D.F. Malherbe - Revision history

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2021-06-06T15:10:47Z

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2017-12-11T04:04:52Z

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2017-12-10T06:32:30Z

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2017-12-10T04:53:28Z

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2017-12-09T05:09:13Z

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2017-12-09T05:06:37Z

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2017-12-08T04:04:56Z

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2017-12-08T03:21:12Z

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2017-12-08T03:20:44Z

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2017-12-08T03:18:40Z

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 ==Contribution to SA theatre, film, media and/or performance==
-As playwright, he wrote 19 plays between 1921 and 1959, some of them adaptations of his novels. He wrote many of the works for performance by the students of the [[GUK Dramatic Society]], the dramatic society at the [[Grey-Universiteitskollege]], of which he was a patron. Such works were often performed nationally, taken on tour to promote the Afrikaans language and culture.
+As playwright, he wrote 19 plays between 1921 and 1959, some of them adaptations of his novels. He wrote many of the works for performance by the students of the [[GUK Dramatic Society]], the dramatic society at the [[Grey-Universiteitskollege]], of which he was a patron. Such works were often performed nationally, taken on tour to promote the [[Afrikaans]] language and culture.
 Malherbe took part in a number of these tours, even acting in some plays and/or directing them (e.g. the production of ''[[Meester]]'' in 1929, which he both acted in and directed).

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 ==Contribution to SA theatre, film, media and/or performance==
-As playwright, he wrote 19 plays between 1921 and 1959, some of them adaptations of his novels. He wrote many of the works for performance by the students of the [[GUK Dramatic Society]], the dramatic society at the [[Grey-Universiteitskollege]], of which he was a patron. Such works were often performed nationally, taken on tour to promote the Afrikaans language and culture. Malherbe took part in a number of these tours, even acting in some plays and/or directing them (e.g. the production of ''[[Meester]]'' in 1929, which he both acted in and directed).
+As playwright, he wrote 19 plays between 1921 and 1959, some of them adaptations of his novels. He wrote many of the works for performance by the students of the [[GUK Dramatic Society]], the dramatic society at the [[Grey-Universiteitskollege]], of which he was a patron. Such works were often performed nationally, taken on tour to promote the Afrikaans language and culture.
 Malherbe's full-length dramatic works include ''[[Koringboere]]'' (1921),  ''[[Die Blom van Orleans]]'' (1922), ''[[Die Mense van Groenkloof]]'' (1924), ''[[Meester]]'' (1927), ''[[Op die Trekpad]]'' (1931), ''[[Amrach die Tollenaar]]'' (1935), ''[[Drakenstein]]'' (1939, 1943), ''[[Dala]]'' (1943),  ''[[Demetrios]]'' (1943), ''[[Moeder en Seun]]'' (1945), and ''[[Abimelech]]'' (1948).

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 He adapted a number of his own novels for the stage, including ''Die Skeur van Vaalspruit'' (as ''[[Boeta van Skeurfontein]]''), ''[[Hans-die-Skipper]]'' (as ''[[Die Seeman]]'' or ''[[Hans die Skipper]]'') and ''Die Meulenaar'' (as ''[[Die Meul Dreun]]'').
-He co-wrote ''[[Die Geheime Bloemfontein-Konferensie tussen President Kruger en Sir Alfred Milner 31 Mei-6 Junie 1899]]'' with [[W.J.B. Pienaar]] (1938).
+He wrote the [[Prologue]] to [[W.J.B. Pienaar]]'s historical play ''[[Die Geheime Bloemfontein-Konferensie tussen President Kruger en Sir Alfred Milner 31 Mei-6 Junie 1899]]''  (published 1938, accredited to both Pienaar and Malherbe).
 In addition to his original works, he translated a number of standard works, including William Shakespeare's ''[[The Merchant of Venice]]'' (as ''[[Die Koopman van Venesië]]'', 19**), Emile Augier and Jules Sandeau's ''[[Le Gendre de M. Poirier]]'' (as ''[[Die Skoonseun van Mnr. Poirier]]''), and Friedrich Schiller's ''[[Wilhelm Tell]]'' (1944).

