https://esat.sun.ac.za/index.php?action=history&feed=atom&title=ESAT_Bibliography_Hau 2026-09-07T12:37:16Z Revision history for this page on the wiki MediaWiki 1.33.2 https://esat.sun.ac.za/index.php?title=ESAT_Bibliography_Hau&diff=294086&oldid=prev 2026-07-09T05:09:52Z

<p><span dir="auto"><span class="autocomment">The list</span></span></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 05:09, 9 July 2026</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l45" >Line 45:</td> <td colspan="2" class="diff-lineno">Line 45:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1984d. ''Towards A Methodology For Theatre Research: A South African Perspective''.  Pretoria: Human Sciences Research Council.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1984d. ''Towards A Methodology For Theatre Research: A South African Perspective''.  Pretoria: Human Sciences Research Council.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). 1985a. ''[[The Breytie Book<del class="diffchange diffchange-inline">: </del>A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach<del class="diffchange diffchange-inline">]]''</del>. Johannesburg: [[The Limelight Press]].[http://hdl.handle.net/10019.1/85403]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). 1985a. ''[[<ins class="diffchange diffchange-inline">Die Breytie-Boek/</ins>The Breytie Book<ins class="diffchange diffchange-inline">]]'', </ins>A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: [[The Limelight Press]].[http://hdl.handle.net/10019.1/85403]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1985b. Dramaturg en dialek : enkele gedagtes oor dramatiese dialoog. ''[[Teaterforum]]'', 6(1):46-72.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1985b. Dramaturg en dialek : enkele gedagtes oor dramatiese dialoog. ''[[Teaterforum]]'', 6(1):46-72.</div></td></tr> </table>

Satj https://esat.sun.ac.za/index.php?title=ESAT_Bibliography_Hau&diff=294073&oldid=prev 2026-07-09T04:49:30Z

<p><span dir="auto"><span class="autocomment">The list</span></span></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 04:49, 9 July 2026</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l45" >Line 45:</td> <td colspan="2" class="diff-lineno">Line 45:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1984d. ''Towards A Methodology For Theatre Research: A South African Perspective''.  Pretoria: Human Sciences Research Council.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1984d. ''Towards A Methodology For Theatre Research: A South African Perspective''.  Pretoria: Human Sciences Research Council.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). 1985a. ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to <del class="diffchange diffchange-inline">[[</del>P.P.B. Breytenbach]]''. Johannesburg: The Limelight <del class="diffchange diffchange-inline">press</del>.[http://hdl.handle.net/10019.1/85403]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). 1985a. ''<ins class="diffchange diffchange-inline">[[</ins>The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach]]''. Johannesburg: <ins class="diffchange diffchange-inline">[[</ins>The Limelight <ins class="diffchange diffchange-inline">Press]]</ins>.[http://hdl.handle.net/10019.1/85403]</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1985b. Dramaturg en dialek : enkele gedagtes oor dramatiese dialoog. ''[[Teaterforum]]'', 6(1):46-72.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1985b. Dramaturg en dialek : enkele gedagtes oor dramatiese dialoog. ''[[Teaterforum]]'', 6(1):46-72.</div></td></tr> </table>

Satj https://esat.sun.ac.za/index.php?title=ESAT_Bibliography_Hau&diff=286160&oldid=prev 2026-02-21T04:11:36Z

