Dead: A Slight History of One Called Ivan - Revision history

Satj: /* The original text */

2018-10-15T13:59:54Z

The original text

Satj: /* Performance history in South Africa */

2018-07-01T08:18:38Z

Performance history in South Africa

Satj: /* The original text */

2018-06-30T08:45:00Z

The original text

Satj: /* Performance history in South Africa */

2018-06-30T08:44:09Z

Performance history in South Africa

Satj: /* Performance history in South Africa */

2018-06-30T08:43:33Z

Performance history in South Africa

Satj at 08:42, 30 June 2018

2018-06-30T08:42:01Z

Satj at 07:43, 30 June 2018

2018-06-30T07:43:28Z

Satj at 04:27, 30 June 2018

2018-06-30T04:27:17Z

Satj at 04:15, 30 June 2018

2018-06-30T04:15:54Z

Satj at 04:11, 30 June 2018

2018-06-30T04:11:29Z

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 ==The original text==
-Devised by the Gordon and the [[First Physical Theatre Company]], based on a script by [[Reza de Wet|De Wet]] and an original music score by [[Leonhard Praeg]],  the  text follows the life of a character called "Ivan", providing "an expressionist and surreal journey through his damaged life from cradle to death." ([[Juanita Praeg]], 2018).  Apparently De Wet was working on a Russian play at the time, which meant she was steeped in Russian world of St Petersburg.  The play is based on quotes from Jean Genet and Marquis de Sade and employs two characters, "Mr Horace Balls", "Ivan's drunk and dishevelled biographer" and an ever-present "Singer", to tell the story.
+Devised by the [[Gary Gordon]] and the [[First Physical Theatre Company]], based on a script by [[Reza de Wet]] and an original music score by [[Leonhard Praeg]],  the  text follows the life of a character called "Ivan", providing "an expressionist and surreal journey through his damaged life from cradle to death." ([[Juanita Praeg]], 2018).  Apparently De Wet was working on a Russian play at the time, which meant she was steeped in Russian world of St Petersburg.  The play is based on quotes from Jean Genet and Marquis de Sade and employs two characters, "Mr Horace Balls", "Ivan's drunk and dishevelled biographer" and an ever-present "Singer", to tell the story.
 The text of the script and a description of the work (by [[Juanita Finestone-Praeg]]) has been published in ''Physical Intelligence Volume 1: Experiments in Physical Theatre'' ([[First Physical Theatre Company]], 2002).

← Older revision		Revision as of 08:18, 1 July 2018
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−	1996: Performed by the [[First Physical Theatre Company]] at the [[National Arts Festival]] in Grahamstown duing July, choreographed by Gary Gordon, with ''inter alia'' [[Lindsay Reardon]], An original music score was written and performed live on the accordion by [[Leonhard Praeg]], in addition to music from Zhalejka–folklore from St Petersburg used in the production. Designs by [[Lindy Roberts]]	+	1996: Performed by the [[First Physical Theatre Company]] at the [[National Arts Festival]] in Grahamstown duing July, choreographed by Gary Gordon, with ''inter alia'' [[Lindsay Reardon]]. An original music score was written and performed live on the accordion by [[Leonhard Praeg]], in addition to music from Zhalejka–folklore from St Petersburg used in the production. Designs by [[Lindy Roberts]]

