ESAT Bibliography Da-Daz - Revision history

Satj at 14:59, 20 March 2019

2019-03-20T14:59:54Z

Satj at 14:57, 20 March 2019

2019-03-20T14:57:40Z

Miriamt at 18:36, 10 March 2018

2018-03-10T18:36:04Z

Miriamt at 17:35, 10 March 2018

2018-03-10T17:35:36Z

Miriamt at 17:32, 10 March 2018

2018-03-10T17:32:58Z

Satj at 06:24, 17 June 2014

2014-06-17T06:24:43Z

Miriamt at 09:14, 10 October 2013

2013-10-10T09:14:19Z

Miriamt at 09:12, 10 October 2013

2013-10-10T09:12:33Z

Miriamt at 09:02, 12 September 2013

2013-09-12T09:02:24Z

Miriamt at 12:07, 13 June 2013

2013-06-13T12:07:04Z

← Older revision		Revision as of 14:59, 20 March 2019
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	[[Adriana Davies\|Davies, Adriana]] 1978. Concrete cube: ''[[The Jail Diary of Albie Sachs]]''. Reviewed in: ''Speak'', 1(5):52-53.		[[Adriana Davies\|Davies, Adriana]] 1978. Concrete cube: ''[[The Jail Diary of Albie Sachs]]''. Reviewed in: ''Speak'', 1(5):52-53.

−	[[C. Davis\|Davis, C.]] 2013. "Fugard and the Three Crowns Series" in ''Creating Postcolonial Literature: African Writers and British Publishers'', Springer.[https://books.google.co.za/books?id=VOKIXdIQO9gC&pg=PT152&lpg=PT152&dq=Hello+and+Goodbye+(Three+Crowns)&source=bl&ots=25fTa1RR7R&sig=ACfU3U2T8J1K-T0fXMydSPbkXuuMVrsCuA&hl=en&sa=X&ved=2ahUKEwil7YXr-ZDhAhWHnhQKHSwABPQQ6AEwE3oECAQQAQ#v=onepage&q=Hello%20and%20Goodbye%20(Three%20Crowns)&f=false]	+	[[C. Davis\|Davis, C.]] 2013. "Fugard and the Three Crowns Series" in ''Creating Postcolonial Literature: African Writers and British Publishers'', New York: Springer.[https://books.google.co.za/books?id=VOKIXdIQO9gC&pg=PT152&lpg=PT152&dq=Hello+and+Goodbye+(Three+Crowns)&source=bl&ots=25fTa1RR7R&sig=ACfU3U2T8J1K-T0fXMydSPbkXuuMVrsCuA&hl=en&sa=X&ved=2ahUKEwil7YXr-ZDhAhWHnhQKHSwABPQQ6AEwE3oECAQQAQ#v=onepage&q=Hello%20and%20Goodbye%20(Three%20Crowns)&f=false]

← Older revision		Revision as of 14:57, 20 March 2019
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	[[Adriana Davies\|Davies, Adriana]] 1978. Concrete cube: ''[[The Jail Diary of Albie Sachs]]''. Reviewed in: ''Speak'', 1(5):52-53.		[[Adriana Davies\|Davies, Adriana]] 1978. Concrete cube: ''[[The Jail Diary of Albie Sachs]]''. Reviewed in: ''Speak'', 1(5):52-53.
		+
		+	[[C. Davis\|Davis, C.]] 2013. "Fugard and the Three Crowns Series" in ''Creating Postcolonial Literature: African Writers and British Publishers'', Springer.[https://books.google.co.za/books?id=VOKIXdIQO9gC&pg=PT152&lpg=PT152&dq=Hello+and+Goodbye+(Three+Crowns)&source=bl&ots=25fTa1RR7R&sig=ACfU3U2T8J1K-T0fXMydSPbkXuuMVrsCuA&hl=en&sa=X&ved=2ahUKEwil7YXr-ZDhAhWHnhQKHSwABPQQ6AEwE3oECAQQAQ#v=onepage&q=Hello%20and%20Goodbye%20(Three%20Crowns)&f=false]
		+
		+

	[[G. Davis\|Davis, G.]] 1991. Acting the drama of education. ''Educamus'', 37(5): 45-46.		[[G. Davis\|Davis, G.]] 1991. Acting the drama of education. ''Educamus'', 37(5): 45-46.

← Older revision		Revision as of 18:36, 10 March 2018
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	[[G. Davis\|Davis, G.]] 1991. Acting the drama of education. ''Educamus'', 37(5): 45-46.		[[G. Davis\|Davis, G.]] 1991. Acting the drama of education. ''Educamus'', 37(5): 45-46.
−
−	~~[[G. Davis\|Davis, G.]] (ed.) 1997. ''Beyond the Echoes of Soweto: Five plays by [[Matsemela Manaka]]''. Amsterdam: Harwood Academic Publishers.~~

	[[Geoffrey V. Davis\|Davis, Geoffrey V.]] 1995. Theatre for a post-apartheid society. ''Journal of Commonwealth Literature'', 30(1):5-21.		[[Geoffrey V. Davis\|Davis, Geoffrey V.]] 1995. Theatre for a post-apartheid society. ''Journal of Commonwealth Literature'', 30(1):5-21.

