ESAT Bibliography Ar-Az - Revision history

Satj at 16:44, 12 February 2024

2024-02-12T16:44:57Z

Satj at 03:07, 9 June 2020

2020-06-09T03:07:49Z

Miriamt at 10:33, 3 December 2012

2012-12-03T10:33:47Z

Miriamt at 10:31, 3 December 2012

2012-12-03T10:31:10Z

Miriamt at 10:24, 3 December 2012

2012-12-03T10:24:42Z

Miriamt at 10:27, 14 September 2012

2012-09-14T10:27:40Z

Miriamt at 13:22, 12 September 2011

2011-09-12T13:22:44Z

Miriamt at 13:44, 21 July 2011

2011-07-21T13:44:43Z

Miriamt at 13:39, 21 July 2011

2011-07-21T13:39:25Z

Miriamt at 12:36, 14 July 2011

2011-07-14T12:36:27Z

← Older revision		Revision as of 16:44, 12 February 2024
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	Return to [[The ESAT Entries]]		Return to [[The ESAT Entries]]

		+	==The list==

	[[Michael Arendse\|Arendse, Michael]]. 1999. Gordyn sak op die ou [[Nico Malan Theatre\|Nico]]. ''Insig'', (134): 26. Maart.		[[Michael Arendse\|Arendse, Michael]]. 1999. Gordyn sak op die ou [[Nico Malan Theatre\|Nico]]. ''Insig'', (134): 26. Maart.

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 [[Brian Astbury|Astbury, Brian]] 1973. My vrou Yvonne ([[Yvonne Bryceland]]). ''Sarie Marais'', 24(28):54-59. July 18.
-[[Brian Astbury|Astbury, Brian]] 1979. ''[[Space Theatre|The Space]]/Die Ruimte/Indawo''. Cape Town: Moira and Azriel Fine.
+[[Brian Astbury|Astbury, Brian]] 1979. ''The Space/Die Ruimte/Indawo''. Cape Town: Moira and Azriel Fine.
 [[Brian Astbury|Astbury, Brian]] 1980a. Irresistable force ([[Nomhle Nkonyeni]]). ''Fair Lady'', 15(19):46-51. March 26.

@@ Line 64: / Line 64: @@
 [[Athol Fugard]] and the South African 'workshop' play, in Crow, Brian 1996. ''An Introduction to Post-Colonial Theatre''. Cambridge: Cambridge University Press. 96-111.
-Attree, L. 2010. Women writing AIDS in South Africa and Zimbabwe, in ''Rites of Passage in Postcolonial Women's Writing'', edited by Pauline Dodgson-Katiyo and Gina Wisker. Amsterdam, Netherlands: Rodopi. 65-90.
+Attree, L. 2010. Women writing AIDS in South Africa and Zimbabwe, in Dodgson-Katiyo, Pauline and  Wisker, Gina (editors) ''Rites of Passage in Postcolonial Women's Writing''. Amsterdam, Netherlands: Rodopi. 65-90.
 [[Derek Attridge|Attridge, Derek]] & [[Rosemary Jolly|Jolly, Rosemary]] (eds.). 1998. ''Writing South Africa: Literature, Apartheid and Democracy, 1970-1995''. Cambridge: Cambridge University Press.

@@ Line 64: / Line 64: @@
 [[Athol Fugard]] and the South African 'workshop' play, in Crow, Brian 1996. ''An Introduction to Post-Colonial Theatre''. Cambridge: Cambridge University Press. 96-111.
-Attree, L. 2010. Women Writing AIDS in South Africa and Zimbabwe, Rites of Passage in Postcolonial Women's Writing pp. 65-90 Amsterdam, Netherlands: Rodopi.
+Attree, L. 2010. Women writing AIDS in South Africa and Zimbabwe, in ''Rites of Passage in Postcolonial Women's Writing'', edited by Pauline Dodgson-Katiyo and Gina Wisker. Amsterdam, Netherlands: Rodopi. 65-90.
 [[Derek Attridge|Attridge, Derek]] & [[Rosemary Jolly|Jolly, Rosemary]] (eds.). 1998. ''Writing South Africa: Literature, Apartheid and Democracy, 1970-1995''. Cambridge: Cambridge University Press.

← Older revision		Revision as of 10:24, 3 December 2012
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	[[Athol Fugard]] and the South African 'workshop' play, in Crow, Brian 1996. ''An Introduction to Post-Colonial Theatre''. Cambridge: Cambridge University Press. 96-111.		[[Athol Fugard]] and the South African 'workshop' play, in Crow, Brian 1996. ''An Introduction to Post-Colonial Theatre''. Cambridge: Cambridge University Press. 96-111.
		+
		+	Attree, L. 2010. Women Writing AIDS in South Africa and Zimbabwe, Rites of Passage in Postcolonial Women's Writing pp. 65-90 Amsterdam, Netherlands: Rodopi.

	[[Derek Attridge\|Attridge, Derek]] & [[Rosemary Jolly\|Jolly, Rosemary]] (eds.). 1998. ''Writing South Africa: Literature, Apartheid and Democracy, 1970-1995''. Cambridge: Cambridge University Press.		[[Derek Attridge\|Attridge, Derek]] & [[Rosemary Jolly\|Jolly, Rosemary]] (eds.). 1998. ''Writing South Africa: Literature, Apartheid and Democracy, 1970-1995''. Cambridge: Cambridge University Press.

