ESAT Bibliography B-Ban - Revision history

Satj at 04:37, 8 July 2026

2026-07-08T04:37:37Z

Miriamt at 17:31, 6 November 2019

2019-11-06T17:31:46Z

Miriamt at 15:41, 17 October 2019

2019-10-17T15:41:50Z

Miriamt at 13:46, 10 March 2017

2017-03-10T13:46:54Z

Satj at 07:28, 8 October 2014

2014-10-08T07:28:31Z

Miriamt at 15:21, 22 February 2013

2013-02-22T15:21:17Z

Miriamt at 10:28, 14 September 2012

2012-09-14T10:28:13Z

Miriamt at 13:09, 16 February 2012

2012-02-16T13:09:19Z

Miriamt at 16:15, 5 September 2011

2011-09-05T16:15:27Z

Miriamt at 13:53, 23 August 2011

2011-08-23T13:53:31Z

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 Return to [[The ESAT Entries]]
+==The list==
 Baanbrekers. 1963. ''Vita Musica'', 1(2):18-19.
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 [[Zuanda Badenhorst|Badenhorst, Zuanda]] 2005. South African puppetry for the theatre since 1975. Pretoria: Tshwane University of Technology. Unpublished master's degree.
-Bagasie sonder bestemming. (Literary criticism, [[Jac J. Brits]]). 1974. ''[[Tydskrif vir Geesteswetenskappe]]'', 14:218-221. September.
+"Bagasie sonder bestemming". (Literary criticism, [[Jac J. Brits]]). 1974. ''[[Tydskrif vir Geesteswetenskappe]]'', 14:218-221. September.
 [[A. Bailes|Bailes, A.]] 1984. Puppetry : an art form. ''[[Scenaria]]'', (42):8-9.
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 [[Percy Baneshik|Baneshik, Percy]] 2006. [[Taubie Kushlick]] – woman of the theatre. ''Jewish Affairs'', 61(4):62-66.
-[[Martin Banham|Banham, Martin]] 1985. ''South African Theatre : Four Plays and an Introduction'', edited by [[Temple Hauptfleisch]] and [[Ian Steadman]]. Reviewed in: ''Theatre Research International'', 10(3):261-262.
+[[Martin Banham|Banham, Martin]] 1985. (Review) ''South African Theatre : Four Plays and an Introduction'', edited by [[Temple Hauptfleisch]] and [[Ian Steadman]]. Reviewed in: ''[[Theatre Research International]]'', 10(3):261-262.
 [[Yvonne Banning|Banning, Yvonne]] 1989a. English language usage in South African theatre since 1976. Unpublished master’s thesis. Johannesburg: Witwatersrand University.

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 [[Christine Balt|Balt, Christine]] 2009. "A dark revolt of being" : abjection, sacrifice and the real in performance art, with reference to the works of [[Peter van Heerden]] and [[Steven Cohen]]. Unpublished master’s thesis. Grahamstown: Rhodes University.
-[[Percy Baneshik|Baneshik, Percy]] 1998. From Russia, with love. ''[[Scenaria]]'', 26 (209). (about [[Ossip Runitsch]]).
+[[Percy Baneshik|Baneshik, Percy]] 1998. From Russia, with love. ''[[Scenaria]]'', 26 (209):30-32. (about [[Ossip Runitsch]]).
 [[Percy Baneshik|Baneshik, Percy]] 2006. [[Taubie Kushlick]] – woman of the theatre. ''Jewish Affairs'', 61(4):62-66.

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 [[Isabel Balseiro|Balseiro, Isabel]] 2003. Between Alexandra and Jurassic Park: interview with Professor [[Es’kia Mphahlele]]. ''[[South African Theatre Journal]]'', 17:212-232.
 [[Christine Balt|Balt, Christine]] 2009. "A dark revolt of being" : abjection, sacrifice and the real in performance art, with reference to the works of [[Peter van Heerden]] and [[Steven Cohen]]. Unpublished master’s thesis. Grahamstown: Rhodes University.
 [[Percy Baneshik|Baneshik, Percy]] 2006. [[Taubie Kushlick]] – woman of the theatre. ''Jewish Affairs'', 61(4):62-66.

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 [[A.C. Baker|Baker, A.C.]] 1988. Popular Theatre and Politics in South Africa 1976-1987. Unpublished master’s thesis. Northampton, Mass.: Smith College.
-[[Gavin Roy Baker|Baker, Gavin Roy]] 1995. Towards a Dynamic Voice Approach Evolving from Leading Voice and Movement Theorists. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
+[[Gavin R. Baker|Baker, Gavin Roy]] 1995. Towards a Dynamic Voice Approach Evolving from Leading Voice and Movement Theorists. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
-[[Gavin Roy Baker|Baker, Gavin Roy]] 2001. Negotiated Dramaturgy – Industrial Theatre as Communication in the Organization. Unpublished doctoral dissertation. Empangeni: University of Zululand.
+[[Gavin R. Baker|Baker, Gavin Roy]] 2001. Negotiated Dramaturgy – Industrial Theatre as Communication in the Organization. Unpublished doctoral dissertation. Empangeni: University of Zululand.
 [[S. Baker|Baker, S.]] 1969. O come all ye faithful [passion plays]. ''Fair Lady'', 5(5): 80-92. April 30.

