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	<id>https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Der_gute_Mensch_von_Sezuan</id>
	<title>Der gute Mensch von Sezuan - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Der_gute_Mensch_von_Sezuan"/>
	<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Der_gute_Mensch_von_Sezuan&amp;action=history"/>
	<updated>2026-09-14T19:42:38Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.33.2</generator>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Der_gute_Mensch_von_Sezuan&amp;diff=283431&amp;oldid=prev</id>
		<title>Satj: /* Performance history in South Africa */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Der_gute_Mensch_von_Sezuan&amp;diff=283431&amp;oldid=prev"/>
		<updated>2025-09-26T04:03:29Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Performance history in South Africa&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 04:03, 26 September 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l25&quot; &gt;Line 25:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 25:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1965: For the twenty-first birthday of the [[East Rand Theatre Club]] [[Leonard Schach]] directed the Eric Bentley translation with a cast including [[Alan Brooke]], [[Denice Etherington]], [[Stanley Hill]], [[Ethel London]] and others. Decor and costumes by [[Chris van den Berg]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1965: For the twenty-first birthday of the [[East Rand Theatre Club]] [[Leonard Schach]] directed the Eric Bentley translation with a cast including [[Alan Brooke]], [[Denice Etherington]], [[Stanley Hill]], [[Ethel London]] and others. Decor and costumes by [[Chris van den Berg]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1974: In October ''[[Die Goeie Mens van Setzuan]]'' (an [[Afrikaans]] translation) staged in the [[Bloemfontein Civic Theatre]] by [[PACOFS]], directed by [[William Egan]], with a cast including [[Ernst Eloff]], [[Annelize van der Ryst]], [[Johan Esterhuizen]], [[Neels Coetzee]], [[Elize Cawood]], [[Wim Vorster]] and [[Francesca Bantock]]. Stage manager [[Mavis Lilenstein]].  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1974: In October ''[[Die Goeie Mens van Setzuan]]'' (an [[Afrikaans]] translation) staged in the [[Bloemfontein Civic Theatre]] by [[PACOFS]], directed by [[William Egan]], with a cast including [[Ernst Eloff]], [[Annelize van der Ryst]], [[Johan Esterhuizen]], [[Neels Coetzee]], [[Elize Cawood]], [[Wim Vorster&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]], [[James Borthwick&lt;/ins&gt;]] and [[Francesca Bantock]]. Stage manager [[Mavis Lilenstein]].  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1976: The [[Johann van Heerden|Van Heerden]] [[Afrikaans]] translation ''[[Die Goeie Mens van Sezuan]]'' was staged by the [[Universiteitsteater Stellenbosch]] in the [[H.B. Thom Theatre]] at the Drama Department at [[Stellenbosch University]], directed by [[Johann van Heerden]], with [[Elsabé Wessels]] (Shen Te/Shui Ta), [[Johan J. Fourie]] (Wang), [[Chris Truter]] (Shu Fu), [[Elizabeth Archer]] (Vrou), [[Suzette Eksteen]] (Mevrou Shin), [[Karien Griessel]] (Mevrou Mi Tzu), [[Karien Scheepers]] (Mevrou Yang), [[Iza Trengove]] (Ou Vrou), [[Diane Vlotman]] (Niggie/Jong Prostituut), [[Antoinette Wilkinson]] (Skoonsuster), [[Jan le Roux]] (Oupa), [[Christo Compion]] (Lin To), [[Louié Loots]] (Seuntjie), [[Solly Oosthuizen]] (various), [[Kenny Beck]] (Polisieman), [[Ronny Belcher|Ronnie Belcher]] (Vlieënier), [[Wouter Struwig]] (various), [[André Swart]] (various) and [[Emily Aucamp]] (Lin To se Seuntjie). Musicians: [[Limpie Basson]] (piano), [[Jannie Hofmeyr]] (flute), [[Graham Jacobs]] (bass guitar) and [[Vernon Swart]] (drums). Décor designed by [[Marjorie van Heerden]] and built by [[Emile Aucamp]] and team, costumes by [[Elaine Aucamp]], lighting by [[Emile Aucamp]] and makeup by [[Pieter Bredenkamp]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1976: The [[Johann van Heerden|Van Heerden]] [[Afrikaans]] translation ''[[Die Goeie Mens van Sezuan]]'' was staged by the [[Universiteitsteater Stellenbosch]] in the [[H.B. Thom Theatre]] at the Drama Department at [[Stellenbosch University]], directed by [[Johann van Heerden]], with [[Elsabé Wessels]] (Shen Te/Shui Ta), [[Johan J. Fourie]] (Wang), [[Chris Truter]] (Shu Fu), [[Elizabeth Archer]] (Vrou), [[Suzette Eksteen]] (Mevrou Shin), [[Karien Griessel]] (Mevrou Mi Tzu), [[Karien Scheepers]] (Mevrou Yang), [[Iza Trengove]] (Ou Vrou), [[Diane Vlotman]] (Niggie/Jong Prostituut), [[Antoinette Wilkinson]] (Skoonsuster), [[Jan le Roux]] (Oupa), [[Christo Compion]] (Lin To), [[Louié Loots]] (Seuntjie), [[Solly Oosthuizen]] (various), [[Kenny Beck]] (Polisieman), [[Ronny Belcher|Ronnie Belcher]] (Vlieënier), [[Wouter Struwig]] (various), [[André Swart]] (various) and [[Emily Aucamp]] (Lin To se Seuntjie). Musicians: [[Limpie Basson]] (piano), [[Jannie Hofmeyr]] (flute), [[Graham Jacobs]] (bass guitar) and [[Vernon Swart]] (drums). Décor designed by [[Marjorie van Heerden]] and built by [[Emile Aucamp]] and team, costumes by [[Elaine Aucamp]], lighting by [[Emile Aucamp]] and makeup by [[Pieter Bredenkamp]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Der_gute_Mensch_von_Sezuan&amp;diff=277191&amp;oldid=prev</id>
		<title>Satj: /* Sources */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Der_gute_Mensch_von_Sezuan&amp;diff=277191&amp;oldid=prev"/>
		<updated>2025-05-30T14:15:06Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Sources&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 14:15, 30 May 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l56&quot; &gt;Line 56:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 56:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Theatre programme ([[Market Theatre]] production) held by [[NELM]]: [Collection: MARKET THEATRE]: 2007. 32. 9. 80. 2&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Theatre programme ([[Market Theatre]] production) held by [[NELM]]: [Collection: MARKET THEATRE]: 2007. 32. 9. 80. 2&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Percy Tucker]]. 1997. ''Just the Ticket. My 50 Years in Show Business''. Johannesburg: Witwatersrand University Press: p. 206.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Percy Tucker]]. 1997. ''Just the Ticket. My 50 Years in Show Business''. Johannesburg: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Witwatersrand University Press&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;: p. 206.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Theatre programme ([[Rhodes University Drama Department]] production, 1993)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Theatre programme ([[Rhodes University Drama Department]] production, 1993)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Der_gute_Mensch_von_Sezuan&amp;diff=277190&amp;oldid=prev</id>
		<title>Satj: /* Sources */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Der_gute_Mensch_von_Sezuan&amp;diff=277190&amp;oldid=prev"/>
		<updated>2025-05-30T14:14:38Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Sources&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 14:14, 30 May 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l44&quot; &gt;Line 44:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 44:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[ESAT Bibliography I|Inskip]], 1977. p 128.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[ESAT Bibliography I|Inskip]], 1977. p 128.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''PACOFS Drama 25 Years'', 1963-1988&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;PACOFS&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;Drama 25 Years'', 1963-1988&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[NELM]] catalogue.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[NELM]] catalogue.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Der_gute_Mensch_von_Sezuan&amp;diff=277189&amp;oldid=prev</id>
		<title>Satj: /* Translations and adaptations */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Der_gute_Mensch_von_Sezuan&amp;diff=277189&amp;oldid=prev"/>