<p><span dir="auto"><span class="autocomment">The list</span></span></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 04:11, 21 February 2026</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l156" >Line 156:</td> <td colspan="2" class="diff-lineno">Line 156:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 2001c. Homegrown theory for a new theatre (editorial). ''[[South African Theatre Journal]]'', 15:5-6.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 2001c. Homegrown theory for a new theatre (editorial). ''[[South African Theatre Journal]]'', 15:5-6.</div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Temple Hauptfleisch|Hauptfleisch, Temple]] and [[Marie Kruger|Kruger, Marie]] 2001d.&quot;South African Theater&quot;, In: [[Don Rubin]], Ousmane Diakhate and Hansel Ndumbe Eyoh (Eds). ''World Encyclopedia of Contemporary Theatre: Africa (Volume 3)''. London : Routledge , 2001.</ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 2002a. [http://esat.sun.ac.za/images/d/d2/Hauptfleisch_bothering_2002.pdf &quot;Oh go play somewhere - and stop bothering us!&quot;: On the (ir)relevance of theatre and the performing arts in economic society]. ''New Agenda'', (6):68-77.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 2002a. [http://esat.sun.ac.za/images/d/d2/Hauptfleisch_bothering_2002.pdf &quot;Oh go play somewhere - and stop bothering us!&quot;: On the (ir)relevance of theatre and the performing arts in economic society]. ''New Agenda'', (6):68-77.</div></td></tr> </table>

Temple https://esat.sun.ac.za/index.php?title=ESAT_Bibliography_Hau&diff=285104&oldid=prev 2026-01-16T15:29:04Z

