ESAT Bibliography Fla-Fly - Revision history

Satj: /* The list */

2025-07-03T03:25:35Z

The list

Satj: /* The list */

2025-07-03T03:25:03Z

The list

Satj at 03:24, 3 July 2025

2025-07-03T03:24:47Z

Satj at 16:28, 1 March 2021

2021-03-01T16:28:56Z

Satj at 16:28, 1 March 2021

2021-03-01T16:28:19Z

Satj at 03:59, 27 January 2020

2020-01-27T03:59:01Z

Satj at 03:57, 27 January 2020

2020-01-27T03:57:43Z

Miriamt at 14:50, 17 January 2019

2019-01-17T14:50:38Z

Miriamt at 14:28, 12 November 2013

2013-11-12T14:28:32Z

Miriamt at 12:29, 16 October 2013

2013-10-16T12:29:59Z

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 [[Mark Fleishman|Fleishman, Mark]] 1990. Workshop theatre as oppositional form. ''[[South African Theatre Journal]]'', 4(1):88-118.
-[[Mark Fleishman|Fleishman, Mark]] 1991. Workshop theatre in South Africa in the 1980s: a critical examination with specific reference to power, orality and the carnivalesque. Unpublished master’s thesis. Cape Town: [[University of Cape Town]].
+[[Mark Fleishman|Fleishman, Mark]] 1991. ''Workshop theatre in South Africa in the 1980s: a critical examination with specific reference to power, orality and the carnivalesque''. Unpublished master’s thesis. Cape Town: [[University of Cape Town]].
 [[Mark Fleishman|Fleishman, Mark]] 1996. Physical images in the South African theatre, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 173-182.

@@ Line 16: / Line 16: @@
 [[Mark Fleishman|Fleishman, Mark]] 1990. Workshop theatre as oppositional form. ''[[South African Theatre Journal]]'', 4(1):88-118.
-[[Mark Fleishman|Fleishman, Mark]] 1991. Workshop theatre in South Africa in the 1980s: a critical examination with specific reference to power, orality and the carnivalesque. Unpublished master’s thesis. Cape Town: University of Cape Town.
+[[Mark Fleishman|Fleishman, Mark]] 1991. Workshop theatre in South Africa in the 1980s: a critical examination with specific reference to power, orality and the carnivalesque. Unpublished master’s thesis. Cape Town: [[University of Cape Town]].
 [[Mark Fleishman|Fleishman, Mark]] 1996. Physical images in the South African theatre, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 173-182.

← Older revision		Revision as of 03:24, 3 July 2025
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	Return to [[South_African_Theatre/Bibliography\|A Bibliography of South African South African Theatre and Performance]]		Return to [[South_African_Theatre/Bibliography\|A Bibliography of South African South African Theatre and Performance]]

−		+	==The list==

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 [[Mark Fleishman|Fleishman, Mark]] 2011. ''[[Cargo]]'': staging slavery at the Cape. ''Contemporary Theatre Review'', 21(1):8-19.
-[[Mark Fleishman|Fleishman, Mark]] (Ed.) ''Performing Migrancy and Mobility in Africa. Cape of Flows'' (Series: “Studies in International Performance” edited by Janelle Reinelt and Brian Singleton). London: Palgrave Macmillan.
+[[Mark Fleishman|Fleishman, Mark]] (Ed.) 2015. ''Performing Migrancy and Mobility in Africa. Cape of Flows'' (Series: “Studies in International Performance” edited by Janelle Reinelt and Brian Singleton). London: Palgrave Macmillan.
 [[D. Fletcher|Fletcher, D.]] 1976. [[Etienne Rousseau Theatre]]. ''South African Builder''. 55(1):14-15. January.

← Older revision		Revision as of 16:28, 1 March 2021
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	[[Mark Fleishman\|Fleishman, Mark]] 2011. ''[[Cargo]]'': staging slavery at the Cape. ''Contemporary Theatre Review'', 21(1):8-19.		[[Mark Fleishman\|Fleishman, Mark]] 2011. ''[[Cargo]]'': staging slavery at the Cape. ''Contemporary Theatre Review'', 21(1):8-19.
		+
		+	[[Mark Fleishman\|Fleishman, Mark]] (Ed.) ''Performing Migrancy and Mobility in Africa. Cape of Flows'' (Series: “Studies in International Performance” edited by Janelle Reinelt and Brian Singleton). London: Palgrave Macmillan.

	[[D. Fletcher\|Fletcher, D.]] 1976. [[Etienne Rousseau Theatre]]. ''South African Builder''. 55(1):14-15. January.		[[D. Fletcher\|Fletcher, D.]] 1976. [[Etienne Rousseau Theatre]]. ''South African Builder''. 55(1):14-15. January.