		<updated>2025-05-30T14:14:08Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Translations and adaptations&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 14:14, 30 May 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l13&quot; &gt;Line 13:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 13:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Eric Bentley English version translated into [[Afrikaans]] by *** as ''[[Die Goeie Mens van Setzuan]]'' for [[PACOFS]] in 1974.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Eric Bentley English version translated into [[Afrikaans]] by *** as ''[[Die Goeie Mens van Setzuan]]'' for [[PACOFS]] in 1974.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Translated from the original German into [[Afrikaans]]  by [[Johann van Heerden]] as ''[[Die Goeie Mens van Sezuan]]'' in 1976. A copy of the text &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;held &lt;/del&gt;in the Drama Department archive at the [[University of Stellenbosch]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Translated from the original German into [[Afrikaans]]  by [[Johann van Heerden]] as ''[[Die Goeie Mens van Sezuan]]'' in 1976. A copy of the text &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;found &lt;/ins&gt;in the Drama Department archive at the [[University of Stellenbosch]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, and now held in the [[ESAT repository]] at the [[Africa Open Institute for Music, Research and Innovation]], with offices at Pieter Okkers House, 7 Joubert Street, Stellenbosch, South Africa&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1996 [[Janet Suzman]] and [[Gcina Mhlope]] adapted Brecht's play and set the action in South Africa under the title '''''[[The Good Woman of Sharkville]]'''''. This version is described as follows in the programme: &amp;quot;The story finds another setting in contemporary South Africa, the fabled city is called Sharkville, a place underwritten by an old tragedy, but now inhabited by the colourful and villainous characters of Brecht's moving musical play.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1996 [[Janet Suzman]] and [[Gcina Mhlope]] adapted Brecht's play and set the action in South Africa under the title '''''[[The Good Woman of Sharkville]]'''''. This version is described as follows in the programme: &amp;quot;The story finds another setting in contemporary South Africa, the fabled city is called Sharkville, a place underwritten by an old tragedy, but now inhabited by the colourful and villainous characters of Brecht's moving musical play.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Der_gute_Mensch_von_Sezuan&amp;diff=251853&amp;oldid=prev</id>
		<title>Satj: /* Performance history in South Africa */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Der_gute_Mensch_von_Sezuan&amp;diff=251853&amp;oldid=prev"/>
		<updated>2024-01-24T14:41:48Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Performance history in South Africa&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 14:41, 24 January 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l21&quot; &gt;Line 21:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 21:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Performance history in South Africa ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Performance history in South Africa ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1958: In March ''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;'''&lt;/del&gt;The Good Woman of Setzuan''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;''', &lt;/del&gt;the Eric Bentley translation, was staged at the [[Little Theatre]] in Cape Town, directed by [[Rosalie van der Gucht]], with [[Percy Sieff]], [[Eveline Garratt]], [[Elizabeth Bennett]], [[Chris van den Berg]], [[Denice Donegan]], [[Phyllis Schaffer]], [[Karl Oettle]], [[Louis Franks]], [[Eugene Rakoff]], [[Hymie Gien]], [[Viv Rakoff]] and [[Tony Puma]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1958: In March ''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;The Good Woman of Setzuan&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;'' &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(&lt;/ins&gt;the Eric Bentley translation&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;)&lt;/ins&gt;, was staged at the [[Little Theatre]] in Cape Town, directed by [[Rosalie van der Gucht]], with [[Percy Sieff]], [[Eveline Garratt]], [[Elizabeth Bennett]], [[Chris van den Berg]], [[Denice Donegan]], [[Phyllis Schaffer]], [[Karl Oettle]], [[Louis Franks]], [[Eugene Rakoff]], [[Hymie Gien]], [[Viv Rakoff]] and [[Tony Puma]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1965: For the twenty-first birthday of the [[East Rand Theatre Club]] [[Leonard Schach]] directed the Eric Bentley translation with a cast including [[Alan Brooke]], [[Denice Etherington]], [[Stanley Hill]], [[Ethel London]] and others. Decor and costumes by [[Chris van den Berg]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1965: For the twenty-first birthday of the [[East Rand Theatre Club]] [[Leonard Schach]] directed the Eric Bentley translation with a cast including [[Alan Brooke]], [[Denice Etherington]], [[Stanley Hill]], [[Ethel London]] and others. Decor and costumes by [[Chris van den Berg]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1974: In October ''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;'''&lt;/del&gt;Die Goeie Mens van Setzuan''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;''' the &lt;/del&gt;[[Afrikaans]] translation &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;by *** was &lt;/del&gt;staged by [[PACOFS]], directed by [[William Egan]], with a cast including [[Ernst Eloff]], [[Annelize van der Ryst]] &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;[[Wim Vorster]] and [[Francesca Bantock]]. Stage manager [[Mavis Lilenstein]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1974: In October ''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Die Goeie Mens van Setzuan&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;'' &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(an &lt;/ins&gt;[[Afrikaans]] translation&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;) &lt;/ins&gt;staged &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;in the [[Bloemfontein Civic Theatre]] &lt;/ins&gt;by [[PACOFS]], directed by [[William Egan]], with a cast including [[Ernst Eloff]], [[Annelize van der Ryst]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, [[Johan Esterhuizen]], [[Neels Coetzee]], [[Elize Cawood]], &lt;/ins&gt;[[Wim Vorster]] and [[Francesca Bantock]]. Stage manager [[Mavis Lilenstein]].  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1976: The [[Johann van Heerden|Van Heerden]] [[Afrikaans]] translation ''[[Die Goeie Mens van Sezuan]]'' was staged by the [[Universiteitsteater Stellenbosch]] in the [[H.B. Thom Theatre]] at the Drama Department at [[Stellenbosch University]], directed by [[Johann van Heerden]], with [[Elsabé Wessels]] (Shen Te/Shui Ta), [[Johan J. Fourie]] (Wang), [[Chris Truter]] (Shu Fu), [[Elizabeth Archer]] (Vrou), [[Suzette Eksteen]] (Mevrou Shin), [[Karien Griessel]] (Mevrou Mi Tzu), [[Karien Scheepers]] (Mevrou Yang), [[Iza Trengove]] (Ou Vrou), [[Diane Vlotman]] (Niggie/Jong Prostituut), [[Antoinette Wilkinson]] (Skoonsuster), [[Jan le Roux]] (Oupa), [[Christo Compion]] (Lin To), [[Louié Loots]] (Seuntjie), [[Solly Oosthuizen]] (various), [[Kenny Beck]] (Polisieman), [[Ronny Belcher|Ronnie Belcher]] (Vlieënier), [[Wouter Struwig]] (various), [[André Swart]] (various) and [[Emily Aucamp]] (Lin To se Seuntjie). Musicians: [[Limpie Basson]] (piano), [[Jannie Hofmeyr]] (flute), [[Graham Jacobs]] (bass guitar) and [[Vernon Swart]] (drums). Décor designed by [[Marjorie van Heerden]] and built by [[Emile Aucamp]] and team, costumes by [[Elaine Aucamp]], lighting by [[Emile Aucamp]] and makeup by [[Pieter Bredenkamp]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1976: The [[Johann van Heerden|Van Heerden]] [[Afrikaans]] translation ''[[Die Goeie Mens van Sezuan]]'' was staged by the [[Universiteitsteater Stellenbosch]] in the [[H.B. Thom Theatre]] at the Drama Department at [[Stellenbosch University]], directed by [[Johann van Heerden]], with [[Elsabé Wessels]] (Shen Te/Shui Ta), [[Johan J. Fourie]] (Wang), [[Chris Truter]] (Shu Fu), [[Elizabeth Archer]] (Vrou), [[Suzette Eksteen]] (Mevrou Shin), [[Karien Griessel]] (Mevrou Mi Tzu), [[Karien Scheepers]] (Mevrou Yang), [[Iza Trengove]] (Ou Vrou), [[Diane Vlotman]] (Niggie/Jong Prostituut), [[Antoinette Wilkinson]] (Skoonsuster), [[Jan le Roux]] (Oupa), [[Christo Compion]] (Lin To), [[Louié Loots]] (Seuntjie), [[Solly Oosthuizen]] (various), [[Kenny Beck]] (Polisieman), [[Ronny Belcher|Ronnie Belcher]] (Vlieënier), [[Wouter Struwig]] (various), [[André Swart]] (various) and [[Emily Aucamp]] (Lin To se Seuntjie). Musicians: [[Limpie Basson]] (piano), [[Jannie Hofmeyr]] (flute), [[Graham Jacobs]] (bass guitar) and [[Vernon Swart]] (drums). Décor designed by [[Marjorie van Heerden]] and built by [[Emile Aucamp]] and team, costumes by [[Elaine Aucamp]], lighting by [[Emile Aucamp]] and makeup by [[Pieter Bredenkamp]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Der_gute_Mensch_von_Sezuan&amp;diff=242594&amp;oldid=prev</id>
