Dieter Reible - Revision history

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Sources

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Contribution to SA theatre, film, media and/or performance

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Contribution to SA theatre, film, media and/or performance

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Sources

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Awards, etc

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Contribution to SA theatre, film, media and/or performance

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Contribution to SA theatre, film, media and/or performance

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Contribution to SA theatre, film, media and/or performance

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Contribution to SA theatre, film, media and/or performance

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Contribution to SA theatre, film, media and/or performance

← Older revision		Revision as of 14:39, 5 August 2023
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	https://de.wikipedia.org/wiki/Dieter_Reible		https://de.wikipedia.org/wiki/Dieter_Reible
		+
		+	[[Beeld]], 10 January 1985.

	[[Percy Tucker]] 1997. ''Just the Ticket. My 50 Years in Show Business''. Johannesburg: [[Witwatersrand University Press]].		[[Percy Tucker]] 1997. ''Just the Ticket. My 50 Years in Show Business''. Johannesburg: [[Witwatersrand University Press]].

@@ Line 25: / Line 25: @@
 In 1969 [[Pieter Fourie]], the artistic director for drama at the [[Cape Performing Arts Board]] at the time, saw Reible's production of ''[[Richard II]]'' in Frankfurt and liked it so much that he invited the director to South Africa to direct a Shakespeare of his choice. It ended up being a bloody  production of ''[[Titus Andronicus]]'' (in [[Afrikaans]], translated by [[Breyten Breytenbach]]), followed by an equally contentious and debated [[Afrikaans]] production of ''[[King Lear]]'' in 1971.
-In the wake of the controversies surrounding the two productions and his struggle to obtain a work permit in South Africa, Reible returned to Germany for the next decade to build his career as director there, but was brought out once more in 1980, this time to do ''[[Faust]]'' for [[CAPAB]]. This led on to a growing series of remarkable productions of classical works from the European canon, initially for [[CAPAB]] and later for [[PACT]] and other companies.
+In the wake of the controversies surrounding the two productions and his struggle to obtain a work permit in South Africa, Reible returned to Germany for the next decade to build his career as director there, but was brought out once more in 1980, this time to do ''[[Faust]]'' for [[CAPAB]]. This led on to a growing series of remarkable productions of classical works from the European canon, initially for [[CAPAB]] and later for [[PACT]] and other companies. He also directed ''[[Hamletmachine]]'' and ''[[Woyzeck]]''.
 The works he directed included Strindberg's, ''[[Leka med elden|Playing With Fire]]'' (1983), ''[[Emigrante|Die Emigrante]]'' ([[PACT]], 1986), ''[[The Women of Troy]]'' (1987), ''[[The Lion in Winter]]'' (1988), ''[[Die Storm]]'' (''[[The Tempest]]'', 1989),  Jean Genet's ''[[The Blacks]]'' (1989), ''[[Waiting for Godot]]'', ''[[Die Storm]]'' (''[[The Tempest]]''), ''[[Macbeth]]'' (1990), ''[[Cymbeline]]'', Strindberg's ''[[Playing with Fire]]'', ''[[Demea]]'' ([[Guy Butler]], 1990),  [[Bartho Smit]]’s ''[[Die Keiser]]''(1992),  ''[[Moleste met die Magistraat]]'' ([[PACT]] 1993). [[Euripides]]'s  ''[[The Women of Troy]]'' for the opening production of the [[Adcock-Ingram Auditorium]] in 1987. He revived ''[[The Lion in Winter]]'' for [[PACT]] in 1988. He directed ''[[Die Storm]]'' (''[[The Tempest]]'') for [[PACT]] at the [[Alexander Theatre]] in 1989. He directed [[Jean Genet]]’s ''[[The Blacks]]'' for [[PACT]] in 1989. He directed ''[[Macbeth]]'' for [[PACT]] in 1990. He directed [[Bartho Smit]]’s ''[[Die Keiser]]'' which was staged in 1992; ''[[Moleste met die Magistraat]]'' ([[PACT]] 1993).

← Older revision		Revision as of 08:57, 15 November 2022
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	He also wrote and adapted a number of works himself, including a German version of [[Euripides]]’s ''[[Medea]]'', done as a solo piece for performance by his second wife at an avant-garde theatre in Poland. This version was translated into English and performed by [[Trix Pienaar]] at the [[Baxter Studio]] in 1981, directed by Reible. (The text is held by NELM: [Collection: LILENSTEIN, Mavis]: 2007. 9. 17. 2). The adaptation was later also translated into [[Afrikaans]] by [[Arnold Blumer]] and performed at the 2011 ''[[Afrikaanse Woordfees]]'' in Stellenbosch, directed by [[Marthinus Basson]] with [[Coba-Maryn Wilsenach]].		He also wrote and adapted a number of works himself, including a German version of [[Euripides]]’s ''[[Medea]]'', done as a solo piece for performance by his second wife at an avant-garde theatre in Poland. This version was translated into English and performed by [[Trix Pienaar]] at the [[Baxter Studio]] in 1981, directed by Reible. (The text is held by NELM: [Collection: LILENSTEIN, Mavis]: 2007. 9. 17. 2). The adaptation was later also translated into [[Afrikaans]] by [[Arnold Blumer]] and performed at the 2011 ''[[Afrikaanse Woordfees]]'' in Stellenbosch, directed by [[Marthinus Basson]] with [[Coba-Maryn Wilsenach]].
		+
		+	Other adaptations include ''[[The Three Musketeers]]'' (translated into Afrikaans by [[Tjaart Potgieter]]).