	== Sources ==		== Sources ==

@@ Line 3: / Line 3: @@
 ==The original text==
-Devised by the Gordon and the [[First Physical Theatre Company]], based on a script by [[Reza de Wet|De Wet]] and an original music score by [[Leonhard Praeg]],  the  text follows the life of a character called "Ivan", providing "an expressionist and surreal journey through his damaged life from cradle to death." ([[Juanita Praeg]], 2018).  Apparently De Wet was working on a Russian play at the time, which meant she was steeped in Russian world of St Petersburg.  The play is based on quotes from Jean Genet and Marquis de Sade and employs two characters, Mr Horace Balls, the "Ivan's drunk and dishevelled biographer" and an ever-present Singer, to tell the story.
+Devised by the Gordon and the [[First Physical Theatre Company]], based on a script by [[Reza de Wet|De Wet]] and an original music score by [[Leonhard Praeg]],  the  text follows the life of a character called "Ivan", providing "an expressionist and surreal journey through his damaged life from cradle to death." ([[Juanita Praeg]], 2018).  Apparently De Wet was working on a Russian play at the time, which meant she was steeped in Russian world of St Petersburg.  The play is based on quotes from Jean Genet and Marquis de Sade and employs two characters, "Mr Horace Balls", "Ivan's drunk and dishevelled biographer" and an ever-present "Singer", to tell the story.
 The text of the script and a description of the work (by [[Juanita Finestone-Praeg]]) has been published in ''Physical Intelligence Volume 1: Experiments in Physical Theatre'' ([[First Physical Theatre Company]], 2002).
 ==Translations and adaptations==

← Older revision		Revision as of 08:44, 30 June 2018
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−	1996: Performed by the [[First Physical Theatre Company]] at the [[National Arts Festival]] in Grahamstown duing July, choreographed by Gary Gordon, with ''inter alia'' [[Lindsay Reardon]], An original music score was written and performed live on the accordion by [[Leonhard Praeg]] ~~and additional~~ music from Zhalejka–folklore from St Petersburg ~~was~~ used. Designs by [[Lindy Roberts]]	+	1996: Performed by the [[First Physical Theatre Company]] at the [[National Arts Festival]] in Grahamstown duing July, choreographed by Gary Gordon, with ''inter alia'' [[Lindsay Reardon]], An original music score was written and performed live on the accordion by [[Leonhard Praeg]], in addition to music from Zhalejka–folklore from St Petersburg used in the production. Designs by [[Lindy Roberts]]

	== Sources ==		== Sources ==

← Older revision		Revision as of 08:43, 30 June 2018
Line 12:		Line 12:


−	1996: Performed by the First Physical Theatre Company at the [[National Arts Festival]] in Grahamstown duing July, choreographed by Gary Gordon, with [[Lindsay Reardon]], original music score written and performed live on the accordion by [[Leonhard Praeg]] ~~(playing the accordion live), plus~~ additional music from Zhalejka–folklore from St Petersburg. Designs by [[Lindy Roberts]]	+	1996: Performed by the [[First Physical Theatre Company]] at the [[National Arts Festival]] in Grahamstown duing July, choreographed by Gary Gordon, with ''inter alia'' [[Lindsay Reardon]], An original music score was written and performed live on the accordion by [[Leonhard Praeg]] and additional music from Zhalejka–folklore from St Petersburg was used. Designs by [[Lindy Roberts]]
−
−
−

	== Sources ==		== Sources ==

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 ''[[Dead: A Slight History of One Called Ivan]]'' is a collaborative [[danceplay]] by [[Gary Gordon]] and [[Reza de Wet]] (1952-2012).
 Devised by the Gordon and the [[First Physical Theatre Company]], based on a script by [[Reza de Wet|De Wet]] and an original music score by [[Leonhard Praeg]],  the  text follows the life of a character called "Ivan", providing "an expressionist and surreal journey through his damaged life from cradle to death." ([[Juanita Praeg]], 2018).  Apparently De Wet was working on a Russian play at the time, which meant she was steeped in Russian world of St Petersburg.  The play is based on quotes from Jean Genet and Marquis de Sade and employs two characters, Mr Horace Balls, the "Ivan's drunk and dishevelled biographer" and an ever-present Singer, to tell the story.
@@ Line 5: / Line 7: @@
 The text of the script and a description of the work (by [[Juanita Finestone-Praeg]]) has been published in ''Physical Intelligence Volume 1: Experiments in Physical Theatre'' ([[First Physical Theatre Company]], 2002).
 : Performed by the First Physical Theatre Company at the [[National Arts Festival]] in Grahamstown duing July, choreographed by Gary Gordon, with [[Lindsay Reardon]], original music score written and performed live on the accordion by [[Leonhard Praeg]] (playing the accordion live), plus additional music from Zhalejka–folklore from St Petersburg. Designs by [[Lindy Roberts]]
 [[Juanita Finestone-Praeg]]. 2002. ''Physical Intelligence Volume 1: Experiments in Physical Theatre''. Grahamstown: [[First Physical Theatre Company]].
 [[Juanita Praeg]]. 2018. "Drifting: Reminiscing. Remembering. Reinventing. Reza" (Draft manuscript, courtesy of the author.)