		<title>Darryl: /* Sources */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Der_gute_Mensch_von_Sezuan&amp;diff=242594&amp;oldid=prev"/>
		<updated>2023-08-14T13:48:51Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Sources&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:48, 14 August 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l57&quot; &gt;Line 57:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 57:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Percy Tucker]]. 1997. ''Just the Ticket. My 50 Years in Show Business''. Johannesburg: Witwatersrand University Press: p. 206.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Percy Tucker]]. 1997. ''Just the Ticket. My 50 Years in Show Business''. Johannesburg: Witwatersrand University Press: p. 206.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Theatre programme ([[Rhodes University Drama Department]] production, 1993)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Go to [[ESAT Bibliography]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Go to [[ESAT Bibliography]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Darryl</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Der_gute_Mensch_von_Sezuan&amp;diff=242593&amp;oldid=prev</id>
		<title>Darryl: /* Performance history in South Africa */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Der_gute_Mensch_von_Sezuan&amp;diff=242593&amp;oldid=prev"/>
		<updated>2023-08-14T13:46:31Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Performance history in South Africa&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:46, 14 August 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l28&quot; &gt;Line 28:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 28:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1976: The [[Johann van Heerden|Van Heerden]] [[Afrikaans]] translation ''[[Die Goeie Mens van Sezuan]]'' was staged by the [[Universiteitsteater Stellenbosch]] in the [[H.B. Thom Theatre]] at the Drama Department at [[Stellenbosch University]], directed by [[Johann van Heerden]], with [[Elsabé Wessels]] (Shen Te/Shui Ta), [[Johan J. Fourie]] (Wang), [[Chris Truter]] (Shu Fu), [[Elizabeth Archer]] (Vrou), [[Suzette Eksteen]] (Mevrou Shin), [[Karien Griessel]] (Mevrou Mi Tzu), [[Karien Scheepers]] (Mevrou Yang), [[Iza Trengove]] (Ou Vrou), [[Diane Vlotman]] (Niggie/Jong Prostituut), [[Antoinette Wilkinson]] (Skoonsuster), [[Jan le Roux]] (Oupa), [[Christo Compion]] (Lin To), [[Louié Loots]] (Seuntjie), [[Solly Oosthuizen]] (various), [[Kenny Beck]] (Polisieman), [[Ronny Belcher|Ronnie Belcher]] (Vlieënier), [[Wouter Struwig]] (various), [[André Swart]] (various) and [[Emily Aucamp]] (Lin To se Seuntjie). Musicians: [[Limpie Basson]] (piano), [[Jannie Hofmeyr]] (flute), [[Graham Jacobs]] (bass guitar) and [[Vernon Swart]] (drums). Décor designed by [[Marjorie van Heerden]] and built by [[Emile Aucamp]] and team, costumes by [[Elaine Aucamp]], lighting by [[Emile Aucamp]] and makeup by [[Pieter Bredenkamp]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1976: The [[Johann van Heerden|Van Heerden]] [[Afrikaans]] translation ''[[Die Goeie Mens van Sezuan]]'' was staged by the [[Universiteitsteater Stellenbosch]] in the [[H.B. Thom Theatre]] at the Drama Department at [[Stellenbosch University]], directed by [[Johann van Heerden]], with [[Elsabé Wessels]] (Shen Te/Shui Ta), [[Johan J. Fourie]] (Wang), [[Chris Truter]] (Shu Fu), [[Elizabeth Archer]] (Vrou), [[Suzette Eksteen]] (Mevrou Shin), [[Karien Griessel]] (Mevrou Mi Tzu), [[Karien Scheepers]] (Mevrou Yang), [[Iza Trengove]] (Ou Vrou), [[Diane Vlotman]] (Niggie/Jong Prostituut), [[Antoinette Wilkinson]] (Skoonsuster), [[Jan le Roux]] (Oupa), [[Christo Compion]] (Lin To), [[Louié Loots]] (Seuntjie), [[Solly Oosthuizen]] (various), [[Kenny Beck]] (Polisieman), [[Ronny Belcher|Ronnie Belcher]] (Vlieënier), [[Wouter