ESAT Bibliography Fr-Fz - Revision history

Satj at 05:03, 1 November 2023

2023-11-01T05:03:32Z

Satj at 03:27, 27 May 2020

2020-05-27T03:27:52Z

Miriamt at 17:02, 4 July 2017

2017-07-04T17:02:57Z

Miriamt at 10:54, 24 September 2015

2015-09-24T10:54:01Z

Miriamt at 12:35, 4 July 2014

2014-07-04T12:35:27Z

Miriamt at 14:50, 14 October 2013

2013-10-14T14:50:12Z

Miriamt at 09:32, 12 June 2013

2013-06-12T09:32:37Z

Miriamt at 08:39, 27 March 2012

2012-03-27T08:39:10Z

Miriamt at 08:13, 11 January 2012

2012-01-11T08:13:25Z

Miriamt at 13:07, 12 September 2011

2011-09-12T13:07:53Z

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 [[Anne Fuchs|Fuchs, Anne]] 1987. Re-creation: one aspect of oral tradition and the theatre in South Africa. ''Commonwealth Essays and Studies'', 9(2):32-40.
-[[Anne Fuchs|Fuchs, Anne]] 1990. Playing the Market: The [[Market Theatre]], Johannesburg 1976-1986. London: Harwood Academic Publishers.
+[[Anne Fuchs|Fuchs, Anne]] 1990. ''Playing the Market: The [[Market Theatre]], Johannesburg 1976-1986''. London: Harwood Academic Publishers.
 [[Anne Fuchs|Fuchs, Anne]] 1994. The [[Market Theatre]]: drama for a new society? Targeting the spectator, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] (ed.). ''Southern African writing : voyages and explorations''. Amsterdam: Rodopi. 13-24.

← Older revision		Revision as of 03:27, 27 May 2020
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	[[Ilona Frege\|Frege, Ilona]] 1995. Interview with [[Gary Gordon]]. ''[[South African Theatre Journal]]'', 9(2):97-102.		[[Ilona Frege\|Frege, Ilona]] 1995. Interview with [[Gary Gordon]]. ''[[South African Theatre Journal]]'', 9(2):97-102.
		+
		+	[[Claire French\|French, Claire]] 2019. ''Mobilising Languaging: Facilitating dynamic linguistic resources in applied performance praxis'', Unpublished PhD. Thesis, University of Warwick.

	[[Leslie French\|French, Leslie]] 1957. Vigour in South Africa. ''International Theatre Annual'', 2:146-151.		[[Leslie French\|French, Leslie]] 1957. Vigour in South Africa. ''International Theatre Annual'', 2:146-151.

@@ Line 34: / Line 34: @@
 [[Leslie French|French, Leslie]] 1964. Shakespeare in Cape Town. ''Drama'', (73): 33-35.
-[[Rhoda K. Fridjohn|Fridjohn, Rhoda K.]] 1929. The Repertory Theatre in South Africa. ''Footlights'', 1(7):2-3.
+[[Rhoda K. Fridjhon|Fridjhon, Rhoda K.]] 1929. The Repertory Theatre in South Africa. ''Footlights'', 1(7):2-3.
 [[Gary Friedman|Friedman, Gary]] 1986. Puppets against apartheid: from a series of letters, papers and press cuttings. ''Animations'', 9(3):48-49.

← Older revision		Revision as of 10:54, 24 September 2015
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	Funny man 1999. ''Economist Financial Report'', 352(8127):79. July 10.		Funny man 1999. ''Economist Financial Report'', 352(8127):79. July 10.

−	[[Robert Fysh\|Fysh, Robert]] 1979. [[Dianne Britz]]: a profile. ''[[Scenaria]]'', (15):28-29.	+	[[Robert Fysh\|Fysh, Robert]] 1979. [[Diane Britz\|Dianne Britz]]: a profile. ''[[Scenaria]]'', (15):28-29.

← Older revision		Revision as of 12:35, 4 July 2014
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−	[[Benjy Francis\|Francis, Benjy]] 1979a. Black writing: problems and prospects of a tradition: writing for the theatre today. ''S'ketsh''', Winter:10-11.	+	[[Benjy Francis\|Francis, Benjy]] 1979a. Black writing: problems and prospects of a tradition: writing for the theatre today. ''[[S'ketsh']]'', Winter:10-11.

	[[Benjy Francis\|Francis, Benjy]] 1979b. The other face of theatre in Africa, in Hay-Whitton, Don (ed.). ''International Symposium of the South African Institute of Theatre Technology (1979: "Theatre - the fun house and its management" : a report of the proceedings at the International Symposium of the [[South African Institute of Theatre Technology]] (SAITT) held at the Nico Malan Theatre Centre, Cape Town, from 30 July to 3 August 1979''. South African Institute of Theatre Technology. Section 8, 12-16.		[[Benjy Francis\|Francis, Benjy]] 1979b. The other face of theatre in Africa, in Hay-Whitton, Don (ed.). ''International Symposium of the South African Institute of Theatre Technology (1979: "Theatre - the fun house and its management" : a report of the proceedings at the International Symposium of the [[South African Institute of Theatre Technology]] (SAITT) held at the Nico Malan Theatre Centre, Cape Town, from 30 July to 3 August 1979''. South African Institute of Theatre Technology. Section 8, 12-16.

