ESAT Bibliography Che-Cl - Revision history

Miriamt at 08:28, 26 June 2020

2020-06-26T08:28:37Z

Satj at 07:08, 30 April 2018

2018-04-30T07:08:29Z

Satj at 07:07, 30 April 2018

2018-04-30T07:07:55Z

Satj at 09:26, 23 December 2017

2017-12-23T09:26:05Z

Satj at 09:24, 23 December 2017

2017-12-23T09:24:33Z

Satj at 09:09, 23 December 2017

2017-12-23T09:09:28Z

Miriamt at 15:06, 17 February 2015

2015-02-17T15:06:02Z

Miriamt at 15:05, 17 February 2015

2015-02-17T15:05:07Z

Miriamt at 15:32, 9 October 2013

2013-10-09T15:32:29Z

Miriamt at 15:31, 9 October 2013

2013-10-09T15:31:24Z

@@ Line 46: / Line 46: @@
 [[H. Cloete|Cloete, H.]] 2007. The influence of Goethe's ''[[Faust]]'' on [[N.P. van Wyk Louw]]'s ''[[Die Dieper Reg]]''.  ''Journal for Language Teaching'', 41(1):
-[[L. Cloete|Cloete, L.]] 1971. Sphinx on Table mountain. [sets for Aïda]. ''Personality'', 55-56. March 14.
+[[Leon Cloete|Cloete, L.]] 1971. Sphinx on Table mountain. [sets for Aïda]. ''Personality'', 55-56. March 14.
-[[L. Cloete|Cloete, L.]] 1977. [[Sterrewagteater]] in Bloemfontein. ''Lantern'', 27(1):72-73. May.
+[[Leon Cloete|Cloete, L.]] 1977. Die [[Sterrewagteater]] in Bloemfontein. ''[[Lantern]]'', 27(1):72-73. May.
 [[Mike Cloete|Cloete, Mike]] (ed.). 1974. ''The first ten years – [[CAPAB]]/[[KRUIK]] – Die eerste tien jaar''. Cape Town: The Standard Press.

@@ Line 64: / Line 64: @@
 [[T.T. Cloete|Cloete, T.T.]] 1984. Die dramatiese vers van ''[[Die Laaste Aand]]'', in [[Charles Malan|Malan, Charles]] (ed.) ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''.  Johannesburg: Perskor. 105-114.
-[[T.T. Cloete|Cloete, T.T.]], [[Eliza Botha|Botha, Elize]] and [[Charles Malan|Mlan, Charles]] (eds) 1985.  ''Gids by die Literatuurstudie''. Pretoria [[HAUM Literêr]].
+[[T.T. Cloete|Cloete, T.T.]], [[Elize Botha|Botha, Elize]] and [[Charles Malan|Malan, Charles]] (eds) 1985.  ''Gids by die Literatuurstudie''. Pretoria [[HAUM Literêr]].
 [[Rita Clouts|Clouts, Rita]] 1956. The [[Brian Brooke]] story, 1. ''Sound'', 1(2):20-21.

← Older revision		Revision as of 07:07, 30 April 2018
Line 63:		Line 63:

	[[T.T. Cloete\|Cloete, T.T.]] 1984. Die dramatiese vers van ''[[Die Laaste Aand]]'', in [[Charles Malan\|Malan, Charles]] (ed.) ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''. Johannesburg: Perskor. 105-114.		[[T.T. Cloete\|Cloete, T.T.]] 1984. Die dramatiese vers van ''[[Die Laaste Aand]]'', in [[Charles Malan\|Malan, Charles]] (ed.) ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''. Johannesburg: Perskor. 105-114.
		+
		+	[[T.T. Cloete\|Cloete, T.T.]], [[Eliza Botha\|Botha, Elize]] and [[Charles Malan\|Mlan, Charles]] (eds) 1985. ''Gids by die Literatuurstudie''. Pretoria [[HAUM Literêr]].

	[[Rita Clouts\|Clouts, Rita]] 1956. The [[Brian Brooke]] story, 1. ''Sound'', 1(2):20-21.		[[Rita Clouts\|Clouts, Rita]] 1956. The [[Brian Brooke]] story, 1. ''Sound'', 1(2):20-21.

@@ Line 34: / Line 34: @@
 [[George Claassen|Claassen, George]] 1998. Just the ticket! – my 50 years in show business by [[Percy Tucker]]. Reviewed in: ''[[South African Theatre Journal]]'', 12(1&2):237-243.
-[[Jo-Marie Claassen|Claassen, J.-M.]]. 1996. Germanicus revisited – and revised? ''Akroterion'', 41:133–50.
+[[Jo-Marie Claassen|Claassen, J.-M.]]. 1996. ''[[Germanicus]]'' revisited – and revised? ''[[Akroterion]]'', 41:133–50.
-[[Jo-Marie Claassen|Claassen, J.-M.]]. 2006. Rendering Caesar: thoughts on the translation into English of [[N.P. van Wyk Louw]]'s ''[[Germanicus]]''. ''Akroterion'', 51(2):57–69.
+[[Jo-Marie Claassen|Claassen, J.-M.]]. 2006. Rendering Caesar: thoughts on the translation into English of [[N.P. van Wyk Louw]]'s ''[[Germanicus]]''. ''[[Akroterion]]'', 51(2):57–69.
-[[Jo-Marie Claassen|Claassen, Jo-Marie]]. 2017. ’n Klassikus se ontleding van N.P. Van Wyk Louw se ''Germanicus'' as ’n beeld van mag en onmag.  [[LitNet Akademies]] (Geesteswetenskappe) Jaargang 14(3).
+[[Jo-Marie Claassen|Claassen, Jo-Marie]]. 2017. ’n Klassikus se ontleding van [[N.P. Van Wyk Louw]] se ''[[Germanicus]]'' as ’n beeld van mag en onmag.  [[LitNet Akademies]] (Geesteswetenskappe) Jaargang 14(3).
 [[S. Clarence|Clarence, S.]] 1992. Theatre for Africa. ''Environmental Education Bulletin'', 122(6):25-29.