← Older revision		Revision as of 07:28, 8 October 2014
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	[[Brett Bailey\|Bailey, Brett]] 1998. Performing so the spirit may speak. ''[[South African Theatre Journal]]'', 12(1&2):191-202.		[[Brett Bailey\|Bailey, Brett]] 1998. Performing so the spirit may speak. ''[[South African Theatre Journal]]'', 12(1&2):191-202.
		+
		+	[[Brett Bailey]]: drama 2001. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 132-133.

	[[Keith Bain\|Bain, Keith]] 1996. The 1996 Standard Bank [[National Arts Festival]], Grahamstown. ''[[South African Theatre Journal]]'', 10(2):135-147.		[[Keith Bain\|Bain, Keith]] 1996. The 1996 Standard Bank [[National Arts Festival]], Grahamstown. ''[[South African Theatre Journal]]'', 10(2):135-147.

← Older revision		Revision as of 15:21, 22 February 2013
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	[[Keith Bain\|Bain, Keith]] 2003. Hypertheatrical performance on the post-apartheid stage, in [[Herman Wasserman\|Wasserman, Herman]] & [[Sean Jacobs\|Jacobs Sean]] (eds.). ''Shifting Selves: Post-apartheid Essays on Mass Media, Culture and Identity''. Cape Town: Kwela Books. 145-165.		[[Keith Bain\|Bain, Keith]] 2003. Hypertheatrical performance on the post-apartheid stage, in [[Herman Wasserman\|Wasserman, Herman]] & [[Sean Jacobs\|Jacobs Sean]] (eds.). ''Shifting Selves: Post-apartheid Essays on Mass Media, Culture and Identity''. Cape Town: Kwela Books. 145-165.
		+
		+	Bain, Roxanne 2012. ''Vagina Dentata – a kabarett'': re-imagining ''[[The Vagina Monologues]]''. ''[[South African Theatre Journal]]'', 261(1):45-60.

	[[A.C. Baker\|Baker, A.C.]] 1988. Popular Theatre and Politics in South Africa 1976-1987. Unpublished master’s thesis. Northampton, Mass.: Smith College.		[[A.C. Baker\|Baker, A.C.]] 1988. Popular Theatre and Politics in South Africa 1976-1987. Unpublished master’s thesis. Northampton, Mass.: Smith College.

← Older revision		Revision as of 10:28, 14 September 2012
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	Return to [[South_African_Theatre/Bibliography\|A Bibliography of South African South African Theatre and Performance]]		Return to [[South_African_Theatre/Bibliography\|A Bibliography of South African South African Theatre and Performance]]
		+
		+	Return to [[The ESAT Entries]]


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	Return to [[South_African_Theatre/Bibliography\|A Bibliography of South African South African Theatre and Performance]]		Return to [[South_African_Theatre/Bibliography\|A Bibliography of South African South African Theatre and Performance]]
		+
		+	Return to [[The ESAT Entries]]

← Older revision		Revision as of 13:09, 16 February 2012
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	[[Percy Baneshik\|Baneshik, Percy]] 2006. [[Taubie Kushlick]] – woman of the theatre. ''Jewish Affairs'', 61(4):62-66.		[[Percy Baneshik\|Baneshik, Percy]] 2006. [[Taubie Kushlick]] – woman of the theatre. ''Jewish Affairs'', 61(4):62-66.
		+
		+	[[Martin Banham\|Banham, Martin]] 1985. ''South African Theatre : Four Plays and an Introduction'', edited by [[Temple Hauptfleisch]] and [[Ian Steadman]]. Reviewed in: ''Theatre Research International'', 10(3):261-262.

	[[Yvonne Banning\|Banning, Yvonne]] 1989a. English language usage in South African theatre since 1976. Unpublished master’s thesis. Johannesburg: Witwatersrand University.		[[Yvonne Banning\|Banning, Yvonne]] 1989a. English language usage in South African theatre since 1976. Unpublished master’s thesis. Johannesburg: Witwatersrand University.

← Older revision		Revision as of 16:15, 5 September 2011
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	[[Yvonne Banning\|Banning, Yvonne]] 2007. Creating vocal style in a scripted theatre production: issues of visibility, autonomy and integration in vocal practice as research. ''[[South African Theatre Journal]]'', 21:180-202.		[[Yvonne Banning\|Banning, Yvonne]] 2007. Creating vocal style in a scripted theatre production: issues of visibility, autonomy and integration in vocal practice as research. ''[[South African Theatre Journal]]'', 21:180-202.
		+
		+	Bantu theatre company impresses. 1956. ''South Africana'', (4).

← Older revision		Revision as of 13:53, 23 August 2011
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	[[Yvonne Banning\|Banning, Yvonne]] 2003. Learning to act in L 2 English: an ethnographic comparison of two students in a South African university drama department. ''Research in Drama Education''. 8(2):183-201.		[[Yvonne Banning\|Banning, Yvonne]] 2003. Learning to act in L 2 English: an ethnographic comparison of two students in a South African university drama department. ''Research in Drama Education''. 8(2):183-201.
		+
		+	[[Yvonne Banning\|Banning, Yvonne]] 2005. Embodied selves: ritual, relationships and identity in theatre production: an ethnographic case study of ''[[Dance in the Shadow of Pain]]'' ''[[South African Theatre Journal]]'', 19:72-92.

	[[Yvonne Banning\|Banning, Yvonne]] 2006. Directors Forum: Baxter Theatre, Cape Town, Saturday 19 August 2006. ''[[South African Theatre Journal]]'', 20:252-254.		[[Yvonne Banning\|Banning, Yvonne]] 2006. Directors Forum: Baxter Theatre, Cape Town, Saturday 19 August 2006. ''[[South African Theatre Journal]]'', 20:252-254.