← Older revision		Revision as of 04:27, 30 June 2018
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	Performed with an original music score by [[Leonhard Praeg]] (playing the accordion live) and the choice of additional music from Zhalejka–folklore from St Petersburg.		Performed with an original music score by [[Leonhard Praeg]] (playing the accordion live) and the choice of additional music from Zhalejka–folklore from St Petersburg.
		+
		+
		+	[[Juanita Finestone-Praeg]]. 2002. ''Physical Intelligence Volume 1: Experiments in Physical Theatre''. Grahamstown: [[First Physical Theatre Company]].
		+
		+	[[Juanita Praeg]]. 2018. "Drifting: Reminiscing. Remembering. Reinventing. Reza" (Draft manuscript, courtesy of the author.)

@@ Line 3: / Line 3: @@
 Devised by the Gordon and the [[First Physical Theatre Company]], based on a script by [[Reza de Wet|De Wet]] and an original music score by [[Leonhard Praeg]],  the  text follows the life of a character called "Ivan", providing "an expressionist and surreal journey through his damaged life from cradle to death." ([[Juanita Praeg]], 2018).  Apparently De Wet was working on a Russian play at the time, which meant she was steeped in Russian world of St Petersburg.  The play employs two characters, Mr Horace Balls, the "Ivan's drunk and dishevelled biographer" and and an ever-present Singer, to tell the story.
-The text has been published in ''Physical Intelligence Volume 1: Experiments in Physical Theatre'' (First Physical Theatre Company, 2002).
+The text of the script and a description of the work (by [[Juanita Finestone-Praeg]]) has been published in ''Physical Intelligence Volume 1: Experiments in Physical Theatre'' ([[First Physical Theatre Company]], 2002).
 Performed with an original music score by [[Leonhard Praeg]] (playing the accordion live) and the choice of additional music from Zhalejka–folklore from St Petersburg.

← Older revision		Revision as of 04:11, 30 June 2018
Line 2:		Line 2:

	Devised by the Gordon and the [[First Physical Theatre Company]], based on a script by [[Reza de Wet\|De Wet]] and an original music score by [[Leonhard Praeg]], the text follows the life of a character called "Ivan", providing "an expressionist and surreal journey through his damaged life from cradle to death." ([[Juanita Praeg]], 2018). Apparently De Wet was working on a Russian play at the time, which meant she was steeped in Russian world of St Petersburg. The play employs two characters, Mr Horace Balls, the "Ivan's drunk and dishevelled biographer" and and an ever-present Singer, to tell the story.		Devised by the Gordon and the [[First Physical Theatre Company]], based on a script by [[Reza de Wet\|De Wet]] and an original music score by [[Leonhard Praeg]], the text follows the life of a character called "Ivan", providing "an expressionist and surreal journey through his damaged life from cradle to death." ([[Juanita Praeg]], 2018). Apparently De Wet was working on a Russian play at the time, which meant she was steeped in Russian world of St Petersburg. The play employs two characters, Mr Horace Balls, the "Ivan's drunk and dishevelled biographer" and and an ever-present Singer, to tell the story.
		+
		+	The text has been published in ''Physical Intelligence Volume 1: Experiments in Physical Theatre'' (First Physical Theatre Company, 2002).

	Performed with an original music score by [[Leonhard Praeg]] (playing the accordion live) and the choice of additional music from Zhalejka–folklore from St Petersburg.		Performed with an original music score by [[Leonhard Praeg]] (playing the accordion live) and the choice of additional music from Zhalejka–folklore from St Petersburg.