<p><span dir="auto"><span class="autocomment">The list</span></span></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 15:29, 16 January 2026</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l27" >Line 27:</td> <td colspan="2" class="diff-lineno">Line 27:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Gaerin Hauptfleisch|Hauptfleisch, Gaerin]] &amp; [[Francois Toerien|Toerien, Francois]] 1996.  [[Klein Karoo Nasionale Kunstefees]] 1996. ''[[South African Theatre Journal]]'', 10(1):101-106.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Gaerin Hauptfleisch|Hauptfleisch, Gaerin]] &amp; [[Francois Toerien|Toerien, Francois]] 1996.  [[Klein Karoo Nasionale Kunstefees]] 1996. ''[[South African Theatre Journal]]'', 10(1):101-106.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1972. Greek dramatic conventions in modern drama. Unpublished master’s thesis. Pretoria: University of South Africa.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1972. <ins class="diffchange diffchange-inline">''</ins>Greek dramatic conventions in modern drama<ins class="diffchange diffchange-inline">''</ins>. Unpublished master’s thesis. Pretoria: University of South Africa.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1978. The play as communication : a study of the language of drama. Unpublished doctoral dissertation. Pretoria: University of South Africa.  </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1978. <ins class="diffchange diffchange-inline">''</ins>The play as communication : a study of the language of drama<ins class="diffchange diffchange-inline">''</ins>. Unpublished doctoral dissertation. Pretoria: University of South Africa.  </div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1980. Theatre research in South Africa. ''Critical Arts'', 1(3) :11-22.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1980. Theatre research in South Africa. ''<ins class="diffchange diffchange-inline">[[</ins>Critical Arts<ins class="diffchange diffchange-inline">]]</ins>'', 1(3) :11-22.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1982. [[André Huguenet]] en die Suid-Afrikaanse teater. ''[[Lantern]]'', 31(4):8-23.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1982. [[André Huguenet]] en die Suid-Afrikaanse teater. ''[[Lantern]]'', 31(4):8-23.</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l77" >Line 77:</td> <td colspan="2" class="diff-lineno">Line 77:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1988f. ''Theatre alive! The [[Baxter Theatre|Baxter]] Story, 1977-1987'', by [[Brian Barrow]] &amp; [[Yvonne Williams-Short]]. Reviewed in: ''[[South African Theatre Journal]]'', 2(2):112-114.  </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1988f. ''Theatre alive! The [[Baxter Theatre|Baxter]] Story, 1977-1987'', by [[Brian Barrow]] &amp; [[Yvonne Williams-Short]]. Reviewed in: ''[[South African Theatre Journal]]'', 2(2):112-114.  </div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1989a. Citytalk, theatretalk: dialect, dialogue and multilingual theatre in South Africa. ''English in Africa'', 16(1):71-91.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1989a. Citytalk, theatretalk: dialect, dialogue and multilingual theatre in South Africa. ''<ins class="diffchange diffchange-inline">[[</ins>English in Africa<ins class="diffchange diffchange-inline">]]</ins>'', 16(1):71-91.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1989b. Of actors, academics and the making of theatre (editorial). ''[[South African Theatre Journal]]'', 3(1):1-2.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1989b. Of actors, academics and the making of theatre (editorial). ''[[South African Theatre Journal]]'', 3(1):1-2.</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l83" >Line 83:</td> <td colspan="2" class="diff-lineno">Line 83:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1989c. ''[[Sjampanje vir Ontbyt]]'', deur [[Hennie Aucamp]]. Reviewed in: ''[[South African Theatre Journal]]'', 3(2):126-128.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1989c. ''[[Sjampanje vir Ontbyt]]'', deur [[Hennie Aucamp]]. Reviewed in: ''[[South African Theatre Journal]]'', 3(2):126-128.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1989d. Spelers op soek na ‘n konteks. Afrikaans en die nuwe paradigma in die teater. ''Stilet'', 1(1):29-50.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1989d. Spelers op soek na ‘n konteks. Afrikaans en die nuwe paradigma in die teater. ''<ins class="diffchange diffchange-inline">[[</ins>Stilet<ins class="diffchange diffchange-inline">]]</ins>'', 1(1):29-50.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1990a. ''[['n Brommer in die Boord]]'', deur [[Hennie Aucamp]]. Reviewed in: ''[[South African Theatre Journal]]'', 4(2):107-108.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1990a. ''[['n Brommer in die Boord]]'', deur [[Hennie Aucamp]]. Reviewed in: ''[[South African Theatre Journal]]'', 4(2):107-108.</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l117" >Line 117:</td> <td colspan="2" class="diff-lineno">Line 117:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1993b. Crossover theatre: New trends in theatremaking in South Africa, in ''Assaph: Studies in Theatre'' Vol 9.   </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1993b. Crossover theatre: New trends in theatremaking in South Africa, in ''Assaph: Studies in Theatre'' Vol 9.   </div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1993c. Die dramaturg as towenaar, in ''Trits'' by [[Reza de Wet]]. Pretoria: [[HAUM-Literêr]]. 9-19.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1993c. Die dramaturg as towenaar, in ''<ins class="diffchange diffchange-inline">[[</ins>Trits<ins class="diffchange diffchange-inline">]]</ins>'' by [[Reza de Wet]]. Pretoria: [[HAUM-Literêr]]. 9-19.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1993d. ''Drie eenakters:  [[Kombuis Blues]], [[Kopstukke]] en [['n Koffer in die Kas]]'', deur [[Jeanne Goosen]]. Reviewed in: ''[[South African Theatre Journal]]'', 7(2):132-134.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1993d. ''Drie eenakters:  [[Kombuis Blues]], [[Kopstukke]] en [['n Koffer in die Kas]]'', deur [[Jeanne Goosen]]. Reviewed in: ''[[South African Theatre Journal]]'', 7(2):132-134.</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l143" >Line 143:</td> <td colspan="2" class="diff-lineno">Line 143:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1996f. ''South Africa Plays'', edited by [[Stephen Gray]]. Reviewed in: ''[[South African Theatre Journal]]'', 10(1):116-117.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1996f. ''South Africa Plays'', edited by [[Stephen Gray]]. Reviewed in: ''[[South African Theatre Journal]]'', 10(1):116-117.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1997a. Taylor se grootste rol. Grafskrif: [[Mavis Taylor]]. ''Insig'', December:40.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1997a. Taylor se grootste rol. Grafskrif: [[Mavis Taylor]]. ''<ins class="diffchange diffchange-inline">[[</ins>Insig<ins class="diffchange diffchange-inline">]]</ins>'', December:40.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1997b. ''Theatre and Society in South Africa: Reflections in a Fractured Mirror''. Pretoria: Van Schaik[http://hdl.handle.net/10019.1/85401 ].</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1997b. ''Theatre and Society in South Africa: Reflections in a Fractured Mirror''. Pretoria: Van Schaik[http://hdl.handle.net/10019.1/85401 ].</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l151" >Line 151:</td> <td colspan="2" class="diff-lineno">Line 151:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 2000.  In defense of theatre research:  An audit revisited (editorial). ''[[South African Theatre Journal]]'', 14:8-17.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 2000.  In defense of theatre research:  An audit revisited (editorial). ''[[South African Theatre Journal]]'', 14:8-17.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 2001a. The Eventification of Afrikaans culture - some thoughts on the Klein Karoo Nasionale Kunstefees ([[KKNK]]). ''[[South African Theatre Journal]]'', 15:169-176.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 2001a. The Eventification of Afrikaans culture - some thoughts on the <ins class="diffchange diffchange-inline">[[</ins>Klein Karoo Nasionale Kunstefees<ins class="diffchange diffchange-inline">]] </ins>([[KKNK]]). ''[[South African Theatre Journal]]'', 15:169-176.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]]  2001b.  FIRT/IFTR 2000 Regional Congress – Theatre: Sound Space, Visual Space. ''[[South African Theatre Journal]]'', 15:153-157.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]]  2001b.  FIRT/IFTR 2000 Regional Congress – Theatre: Sound Space, Visual Space. ''[[South African Theatre Journal]]'', 15:153-157.</div></td></tr> </table>