	Besides his legacy of memorably fine productions, Reible fundamentally also helped to change the way a new generation of young South African directors would make theatre and view and its potential role in society.		Besides his legacy of memorably fine productions, Reible fundamentally also helped to change the way a new generation of young South African directors would make theatre and view and its potential role in society.

@@ Line 41: / Line 41: @@
 https://de.wikipedia.org/wiki/Dieter_Reible
-[[ESAT Bibliography Tra-Tz|Tucker]], 1997.
+[[Percy Tucker]] 1997. ''Just the Ticket. My 50 Years in Show Business''. Johannesburg: [[Witwatersrand University Press]].
 ''[[Die Burger]]'' 5 March 2011; 13 December 2014.

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 == Awards, etc ==
-He won a National [[Vita Award]] as director of the year for ''[[Die Keiser]]''.
 == Sources ==

← Older revision		Revision as of 06:11, 15 November 2022
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	The works he directed included Strindberg's, ''[[Leka med elden\|Playing With Fire]]'' (1983), ''[[Emigrante\|Die Emigrante]]'' ([[PACT]], 1986), ''[[The Women of Troy]]'' (1987), ''[[The Lion in Winter]]'' (1988), ''[[Die Storm]]'' (''[[The Tempest]]'', 1989), Jean Genet's ''[[The Blacks]]'' (1989), ''[[Waiting for Godot]]'', ''[[Die Storm]]'' (''[[The Tempest]]''), ''[[Macbeth]]'' (1990), ''[[Cymbeline]]'', Strindberg's ''[[Playing with Fire]]'', ''[[Demea]]'' ([[Guy Butler]], 1990), [[Bartho Smit]]’s ''[[Die Keiser]]''(1992), ''[[Moleste met die Magistraat]]'' ([[PACT]] 1993). [[Euripides]]'s ''[[The Women of Troy]]'' for the opening production of the [[Adcock-Ingram Auditorium]] in 1987. He revived ''[[The Lion in Winter]]'' for [[PACT]] in 1988. He directed ''[[Die Storm]]'' (''[[The Tempest]]'') for [[PACT]] at the [[Alexander Theatre]] in 1989. He directed [[Jean Genet]]’s ''[[The Blacks]]'' for [[PACT]] in 1989. He directed ''[[Macbeth]]'' for [[PACT]] in 1990. He directed [[Bartho Smit]]’s ''[[Die Keiser]]'' which was staged in 1992; ''[[Moleste met die Magistraat]]'' ([[PACT]] 1993).		The works he directed included Strindberg's, ''[[Leka med elden\|Playing With Fire]]'' (1983), ''[[Emigrante\|Die Emigrante]]'' ([[PACT]], 1986), ''[[The Women of Troy]]'' (1987), ''[[The Lion in Winter]]'' (1988), ''[[Die Storm]]'' (''[[The Tempest]]'', 1989), Jean Genet's ''[[The Blacks]]'' (1989), ''[[Waiting for Godot]]'', ''[[Die Storm]]'' (''[[The Tempest]]''), ''[[Macbeth]]'' (1990), ''[[Cymbeline]]'', Strindberg's ''[[Playing with Fire]]'', ''[[Demea]]'' ([[Guy Butler]], 1990), [[Bartho Smit]]’s ''[[Die Keiser]]''(1992), ''[[Moleste met die Magistraat]]'' ([[PACT]] 1993). [[Euripides]]'s ''[[The Women of Troy]]'' for the opening production of the [[Adcock-Ingram Auditorium]] in 1987. He revived ''[[The Lion in Winter]]'' for [[PACT]] in 1988. He directed ''[[Die Storm]]'' (''[[The Tempest]]'') for [[PACT]] at the [[Alexander Theatre]] in 1989. He directed [[Jean Genet]]’s ''[[The Blacks]]'' for [[PACT]] in 1989. He directed ''[[Macbeth]]'' for [[PACT]] in 1990. He directed [[Bartho Smit]]’s ''[[Die Keiser]]'' which was staged in 1992; ''[[Moleste met die Magistraat]]'' ([[PACT]] 1993).
−
−	~~: A production of the English text was done by the Baxter Theatre in association with [[Minotaurus]], directed by [[Dieter Reible]],~~

