Crossing the Line - Revision history

Darryl: /* Performance history in South Africa */

2024-01-08T13:31:38Z

Performance history in South Africa

2024-01-08T13:26:39Z

Sources

2024-01-08T13:25:13Z

Crossing the Line (2018) by Roger Thomas

2024-01-08T13:24:44Z

The original text

2024-01-08T13:21:51Z

Performance history in South Africa

2024-01-08T13:19:50Z

2024-01-08T13:18:29Z

2019-05-21T06:21:05Z

2019-05-21T06:19:45Z

Crossing the Line, or Crowded Houses (1833) by George Almar (fl. 1830-1840)

2019-05-21T04:05:25Z

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 == Performance history in South Africa ==
-: Presented at the [[Alexander Bar and Cafe]], directed by [[Jason Potgieter]], performed by [[Roger Thomas]] and [[Wojtek Lipinski]]
+: Presented at the [[Alexander Upstairs]], directed by [[Jason Potgieter]], performed by [[Roger Thomas]] and [[Wojtek Lipinski]]
 = Sources =

← Older revision		Revision as of 13:26, 8 January 2024
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	''[[Crossing the Line]]'' [[Baxter Theatre]] programme, 1989.		''[[Crossing the Line]]'' [[Baxter Theatre]] programme, 1989.
		+
		+	https://alex.lateforlunch.life/show/crossingtheline/

	Go to [[ESAT Bibliography]]		Go to [[ESAT Bibliography]]

@@ Line 40: / Line 40: @@
 ==The original text==
-''[[Crossing the Line]]'' is a meta-comedy based on real-life stories from those in the sex trade.
+''[[Crossing the Line]]'' is a meta-comedy based on real-life stories from those in the male escort industry.
 ==Translations and adaptations==

← Older revision		Revision as of 13:24, 8 January 2024
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	==The original text==		==The original text==

		+	''[[Crossing the Line]]'' is a meta-comedy based on real-life stories from those in the sex trade.

	==Translations and adaptations==		==Translations and adaptations==

@@ Line 45: / Line 45: @@
 == Performance history in South Africa ==
+: Presented at the [[Alexander Bar and Cafe]], directed by [[Jason Potgieter]], performed by [[Roger Thomas]] and [[Wojtek Lipinski]]
 = Sources =

← Older revision		Revision as of 13:19, 8 January 2024
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	The [[Baxter Theatre]] presented the première of the play in the Baxter Studio in August 1989, directed by [[Mavis Taylor]], starring [[Belinda Koning]] (Hannie), [[Michelle Maxwell]] (Ann), [[Ingrid Emslie]] Rosie), [[David Haynes]] (Mark), [[Gaynor Young]] (Paula). Design by [[Brian Collins]], lighting by [[Craig Dobson]].		The [[Baxter Theatre]] presented the première of the play in the Baxter Studio in August 1989, directed by [[Mavis Taylor]], starring [[Belinda Koning]] (Hannie), [[Michelle Maxwell]] (Ann), [[Ingrid Emslie]] Rosie), [[David Haynes]] (Mark), [[Gaynor Young]] (Paula). Design by [[Brian Collins]], lighting by [[Craig Dobson]].
		+
		+	=''[[Crossing the Line]]'' (2018) by [[Roger Thomas]] =
		+
		+	==The original text==
		+
		+
		+	==Translations and adaptations==
		+
		+	== Performance history in South Africa ==
		+
		+

	= Sources =		= Sources =

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-'''There are two plays known by this name''':
+'''There are three plays known by this name''':
-'''''[[Crossing the Line, or Crowded Houses]]''''' by G. Almar and  ''[[Crossing the Line]]'' by [[Colleen Craig]].
+'''''[[Crossing the Line, or Crowded Houses]]''''' by G. Almar, ''[[Crossing the Line]]'' by [[Colleen Craig]] and ''[[Crossing the Line]]'' by [[Roger Thomas]].
 =''[[Crossing the Line, or Crowded Houses]]'' (1833) by George Almar (fl. 1830-1840)=

@@ Line 52: / Line 52: @@
 Go to [[ESAT Bibliography]]
-== Return to ==
+= Return to =
 Return to [[PLAYS I: Original SA plays]]

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 =''[[Crossing the Line, or Crowded Houses]]'' (1833) by George Almar (fl. 1830-1840)=
-Also found fancifully found written as '''''[[†ing the ———]]''''', as well as ''[[Crossing the Line, or Crowded House]]'', ''[[Crossing the Line, or Crowded Houses!]]'' or simply ''[[Crossing the Line]]''.
+Also found fancifully written as '''''[[†ing the ———]]''''', as well as ''[[Crossing the Line, or Crowded House]]'', ''[[Crossing the Line, or Crowded Houses!]]'' or simply ''[[Crossing the Line]]''.
 ==The original text==
-A comic drama in two acts, also described as a farce in some editions,
+A comic drama in two acts, also described as a farce in two acts in some editions.
 First performed on January 1833, it was published in the same year, as Issue 87 of Duncombe's acting edition of the British theatre