Temple https://esat.sun.ac.za/index.php?title=ESAT_Bibliography_Hau&diff=236303&oldid=prev 2023-05-02T13:34:30Z

<p><span dir="auto"><span class="autocomment">The list</span></span></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 13:34, 2 May 2023</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l219" >Line 219:</td> <td colspan="2" class="diff-lineno">Line 219:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] &amp; [[Yvette Hutchison|Hutchison, Yvette]] 1992. The social relevance of play (editorial). ''[[South African Theatre Journal]]'', 6(1):1-3.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] &amp; [[Yvette Hutchison|Hutchison, Yvette]] 1992. The social relevance of play (editorial). ''[[South African Theatre Journal]]'', 6(1):1-3.</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch Temple]] and [[Marisa Keuris|Keuris, Marisa]]. 2020. ''[[Reza de Wet. Die Dramaturg as Dromer - 'n Huldiging]]''. Pretoria: [[Protea Boekhuis]].</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch Temple]] and [[Marisa Keuris|Keuris, Marisa]]. 2020. ''[[Reza de Wet. Die Dramaturg as Dromer - 'n Huldiging]]''. Pretoria: [[Protea Boekhuis]].</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l227" >Line 227:</td> <td colspan="2" class="diff-lineno">Line 226:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] and [[Marie Kruger|Kruger, Marie]] 1997. South Africa, in Rubin, Don (ed.). ''The World Encyclopaedia of Contemporary Theatre. Vol. 3: Africa''.  London: Routledge. 268-297.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] and [[Marie Kruger|Kruger, Marie]] 1997. South Africa, in Rubin, Don (ed.). ''The World Encyclopaedia of Contemporary Theatre. Vol. 3: Africa''.  London: Routledge. 268-297.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]]<del class="diffchange diffchange-inline">, </del>Lev Aladgem, Shulamith<del class="diffchange diffchange-inline">, </del>Martin, Jacqueline<del class="diffchange diffchange-inline">, </del>Sauter, Willmar and Schoenmakers, Henri (Eds) 2007. ''Festivalising! Theatrical Events, Politics and Culture''. Amsterdam, Rodopi.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]]<ins class="diffchange diffchange-inline">; </ins>Lev Aladgem, Shulamith<ins class="diffchange diffchange-inline">; </ins>Martin, Jacqueline<ins class="diffchange diffchange-inline">; </ins>Sauter, Willmar and Schoenmakers, Henri (Eds) 2007. ''Festivalising! Theatrical Events, Politics and Culture''. Amsterdam, Rodopi.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] &amp; [[Ian Steadman|Steadman, Ian]] (eds.). 1984. ''[[South African Theatre: Four Plays and an Introduction]]''. Pretoria: [[HAUM Educational]].</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] &amp; [[Ian Steadman|Steadman, Ian]] (eds.). 1984. ''[[South African Theatre: Four Plays and an Introduction]]''. Pretoria: [[HAUM Educational]].</div></td></tr> </table>