	He also wrote and adapted a number of works himself, including a German version of [[Euripides]]’s ''[[Medea]]'', done as a solo piece for performance by his second wife at an avant-garde theatre in Poland. This version was translated into English and performed by [[Trix Pienaar]] at the [[Baxter Studio]] in 1981, directed by Reible. (The text is held by NELM: [Collection: LILENSTEIN, Mavis]: 2007. 9. 17. 2). The adaptation was later also translated into [[Afrikaans]] by [[Arnold Blumer]] and performed at the 2011 ''[[Afrikaanse Woordfees]]'' in Stellenbosch, directed by [[Marthinus Basson]] with [[Coba-Maryn Wilsenach]].		He also wrote and adapted a number of works himself, including a German version of [[Euripides]]’s ''[[Medea]]'', done as a solo piece for performance by his second wife at an avant-garde theatre in Poland. This version was translated into English and performed by [[Trix Pienaar]] at the [[Baxter Studio]] in 1981, directed by Reible. (The text is held by NELM: [Collection: LILENSTEIN, Mavis]: 2007. 9. 17. 2). The adaptation was later also translated into [[Afrikaans]] by [[Arnold Blumer]] and performed at the 2011 ''[[Afrikaanse Woordfees]]'' in Stellenbosch, directed by [[Marthinus Basson]] with [[Coba-Maryn Wilsenach]].

@@ Line 23: / Line 23: @@
 ==Contribution to SA theatre, film, media and/or performance==
-Following his pioneering work in the 1970s, was brought out once more in 1980, this time to do ''[[Faust]]'' for [[CAPAB]]. This was followed by a growing series of remarkable productions of classical works from the European canon, initially for [[CAPAB]] and later for [[PACT]].
+In 1969 [[Pieter Fourie]], the artistic director for drama at the [[Cape Performing Arts Board]] at the time, saw Reible's production of ''[[Richard II]]'' in Frankfurt and liked it so much that he invited the director to South Africa to direct a Shakespeare of his choice. It ended up being a bloody  production of ''[[Titus Andronicus]]'' (in [[Afrikaans]], translated by [[Breyten Breytenbach]]), followed by an equally contentious and debated [[Afrikaans]] production of ''[[King Lear]]'' in 1971.
-: A production of the English text was done by the Baxter Theatre in association with Minotaurus, directed by Dieter Reible,
+In the wake of the controversies surrounding the two productions and his struggle to obtain a work permit in South Africa, Reible returned to Germany for the next decade to build his career as director there, but was brought out once more in 1980, this time to do ''[[Faust]]'' for [[CAPAB]]. This led on to a growing series of remarkable productions of classical works from the European canon, initially for [[CAPAB]] and later for [[PACT]] and other companies.
-He also wrote and adapted a number of works himself, including a German version of [[Euripides]]’s ''[[Medea]]'', done for solo performance by his second wife at an avant-garde theatre in Poland. This version was translated into English and performed by [[Trix Pienaar]] at the [[Baxter Studio]] in 1981, directed by Reible. (The text is held by NELM: [Collection: LILENSTEIN, Mavis]: 2007. 9. 17. 2). This adaptation was later also translated into [[Afrikaans]] by [[Arnold Blumer]] and performed at the 2011 ''[[Afrikaanse Woordfees]]'' in Stellenbosch, directed by [[Marthinus Basson]] with [[Coba-Maryn Wilsenach]].
+The works he directed included Strindberg's, ''[[Leka med elden|Playing With Fire]]'' (1983), ''[[Emigrante|Die Emigrante]]'' ([[PACT]], 1986), ''[[The Women of Troy]]'' (1987), ''[[The Lion in Winter]]'' (1988), ''[[Die Storm]]'' (''[[The Tempest]]'', 1989),  Jean Genet's ''[[The Blacks]]'' (1989), ''[[Waiting for Godot]]'', ''[[Die Storm]]'' (''[[The Tempest]]''), ''[[Macbeth]]'' (1990), ''[[Cymbeline]]'', Strindberg's ''[[Playing with Fire]]'', ''[[Demea]]'' ([[Guy Butler]], 1990),  [[Bartho Smit]]’s ''[[Die Keiser]]''(1992),  ''[[Moleste met die Magistraat]]'' ([[PACT]] 1993). [[Euripides]]'s  ''[[The Women of Troy]]'' for the opening production of the [[Adcock-Ingram Auditorium]] in 1987. He revived ''[[The Lion in Winter]]'' for [[PACT]] in 1988. He directed ''[[Die Storm]]'' (''[[The Tempest]]'') for [[PACT]] at the [[Alexander Theatre]] in 1989. He directed [[Jean Genet]]’s ''[[The Blacks]]'' for [[PACT]] in 1989. He directed ''[[Macbeth]]'' for [[PACT]] in 1990. He directed [[Bartho Smit]]’s ''[[Die Keiser]]'' which was staged in 1992; ''[[Moleste met die Magistraat]]'' ([[PACT]] 1993).
-Besides a legacy of fine remembered productions, Reible fundamentally changed the way a new generation of young South African directors would look at theatre and its potential role in society.
+: A production of the English text was done by the Baxter Theatre in association with [[Minotaurus]], directed by [[Dieter Reible]],
 == Awards, etc ==