ESAT Bibliography H-Hat - Revision history

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2024-01-12T04:13:08Z

The list

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The list

2024-01-12T04:11:13Z

The list

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← Older revision		Revision as of 04:13, 12 January 2024
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	[[S.C. Hattingh\|Hattingh, S.C.]] 1956. ''[[Vergelegen]]'', deur [[D.J. Opperman]]. Reviewed in: ''Helikon'', 6(26):19.		[[S.C. Hattingh\|Hattingh, S.C.]] 1956. ''[[Vergelegen]]'', deur [[D.J. Opperman]]. Reviewed in: ''Helikon'', 6(26):19.
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	==Return to==		==Return to==

← Older revision		Revision as of 04:12, 12 January 2024
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	Click on the appropriate letters of the alphabet in the sub-list below.		Click on the appropriate letters of the alphabet in the sub-list below.

← Older revision		Revision as of 04:11, 12 January 2024
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	[[Mathilde Hanekom\|Hanekom, Mathilde]] 1951. Want ons werk mos nie! [Toneelspelers]. ''Brandwag'', 15(48):28-30. December 28.		[[Mathilde Hanekom\|Hanekom, Mathilde]] 1951. Want ons werk mos nie! [Toneelspelers]. ''Brandwag'', 15(48):28-30. December 28.
		+
		+	[[Ulf Hannerz\|Hannerz, Ulf]]. 1994. [[Sophiatown]]. The View from Afar. ''[[Journal of South African Studies]]'' 20/2: pp.181-193.

	[[John Hansen\|Hansen, John]] 1998. Culture in a state of siege, in [[Gorm Gunnarsen\|Gunnarsen, Gorm]] (ed.). ''South African Resistance Culture''. Copenhagen: Department of English, University of Copenhagen. 102-115.		[[John Hansen\|Hansen, John]] 1998. Culture in a state of siege, in [[Gorm Gunnarsen\|Gunnarsen, Gorm]] (ed.). ''South African Resistance Culture''. Copenhagen: Department of English, University of Copenhagen. 102-115.

← Older revision		Revision as of 04:09, 12 January 2024
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−		+	==The list==

	''[[H.B. Thom Theatre\|H.B. Thom-teater]] 25 jaar''. 1991. Stellenbosch: Universiteit van Stellenbosch.		''[[H.B. Thom Theatre\|H.B. Thom-teater]] 25 jaar''. 1991. Stellenbosch: Universiteit van Stellenbosch.

← Older revision		Revision as of 03:57, 5 November 2022
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	[[Fred Hagemann\|Hagemann, Frederick]] 2005. Thinking beyond the already recognisable: body, space and place in drama learning. ''[[South African Theatre Journal]]'', 19:171-180.		[[Fred Hagemann\|Hagemann, Frederick]] 2005. Thinking beyond the already recognisable: body, space and place in drama learning. ''[[South African Theatre Journal]]'', 19:171-180.
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−	~~[[Gerard Hagg\|Hagg, G.]]. 2001. ''The Contribution of the [[Community Arts Centre]] to Capital Building for~~
−	~~Socio-economic Development in South Africa''. South Africa: UNISA.~~

	[[Alex Halligey\|Halligey Alex]] 2005. Re-inventing mythologies: arguments towards cultural identity in ''Medea'' and ''[[Rain in a Dead Man's Footprints]]''. ''[[South African Theatre Journal]]'', 19:208-222.		[[Alex Halligey\|Halligey Alex]] 2005. Re-inventing mythologies: arguments towards cultural identity in ''Medea'' and ''[[Rain in a Dead Man's Footprints]]''. ''[[South African Theatre Journal]]'', 19:208-222.

@@ Line 31: / Line 31: @@
 [[Fred Hagemann|Hagemann, Frederick]] 2005. Thinking beyond the already recognisable: body, space and place in drama learning. ''[[South African Theatre Journal]]'', 19:171-180.
-[[Gerard Hagg|Hagg, G.]]. 2001. ''The Contribution of the Community Arts Centre to Capital Building for
+[[Gerard Hagg|Hagg, G.]]. 2001. ''The Contribution of the [[Community Arts Centre]] to Capital Building for
 Socio-economic Development in South Africa''. South Africa: UNISA.