← Older revision		Revision as of 10:27, 14 September 2012
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	Return to [[South_African_Theatre/Bibliography\|A Bibliography of South African South African Theatre and Performance]]		Return to [[South_African_Theatre/Bibliography\|A Bibliography of South African South African Theatre and Performance]]
		+
		+	Return to [[The ESAT Entries]]


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	Return to [[South_African_Theatre/Bibliography\|A Bibliography of South African South African Theatre and Performance]]		Return to [[South_African_Theatre/Bibliography\|A Bibliography of South African South African Theatre and Performance]]
		+
		+	Return to [[The ESAT Entries]]

← Older revision		Revision as of 13:22, 12 September 2011
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	[[Brian Astbury\|Astbury, Brian]] 2011. ''Trusting the actor''. [http://www.wix.com/anairb/trusting-the-actor]		[[Brian Astbury\|Astbury, Brian]] 2011. ''Trusting the actor''. [http://www.wix.com/anairb/trusting-the-actor]
		+
		+	At the [[Jewish Guild]]. 1929. ''Footlights'', 1(4):17.

	[[V. Athiemulam\|Athiemulam, V.]] 1984. Drama in language teaching. ''Journal of Language Teaching'', 18(3) :42-58.		[[V. Athiemulam\|Athiemulam, V.]] 1984. Drama in language teaching. ''Journal of Language Teaching'', 18(3) :42-58.

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 [[Michael D. Arthur|Arthur, Michael D.]] and [[Tom Arthur|Arthur, Tom]] 1994. The 1994 [[Grahamstown Festival]]. ''[[South African Theatre Journal]]'',  8(2):163-183.
-Arthur, Michael D. 1999a. Gay theatres in South Africa Peter Hayes, Pogiso Mogwera, and Jay Pather, in [[Marcia Blumberg|Blumberg, Marcia]] & [[Dennis Walder|Walder, Dennis]] (eds.). ''South African Theatre as/and Intervention''. Amsterdam: Rodopi. 147153.
+[[Michael D. Arthur|Arthur, Michael D.]] 1999a. Gay theatres in South Africa: [[Peter Hayes]], [[Pogiso Mogwera]], and [[Jay Pather]], in [[Marcia Blumberg|Blumberg, Marcia]] & [[Dennis Walder|Walder, Dennis]] (eds.). ''South African Theatre as/and Intervention''. Amsterdam: Rodopi. 147-153.
 [[Michael D. Arthur|Arthur, Michael D.]] 1999b. Think differently: South Africa theatre of/in transition and the Standard Bank [[National Arts Festival]] 1992-1996. Unpublished doctoral dissertation. Austin: University of Texas.

← Older revision		Revision as of 13:39, 21 July 2011
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	[[Michael D. Arthur\|Arthur, Michael D.]] and [[Tom Arthur\|Arthur, Tom]] 1994. The 1994 [[Grahamstown Festival]]. ''[[South African Theatre Journal]]'', 8(2):163-183.		[[Michael D. Arthur\|Arthur, Michael D.]] and [[Tom Arthur\|Arthur, Tom]] 1994. The 1994 [[Grahamstown Festival]]. ''[[South African Theatre Journal]]'', 8(2):163-183.
		+
		+	Arthur, Michael D. 1999a. Gay theatres in South Africa Peter Hayes, Pogiso Mogwera, and Jay Pather, in [[Marcia Blumberg\|Blumberg, Marcia]] & [[Dennis Walder\|Walder, Dennis]] (eds.). ''South African Theatre as/and Intervention''. Amsterdam: Rodopi. 147153.

	[[Michael D. Arthur\|Arthur, Michael D.]] 1999b. Think differently: South Africa theatre of/in transition and the Standard Bank [[National Arts Festival]] 1992-1996. Unpublished doctoral dissertation. Austin: University of Texas.		[[Michael D. Arthur\|Arthur, Michael D.]] 1999b. Think differently: South Africa theatre of/in transition and the Standard Bank [[National Arts Festival]] 1992-1996. Unpublished doctoral dissertation. Austin: University of Texas.

← Older revision		Revision as of 12:36, 14 July 2011
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	[[V. Athiemulam\|Athiemulam, V.]] 1984. Drama in language teaching. ''Journal of Language Teaching'', 18(3) :42-58.		[[V. Athiemulam\|Athiemulam, V.]] 1984. Drama in language teaching. ''Journal of Language Teaching'', 18(3) :42-58.
		+
		+	[[Athol Fugard]] 1983. ''Contemporary Literary Criticism'', 25:173-178.

	[[Athol Fugard]]: an interview. 1984. In [[Margaret J. Daymond\|Daymond, Margaret J.]], [[Johan Jacobs\|Jacobs, Johan]] & [[Margaret Lenta\|Lenta, Margaret]] (eds.). 1984. ''Momentum: On Recent South African Writing''. Pietermaritzburg: University of Natal Press. 22-28.		[[Athol Fugard]]: an interview. 1984. In [[Margaret J. Daymond\|Daymond, Margaret J.]], [[Johan Jacobs\|Jacobs, Johan]] & [[Margaret Lenta\|Lenta, Margaret]] (eds.). 1984. ''Momentum: On Recent South African Writing''. Pietermaritzburg: University of Natal Press. 22-28.