Satj https://esat.sun.ac.za/index.php?title=ESAT_Bibliography_Hau&diff=236302&oldid=prev 2023-05-02T13:30:59Z

<p><span dir="auto"><span class="autocomment">The list</span></span></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 13:30, 2 May 2023</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l219" >Line 219:</td> <td colspan="2" class="diff-lineno">Line 219:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] &amp; [[Yvette Hutchison|Hutchison, Yvette]] 1992. The social relevance of play (editorial). ''[[South African Theatre Journal]]'', 6(1):1-3.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] &amp; [[Yvette Hutchison|Hutchison, Yvette]] 1992. The social relevance of play (editorial). ''[[South African Theatre Journal]]'', 6(1):1-3.</div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Temple Hauptfleisch|Hauptfleisch Temple]] and [[Marisa Keuris|Keuris, Marisa]]. 2020. ''[[Reza de Wet. Die Dramaturg as Dromer - 'n Huldiging]]''. Pretoria: [[Protea Boekhuis]].</ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch Temple]] and [[Marisa Keuris|Keuris, Marisa]]. 2023. ''[[Bartho Smit. Koorddanser Tussen Triomf en Tragedie - 'n Huldiging]]''. Pretoria: [[Suid-Afrikaanse Akademie vir Wetenskap en Kuns]].   </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch Temple]] and [[Marisa Keuris|Keuris, Marisa]]. 2023. ''[[Bartho Smit. Koorddanser Tussen Triomf en Tragedie - 'n Huldiging]]''. Pretoria: [[Suid-Afrikaanse Akademie vir Wetenskap en Kuns]].   </div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] and [[Marie Kruger|Kruger, Marie]] 1997. South Africa, in Rubin, Don (ed.). ''The World Encyclopaedia of Contemporary Theatre. Vol. 3: Africa''.  London: Routledge. 268-297.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] and [[Marie Kruger|Kruger, Marie]] 1997. South Africa, in Rubin, Don (ed.). ''The World Encyclopaedia of Contemporary Theatre. Vol. 3: Africa''.  London: Routledge. 268-297.</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">[[Temple Hauptfleisch|Hauptfleisch Temple]] and [[Marisa Keuris|Keuris, Marisa]]. 2020. ''[[Reza de Wet. Die Dramaturg as Dromer - 'n Huldiging]]''. Pretoria: [[Protea Boekhuis]].</del></div></td><td colspan="2"> </td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]], Lev Aladgem, Shulamith, Martin, Jacqueline, Sauter, Willmar and Schoenmakers, Henri (Eds) 2007. ''Festivalising! Theatrical Events, Politics and Culture''. Amsterdam, Rodopi.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]], Lev Aladgem, Shulamith, Martin, Jacqueline, Sauter, Willmar and Schoenmakers, Henri (Eds) 2007. ''Festivalising! Theatrical Events, Politics and Culture''. Amsterdam, Rodopi.</div></td></tr> </table>

Satj https://esat.sun.ac.za/index.php?title=ESAT_Bibliography_Hau&diff=236301&oldid=prev 2023-05-02T13:28:34Z