@@ Line 60: / Line 60: @@
 [[Adriana Davies|Davies, Adriana]] 1978. Concrete cube: ''[[The Jail Diary of Albie Sachs]]''. Reviewed in: ''Speak'', 1(5):52-53.
-Davies, G. (ed.) 1997. ''Beyond the Echoes of Soweto: Five plays by [[Matsemela Manaka]]''. Amsterdam: harwood academic publishers
+[[G. Davis|Davis, G.]] 1991. Acting the drama of education. ''Educamus'', 37(5): 45-46.
-[[G. Davis|Davis, G.]] 1991. Acting the drama of education. ''Educamus'', 37(5): 45-46.
+[[G. Davis|Davis, G.]] (ed.) 1997. ''Beyond the Echoes of Soweto: Five plays by [[Matsemela Manaka]]''. Amsterdam: Harwood Academic Publishers.
 [[Geoffrey V. Davis|Davis, Geoffrey V.]] 1995. Theatre for a post-apartheid society. ''Journal of Commonwealth Literature'', 30(1):5-21.
@@ Line 90: / Line 90: @@
 [[Geoffrey V. Davis|Davis, Geoffrey V.]] 2002. “The critical and the dissident, the irreverent and the playful”: drama in the new South Africa, in [[Marc Maufort| Maufort, Marc]] & [[Franca Bellarsi|Bellarsi, Franca]] (eds.), ''Crucible of Cultures: Anglophone Drama at the Dawn of a New Millennium''. Brussels. P.I.E. Peter Lang. 255-270.
-[[Geoffrey V. Davis|Davis, Geoffrey V.]] 2003. ''Voices of Justice and Resaon: Apartheid and Beyond in South African Literature''. Amsterdam: Rodopi.
+[[Geoffrey V. Davis|Davis, Geoffrey V.]] 2003. ''Voices of Justice and Reason: Apartheid and Beyond in South African Literature''. Amsterdam: Rodopi.
 [[Geoffrey V. Davis|Davis, Geoffrey V.]] 2005. ''Role-play in South African Theatre'', by [[H. Frank]]. Reviewed in: ''English in Africa'', 32(2):253-258.

@@ Line 88: / Line 88: @@
 [[Geoffrey V. Davis|Davis, Geoffrey V.]] 2000. Addressing the silences of the past: truth and reconciliation in post-Apartheid theatre. ''[[South African Theatre Journal]]'', 13(1-2):59-72.
-[[Geoffrey V. Davis|Davis, Geoffrey V.]] 2002 “The critical and the dissident, the irreverent and the playful”: drama in the new South Africa, in [[Marc Maufort| Maufort, Marc]] & [[Franca Bellarsi|Bellarsi, Franca]] (eds.), ''Crucible of Cultures: Anglophone Drama at the Dawn of a New Millennium''. Brussels. P.I.E. Peter Lang. 255-270.
+[[Geoffrey V. Davis|Davis, Geoffrey V.]] 2002. “The critical and the dissident, the irreverent and the playful”: drama in the new South Africa, in [[Marc Maufort| Maufort, Marc]] & [[Franca Bellarsi|Bellarsi, Franca]] (eds.), ''Crucible of Cultures: Anglophone Drama at the Dawn of a New Millennium''. Brussels. P.I.E. Peter Lang. 255-270.
 [[Geoffrey V. Davis|Davis, Geoffrey V.]] 2005. ''Role-play in South African Theatre'', by [[H. Frank]]. Reviewed in: ''English in Africa'', 32(2):253-258.

← Older revision		Revision as of 06:24, 17 June 2014
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	Dam, J.K.L. & Mitchell, E. 1996. ''[[Valley Song]]'', [[Athol Fugard]]: review. ''Time'', 147(3).		Dam, J.K.L. & Mitchell, E. 1996. ''[[Valley Song]]'', [[Athol Fugard]]: review. ''Time'', 147(3).
		+
		+	[[M. Damane\|Damane, M.]] 1974 ''Lithoko: Sotho praise-poems''. Oxford: The Clarendon Press.

	[[Roeline Daneel\|Daneel, Roeline]] 2008. Still evolving: the 14th [[KKNK\|Klein Karoo Nasionale Kunstefees]]. ''[[South African Theatre Journal]]'', 22:193-197.		[[Roeline Daneel\|Daneel, Roeline]] 2008. Still evolving: the 14th [[KKNK\|Klein Karoo Nasionale Kunstefees]]. ''[[South African Theatre Journal]]'', 22:193-197.

