Der Trunkenbold - Revision history

Satj: /* Performance history in South Africa */

2019-09-24T03:19:24Z

Performance history in South Africa

Satj: /* Sources */

2019-09-24T03:16:26Z

Sources

Satj: /* Translations and adaptations */

2017-08-03T03:23:52Z

Translations and adaptations

Satj: /* Translations and adaptations */

2017-08-03T03:23:42Z

Translations and adaptations

Satj: /* Translations and adaptations */

2017-01-13T04:14:36Z

Translations and adaptations

Satj: /* Translations and adaptations */

2017-01-13T04:14:20Z

Translations and adaptations

Satj: /* Translations and adaptations */

2017-01-13T04:13:33Z

Translations and adaptations

Satj at 04:13, 13 January 2017

2017-01-13T04:13:11Z

Satj: /* Performance history in South Africa */

2017-01-13T04:11:55Z

Performance history in South Africa

Satj: /* Translations and adaptations */

2017-01-13T04:08:49Z

Translations and adaptations

@@ Line 23: / Line 23: @@
 : The [[Dutch]] text performed as ''[[De Dronkaard, of De Boer Edelman]]'' by [[Door Yver Bloeit de Kunst]] in Cape Town in the [[Bree Street Theatre]] (cnr of Dorp Street), on 12 October, with ''[[Adélaïde de Bavière|Adelaide van Beyeren]]''  ( Loaisel Tréogate) as afterpiece.
-: The [[Dutch]] text performed by [[Door Yver Bloeit de Kunst]] in Cape Town in the [[Bree Street Theatre]] (cnr of Dorp Street), on 12 October, with ''[[Adélaïde de Bavière|Adelaide van Beyeren]]''  ( Loaisel Tréogate) as afterpiece. The evening's entertainement was undertaken as a benefit performances to raise funds for the Free State burghers who had suffered because of the Free State–Basotho Wars (1858-1868)[https://en.wikipedia.org/wiki/Free_State%E2%80%93Basotho_Wars].
+: The [[Dutch]] text performed by [[Door Yver Bloeit de Kunst]] in Cape Town in the [[Bree Street Theatre]] (cnr of Dorp Street), on 29 August, with ''[[Adélaïde de Bavière|Adelaide van Beyeren]]''  ( Loaisel Tréogate) as afterpiece. The evening's entertainement was undertaken as a benefit performances to raise funds for the Free State burghers who had suffered because of the Free State–Basotho Wars (1858-1868)[https://en.wikipedia.org/wiki/Free_State%E2%80%93Basotho_Wars].
 : Produced at the [[Oddfellows Hall|Odd Fellows’ Hall]] on 14 August by [[De Eendracht]], alternating with a children's ballet devised by [[Jno Combrink]], as afterpiece to ''[[Adelaide van Beijeren]]''.

@@ Line 37: / Line 37: @@
 [[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika, Deel I: 1652-1855''. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 244, 271, 279, 445, 459
-[[F.C.L. Bosman]], 1980. ''Drama en Toneel in Suid-Afrika, Deel II: 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp. 443
+[[F.C.L. Bosman]], 1980. ''Drama en Toneel in Suid-Afrika, Deel II: 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp. 443, 449
 http://en.wikipedia.org/wiki/August_von_Kotzebue

@@ Line 9: / Line 9: @@
 ==Translations and adaptations==
-Translated into [[Dutch]] by J. S. Van Esveldt Holtrop as '''''[[De Dronkaart]]''''' in 1805. Spelled ''[[De Dronkaard]]'' in some South African records. Also occurs as ''''[[De Dronkaard, of De Boer Edelman]]''''' ("The drunkard, or the farmer aristocrat").
+Translated into [[Dutch]] by J. S. Van Esveldt Holtrop as '''''[[De Dronkaart]]''''' in 1805. Spelled ''[[De Dronkaard]]'' in some South African records. Also occurs as '''''[[De Dronkaard, of De Boer Edelman]]''''' ("The drunkard, or the farmer aristocrat").
 == Performance history in South Africa ==