Struwig]] (various), [[André Swart]] (various) and [[Emily Aucamp]] (Lin To se Seuntjie). Musicians: [[Limpie Basson]] (piano), [[Jannie Hofmeyr]] (flute), [[Graham Jacobs]] (bass guitar) and [[Vernon Swart]] (drums). Décor designed by [[Marjorie van Heerden]] and built by [[Emile Aucamp]] and team, costumes by [[Elaine Aucamp]], lighting by [[Emile Aucamp]] and makeup by [[Pieter Bredenkamp]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1993: ''[[The Good Person of Szechwan]]'' staged by the [[Rhodes University Drama Department]] in the [[Rhodes University Theatre]], directed by [[Andrew Buckland]], assisted by [[Neil Borland]], musical direction by [[Norbert Nowotny]], set design by [[Lindi Roberts]], costume design by [[Kyle Hudson]], lighting design by [[Michael Carklin]]. Cast included: [[Michael Carklin]] (Third God), [[Niqui Cloete-Barrass|Niqui Cloete]] (Shen The/Shui Ta), [[Jenni Davies]] (Carpenter/Prostitute), [[Nelleke de Jager]] (The Kid), [[Catherine de Kock]] (Mrs Yang/Wife), [[Jo Dunn]] (Su-li), [[Therese Dunn]] (Niece/Old Man/Prostitute), [[Nicci Hayes]] (First God), [[Rebecca Hill]] (Mrs Mi Tzu), [[Kate McDonald]] (Mrs Shin), [[Adam Neill]] (Nephew/Old Woman), [[Darryl Nel]] (Wang), [[Dylan Perlman]] (Unemployed man/Brother), [[Adrian Poulsen]] (Yang Sun), [[Swapna Prabhakaran]] (Second God), [[Lanon Prigge]] (Policeman/Priest/Gentleman), [[Barry Smith]] (Mr Shu Fu/Grandfather), [[Peter van Heerden]] (Husband), [[Rebecca Whisson]] (Waitress).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1993: ''[[The Good Person of Szechwan]]'' staged by the [[Rhodes University Drama Department]] in the [[Rhodes University Theatre]], directed by [[Andrew Buckland]], assisted by [[Neil Borland]], musical direction by [[Norbert Nowotny]], set design by [[Lindi Roberts]], costume design by [[Kyle Hudson]], lighting design by [[Michael Carklin]]. Cast included: [[Michael Carklin]] (Third God), [[Niqui Cloete-Barrass|Niqui Cloete]] (Shen The/Shui Ta), [[Jenni Davies]] (Carpenter/Prostitute), [[Nelleke de Jager]] (The Kid), [[Catherine de Kock]] (Mrs Yang/Wife), [[Jo Dunn]] (Su-li), [[Therese Dunn]] (Niece/Old Man/Prostitute), [[Nicci Hayes]] (First God), [[Rebecca Hill]] (Mrs Mi Tzu), [[Kate McDonald]] (Mrs Shin), [[Adam Neill]] (Nephew/Old Woman), [[Darryl Nel]] (Wang), [[Dylan Perlman]] (Unemployed man/Brother), [[Adrian Poulsen]] (Yang Sun), [[Swapna Prabhakaran]] (Second God), [[Lanon Prigge]] (Policeman/Priest/Gentleman), [[Barry Smith]] (Mr Shu Fu/Grandfather), [[Peter van Heerden]] (Husband), [[Rebecca Whisson]] (Waitress).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Darryl</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Der_gute_Mensch_von_Sezuan&amp;diff=242592&amp;oldid=prev</id>
		<title>Darryl: /* Performance history in South Africa */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Der_gute_Mensch_von_Sezuan&amp;diff=242592&amp;oldid=prev"/>
		<updated>2023-08-14T13:46:01Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Performance history in South Africa&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:46, 14 August 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l28&quot; &gt;Line 28:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 28:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1976: The [[Johann van Heerden|Van Heerden]] [[Afrikaans]] translation ''[[Die Goeie Mens van Sezuan]]'' was staged by the [[Universiteitsteater Stellenbosch]] in the [[H.B. Thom Theatre]] at the Drama Department at [[Stellenbosch University]], directed by [[Johann van Heerden]], with [[Elsabé Wessels]] (Shen Te/Shui Ta), [[Johan J. Fourie]] (Wang), [[Chris Truter]] (Shu Fu), [[Elizabeth Archer]] (Vrou), [[Suzette Eksteen]] (Mevrou Shin), [[Karien Griessel]] (Mevrou Mi Tzu), [[Karien Scheepers]] (Mevrou Yang), [[Iza Trengove]] (Ou Vrou), [[Diane Vlotman]] (Niggie/Jong Prostituut), [[Antoinette Wilkinson]] (Skoonsuster), [[Jan le Roux]] (Oupa), [[Christo Compion]] (Lin To), [[Louié Loots]] (Seuntjie), [[Solly Oosthuizen]] (various), [[Kenny Beck]] (Polisieman), [[Ronny Belcher|Ronnie Belcher]] (Vlieënier), [[Wouter Struwig]] (various), [[André Swart]] (various) and [[Emily Aucamp]] (Lin To se Seuntjie). Musicians: [[Limpie Basson]] (piano), [[Jannie Hofmeyr]] (flute), [[Graham