Defiance et Malice, ou Le Prete Rendu - Revision history

Satj: Redirected page to Défiance et Malice, ou le Prêté-rendu

2020-03-13T06:26:16Z

Redirected page to Défiance et Malice, ou le Prêté-rendu

Satj: /* The original text */

2020-03-13T06:25:16Z

The original text

Satj: /* Sources */

2020-03-13T06:24:20Z

Sources

Satj at 06:24, 13 March 2020

2020-03-13T06:24:00Z

Satj: /* Translations and adaptations */

2020-03-13T03:48:32Z

Translations and adaptations

Satj: Created page with "''Defiance et Malice, ou Le Prete Rendu'' is a one act French comedy in verse, by Michel Dieulafoy (1762-1823)[]. Also found simply as ''Defiance et Malice''. ==Th..."

2020-03-13T03:47:12Z

Created page with "''Defiance et Malice, ou Le Prete Rendu'' is a one act French comedy in verse, by Michel Dieulafoy (1762-1823)[]. Also found simply as ''Defiance et Malice''. ==Th..."

New page

''[[Defiance et Malice, ou Le Prete Rendu]]'' is a one act French comedy in verse, by Michel Dieulafoy (1762-1823)[].

Also found simply as ''[[Defiance et Malice]]''.

==The original text==

A play about two lovers who disguise themselves to test each other's affections, first published in Paris by Barba in "An X" (i.e.1802).

==Translations and adaptations==

First adapted into English as an afterpiece in one act called ''[[Doubt and Conviction]]'' by James Wild (active 1803-1816)[]. The text was published in London by J. Hayes, 1804.

The play was then adapted as ''[[Personation, or Fairly Taken In]]'', a comic interlude in one act, by Mrs. Charles Kemble (née Maria Theresa Decamp, and later known also as Marie Thérèse Kemble De Camp). It is very often (wrongly) cited as an original piece by Mrs Kemble, though some editions do mention that it had been "taken from the French"). First performed under this title at the Theatre Royal Drury Lane on 29 April, 1805, with the Mrs Kemble herself as "Lady Julia".

The Kemble version was published a number of times, i.a. by [[Samuel French]], in The Minor Drama series no CXX, in 1860 and by John Dicks (748 Dicks' Standard Plays, one volume with ''Antony and Cleopatra, Married and Settled'' by Charles Selby) in 1886.

== Performance history in South Africa ==

1868-69: Probably performed as part of their repertoire by the [[W.J.S Bennee]] and [[Fanny Raynor]] (his wife), done in association with local amateurs, while on a 15 month tour in the Eastern Cape and the Orange Free State. Definitely done as ''[[Personation or Fairly Taken In]]'' (and ascribed to Decamp) when they presented a farewell benefit in Cape Town under the auspices of the Governor and the Freemasons in on 31 May, 1869. Also performed were ''[[Hamlet]]'' (Shakespeare) and ''[[How to Win a Widow]]'' ().

== Sources ==

Catalogue entry, National Library of Australia (Bib ID: 66592182)[https://trove.nla.gov.au/work/238423276?q&versionId=265862974]

Catalogue entry, National Library of Australia (Bib ID: 2548029)[https://catalogue.nla.gov.au/Record/2548029]

''The Monthly Mirror'', Vol. XIX, 1805: p. 346[https://books.google.co.za/books?id=08wPAAAAQAAJ&pg=PA346&lpg=PA346&dq=Personation,+or+Fairly+Taken+In+by+Michel+Dieulafoy&source=bl&ots=LnjO24UWQ7&sig=ACfU3U0PAMf3ai66HYq3sUUFb-sL5du44Q&hl=en&sa=X&ved=2ahUKEwjwtpb5vJboAhWLyIUKHZF1CkYQ6AEwAXoECAoQAQ#v=onepage&q=Personation%2C%20or%20Fairly%20Taken%20In%20by%20Michel%20Dieulafoy&f=false]

Facsimile version of the 1860 edition by Samuel French, Google E-book[https://books.google.co.za/books?id=yi3dngEACAAJ&printsec=frontcover#v=onepage&q&f=false]

Facsimile version of the 1886 version by Dicks, Warwick Digital Collections[https://wdc.contentdm.oclc.org/digital/collection/hall/id/17624]

[[D.C. Boonzaier]], 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in ''SA Review'', 9 March and 24 August 1932. (Reprinted in [[F.C.L. Bosman|Bosman]] 1980: pp. 374-439.)

