ESAT Bibliography Dr-Dup - Revision history

Satj: /* The list */

2026-05-20T14:40:43Z

The list

Satj at 14:55, 25 February 2025

2025-02-25T14:55:41Z

Satj: /* The list */

2025-02-25T14:53:00Z

The list

Satj at 14:14, 27 February 2024

2024-02-27T14:14:01Z

Satj at 05:19, 13 December 2018

2018-12-13T05:19:50Z

Satj at 13:58, 21 April 2016

2016-04-21T13:58:25Z

Miriamt at 11:09, 30 April 2014

2014-04-30T11:09:59Z

Miriamt at 11:09, 30 April 2014

2014-04-30T11:09:39Z

Miriamt at 11:09, 30 April 2014

2014-04-30T11:09:12Z

Miriamt at 11:58, 5 October 2013

2013-10-05T11:58:16Z

← Older revision		Revision as of 14:40, 20 May 2026
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	[[Petrus du Preez\|Du Preez, Petrus]] 2011. The tall tale of ''[[Tall Horse]]'': the illusion (or manifestation) of African cultural and traditional aesthetics in hybrid performances, in Igweonu, Kene (ed.). ''Trends in Twenty-First Century African Theatre and Performance''. Amsterdam, Rodopi. 139-170.		[[Petrus du Preez\|Du Preez, Petrus]] 2011. The tall tale of ''[[Tall Horse]]'': the illusion (or manifestation) of African cultural and traditional aesthetics in hybrid performances, in Igweonu, Kene (ed.). ''Trends in Twenty-First Century African Theatre and Performance''. Amsterdam, Rodopi. 139-170.

−	[[Charles du Val\|Du Val, Charles]]. 1882. ''With a Show Through Southern Africa. And Personal Reminiscences of the Transvaal War'' (Volume 1) London : Tinsley Brothers.(Facsimile version, [[HathiTrust Digital Library]])[https://babel.hathitrust.org/cgi/pt?id=nyp.33433061811000;view=1up;seq=7]

−	[[Charles du Val\|Du Val, Charles]]. 1882. ''With a Show Through Southern Africa. And Personal Reminiscences of the Transvaal War'' (Volume 2) London : Tinsley Brothers. (Facsimile version, [[HathiTrust Digital Library]])[[https://babel.hathitrust.org/cgi/pt?id=nyp.33433061811018;view=1up;seq=11]

		+	==Return to==

	Click on the appropriate letters of the alphabet in the sub-list below.		Click on the appropriate letters of the alphabet in the sub-list below.

@@ Line 37: / Line 37: @@
 [[M. Dry|Dry, M.]] 1982. Stage projection – the science of tomorrow. ''[[Scenaria]]'', (34):43-45.
 [[Caroline Margaret Duck|Duck, Caroline Margaret]] 2001. An investigation into the imbalance of gender awareness in playwriting in the contemporary South African context, offering up the idea of a women's theatre festival as a solution to this imbalance. Unpublished master’s thesis. Durban: University of Natal.
@@ Line 97: / Line 95: @@
 [[Petrus du Preez|Du Preez, Petrus]] 2011. The tall tale of ''[[Tall Horse]]'': the illusion (or manifestation) of African cultural and traditional aesthetics in hybrid performances, in  Igweonu, Kene (ed.). ''Trends in Twenty-First Century African Theatre and Performance''. Amsterdam, Rodopi. 139-170.
 [[Charles du Val|Du Val, Charles]]. 1882. ''With a Show Through Southern Africa. And Personal Reminiscences of the Transvaal War'' (Volume 2) London : Tinsley Brothers. (Facsimile version, [[HathiTrust Digital Library]])[[https://babel.hathitrust.org/cgi/pt?id=nyp.33433061811018;view=1up;seq=11]

@@ Line 39: / Line 39: @@
 [[Charles du Val|Du Val, Charles]]. 1882. ''With a Show Through Southern Africa. And Personal Reminiscences of the Transvaal War'' (Volume 1) London : Tinsley Brothers.(Facsimile version, [[HathiTrust Digital Library]])[https://babel.hathitrust.org/cgi/pt?id=nyp.33433061811000;view=1up;seq=7]
 [[Caroline Margaret Duck|Duck, Caroline Margaret]] 2001. An investigation into the imbalance of gender awareness in playwriting in the contemporary South African context, offering up the idea of a women's theatre festival as a solution to this imbalance. Unpublished master’s thesis. Durban: University of Natal.
@@ Line 100: / Line 98: @@
 [[Petrus du Preez|Du Preez, Petrus]] 2011. The tall tale of ''[[Tall Horse]]'': the illusion (or manifestation) of African cultural and traditional aesthetics in hybrid performances, in  Igweonu, Kene (ed.). ''Trends in Twenty-First Century African Theatre and Performance''. Amsterdam, Rodopi. 139-170.
+[[Charles du Val|Du Val, Charles]]. 1882. ''With a Show Through Southern Africa. And Personal Reminiscences of the Transvaal War'' (Volume 2) London : Tinsley Brothers. (Facsimile version, [[HathiTrust Digital Library]])[[https://babel.hathitrust.org/cgi/pt?id=nyp.33433061811018;view=1up;seq=11]

← Older revision		Revision as of 14:14, 27 February 2024
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	Return to [[South_African_Theatre/Bibliography\|A Bibliography of South African South African Theatre and Performance]]		Return to [[South_African_Theatre/Bibliography\|A Bibliography of South African South African Theatre and Performance]]