<p><span dir="auto"><span class="autocomment">The list</span></span></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 13:28, 2 May 2023</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l49" >Line 49:</td> <td colspan="2" class="diff-lineno">Line 49:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1985b. Dramaturg en dialek : enkele gedagtes oor dramatiese dialoog. ''[[Teaterforum]]'', 6(1):46-72.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1985b. Dramaturg en dialek : enkele gedagtes oor dramatiese dialoog. ''[[Teaterforum]]'', 6(1):46-72.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1985c. South Africa: a laboratory for theatre research. ''Communicatio'', 11(2):38-44.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1985c. South Africa: a laboratory for theatre research. ''<ins class="diffchange diffchange-inline">[[</ins>Communicatio<ins class="diffchange diffchange-inline">]]</ins>'', 11(2):38-44.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1986a. The [[Market Theatre]]. ''Lantern'', 35(4) :79-80.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1986a. The [[Market Theatre]]. ''<ins class="diffchange diffchange-inline">[[</ins>Lantern<ins class="diffchange diffchange-inline">]]</ins>'', 35(4) :79-80.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1986b. Die nuwe drama. ''De Kat'', 1(11):22-23.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1986b. Die nuwe drama. ''<ins class="diffchange diffchange-inline">[[</ins>De Kat<ins class="diffchange diffchange-inline">]]</ins>'', 1(11):22-23.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1987a. ''Aspekte Van Die Nuwe Drama'', deur [[André P. Brink]]. Reviewed in: ''[[South African Theatre Journal]]'', 1(2):87-89.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1987a. ''Aspekte Van Die Nuwe Drama'', deur [[André P. Brink]]. Reviewed in: ''[[South African Theatre Journal]]'', 1(2):87-89.</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l220" >Line 220:</td> <td colspan="2" class="diff-lineno">Line 220:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] &amp; [[Yvette Hutchison|Hutchison, Yvette]] 1992. The social relevance of play (editorial). ''[[South African Theatre Journal]]'', 6(1):1-3.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] &amp; [[Yvette Hutchison|Hutchison, Yvette]] 1992. The social relevance of play (editorial). ''[[South African Theatre Journal]]'', 6(1):1-3.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch<del class="diffchange diffchange-inline">, </del>Temple]] <del class="diffchange diffchange-inline">&amp; </del>[[<del class="diffchange diffchange-inline">Marie Kruger</del>|<del class="diffchange diffchange-inline">Kruger</del>, <del class="diffchange diffchange-inline">Marie</del>]] <del class="diffchange diffchange-inline">1997</del>. <del class="diffchange diffchange-inline">South Africa, in Rubin, Don (ed.)</del>. ''<del class="diffchange diffchange-inline">The World Encyclopaedia of Contemporary Theatre</del>. <del class="diffchange diffchange-inline">Vol. 3: Africa</del>''. <del class="diffchange diffchange-inline"> London</del>: <del class="diffchange diffchange-inline">Routledge. 268</del>-<del class="diffchange diffchange-inline">297</del>.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch Temple]] <ins class="diffchange diffchange-inline">and </ins>[[<ins class="diffchange diffchange-inline">Marisa Keuris</ins>|<ins class="diffchange diffchange-inline">Keuris</ins>, <ins class="diffchange diffchange-inline">Marisa</ins>]]. <ins class="diffchange diffchange-inline">2023</ins>. ''<ins class="diffchange diffchange-inline">[[Bartho Smit</ins>. <ins class="diffchange diffchange-inline">Koorddanser Tussen Triomf en Tragedie - 'n Huldiging]]</ins>''. <ins class="diffchange diffchange-inline">Pretoria</ins>: <ins class="diffchange diffchange-inline">[[Suid</ins>-<ins class="diffchange diffchange-inline">Afrikaanse Akademie vir Wetenskap en Kuns]]</ins>. <ins class="diffchange diffchange-inline"> </ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]], <del class="diffchange diffchange-inline">Shulamith </del>Lev<del class="diffchange diffchange-inline">-</del>Aladgem, Jacqueline <del class="diffchange diffchange-inline">Martin</del>, Willmar <del class="diffchange diffchange-inline">Sauter </del>and Henri <del class="diffchange diffchange-inline">Schoenmakers </del>(Eds) 2007. ''Festivalising! Theatrical Events, Politics and Culture''. Amsterdam, Rodopi.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">[[Temple Hauptfleisch|Hauptfleisch, Temple]] and [[Marie Kruger|Kruger, Marie]] 1997. South Africa, in Rubin, Don (ed.). ''The World Encyclopaedia of Contemporary Theatre. Vol. 3: Africa''.  London: Routledge. 268-297.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">[[Temple Hauptfleisch|Hauptfleisch Temple]] and [[Marisa Keuris|Keuris, Marisa]]. 2020. ''[[Reza de Wet. Die Dramaturg as Dromer - 'n Huldiging]]''. Pretoria: [[Protea Boekhuis]].</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]], Lev Aladgem<ins class="diffchange diffchange-inline">, Shulamith, Martin</ins>, Jacqueline<ins class="diffchange diffchange-inline">, Sauter</ins>, Willmar and <ins class="diffchange diffchange-inline">Schoenmakers, </ins>Henri (Eds) 2007. ''Festivalising! Theatrical Events, Politics and Culture''. Amsterdam, Rodopi.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] &amp; [[Ian Steadman|Steadman, Ian]] (eds.). 1984. ''[[South African Theatre: Four Plays and an Introduction]]''. Pretoria: [[HAUM Educational]].</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] &amp; [[Ian Steadman|Steadman, Ian]] (eds.). 1984. ''[[South African Theatre: Four Plays and an Introduction]]''. Pretoria: [[HAUM Educational]].</div></td></tr> </table>