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 Among his many one act plays, are ''[[Die Aandblom van Witsenberg]]'' (1943), ''[[Macherus]]'', ''[[Krom stompe]]'',  ''[[Vader se Naam]]'', ''[[Die Aanbod]]'', ''[[Staf of Kroon]]'', ''[[Fariseër]]'', ''[[Hulle het ’n Boom Afgekap ]]'', ''[[Goue Appels]]'', ''[[Spel van Blank en Swart]]'', ''[[Sisera]]'', ''[[Van Mense en Gode]]'', ''[[In die Namib]]'', ''[[Die Uur van die Rooi Maan]]'',  ''[[Silo is Krank]]'' and ''[[Fariseër]]'' (sometimes found as ''[[Die Fariseër]]'').
-He adapted a number of his own novels for the stage, including ''Die Skeur van Vaalspruit'' (as ''[[Boeta van Skeurfontein]]''), ''Hans-die-Skipper'' (as ''[[Die Seeman]]'') and ''Die Meulenaar'' (as ''[[Die Meul Dreun]]'').
+He adapted a number of his own novels for the stage, including ''Die Skeur van Vaalspruit'' (as ''[[Boeta van Skeurfontein]]''), ''[[Hans-die-Skipper]]'' (as ''[[Die Seeman]]'' or ''[[Hans die Skipper]]'') and ''Die Meulenaar'' (as ''[[Die Meul Dreun]]'').
 He co-wrote ''[[Die Geheime Bloemfontein-Konferensie tussen President Kruger en Sir Alfred Milner 31 Mei-6 Junie 1899]]'' with [[W.J.B. Pienaar]] (1938).

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 Malherbe's full-length dramatic works include ''[[Koringboere]]'' (1921),  ''[[Die Blom van Orleans]]'' (1922), ''[[Die Mense van Groenkloof]]'' (1924), ''[[Meester]]'' (1927), ''[[Op die Trekpad]]'' (1931), ''[[Amrach die Tollenaar]]'' (1935), ''[[Drakenstein]]'' (1939, 1943), ''[[Dala]]'' (1943),  ''[[Demetrios]]'' (1943), ''[[Moeder en Seun]]'' (1945), and ''[[Abimelech]]'' (1948).
-Among his many one act plays, are ''[[Die Aandblom van Witsenberg]]'' (1943), ''[[Macherus]]'', ''[[Krom stompe]]'',  ''[[Vader se Naam]]'', ''[[Die Aanbod]]'', ''[[Staf of Kroon]]'', ''[[Fariseër]]'', ''[[Hulle het ’n Boom Afgekap ]]'', ''[[Goue Appels]]'', ''[[Spel van Blank en Swart]]'', ''[[Sisera]]'', ''[[Van Mense en Gode]]'', ''[[In die Namib]]'', ''[[Die Uur van die Rooi Maan]]'',  ''[[Silo is Krank]]'' and ''[[Die Fariseër]]'' (sometimes found as ''[[Fariseër]]'').
+Among his many one act plays, are ''[[Die Aandblom van Witsenberg]]'' (1943), ''[[Macherus]]'', ''[[Krom stompe]]'',  ''[[Vader se Naam]]'', ''[[Die Aanbod]]'', ''[[Staf of Kroon]]'', ''[[Fariseër]]'', ''[[Hulle het ’n Boom Afgekap ]]'', ''[[Goue Appels]]'', ''[[Spel van Blank en Swart]]'', ''[[Sisera]]'', ''[[Van Mense en Gode]]'', ''[[In die Namib]]'', ''[[Die Uur van die Rooi Maan]]'',  ''[[Silo is Krank]]'' and ''[[Fariseër]]'' (sometimes found as ''[[Die Fariseër]]'').
 He adapted a number of his own novels for the stage, including ''Die Skeur van Vaalspruit'' (as ''[[Boeta van Skeurfontein]]''), ''Hans-die-Skipper'' (as ''[[Die Seeman]]'') and ''Die Meulenaar'' (as ''[[Die Meul Dreun]]'').

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 In addition to his original works, he translated a number of standard works, including William Shakespeare's ''[[The Merchant of Venice]]'' (as ''[[Die Koopman van Venesië]]'', 19**), Emile Augier and Jules Sandeau's ''[[Le Gendre de M. Poirier]]'' (as ''[[Die Skoonseun van Mnr. Poirier]]''), and Friedrich Schiller's ''[[Wilhelm Tell]]'' (1944).
-Many of his plays appeared in collections such as ''[[Die Meul Dreun en Ander Toneelwerk]]'', (1943), ''[[Die Uur van die Rooi Maan en Ander Eenbedrywe]]'' (1950),  ''[[Hulle het ’n Boom Afgekap en Goue Appels]]'' (1956),
+Many of his plays appeared in collections such as ''[[Die Meul Dreun en Ander Toneelwerk]]'', (1943), ''[[Die Uur van die Rooi Maan en Ander Eenbedrywe]]'' (1950),  ''[[Silo is Krank]]'' (1956), ''[[Hulle het ’n Boom Afgekap en Goue Appels]]'' (1956),
 [TH, JH]