−		+	==The list==

← Older revision		Revision as of 05:19, 13 December 2018
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	[[M. Dry\|Dry, M.]] 1982. Stage projection – the science of tomorrow. ''[[Scenaria]]'', (34):43-45.		[[M. Dry\|Dry, M.]] 1982. Stage projection – the science of tomorrow. ''[[Scenaria]]'', (34):43-45.
		+
		+	[[Charles du Val\|Du Val, Charles]]. 1882. ''With a Show Through Southern Africa. And Personal Reminiscences of the Transvaal War'' (Volume 1) London : Tinsley Brothers.(Facsimile version, [[HathiTrust Digital Library]])[https://babel.hathitrust.org/cgi/pt?id=nyp.33433061811000;view=1up;seq=7]
		+
		+	[[Charles du Val\|Du Val, Charles]]. 1882. ''With a Show Through Southern Africa. And Personal Reminiscences of the Transvaal War'' (Volume 2) London : Tinsley Brothers. (Facsimile version, [[HathiTrust Digital Library]])[[https://babel.hathitrust.org/cgi/pt?id=nyp.33433061811018;view=1up;seq=11]

	[[Caroline Margaret Duck\|Duck, Caroline Margaret]] 2001. An investigation into the imbalance of gender awareness in playwriting in the contemporary South African context, offering up the idea of a women's theatre festival as a solution to this imbalance. Unpublished master’s thesis. Durban: University of Natal.		[[Caroline Margaret Duck\|Duck, Caroline Margaret]] 2001. An investigation into the imbalance of gender awareness in playwriting in the contemporary South African context, offering up the idea of a women's theatre festival as a solution to this imbalance. Unpublished master’s thesis. Durban: University of Natal.

@@ Line 28: / Line 28: @@
 Dramawedstryd van die [[ATKV]] 1944. ''Huisgenoot'', 29(1185):3. December 8.
-[[H.E. Drew|Drew, H.E.]] 1975. History and debelopment of stage lighting. ''Vector'', 24-25. August.
+[[H.E. Drew|Drew, H.E.]] 1975. History and development of stage lighting. ''Vector'', 24-25. August.
 Drukman, Steven 2001. 99 percent perspiration. ([[Walter Kefuoe Chakela]]’s play [[Sweat]] ([[isiThukuthuku]])). ''American theatre'', 18(2):80.

@@ Line 32: / Line 32: @@
 Drukman, Steven 2001. 99 percent perspiration. ([[Walter Kefuoe Chakela]]’s play [[Sweat]] ([[isiThukuthuku]])). ''American theatre'', 18(2):80.
-[[Frank Drummond|Drummond, F.C.]] 1939. Art is greater than the individual {[[FATTSA]]}. ''[[The South African Theatre, Music and Dance]]''  1(1), 14, 67.
+[[Frank Drummond|Drummond, F.C.]] 1939. Art is greater than the individual {[[FATSSA]]}. ''[[The South African Theatre, Music and Dance]]''  1(1), 14, 67.
 [[Ann Dry|Dry, Ann]] 1989. Through the shattered looking-glass of the S.A. committed playwright : a semiotic study of two plays of the 80's. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education.

← Older revision		Revision as of 11:09, 30 April 2014
Line 31:		Line 31:

	Drukman, Steven 2001. 99 percent perspiration. ([[Walter Kefuoe Chakela]]’s play [[Sweat]] ([[isiThukuthuku]])). ''American theatre'', 18(2):80.		Drukman, Steven 2001. 99 percent perspiration. ([[Walter Kefuoe Chakela]]’s play [[Sweat]] ([[isiThukuthuku]])). ''American theatre'', 18(2):80.
		+
		+	[[Frank Drummond\|Drummond, F.C.]] 1939. Art is greater than the individual {FATTSA}. ''[[The South African Theatre, Music and Dance]]'' 1(1), 14, 67.

	[[Ann Dry\|Dry, Ann]] 1989. Through the shattered looking-glass of the S.A. committed playwright : a semiotic study of two plays of the 80's. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education.		[[Ann Dry\|Dry, Ann]] 1989. Through the shattered looking-glass of the S.A. committed playwright : a semiotic study of two plays of the 80's. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education.

← Older revision		Revision as of 11:58, 5 October 2013
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	[[Elize du Plessis\|Du Plessis, Elize]] 1979. Aspekte en toepassing van spraakonderrig. Unpublished master’s thesis. Pretoria: University of Pretoria.		[[Elize du Plessis\|Du Plessis, Elize]] 1979. Aspekte en toepassing van spraakonderrig. Unpublished master’s thesis. Pretoria: University of Pretoria.
		+
		+	[[J.N.S. du Plessis\|Du Plessis, J.N.S.]] 1975. 'n Benaderingswyse tot ''[[Dagboek van 'n Soldaat]]'' - [[N.P. van Wyk Louw]]. ''Unie'', 72(4):

	[[J.N.S. du Plessis\|Du Plessis, J.N.S.]] 1975. Elementêre literatuurkundige bespreking van die drama. (Literary criticism, [[Dirk G. Richard]]). ''Unie'', 71:373-377. March.		[[J.N.S. du Plessis\|Du Plessis, J.N.S.]] 1975. Elementêre literatuurkundige bespreking van die drama. (Literary criticism, [[Dirk G. Richard]]). ''Unie'', 71:373-377. March.