Satj https://esat.sun.ac.za/index.php?title=ESAT_Bibliography_Hau&diff=235593&oldid=prev 2023-04-19T04:49:50Z

<p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 04:49, 19 April 2023</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l123" >Line 123:</td> <td colspan="2" class="diff-lineno">Line 123:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1994a. Editorial. ''[[South African Theatre Journal]]'', 8(1):1-2.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1994a. Editorial. ''[[South African Theatre Journal]]'', 8(1):1-2.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1994b. G'n Swanesang vir drama.  A talk on theatre trends in 1994 given at the Stellenbosch Library Book Week. (Summarised report by [[Gwynneth Bowmer]] in ''[[Die Matie]]'', 5 May: p. 8.)</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1994b. <ins class="diffchange diffchange-inline">&quot;</ins>G'n Swanesang vir drama<ins class="diffchange diffchange-inline">&quot;</ins>.  A talk on theatre trends in 1994<ins class="diffchange diffchange-inline">, </ins>given at the Stellenbosch Library Book Week. (Summarised report by [[Gwynneth Bowmer]] in ''[[Die Matie]]'', 5 May: p. 8.)</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1994c. ''The Search for a Cultural Identity: A Personal Odyssey'', by [[Muthal Naidoo]] and ''In the Shadow of the Shah: The Indic Contribution to our Developing South African Culture'', by [[Dennis Schauffer]]. Reviewed in: ''[[South African Theatre Journal]]'', 8(1):88-90.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1994c. ''The Search for a Cultural Identity: A Personal Odyssey'', by [[Muthal Naidoo]] and ''In the Shadow of the Shah: The Indic Contribution to our Developing South African Culture'', by [[Dennis Schauffer]]. Reviewed in: ''[[South African Theatre Journal]]'', 8(1):88-90.</div></td></tr> </table>

Satj https://esat.sun.ac.za/index.php?title=ESAT_Bibliography_Hau&diff=235592&oldid=prev 2023-04-19T04:48:13Z