Jacobs]] (bass guitar) and [[Vernon Swart]] (drums). Décor designed by [[Marjorie van Heerden]] and built by [[Emile Aucamp]] and team, costumes by [[Elaine Aucamp]], lighting by [[Emile Aucamp]] and makeup by [[Pieter Bredenkamp]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1976: The [[Johann van Heerden|Van Heerden]] [[Afrikaans]] translation ''[[Die Goeie Mens van Sezuan]]'' was staged by the [[Universiteitsteater Stellenbosch]] in the [[H.B. Thom Theatre]] at the Drama Department at [[Stellenbosch University]], directed by [[Johann van Heerden]], with [[Elsabé Wessels]] (Shen Te/Shui Ta), [[Johan J. Fourie]] (Wang), [[Chris Truter]] (Shu Fu), [[Elizabeth Archer]] (Vrou), [[Suzette Eksteen]] (Mevrou Shin), [[Karien Griessel]] (Mevrou Mi Tzu), [[Karien Scheepers]] (Mevrou Yang), [[Iza Trengove]] (Ou Vrou), [[Diane Vlotman]] (Niggie/Jong Prostituut), [[Antoinette Wilkinson]] (Skoonsuster), [[Jan le Roux]] (Oupa), [[Christo Compion]] (Lin To), [[Louié Loots]] (Seuntjie), [[Solly Oosthuizen]] (various), [[Kenny Beck]] (Polisieman), [[Ronny Belcher|Ronnie Belcher]] (Vlieënier), [[Wouter Struwig]] (various), [[André Swart]] (various) and [[Emily Aucamp]] (Lin To se Seuntjie). Musicians: [[Limpie Basson]] (piano), [[Jannie Hofmeyr]] (flute), [[Graham Jacobs]] (bass guitar) and [[Vernon Swart]] (drums). Décor designed by [[Marjorie van Heerden]] and built by [[Emile Aucamp]] and team, costumes by [[Elaine Aucamp]], lighting by [[Emile Aucamp]] and makeup by [[Pieter Bredenkamp]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1993: ''[[The Good Person of Szechwan]]'' staged by the [[Rhodes University Drama Department]] in the [[Rhodes University Theatre]], directed by [[Andrew Buckland]], assisted by [[Neil Borland]], musical direction by [[Norbert Nowotny]], set design by [[Lindi Roberts]], costume design by [[Kyle Hudson]], lighting design by [[Michael Carklin]]. Cast included: [[Michael Carklin]] (Third God), [[Niqui Cloete-Barrass|Niqui Cloete]] (Shen The/Shui Ta), [[Jenni Davies]] (Carpenter/Prostitute), [[Nelleke de Jager]] (The Kid), [[Catherine de Kock]] (Mrs Yang/Wife), [[Jo Dunn]] (Su-li), [[Therese Dunn]] (Niece/Old Man/Prostitute), [[Nicci Hayes]] (First God), [[Rebecca Hill]] (Mrs Mi Tzu), [[Kate McDonald]] (Mrs Shin), [[Adam Neill]] (Nephew/Old Woman), [[Darryl Nel]] (Wang), [[Dylan Perlman]] (Unemployed man/Brother), [[Adrian Poulsen]] (Yang Sun), [[Swapna Prabhakaran]] (Second God), [[Lanon Prigge]] (Policeman/Priest/Gentleman), [[Barry Smith]] (Mr Shu Fu/Grandfather), [[Peter van Heerden]] (Husband), [[Rebecca Whisson]] (Waitress).&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1996: '''''[[The Good Woman of Sharkville]]''''' produced at the [[National Arts Festival]], 1996, directed by [[Janet Suzman]], assisted by [[Sello Maake ka Ncube|Sello Maake Ka-Ncube]]. Set designer [[Johan Engels]], costume designer [[Sarah Roberts]], lighting designer [[Mannie Manim]], composer and musical director [[Didi Kriel]]. The cast included [[Sello Maake ka Ncube|Sello Maake Ka-Ncube]], [[Pamela Nomvete]], [[Alistair Dube]], [[Patrick Ndlovu]], [[Selaelo Maredi]], [[Maggie Williams]], [[Nomsa Nene]], [[Martha Mdenge]], [[Lindelani Buthelezi]], [[Ramolao Makhene]], [[James Ngcobo]], [[Sello Motloung]], [[Eddie Mhlapo]], [[Connie Mafuka]], [[Patricia Mothapele]], [[Makhaola Ndebele]], [[Debbie Siyenga]], [[Doris Sihula]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1996: '''''[[The Good Woman of Sharkville]]''''' produced at the [[National Arts Festival]], 1996, directed by [[Janet Suzman]], assisted by [[Sello Maake ka Ncube|Sello Maake Ka-Ncube]]. Set designer [[Johan Engels]], costume designer [[Sarah Roberts]], lighting designer [[Mannie Manim]], composer and musical director [[Didi Kriel]]. The cast included [[Sello Maake ka Ncube|Sello Maake Ka-Ncube]], [[Pamela Nomvete]], [[Alistair Dube]], [[Patrick Ndlovu]], [[Selaelo Maredi]], [[Maggie Williams]], [[Nomsa Nene]], [[Martha Mdenge]], [[Lindelani Buthelezi]], [[Ramolao Makhene]], [[James Ngcobo]], [[Sello Motloung]], [[Eddie Mhlapo]], [[Connie Mafuka]], [[Patricia Mothapele]], [[Makhaola Ndebele]], [[Debbie Siyenga]], [[Doris Sihula]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Darryl</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Der_gute_Mensch_von_Sezuan&amp;diff=229899&amp;oldid=prev</id>