@@ Line 34: / Line 34: @@
 [[George Claassen|Claassen, George]] 1998. Just the ticket! – my 50 years in show business by [[Percy Tucker]]. Reviewed in: ''[[South African Theatre Journal]]'', 12(1&2):237-243.
-[[Jo-Marie Claassen|Claassen, J.-M.]] 2006. Rendering Caesar: thoughts on the translation into English of [[N.P. van Wyk Louw]]'s ''[[Germanicus]]''. ''Akroterion'', 51(2).
+[[Jo-Marie Claassen|Claassen, J.-M.]]. 1996. Germanicus revisited – and revised? ''Akroterion'', 41:133–50.
-[[Jo-Marie Claassen|Claassen, Jo-Marie]] ’n Klassikus se ontleding van N.P. Van Wyk Louw se Germanicus as ’n beeld van mag en onmag. 2017. LitNet Akademies (Geesteswetenskappe) Jaargang 14(3).
+[[Jo-Marie Claassen|Claassen, J.-M.]]. 2006. Rendering Caesar: thoughts on the translation into English of [[N.P. van Wyk Louw]]'s ''[[Germanicus]]''. ''Akroterion'', 51(2):57–69.
 [[S. Clarence|Clarence, S.]] 1992. Theatre for Africa. ''Environmental Education Bulletin'', 122(6):25-29.

@@ Line 24: / Line 24: @@
 Cima, Gibson Alessandro 2012. Postconflict Nostalgia: Postapartheid South African Theatre, 1990-2010. Unpublished doctoral dissertation. University of Washington.
-[[Gibson Alessandro Cima|Cima, Gibson Alessandro]] 2014. ''[[Sarafina!]]'' in Black and White: revival, colour-conscious casting and new social cohesion paradigms. ''[[South African Theatre Journal]]'', 27(3):207-221.
+[[Gibson Alessandro Cima|Cima, Gibson Alessandro]] 2014. ''[[Sarafina|Sarafina!]]'' in Black and White: revival, colour-conscious casting and new social cohesion paradigms. ''[[South African Theatre Journal]]'', 27(3):207-221.
 [[Civic Theatre]] at Johannesburg. 1962. ''South African Builder'', 40(8):14-23.

← Older revision		Revision as of 15:05, 17 February 2015
Line 23:		Line 23:

	Cima, Gibson Alessandro 2012. Postconflict Nostalgia: Postapartheid South African Theatre, 1990-2010. Unpublished doctoral dissertation. University of Washington.		Cima, Gibson Alessandro 2012. Postconflict Nostalgia: Postapartheid South African Theatre, 1990-2010. Unpublished doctoral dissertation. University of Washington.
		+
		+	[[Gibson Alessandro Cima\|Cima, Gibson Alessandro]] 2014. ''[[Sarafina!]]'' in Black and White: revival, colour-conscious casting and new social cohesion paradigms. ''[[South African Theatre Journal]]'', 27(3):207-221.

	[[Civic Theatre]] at Johannesburg. 1962. ''South African Builder'', 40(8):14-23.		[[Civic Theatre]] at Johannesburg. 1962. ''South African Builder'', 40(8):14-23.

@@ Line 54: / Line 54: @@
 [[T.T. Cloete|Cloete, T.T.]] 1975a. ''Die begrip intellektueel'' by [[N.P. van Wyk Louw]], by R. Pretorius. Reviewed in: ''[[Tydskrif vir Geesteswetenskappe]]'', 15(3),
-[[T.T. Cloete|Cloete, T.T.]] 1975b. [[Henriëtte Grové]] se ''[[Toe Hulle Die Vierkleur op Rooigrond Gehys Het]]''. [Literary criticism]. ''[[Tydskrif vir Letterkunde]]'', 13(4):82-84.
+[[T.T. Cloete|Cloete, T.T.]] 1975b. [[Henriëtte Grové]] se ''[[Toe Hulle die Vierkleur op Rooigrond Gehys het]]''. [Literary criticism]. ''[[Tydskrif vir Letterkunde]]'', 13(4):82-84.
 [[T.T. Cloete|Cloete, T.T.]] 1984. Die dramatiese vers van ''[[Die Laaste Aand]]'', in [[Charles Malan|Malan, Charles]] (ed.) ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''.  Johannesburg: Perskor. 105-114.

@@ Line 52: / Line 52: @@
 [[T.T. Cloete|Cloete, T.T.]] 1966. ''Vyfling : 'n bundel eenbedrywe van'' ''[[Hertzogprys|Hertzogpryswenners]]''. Kaapstad: Nasionale Boekhandel.
-[[T.T. Cloete|Cloete, T.T.]] 1975a. ''Die begrip intellektueel by [[N.P. van Wyk Louw]]'', by R. Pretorius. Reviewed in: ''[[Tydskrif vir Geesteswetenskappe]]'', 15(3),
+[[T.T. Cloete|Cloete, T.T.]] 1975a. ''Die begrip intellektueel'' by [[N.P. van Wyk Louw]], by R. Pretorius. Reviewed in: ''[[Tydskrif vir Geesteswetenskappe]]'', 15(3),
 [[T.T. Cloete|Cloete, T.T.]] 1975b. [[Henriëtte Grové]] se ''[[Toe Hulle Die Vierkleur op Rooigrond Gehys Het]]''. [Literary criticism]. ''[[Tydskrif vir Letterkunde]]'', 13(4):82-84.