ESAT Bibliography Cor-Cri - Revision history

Satj: /* The List */

2023-07-09T07:38:27Z

The List

Satj: /* The List */

2023-06-09T07:20:38Z

The List

Satj: /* The List */

2023-06-09T07:20:19Z

The List

Satj at 07:17, 9 June 2023

2023-06-09T07:17:43Z

Miriamt at 11:20, 17 December 2020

2020-12-17T11:20:40Z

Miriamt at 11:20, 17 December 2020

2020-12-17T11:20:04Z

Satj at 16:42, 6 October 2013

2013-10-06T16:42:33Z

Miriamt at 15:00, 16 February 2012

2012-02-16T15:00:22Z

Miriamt at 10:50, 15 September 2011

2011-09-15T10:50:31Z

Miriamt at 15:13, 3 August 2011

2011-08-03T15:13:10Z

← Older revision		Revision as of 07:38, 9 July 2023
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	[[M. Coveney\|Coveney, M.]] 1973. Challenging the silence (interview). ''Plays and Players'', 21 (2):34-37.		[[M. Coveney\|Coveney, M.]] 1973. Challenging the silence (interview). ''Plays and Players'', 21 (2):34-37.
		+
		+	[[Deborah Cowley\|Cowley, Deborah]] 1990. Athol Fugard's Voice of Conscience. ''Reader's Digest'' December 1990: pp. 41-46.

	[[Emma Cox\|Cox, Emma]] 2012. Victimhood, Hope and the Refugee Narrative: Affective Dialectics in [[Magnet Theatre]]'s ''[[Every Year, Every Day, I Am Walking]]''. ''Theatre Research International'', 37 (2):118-133.		[[Emma Cox\|Cox, Emma]] 2012. Victimhood, Hope and the Refugee Narrative: Affective Dialectics in [[Magnet Theatre]]'s ''[[Every Year, Every Day, I Am Walking]]''. ''Theatre Research International'', 37 (2):118-133.

@@ Line 21: / Line 21: @@
 [[Carohn Cornell|Cornell, Carohn]] 1989. Script-writing for English second language classes in Cape Town: a contribution to liberatory education. Unpublished master’s thesis. Cape Town: University of Cape Town.
-[[Gareth Cornwell|Cornwell, Gareth]], [[Dirk Klopper|Klopper, Dirk]] and Craig Mackenzie|Mackenzie, Craig]]. 2012. ''The Columbia Guide to South African Literature in English Since 1945'' [[Google E-book]][https://books.google.co.za/books?id=j2j_ieNDsU4C&dq=Anthony+Delius&hl=af&source=gbs_navlinks_s]
+[[Gareth Cornwell|Cornwell, Gareth]], [[Dirk Klopper|Klopper, Dirk]] and [[Craig Mackenzie|Mackenzie, Craig]]. 2012. ''The Columbia Guide to South African Literature in English Since 1945'' [[Google E-book]][https://books.google.co.za/books?id=j2j_ieNDsU4C&dq=Anthony+Delius&hl=af&source=gbs_navlinks_s]
 Corporate sponsorship of the arts. 1981. ''[[Scenaria]]'', (26):27.

← Older revision		Revision as of 07:20, 9 June 2023
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	[[Carohn Cornell\|Cornell, Carohn]] 1989. Script-writing for English second language classes in Cape Town: a contribution to liberatory education. Unpublished master’s thesis. Cape Town: University of Cape Town.		[[Carohn Cornell\|Cornell, Carohn]] 1989. Script-writing for English second language classes in Cape Town: a contribution to liberatory education. Unpublished master’s thesis. Cape Town: University of Cape Town.
		+
		+	[[Gareth Cornwell\|Cornwell, Gareth]], [[Dirk Klopper\|Klopper, Dirk]] and Craig Mackenzie\|Mackenzie, Craig]]. 2012. ''The Columbia Guide to South African Literature in English Since 1945'' [[Google E-book]][https://books.google.co.za/books?id=j2j_ieNDsU4C&dq=Anthony+Delius&hl=af&source=gbs_navlinks_s]

	Corporate sponsorship of the arts. 1981. ''[[Scenaria]]'', (26):27.		Corporate sponsorship of the arts. 1981. ''[[Scenaria]]'', (26):27.

← Older revision		Revision as of 07:17, 9 June 2023
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−		+	==The List==

	[[L. Coray-Dapretto\|Coray-Dapretto, L.]] 1995. Le théâtre communautaire sud-africain: théâtre intertextuelle par excellence. Unpublished doctoral dissertation. Grenoble: Université Stendhal.		[[L. Coray-Dapretto\|Coray-Dapretto, L.]] 1995. Le théâtre communautaire sud-africain: théâtre intertextuelle par excellence. Unpublished doctoral dissertation. Grenoble: Université Stendhal.