@@ Line 90: / Line 90: @@
 [[Geoffrey V. Davis|Davis, Geoffrey V.]] 2005. ''Role-play in South African Theatre'', by [[H. Frank]]. Reviewed in: ''English in Africa'', 32(2):253-258.
-[[Geoffrey V. Davis|Davis, Geoffrey V.]] 2012. ''Performing South Africa's Truth Commission: Stages of Transition'', by Catherine M. Cole. Reviewed in: ''Theatre Research International'', 37(2):195-196.
+[[Geoffrey V. Davis|Davis, Geoffrey V.]] 2012. ''Performing South Africa's [[The Truth and Reconciliation Commission|Truth Commission]]: Stages of Transition'', by Catherine M. Cole. Reviewed in: ''Theatre Research International'', 37(2):195-196.
 [[Vicky Davis|Davis, Heloise Victoria]] 2012. Theatre as intervention tool in HIV/AIDS education with specific reference to “Lucky, the hero!” Unpublished master's thesis. Stellenbosch : Stellenbosch University.

← Older revision		Revision as of 09:12, 10 October 2013
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	[[Geoffrey V. Davis\|Davis, Geoffrey V.]] 2005. ''Role-play in South African Theatre'', by [[H. Frank]]. Reviewed in: ''English in Africa'', 32(2):253-258.		[[Geoffrey V. Davis\|Davis, Geoffrey V.]] 2005. ''Role-play in South African Theatre'', by [[H. Frank]]. Reviewed in: ''English in Africa'', 32(2):253-258.
		+
		+	[[Geoffrey V. Davis\|Davis, Geoffrey V.]] 2012. ''Performing South Africa's Truth Commission: Stages of Transition'', by Catherine M. Cole. Reviewed in: ''Theatre Research International'', 37(2):195-196.

	[[Vicky Davis\|Davis, Heloise Victoria]] 2012. Theatre as intervention tool in HIV/AIDS education with specific reference to “Lucky, the hero!” Unpublished master's thesis. Stellenbosch : Stellenbosch University.		[[Vicky Davis\|Davis, Heloise Victoria]] 2012. Theatre as intervention tool in HIV/AIDS education with specific reference to “Lucky, the hero!” Unpublished master's thesis. Stellenbosch : Stellenbosch University.

← Older revision		Revision as of 09:02, 12 September 2013
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	[[Lynn Dalrymple\|Dalrymple, Lynn]] 2006. Has it made a difference? Understanding and measuring the impact of applied theatre with young people in the South African context. ''Research in Drama Education'', 11(2):201-218.		[[Lynn Dalrymple\|Dalrymple, Lynn]] 2006. Has it made a difference? Understanding and measuring the impact of applied theatre with young people in the South African context. ''Research in Drama Education'', 11(2):201-218.
		+
		+	[[Lynn Dalrymple\|Dalrymple, Lynn]] and [[Kieran Tavener-Smith\|Tavener-Smith, Kieran]] 2013. ''Acting on HIV: using drama to create possibilities for change'', edited by D. Francis. Reviewed in: ''[[Critical Arts]]'', 27(4):454-458.

	[[Samantha Daly\|Daly, Samantha]] & [[Ndabenhle Christopher Tobo\|Tobo, Ndabenhle Christopher]] 2010. The [[Centre for Creative Arts]] 12th JOMBA! contemporary dance experience: reflections and ruminations. ''[[South African Theatre Journal]]'', 24:298-310.		[[Samantha Daly\|Daly, Samantha]] & [[Ndabenhle Christopher Tobo\|Tobo, Ndabenhle Christopher]] 2010. The [[Centre for Creative Arts]] 12th JOMBA! contemporary dance experience: reflections and ruminations. ''[[South African Theatre Journal]]'', 24:298-310.

@@ Line 48: / Line 48: @@
 [[J. Daugherty|Daugherty J.]] 2001. A comparison of the use of space in Alfred Jarry's Ubu roi and [[Jane Taylor]]'s ''[[Ubu and the Truth Commission]]'', in [[Rita Wilson|Wilson, Rita]] & [[Carlotta von Maltzan|Von Maltzan, Carlotta]] (eds.). ''Spaces and Crossings: Essays on Literature and Culture in Africa and Beyond''. New York, NY: Peter Lang. 349-361.
-[[Terri Davidoff|Davidoff, Terri]] 2006. Deconstructing Jay Pather’s location specific theatre: creating space for transformative dialogue. ''[[South African Theatre Journal]]'', 20:128-149.
+[[Terri Davidoff|Davidoff, Terri]] 2006. Deconstructing [[Jay Pather]]’s location specific theatre: creating space for transformative dialogue. ''[[South African Theatre Journal]]'', 20:128-149.
 [[Nadia Davids|Davids, Nadia]] 2007. Inherited memories: performing the archive. Unpublished doctoral dissertation. Cape Town: University of Cape Town.