[[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp.241,

Go to [[ESAT Bibliography]]

== Return to ==

Return to [[PLAYS I: Original SA plays]]

Return to [[PLAYS II: Foreign plays]]

Return to [[PLAYS III: Collections]]

Return to [[PLAYS IV: Pageants and public performances]]

Return to [[South_African_Festivals|South African Festivals and Competitions]]

Return to [[The ESAT Entries]]

Return to [[Main Page]]

← Older revision		Revision as of 06:26, 13 March 2020
Line 1:		Line 1:
−	''[[~~Defiance~~ et Malice, ou ~~Le Prete Rendu]]'' is a one act French comedy in verse, by Michel Dieulafoy (1762-1823)[https://en.wikipedia.org/wiki/Michel_Dieulafoy].~~	+	#REDIRECT [[Défiance et Malice, ou le Prêté-rendu]]
−
−	~~Also found simply as ''[[Defiance et Malice]]''.~~
−
−	~~==The original text==~~
−
−	A play about two lovers who disguise themselves to test each other's affections, first published in Paris by Barba in "An X" (i.e.1802). , 1-act comedy in verse, premiered at the Théâtre Français de la République 17 fructidor an IX [fr]. This comedy with only two characters was met with much success. Originally performed by Saint-Fal and Joséphine Mézeray.[1]
−
−	~~==Translations and adaptations==~~
−
−	~~First adapted into English as an afterpiece in one act called '''''[[Doubt and Conviction]]''''' by James Wild (active 1803-1816)[]. The text was published in London by J. Hayes, 1804.~~
−
−	The play was then adapted as '''''[[Personation, or Fairly Taken In]]''''', a comic interlude in one act, by Mrs. Charles Kemble (née Maria Theresa Decamp, and later known also as Marie Thérèse Kemble De Camp). It is very often (wrongly) cited as an original piece by Mrs Kemble, though some editions do mention that it had been "taken from the French"). First performed under this title at the Theatre Royal Drury Lane on 29 April, 1805, with the Mrs Kemble herself as "Lady Julia".
−
−	The Kemble version was published a number of times, i.a. by [[Samuel French]], in The Minor Drama series no CXX, in 1860 and by John Dicks (748 Dicks' Standard Plays, one volume with ''Antony and Cleopatra, Married and Settled'' by Charles Selby) in 1886.
−
−	~~== Performance history in South Africa ==~~
−
−
−	1868-69: Probably performed as part of their repertoire by the [[W.J.S Bennee]] and [[Fanny Raynor]] (his wife), done in association with local amateurs, while on a 15 month tour in the Eastern Cape and the Orange Free State. Definitely done as ''[[Personation or Fairly Taken In]]'' (and ascribed to Decamp) when they presented a farewell benefit in Cape Town under the auspices of the Governor and the Freemasons in on 31 May, 1869. Also performed were ''[[Hamlet]]'' (Shakespeare) and ''[[How to Win a Widow]]'' ().
−
−	~~== Sources ==~~
−
−
−	~~https://en.wikipedia.org/wiki/Michel_Dieulafoy~~
−
−	~~Catalogue entry, National Library of Australia (Bib ID: 66592182)[https://trove.nla.gov.au/work/238423276?q&versionId=265862974]~~
−
−	~~Catalogue entry, National Library of Australia (Bib ID: 2548029)[https://catalogue.nla.gov.au/Record/2548029]~~
−
−	''The Monthly Mirror'', Vol. XIX, 1805: p. 346[https://books.google.co.za/books?id=08wPAAAAQAAJ&pg=PA346&lpg=PA346&dq=Personation,+or+Fairly+Taken+In+by+Michel+Dieulafoy&source=bl&ots=LnjO24UWQ7&sig=ACfU3U0PAMf3ai66HYq3sUUFb-sL5du44Q&hl=en&sa=X&ved=2ahUKEwjwtpb5vJboAhWLyIUKHZF1CkYQ6AEwAXoECAoQAQ#v=onepage&q=Personation%2C%20or%20Fairly%20Taken%20In%20by%20Michel%20Dieulafoy&f=false]
−
−	~~Facsimile version of the 1860 edition by Samuel French, Google E~~-~~book[https://books.google.co.za/books?id=yi3dngEACAAJ&printsec=frontcover#v=onepage&q&f=false]~~
−
−	~~Facsimile version of the 1886 version by Dicks, Warwick Digital Collections[https://wdc.contentdm.oclc.org/digital/collection/hall/id/17624]~~
−
−	[[D.C. Boonzaier]], 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in ''SA Review'', 9 March and 24 August 1932. (Reprinted in [[F.C.L. Bosman\|Bosman]] 1980: pp. 374-439.)
−
−	~~[[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp.241,~~
−
−	~~Go to [[ESAT Bibliography]]~~
−
−	~~== Return to ==~~
−
−	~~Return to [[PLAYS I: Original SA plays]]~~
−
−	~~Return to [[PLAYS II: Foreign plays]]~~
−
−	~~Return to [[PLAYS III: Collections]]~~
−
−	~~Return to [[PLAYS IV: Pageants and public performances]]~~
−
−	~~Return to [[South_African_Festivals\|South African Festivals and Competitions]]~~
−
−	~~Return to [[The ESAT Entries]]~~
−
−	~~Return to [[Main Page~~]]

