ESAT Bibliography Gru-Gz - Revision history

Miriamt at 07:09, 19 May 2021

2021-05-19T07:09:23Z

Satj at 04:47, 9 May 2014

2014-05-09T04:47:47Z

Satj at 04:38, 9 May 2014

2014-05-09T04:38:06Z

Satj at 04:36, 9 May 2014

2014-05-09T04:36:53Z

Miriamt at 12:16, 5 May 2014

2014-05-05T12:16:08Z

Miriamt at 09:17, 5 May 2014

2014-05-05T09:17:49Z

Miriamt at 09:16, 5 May 2014

2014-05-05T09:16:53Z

Miriamt at 09:16, 5 May 2014

2014-05-05T09:16:13Z

Miriamt at 09:28, 2 May 2014

2014-05-02T09:28:51Z

Miriamt at 09:45, 4 April 2013

2013-04-04T09:45:58Z

← Older revision		Revision as of 07:09, 19 May 2021
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	[[Wilhelm Grütter\|Grütter, Wilhelm]] 1968c. Who is [[Yvonne Bryceland]] anyway? ''[[Teater SA]]'', 1(2):5.		[[Wilhelm Grütter\|Grütter, Wilhelm]] 1968c. Who is [[Yvonne Bryceland]] anyway? ''[[Teater SA]]'', 1(2):5.
		+
		+	[[Wilhelm Grütter\|Grütter, Wilhelm]] 1987. [[CAPAB]] 25 Years. Unpublished research.

	[[Kenneth Grundy\|Grundy, Kenneth]] 1993. ''The Politics of the [[National Arts Festival]]''. ''Occasional Paper'', (34). Grahamstown: Rhodes University Institute for Social and Economic Research.		[[Kenneth Grundy\|Grundy, Kenneth]] 1993. ''The Politics of the [[National Arts Festival]]''. ''Occasional Paper'', (34). Grahamstown: Rhodes University Institute for Social and Economic Research.

← Older revision		Revision as of 04:47, 9 May 2014
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	[[Mafika Gwala\|Gwala, Mafika]] 1973. Towards a national theatre. ''South African Outlook'', 103:131-133.		[[Mafika Gwala\|Gwala, Mafika]] 1973. Towards a national theatre. ''South African Outlook'', 103:131-133.

−	[[Mafika Gwala\|Gwala, Mafika]] and [[Liz Gunner\|Gunner, Liz]] (eds) 1991. ''Musho! Zulu Popular Praises''. Michigan State University Press	+	[[Mafika Gwala\|Gwala, Mafika]] and [[Liz Gunner\|Gunner, Liz]] (eds) 1991. ''Musho! Zulu Popular Praises''. East Lansing, MI: Michigan State University Press.

← Older revision		Revision as of 04:38, 9 May 2014
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	[[Mafika Gwala\|Gwala, Mafika]] 1973. Towards a national theatre. ''South African Outlook'', 103:131-133.		[[Mafika Gwala\|Gwala, Mafika]] 1973. Towards a national theatre. ''South African Outlook'', 103:131-133.

−	[[Mafika Gwala\|Gwala, Mafika]] and [[Liz Gunner\|Gunner, Liz]] 1991. ''Musho! Zulu Popular Praises''. Michigan State University Press	+	[[Mafika Gwala\|Gwala, Mafika]] and [[Liz Gunner\|Gunner, Liz]] (eds) 1991. ''Musho! Zulu Popular Praises''. Michigan State University Press

← Older revision		Revision as of 04:36, 9 May 2014
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	[[Mafika Gwala\|Gwala, Mafika]] 1973. Towards a national theatre. ''South African Outlook'', 103:131-133.		[[Mafika Gwala\|Gwala, Mafika]] 1973. Towards a national theatre. ''South African Outlook'', 103:131-133.
		+
		+	[[Mafika Gwala\|Gwala, Mafika]] and [[Liz Gunner\|Gunner, Liz]] 1991. ''Musho! Zulu Popular Praises''. Michigan State University Press

← Older revision		Revision as of 12:16, 5 May 2014
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	[[Thelma Gutsche\|Gutsche, Thelma]] 1942b. Afrikaans stage production receives a beneficial opportunity. ''Forum'', 4(45): 19. February 7.		[[Thelma Gutsche\|Gutsche, Thelma]] 1942b. Afrikaans stage production receives a beneficial opportunity. ''Forum'', 4(45): 19. February 7.
		+
		+	[[Thelma Gutsche\|Gutsche, Thelma]] 1942c. Pioneers of the Afrikaans stage. ''The Forum'', 5(1):18. April 4.

	[[Thelma Gutsche\|Gutsche, Thelma]] 1945. Treffende gedagtes oor die toneel in Suid-Afrika. ''Filma'', 2(4):6-7.		[[Thelma Gutsche\|Gutsche, Thelma]] 1945. Treffende gedagtes oor die toneel in Suid-Afrika. ''Filma'', 2(4):6-7.