		<title>Satj: /* The original text */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Der_gute_Mensch_von_Sezuan&amp;diff=229899&amp;oldid=prev"/>
		<updated>2022-11-16T09:38:00Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;The original text&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 09:38, 16 November 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== The original text ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== The original text ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The original text was developed in collaboration with Margarete Steffin [https://en.wikipedia.org/wiki/Margarete_Steffin] and Ruth Berlau [https://en.wikipedia.org/wiki/Ruth_Berlau]. The development of the playtext started in 1938 but was not completed until 1941, while Brecht was in exile in the USA.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The original text was developed in collaboration with Margarete Steffin [https://en.wikipedia.org/wiki/Margarete_Steffin] and Ruth Berlau [https://en.wikipedia.org/wiki/Ruth_Berlau&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;], with original music composed by Paul Dessau ()[&lt;/ins&gt;]. The development of the playtext started in 1938 but was not completed until 1941, while Brecht was in exile in the USA&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The first German performance took place at the Schauspielhaus in Zurich on 4 February, 1943&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Translations and adaptations==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Translations and adaptations==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Der_gute_Mensch_von_Sezuan&amp;diff=229898&amp;oldid=prev</id>
		<title>Satj: /* Translations and adaptations */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Der_gute_Mensch_von_Sezuan&amp;diff=229898&amp;oldid=prev"/>
		<updated>2022-11-16T09:34:51Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Translations and adaptations&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 09:34, 16 November 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot; &gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Eric Bentley English version translated into [[Afrikaans]] by *** as ''[[Die Goeie Mens van Setzuan]]'' for [[PACOFS]] in 1974.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Eric Bentley English version translated into [[Afrikaans]] by *** as ''[[Die Goeie Mens van Setzuan]]'' for [[PACOFS]] in 1974.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Translated from the original German into [[Afrikaans]]  by [[Johann van Heerden]] as ''[[Die Goeie Mens van Sezuan]]'' in 1976. A copy of the text &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;herld &lt;/del&gt;in the Drama Department archive at the [[University of Stellenbosch]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Translated from the original German into [[Afrikaans]]  by [[Johann van Heerden]] as ''[[Die Goeie Mens van Sezuan]]'' in 1976. A copy of the text &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;held &lt;/ins&gt;in the Drama Department archive at the [[University of Stellenbosch]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1996 [[Janet Suzman]] and [[Gcina Mhlope]] adapted Brecht's play and set the action in South Africa under the title '''''[[The Good Woman of Sharkville]]'''''. This version is described as follows in the programme: &amp;quot;The story finds another setting in contemporary South Africa, the fabled city is called Sharkville, a place underwritten by an old tragedy, but now inhabited by the colourful and villainous characters of Brecht's moving musical play.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1996 [[Janet Suzman]] and [[Gcina Mhlope]] adapted Brecht's play and set the action in South Africa under the title '''''[[The Good Woman of Sharkville]]'''''. This version is described as follows in the programme: &amp;quot;The story finds another setting in contemporary South Africa, the fabled city is called Sharkville, a place underwritten by an old tragedy, but now inhabited by the colourful and villainous characters of Brecht's moving musical play.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
</feed>