@@ Line 9: / Line 9: @@
 ==Translations and adaptations==
-Translated into [[Dutch]] by J. S. Van Esveldt Holtrop as '''''[[De Dronkaart]]''''' in 1805. Spelled ''[[De Dronkaard]]'' in some South African records. Also occurs as ''[[De Dronkaard, of De Boer Edelman]]'' ("The drunkard, or the farmer aristocrat").
+Translated into [[Dutch]] by J. S. Van Esveldt Holtrop as '''''[[De Dronkaart]]''''' in 1805. Spelled ''[[De Dronkaard]]'' in some South African records. Also occurs as ''''[[De Dronkaard, of De Boer Edelman]]''''' ("The drunkard, or the farmer aristocrat").
 == Performance history in South Africa ==

@@ Line 9: / Line 9: @@
 ==Translations and adaptations==
-Translated into [[Dutch]] by J. S. Van Esveldt Holtrop as '''''[[De Dronkaart]]''''' in 1805. Spelled ''[[De Dronkaard]]'' in some South African records. Also occurs as ''[[De Dronkaard, of De Boer Edelman]]'' ("The drunk, or the farmer aristocrat").
+Translated into [[Dutch]] by J. S. Van Esveldt Holtrop as '''''[[De Dronkaart]]''''' in 1805. Spelled ''[[De Dronkaard]]'' in some South African records. Also occurs as ''[[De Dronkaard, of De Boer Edelman]]'' ("The drunkard, or the farmer aristocrat").
 == Performance history in South Africa ==

@@ Line 19: / Line 19: @@
 : The [[Dutch]] text performed in the [[Liefhebbery Toneel]], Cape Town as ''[[De Dronkaard]]'' by the children's company [[Kunst en Smaak]] on 24 October,  with ''[[Incle en Yariko]]'' (Colman Jr.). Both plays repeated on 30 October.
-: The [[Dutch]] text performed in Cape Town on 5 June by the joint company "Het Privaat Hollandsch Tooneellievend Gezelschap" playing under the united motto of [[Tot Nut en Vermaak]] and [[Door Yver Vruchtbaar]],  as their first performance, along with ''[[Natuur en pligt, of de zoon rechter over zijnen vader]]'' (Pelletier-Volméranges)
+: The [[Dutch]] text performed as ''[[De Dronkaard]]'' in Cape Town on 5 June by the joint company "Het Privaat Hollandsch Tooneellievend Gezelschap" playing under the united motto of [[Tot Nut en Vermaak en Door Yver Vruchtbaar]],  as their first performance, along with ''[[Natuur en pligt, of de zoon rechter over zijnen vader]]'' (Pelletier-Volméranges)
 : The [[Dutch]] text performed by [[Door Yver Bloeit de Kunst]] in Cape Town in the [[Bree Street Theatre]] (cnr of Dorp Street), on 12 October, with ''[[Adélaïde de Bavière|Adelaide van Beyeren]]''  ( Loaisel Tréogate) as afterpiece.
@@ Line 25: / Line 25: @@
 : The [[Dutch]] text performed by [[Door Yver Bloeit de Kunst]] in Cape Town in the [[Bree Street Theatre]] (cnr of Dorp Street), on 12 October, with ''[[Adélaïde de Bavière|Adelaide van Beyeren]]''  ( Loaisel Tréogate) as afterpiece. The evening's entertainement was undertaken as a benefit performances to raise funds for the Free State burghers who had suffered because of the Free State–Basotho Wars (1858-1868)[https://en.wikipedia.org/wiki/Free_State%E2%80%93Basotho_Wars].
 : Produced at the [[Oddfellows Hall|Odd Fellows’ Hall]] on 14 August by [[De Eendracht]], alternating with a children's ballet devised by [[Jno Combrink]], as afterpiece to ''[[Adelaide van Beijeren]]''.
 == Sources ==