<p><span dir="auto"><span class="autocomment">The list</span></span></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 04:48, 19 April 2023</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l19" >Line 19:</td> <td colspan="2" class="diff-lineno">Line 19:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Gavin Haughton|Haughton, Gavin]] 1956. What's wrong with the theatre? ''Sound'', 1(4):10.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Gavin Haughton|Haughton, Gavin]] 1956. What's wrong with the theatre? ''Sound'', 1(4):10.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[HAUM]], 1974. ''Stellenbosse Galery''.  Kaapstad: HAUM.  </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[HAUM]], 1974. ''Stellenbosse Galery''.  Kaapstad: <ins class="diffchange diffchange-inline">[[</ins>HAUM<ins class="diffchange diffchange-inline">]]</ins>.  </div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Adam Haupt|Haupt, Adam]] 1997. ''AIDS Education Through Theatre: Case Studies From Uganda'', by [[Marion Frank]]. Reviewed in: ''[[South African Theatre Journal]]'', 11(1&amp;2):309-312.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Adam Haupt|Haupt, Adam]] 1997. ''AIDS Education Through Theatre: Case Studies From Uganda'', by [[Marion Frank]]. Reviewed in: ''[[South African Theatre Journal]]'', 11(1&amp;2):309-312.</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l123" >Line 123:</td> <td colspan="2" class="diff-lineno">Line 123:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1994a. Editorial. ''[[South African Theatre Journal]]'', 8(1):1-2.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1994a. Editorial. ''[[South African Theatre Journal]]'', 8(1):1-2.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1994b. G'n Swanesang vir drama.  ''[[Die Matie]]'', 5 May: p. 8.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1994b. G'n Swanesang vir drama.  <ins class="diffchange diffchange-inline">A talk on theatre trends in 1994 given at the Stellenbosch Library Book Week. (Summarised report by [[Gwynneth Bowmer]] in </ins>''[[Die Matie]]'', 5 May: p. 8.<ins class="diffchange diffchange-inline">)</ins></div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1994c. ''The Search for a Cultural Identity: A Personal Odyssey'', by [[Muthal Naidoo]] and ''In the Shadow of the Shah: The Indic Contribution to our Developing South African Culture'', by [[Dennis Schauffer]]. Reviewed in: ''[[South African Theatre Journal]]'', 8(1):88-90.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1994c. ''The Search for a Cultural Identity: A Personal Odyssey'', by [[Muthal Naidoo]] and ''In the Shadow of the Shah: The Indic Contribution to our Developing South African Culture'', by [[Dennis Schauffer]]. Reviewed in: ''[[South African Theatre Journal]]'', 8(1):88-90.</div></td></tr> </table>

Satj https://esat.sun.ac.za/index.php?title=ESAT_Bibliography_Hau&diff=235591&oldid=prev 2023-04-19T04:42:20Z

<p><span dir="auto"><span class="autocomment">The list</span></span></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 04:42, 19 April 2023</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l123" >Line 123:</td> <td colspan="2" class="diff-lineno">Line 123:</td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1994a. Editorial. ''[[South African Theatre Journal]]'', 8(1):1-2.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1994a. Editorial. ''[[South African Theatre Journal]]'', 8(1):1-2.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1994b. ''The Search for a Cultural Identity: A Personal Odyssey'', by [[Muthal Naidoo]] and ''In the Shadow of the Shah: The Indic Contribution to our Developing South African Culture'', by [[Dennis Schauffer]]. Reviewed in: ''[[South African Theatre Journal]]'', 8(1):88-90.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1994b<ins class="diffchange diffchange-inline">. G'n Swanesang vir drama.  ''[[Die Matie]]'', 5 May: p. 8.</ins></div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr> <tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1994c</ins>. ''The Search for a Cultural Identity: A Personal Odyssey'', by [[Muthal Naidoo]] and ''In the Shadow of the Shah: The Indic Contribution to our Developing South African Culture'', by [[Dennis Schauffer]]. Reviewed in: ''[[South African Theatre Journal]]'', 8(1):88-90.</div></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1995a. The company you keep: subversive thoughts on the impact of the playwright and the performer  ''New Theatre Quarterly'', 11(44):322-332.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1995a. The company you keep: subversive thoughts on the impact of the playwright and the performer  ''New Theatre Quarterly'', 11(44):322-332.</div></td></tr> </table>

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