /&gt;
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[[Yvette Hutchison|Hutchison, Yvette]] 2008. ''Theatre, Performance and New Media in Africa'', edited by Susan Arndt, Eckhard Breitinger &amp;amp; Marek Spitczok von Brisinski. Reviewed in: ''[[South African Theatre Journal]]'', 22:210-211.&lt;br /&gt;
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[[Yvette Hutchison|Hutchison, Yvette]] 2010a. ''[[Handspring Puppet Company]]'', edited by [[Jane Taylor]]. Reviewed in: [[Yvette Hutchison|Hutchison, Yvette]] (ed.). ''African Theatre: Histories 1850-1950''. Woodbridge, Suffolk: Jamrs Currey. 168-170.&lt;br /&gt;
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[[Yvette Hutchison|Hutchison, Yvette]] 2010b. Post-1990s verbatim theatre in South Africa : exploring an African concept of &amp;quot;truth&amp;quot;, in Martin, Carol (ed.). ''Dramaturgy of the Real on the World Stage''. Basingstoke [England] ; New York : Palgrave Macmillan. 61-71.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Click on the appropriate letters of the alphabet in the sub-list below. &lt;br /&gt;
&lt;br /&gt;
[[ESAT Bibliography H-Hat|H-Hat]] [[ESAT Bibliography Hau|Hau]] [[ESAT Bibliography Haw-Her|Haw-Her]] [[ESAT Bibliography Hes-Hol|Hes-Hol]] [[ESAT Bibliography Hom-How|Hom-How]] [[ESAT Bibliography Hua-Hun|Hua-Hun]] [[ESAT Bibliography Huo-Huz|Huo-Huz]] [[ESAT Bibliography Hy-Hz|Hy-Hz]]&lt;br /&gt;
&lt;br /&gt;
To return to any other letter, click on the list below&lt;br /&gt;
&lt;br /&gt;
[[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H|H]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S|S]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]] &lt;br /&gt;
&lt;br /&gt;
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]&lt;/div&gt;</summary>
		<author><name>Miriamt</name></author>
		
	</entry>
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