@@ Line 18: / Line 18: @@
 [[Benjy Francis|Francis, Benjy]] 1980. At this stage [production and direction]. ''Wietie'', 2:24-26.
-[[D.A. Francis|Francis, D.A.]] Sex is not something we talk about, it's something we do?: using drama to engage youth in sexuality, relationship and HIV education. ''Crtitical Arts'', 24(2):228-244.
+[[Dennis A. Francis|Francis, Dennis A.]] Sex is not something we talk about, it's something we do?: using drama to engage youth in sexuality, relationship and HIV education. ''Crtitical Arts'', 24(2):228-244.
 [[Kati Francis|Francis, Kati]] 2006. Theatre of struggle and transformation: A critical investigation into the power of oral traditions as used by director [[Mark Fleishman]]. ''[[South African Theatre Journal]]'', 20:102-127.

← Older revision		Revision as of 09:32, 12 June 2013
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	[[Athol Fugard\|Fugard Athol]] 1973. Fugard on Fugard. ''Yale Theatre'', 4(1):41-54.		[[Athol Fugard\|Fugard Athol]] 1973. Fugard on Fugard. ''Yale Theatre'', 4(1):41-54.
		+
		+	[[Athol Fugard\|Fugard Athol]] 1977. Keeping an appointment with the future: the theatre of Athol Fugard. ''Theatre Quarterly'', 7(28):77-82.
		+
		+	[[Athol Fugard\|Fugard Athol]] 1977. Fugard on acting, actors on Fugard. ''Theatre Quarterly'', 7(28):83-86.

	[[Athol Fugard\|Fugard Athol]] 1979. ''[[Orestes]]'' reconstructed: a letter to an American friend. ''Theatre Quarterly'', 8:3-6.		[[Athol Fugard\|Fugard Athol]] 1979. ''[[Orestes]]'' reconstructed: a letter to an American friend. ''Theatre Quarterly'', 8:3-6.

← Older revision		Revision as of 08:39, 27 March 2012
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	[[T. Fry\|Fry, T.]] 1981. [[Sun City]] entertainment centre – a race against time. ''Electrical Engineer'', 31-35. September. [electronic sound control]		[[T. Fry\|Fry, T.]] 1981. [[Sun City]] entertainment centre – a race against time. ''Electrical Engineer'', 31-35. September. [electronic sound control]
		+
		+	[[Anne Fuchs\|Fuchs, Anne]] 1982. The new South African theatre: beyond Fugard, in King, Bruce (ed.). ''Postcolonial English Drama: Commonwealth Drama since 1960''. New York: St Martin's. 165-180.

	[[Anne Fuchs\|Fuchs, Anne]] 1987. Re-creation: one aspect of oral tradition and the theatre in South Africa. ''Commonwealth Essays and Studies'', 9(2):32-40.		[[Anne Fuchs\|Fuchs, Anne]] 1987. Re-creation: one aspect of oral tradition and the theatre in South Africa. ''Commonwealth Essays and Studies'', 9(2):32-40.

← Older revision		Revision as of 08:13, 11 January 2012
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	[[Kati Francis\|Francis, Kati]] 2006. Theatre of struggle and transformation: A critical investigation into the power of oral traditions as used by director [[Mark Fleishman]]. ''[[South African Theatre Journal]]'', 20:102-127.		[[Kati Francis\|Francis, Kati]] 2006. Theatre of struggle and transformation: A critical investigation into the power of oral traditions as used by director [[Mark Fleishman]]. ''[[South African Theatre Journal]]'', 20:102-127.
		+
		+	Frank, EE 2010. Affirming human bonds in a time of crisis - a central action of Euripides' Heracles. ''Journal Of Literary Studies'', 26(4):1-16.

	[[Haike Frank\|Frank, Haike]] 2004. ''Role-play in South African Theatre''. Bayreuth : Breitinger.		[[Haike Frank\|Frank, Haike]] 2004. ''Role-play in South African Theatre''. Bayreuth : Breitinger.

← Older revision		Revision as of 13:07, 12 September 2011
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	[[Leslie French\|French, Leslie]] 1964. Shakespeare in Cape Town. ''Drama'', (73): 33-35.		[[Leslie French\|French, Leslie]] 1964. Shakespeare in Cape Town. ''Drama'', (73): 33-35.

		+	[[Rhoda K. Fridjohn\|Fridjohn, Rhoda K.]] 1929. The Repertory Theatre in South Africa. ''Footlights'', 1(7):2-3.
		+
	[[Gary Friedman\|Friedman, Gary]] 1986. Puppets against apartheid: from a series of letters, papers and press cuttings. ''Animations'', 9(3):48-49.		[[Gary Friedman\|Friedman, Gary]] 1986. Puppets against apartheid: from a series of letters, papers and press cuttings. ''Animations'', 9(3):48-49.