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 [[Jill Fletcher|Fletcher, Jill]] 1990. ''Puppetry, A Guide for Beginners'', by [[Marie Kruger]]. Reviewed in: ''[[South African Theatre Journal]]'', 4(2):114.
-[[Jill Fletcher|Fletcher, Jill]] 1994.  ''The Story of Theatre in South Africa: A Guide to its History from 1780-1930''. Cape Town: Vlaeberg. (This is the official title, but the dust jacket of the original edition bears a different title: ''The Story of South African Theatre: A Guide to its History from 1780-1930'')
+[[Jill Fletcher|Fletcher, Jill]] 1994.  ''The Story of Theatre in South Africa: A Guide to its History from 1780-1930''. Cape Town: Vlaeberg. (This is the official title, but the dust jacket of the original edition bears a different title: ''The Story of South African Theatre: A Guide to its History from 1780-1930''. Both titles are cited by sources.)
 [[Miki Flockemann|Flockemann, Miki]] 1991. [[Gcina Mhlope]]’s ''[[Have You Seen Zandile]]?'' English or english? The situation of drama in literature and language departments in the emergent post-Apartheid South Africa. ''[[South African Theatre Journal]]'', 5(2):40-54.

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 [[Miki Flockemann|Flockemann, Miki]], [[Gino Fransman]], [[Linda Tini]], [[Ignatius Ticha]]. Furiously enthused? Performing identities, encountering ''[[iMumbo Jumbo]]'': a UWC case study. 2005. ''[[South African Theatre Journal]]'', 19:191-207.
-[[Miki Flockemann|Flockemann, Miki]], [[Wahseema Roberts|Roberts, Wahseema]], [[Andrea Castle|Castle, Andrea]], [[Antjie Krog|Krog, Antjie]] and Ngara, Kudzayi. 2009.  Performing xenophobia: a conversation with [[Jonathan Nkala]] and [[Bo Petersen]]. ''[[South African Theatre Journal]]'', 23:207-220.
+[[Miki Flockemann|Flockemann, Miki]], [[Wahseema Roberts|Roberts, Wahseema]], [[Andrea Castle|Castle, Andrea]], [[Antjie Krog|Krog, Antjie]] and Ngara, Kudzayi. 2009.  Performing xenophobia: a conversation with [[Jonathan Khumbulani Nkala|Jonathan Nkala]] and [[Bo Petersen]]. ''[[South African Theatre Journal]]'', 23:207-220.
 [[Miki Flockemann|Flockemann, Miki]], Ngara, K, [[Wahseema Roberts|Roberts, Wahseema]], & [[Andrea Castle|Castle, Andrea]] 2010. The everyday experience of xenophobia: performing ''[[The Crossing]]'' from Zimbabwe to South Africa', ''Critical Arts'', 24(2):245-259.

← Older revision		Revision as of 14:28, 12 November 2013
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	[[Miki Flockemann\|Flockemann, Miki]] 2011. Facing the stranger in the mirror: staged complicities in recent South African performances. ''[[South African Theatre Journal]]'', 25(2):129-141.		[[Miki Flockemann\|Flockemann, Miki]] 2011. Facing the stranger in the mirror: staged complicities in recent South African performances. ''[[South African Theatre Journal]]'', 25(2):129-141.
		+
		+	[[Micki Flockeman\|Flockeman, Micki]], Jerome Cornelius, Jolyn Phillips 2012. [[National Arts Festival\|Grahamstown]] 2012: theatres of belonging, longing and counting the bullets. ''[[South African Theatre Journal]]'', 26(2):218-226.

	[[Miki Flockemann\|Flockemann, Miki]] 2013. Repeating and disrupting embodied histories through performance: ''[[Exhibit A]]'', ''[[Mies Julie]]'' and ''[[Itsoseng]]''. ''[[Critical Arts]]'', 27(4):403-417.		[[Miki Flockemann\|Flockemann, Miki]] 2013. Repeating and disrupting embodied histories through performance: ''[[Exhibit A]]'', ''[[Mies Julie]]'' and ''[[Itsoseng]]''. ''[[Critical Arts]]'', 27(4):403-417.

← Older revision		Revision as of 12:29, 16 October 2013
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		+
		+	Flather, Horace 1930. South African drama. ''[[The Mime]]'', 3(2):2-3.

	[[Mark Fleishman\|Fleishman, Mark]] 1990. Workshop theatre as oppositional form. ''[[South African Theatre Journal]]'', 4(1):88-118.		[[Mark Fleishman\|Fleishman, Mark]] 1990. Workshop theatre as oppositional form. ''[[South African Theatre Journal]]'', 4(1):88-118.