← Older revision		Revision as of 06:24, 13 March 2020
Line 21:		Line 21:

	== Sources ==		== Sources ==
		+
		+
		+	https://en.wikipedia.org/wiki/Michel_Dieulafoy

	Catalogue entry, National Library of Australia (Bib ID: 66592182)[https://trove.nla.gov.au/work/238423276?q&versionId=265862974]		Catalogue entry, National Library of Australia (Bib ID: 66592182)[https://trove.nla.gov.au/work/238423276?q&versionId=265862974]

← Older revision		Revision as of 06:24, 13 March 2020
Line 1:		Line 1:
−	''[[Defiance et Malice, ou Le Prete Rendu]]'' is a one act French comedy in verse, by Michel Dieulafoy (1762-1823)[].	+	''[[Defiance et Malice, ou Le Prete Rendu]]'' is a one act French comedy in verse, by Michel Dieulafoy (1762-1823)[https://en.wikipedia.org/wiki/Michel_Dieulafoy].

	Also found simply as ''[[Defiance et Malice]]''.		Also found simply as ''[[Defiance et Malice]]''.

@@ Line 5: / Line 5: @@
 ==The original text==
-A play about two lovers who disguise themselves to test each other's affections, first published in Paris by Barba in "An X" (i.e.1802).
+A play about two lovers who disguise themselves to test each other's affections, first published in Paris by Barba in "An X" (i.e.1802). , 1-act comedy in verse, premiered at the Théâtre Français de la République 17 fructidor an IX [fr]. This comedy with only two characters was met with much success. Originally performed by Saint-Fal and Joséphine Mézeray.[1]
 ==Translations and adaptations==

@@ Line 9: / Line 9: @@
 ==Translations and adaptations==
-First adapted into English as an afterpiece in one act called ''[[Doubt and Conviction]]''  by James Wild (active 1803-1816)[]. The text was published in London by J. Hayes, 1804.
+First adapted into English as an afterpiece in one act called '''''[[Doubt and Conviction]]'''''  by James Wild (active 1803-1816)[]. The text was published in London by J. Hayes, 1804.
-The play was then adapted as ''[[Personation, or Fairly Taken In]]'',  a comic interlude in one act, by Mrs. Charles Kemble (née Maria Theresa Decamp, and later known also as Marie Thérèse Kemble De Camp). It is very often (wrongly) cited as an original piece by Mrs Kemble, though some editions do mention that it had been "taken from the French"). First performed under this title at the Theatre Royal Drury Lane on 29 April, 1805, with the Mrs Kemble herself as "Lady Julia".
+The play was then adapted as '''''[[Personation, or Fairly Taken In]]''''',  a comic interlude in one act, by Mrs. Charles Kemble (née Maria Theresa Decamp, and later known also as Marie Thérèse Kemble De Camp). It is very often (wrongly) cited as an original piece by Mrs Kemble, though some editions do mention that it had been "taken from the French"). First performed under this title at the Theatre Royal Drury Lane on 29 April, 1805, with the Mrs Kemble herself as "Lady Julia".
 The Kemble version was published a number of times, i.a. by [[Samuel French]], in The Minor Drama series no CXX, in 1860 and by John Dicks (748 Dicks' Standard Plays, one volume with ''Antony and Cleopatra, Married and Settled'' by Charles Selby) in 1886.