@@ Line 65: / Line 65: @@
 [[Thelma Gutsche|Gutsche, Thelma]] 1940f. Renaissance of theatre in South Africa. ([[Gwen Ffrangcon-Davies]] in Major Barbara produced by [[Leontine Sagan]]). ''Forum'', 3(29):17. October 12.
-[[Thelma Gutsche|Gutsche, Thelma]] 1940g. Shakespeare [''[[Twelfth night]]''] captivates public: amateurs rise to histrionic heights. ''Forum'', 3(38):18. December 14.
+[[Thelma Gutsche|Gutsche, Thelma]] 1940g. Shakespeare [''[[Twelfth Night]]''] captivates public: amateurs rise to histrionic heights. ''Forum'', 3(38):18. December 14.
 [[Thelma Gutsche|Gutsche, Thelma]] 1940h. Theatre left to languish [for want of theatres]. ''Forum'', 3(32):17. November 2.

@@ Line 57: / Line 57: @@
 [[Thelma Gutsche|Gutsche, Thelma]] 1940b. Afrikaans theatre. ''Forum'', 3(27):17. September 28.
-[[Thelma Gutsche|Gutsche, Thelma]] 1940c. Effects of the war. ''Forum'', 3(35):17. November 23.
+[[Thelma Gutsche|Gutsche, Thelma]] 1940c. Cut out the cackle. ''[[The South African Theatre, Music and Dance]]'', 1(2):14-15.
-[[Thelma Gutsche|Gutsche, Thelma]] 1940d. [[Leontine Sagan]] continues to make bricks without straw. ''Forum'', 3(38):18-19. December 14.
+[[Thelma Gutsche|Gutsche, Thelma]] 1940d. Effects of the war. ''Forum'', 3(35):17. November 23.
-[[Thelma Gutsche|Gutsche, Thelma]] 1940e. Renaissance of theatre in South Africa. ([[Gwen Ffrangcon-Davies]] in Major Barbara produced by [[Leontine Sagan]]). ''Forum'', 3(29):17. October 12.
+[[Thelma Gutsche|Gutsche, Thelma]] 1940e. [[Leontine Sagan]] continues to make bricks without straw. ''Forum'', 3(38):18-19. December 14.
-[[Thelma Gutsche|Gutsche, Thelma]] 1940f. Shakespeare [Twelfth night] captivates public: amateurs rise to histrionic heights. ''Forum'', 3(38):18. December 14.
+[[Thelma Gutsche|Gutsche, Thelma]] 1940f. Renaissance of theatre in South Africa. ([[Gwen Ffrangcon-Davies]] in Major Barbara produced by [[Leontine Sagan]]). ''Forum'', 3(29):17. October 12.
-[[Thelma Gutsche|Gutsche, Thelma]] 1940g. Theatre left to languish [for want of theatres]. ''Forum'', 3(32):17. November 2.
+[[Thelma Gutsche|Gutsche, Thelma]] 1940g. Shakespeare [Twelfth night] captivates public: amateurs rise to histrionic heights. ''Forum'', 3(38):18. December 14.
-[[Thelma Gutsche|Gutsche, Thelma]] 1940h. Two important arrivals for the stage ([[Henry Mollison]] and [[Lina Basquette]] in ''[[Private Lives]]''). ''Forum'', 2(48):19.February 24.
+[[Thelma Gutsche|Gutsche, Thelma]] 1940h. Theatre left to languish [for want of theatres]. ''Forum'', 3(32):17. November 2.
-[[Thelma Gutsche|Gutsche, Thelma]] 1940i. War and amateur theatricals. (Group theatre, [[Johannesburg Repertory Players]]). ''Forum'', 2(47):22. February 17.
+[[Thelma Gutsche|Gutsche, Thelma]] 1940i. Two important arrivals for the stage ([[Henry Mollison]] and [[Lina Basquette]] in ''[[Private Lives]]''). ''Forum'', 2(48):19.February 24.
 [[Thelma Gutsche|Gutsche, Thelma]] 1941a. Army entertainment. ''Forum'', 4(39):17. December 27.

← Older revision		Revision as of 09:45, 4 April 2013
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−	~~[[Wilhelm Grütter\|Grütter, Wilhelm]] 1968. Stadig maar seker - die [[Nico Malan Theatre\|Nico Malan-skouburg]]. ''[[Teater SA]]'', 1(1):7-9.~~

−	[[Wilhelm Grütter\|Grütter, Wilhelm]] ~~1968~~. Interview: [[Peter Kleinschmidt]] - the ideal critic. ''[[Teater SA]]'', 1(1):22-23.	+	[[Wilhelm Grütter\|Grütter, Wilhelm]] 1968a. Interview: [[Peter Kleinschmidt]] - the ideal critic. ''[[Teater SA]]'', 1(1):22-23.
		+
		+	[[Wilhelm Grütter\|Grütter, Wilhelm]] 1968b. Stadig maar seker - die [[Nico Malan Theatre\|Nico Malan-skouburg]]. ''[[Teater SA]]'', 1(1):7-9.
		+
		+	[[Wilhelm Grütter\|Grütter, Wilhelm]] 1968c. Who is [[Yvonne Bryceland]] anyway? ''[[Teater SA]]'', 1(2):5.

	[[Kenneth Grundy\|Grundy, Kenneth]] 1993. ''The Politics of the [[National Arts Festival]]''. ''Occasional Paper'', (34). Grahamstown: Rhodes University Institute for Social and Economic Research.		[[Kenneth Grundy\|Grundy, Kenneth]] 1993. ''The Politics of the [[National Arts Festival]]''. ''Occasional Paper'', (34). Grahamstown: Rhodes University Institute for Social and Economic Research.