@@ Line 15: / Line 15: @@
 [[L. Coray-Dapretto|Coray-Dapretto, L.]] 1995. Le théâtre communautaire sud-africain: théâtre intertextuelle par excellence. Unpublished doctoral dissertation. Grenoble: Université Stendhal.
-[[Lorenza Coray-Dapretto|Coray-Dapretto, Loranza]] 1996. Le théâtre communautaire sud-africain: au rhyme de l'autre. Paris: L'Harmattan.
+[[Lorenza Coray-Dapretto|Coray-Dapretto, Lorenza]] 1996. Le théâtre communautaire sud-africain: au rhyme de l'autre. Paris: L'Harmattan.
 [[Carohn Cornell|Cornell, Carohn]] 1988. Cape Town scenes: using short plays in class. ''Crux'', 22(2):4-9. April.

← Older revision		Revision as of 11:20, 17 December 2020
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	[[L. Coray-Dapretto\|Coray-Dapretto, L.]] 1995. Le théâtre communautaire sud-africain: théâtre intertextuelle par excellence. Unpublished doctoral dissertation. Grenoble: Université Stendhal.		[[L. Coray-Dapretto\|Coray-Dapretto, L.]] 1995. Le théâtre communautaire sud-africain: théâtre intertextuelle par excellence. Unpublished doctoral dissertation. Grenoble: Université Stendhal.
		+
		+	[[Lorenza Coray-Dapretto\|Coray-Dapretto, Loranza]] 1996. Le théâtre communautaire sud-africain: au rhyme de l'autre. Paris: L'Harmattan.

	[[Carohn Cornell\|Cornell, Carohn]] 1988. Cape Town scenes: using short plays in class. ''Crux'', 22(2):4-9. April.		[[Carohn Cornell\|Cornell, Carohn]] 1988. Cape Town scenes: using short plays in class. ''Crux'', 22(2):4-9. April.

← Older revision		Revision as of 16:42, 6 October 2013
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	[[M. Coveney\|Coveney, M.]] 1973. Challenging the silence (interview). ''Plays and Players'', 21 (2):34-37.		[[M. Coveney\|Coveney, M.]] 1973. Challenging the silence (interview). ''Plays and Players'', 21 (2):34-37.
		+
		+	[[Emma Cox\|Cox, Emma]] 2012. Victimhood, Hope and the Refugee Narrative: Affective Dialectics in [[Magnet Theatre]]'s ''[[Every Year, Every Day, I Am Walking]]''. ''Theatre Research International'', 37 (2):118-133.

	[[Frances Jayne Cox\|Cox, Frances Jayne]] 1991. The notion of physicality in vocal training for the performer in South African theatre, with particular reference to the Alexander technique. Unpublished master’s thesis. Grahamstown: Rhodes University.		[[Frances Jayne Cox\|Cox, Frances Jayne]] 1991. The notion of physicality in vocal training for the performer in South African theatre, with particular reference to the Alexander technique. Unpublished master’s thesis. Grahamstown: Rhodes University.

@@ Line 31: / Line 31: @@
 [[Tim Couzens|Couzens, Tim]] 1985. ''The New African: A Study of The Life and Work of [[H.I.E. Dhlomo]]''. Johannesburg: Ravan Press.
-[[Tim Couzens|Couzens, Tim]] 1988. A moment in the past: William Tsikinya-Chaka. ''Shakespeare in Southern Africa'', 2:60-66.
+[[Tim Couzens|Couzens, Tim]] 1988. A moment in the past: [[William Tsikinya-Chaka]]. ''Shakespeare in Southern Africa'', 2:60-66.
 [[M. Coveney|Coveney, M.]] 1973. Challenging the silence (interview). ''Plays and Players'', 21 (2):34-37.

@@ Line 39: / Line 39: @@
 [[Pareick Coyne|Coyne, Pareick]] 1988. Play production in the primary school. ''Crux'', 22(4):2-10. October.
-[[Clare Craighead|Craighead, Clare]] 2010. When the rainbow is not enough: Site-specificity, the body as a site, multiculturalism and intercultural practice in [[Jay Pathers]]'s ''CityScapes'' (Durban, 2002). ''[[South African Theatre Journal]]'', 24:259-278.
+[[Clare Craighead|Craighead, Clare]] 2010. When the rainbow is not enough: Site-specificity, the body as a site, multiculturalism and intercultural practice in [[Jay Pathers]]'s ''[[CityScapes]]'' (Durban, 2002). ''[[South African Theatre Journal]]'', 24:259-278.
 [[Archie Crail|Crail, Archie]] 1993. In search of a character. ''Canadian Theatre Review'', 74:73-77.

@@ Line 23: / Line 23: @@
 The [[Corsair Drama Group]] and [[Siener in die Suburbs]]. 1978. ''[[Scenaria]]'', (9):37, 39.
-[[Michael Cosser|Cosser, Michael]] 1991.  Dramatic discourse in the foreground of The Hill. ''[[South African Theatre Journal]]'', 5(2):66-79.
+[[Michael Cosser|Cosser, Michael]] 1991.  Dramatic discourse in the foreground of ''[[The Hill]]''. ''[[South African Theatre Journal]]'', 5(2):66-79.
 [[G. Counihan|Counihan, G.]] & [[W. de Bruin|De Bruin, W.]] 2000. Determined to open doors : success; Actors carve a niche in the market : corporate theatre : entrepreneurs. ''Finance Week'', 27(90042):33-35.