← Older revision		Revision as of 03:56, 5 November 2022
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	[[Fred Hagemann\|Hagemann, Frederick]] 2005. Thinking beyond the already recognisable: body, space and place in drama learning. ''[[South African Theatre Journal]]'', 19:171-180.		[[Fred Hagemann\|Hagemann, Frederick]] 2005. Thinking beyond the already recognisable: body, space and place in drama learning. ''[[South African Theatre Journal]]'', 19:171-180.
		+
		+	[[Gerard Hagg\|Hagg, G.]]. 2001. ''The Contribution of the Community Arts Centre to Capital Building for
		+	Socio-economic Development in South Africa''. South Africa: UNISA.

	[[Alex Halligey\|Halligey Alex]] 2005. Re-inventing mythologies: arguments towards cultural identity in ''Medea'' and ''[[Rain in a Dead Man's Footprints]]''. ''[[South African Theatre Journal]]'', 19:208-222.		[[Alex Halligey\|Halligey Alex]] 2005. Re-inventing mythologies: arguments towards cultural identity in ''Medea'' and ''[[Rain in a Dead Man's Footprints]]''. ''[[South African Theatre Journal]]'', 19:208-222.

@@ Line 51: / Line 51: @@
 [[Jonathan Hammond|Hammond, Jonathan]] 1974. A South African season: ''[[Sizwe Banzi is Dead|Sizwe Bansi]]'', ''[[The Island]]'' and ''[[Statements]]''. ''Plays and Players'', 21:40-43. March.
-[[Felicity Hand|Hand, Felicity]] (Ed.). 2020. ''Durban Dialogues Dissected. An Analysis of Ashwin Singh's Plays''. Stellenbosch: Sun Press.
+[[Felicity Hand|Hand, Felicity]] (Ed.). 2020. ''Durban Dialogues Dissected. An Analysis of Ashwin Singh's Plays''. Stellenbosch: [[Sun Press]].
 [[Patricia Handley|Handley, Patricia]] 1995. The [[First Physical Theatre Co.]] ''ADA'', (13):54-55.

← Older revision		Revision as of 03:25, 25 June 2021
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	[[Jonathan Hammond\|Hammond, Jonathan]] 1974. A South African season: ''[[Sizwe Banzi is Dead\|Sizwe Bansi]]'', ''[[The Island]]'' and ''[[Statements]]''. ''Plays and Players'', 21:40-43. March.		[[Jonathan Hammond\|Hammond, Jonathan]] 1974. A South African season: ''[[Sizwe Banzi is Dead\|Sizwe Bansi]]'', ''[[The Island]]'' and ''[[Statements]]''. ''Plays and Players'', 21:40-43. March.
		+
		+	[[Felicity Hand\|Hand, Felicity]] (Ed.). 2020. ''Durban Dialogues Dissected. An Analysis of Ashwin Singh's Plays''. Stellenbosch: Sun Press.

	[[Patricia Handley\|Handley, Patricia]] 1995. The [[First Physical Theatre Co.]] ''ADA'', (13):54-55.		[[Patricia Handley\|Handley, Patricia]] 1995. The [[First Physical Theatre Co.]] ''ADA'', (13):54-55.

← Older revision		Revision as of 15:09, 12 June 2020
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	[[Alex Halligey\|Halligey Alexandra]] 2020. ''Participatory Theatre and the Urban Everyday in South Africa, Place and Play in Johannesburg''. Routledge Contemporary South Africa (No 9), Routledge.		[[Alex Halligey\|Halligey Alexandra]] 2020. ''Participatory Theatre and the Urban Everyday in South Africa, Place and Play in Johannesburg''. Routledge Contemporary South Africa (No 9), Routledge.
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	[[John Hamber\|Hamber, John]] 1982. ''The [[Port Elizabeth Shakespearean Festival]]. an appreciation''. (Privately published: Copy in Centre for Theatre and Performance Studies, Stellenbosch)		[[John Hamber\|Hamber, John]] 1982. ''The [[Port Elizabeth Shakespearean Festival]]. an appreciation''. (Privately published: Copy in Centre for Theatre and Performance Studies, Stellenbosch)