Clara Tellett - Revision history

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Contribution to SA theatre, film, media and/or performance

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Contribution to SA theatre, film, media and/or performance

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 She on occasion performed for the [[Cape Town Theatrical Club]] (later to become the [[Cape Town Dramatic Club]]) in the period 1858-1862. In 1862 she hired the [[Theatre Royal]] in Cape Town for six months (mid July till mid December), where she put on a short season of plays herself with  a "selected company" for two months, thereafter tending to manage the theatre, letting it various companies, e.g. the [[CTDC]], the [[Christy Minstrels]], [[Prof. Hansen]] the mesmerist, and others, including four benefit evenings for [[T. Brazier]], [[James Leffler]], [[Mr Raymond]] and [[J. Spencer]].
-Her repertoire for 16 June to 18 August 1862 included productions of ''[[Madeleine, or The Daughter of the Regiment]]'' (Stirling), ''[[Hunting a Turtle, or Trust a Woman's Wit]]'' (Selby),  ''[[The Housekeeper, or The White Rose]]'' (Jerrold), ''[[Catching an Heiress, or Which is Which]]'' (Selby), ''[[My American Cousin, or A Slight Misunderstanding]]'' ("a Gentleman of Cape Town"), ''[[The Old Chateau, or A Night of Peril]]'' (Coyne), ''[[The Prima Donna]]'' (Boucicault), ''[[A Desperate Game]]'' (Morton), ''[[Temptation, or The Fatal Brand]]'' (Townsend), ''[[The Maid with the Milking Pail]]'' (Morton), ''[[Take Care of Dowb]]'' (Morton), ''[[The Warlock of the Glen]]'' (Walker), ''[[Love in Humble Life]]'' (Scribe/Payne), ''[[A Glorious Case]]'' (Stocqueler), ''[[The Idiot Witness, or A Tale of Blood]]'' (Haines), ''[[The Miller's Maid]]'' (Saville), ''[[That Blessed Baby]]'' (), ''[[Our Wife, or The Rose of Amiens]]'' (Morton), ''[[The Maid of the Mill]]'' (Bickerstaffe), ''[[A Perfect Cure]]'' (Sapte), ''[[The Pilot, or A Tale of the Sea]]'' (Fitzball), ''[[My Wife's Out]]'' (Rodwell), ''[[The Married Bachelor, or Master and Man]]'' (O'Calligan), ''[[The Rough Diamond]]'' (Buckstone), ''[[The Youthful Queen, or Christine of Sweden]]'' (Shannon),  ''[[An Object of Interest]]'' (Stocqueler), ''[[Midnight; the Thirteenth Chime, or Old Saint Paul's]]'' (Barnett), ''[[Don Caesar de Bazan]]'' (Dumanoir), ''[[That Blessed Baby]]'' (Moore), ''[[The Iron Chest]]'' (Colman), ''[[Living Too Fast, or A Twelvemonth's Honeymoon]]'' (Troughton), ''[[It's Never too Late to Mend, or Gold, Gold, Gold]]'' (Reade), ''[[Marriage at any Price]]'' (Wooler), ''[[Faust and Marguerite]]'' (Goethe/Carré), ''[[Paul Pry]]'' (Jerrold), ''[[Poll and my Partner Joe]]'' (Haines) and ''[[Born to Good Luck, or The Irish Man in Italy]]'' ().
+Her repertoire for 16 June to 18 August 1862 included productions of ''[[Madeleine, or The Daughter of the Regiment]]'' (Stirling), ''[[Hunting a Turtle, or Trust a Woman's Wit]]'' (Selby),  ''[[The Housekeeper, or The White Rose]]'' (Jerrold), ''[[Catching an Heiress, or Which is Which]]'' (Selby), ''[[My American Cousin, or A Slight Misunderstanding]]'' ("a Gentleman of Cape Town"), ''[[The Old Chateau, or A Night of Peril]]'' (Coyne), ''[[The Prima Donna]]'' (Boucicault), ''[[A Desperate Game]]'' (Morton), ''[[Temptation, or The Fatal Brand]]'' (Townsend), ''[[The Maid with the Milking Pail]]'' (Morton), ''[[Take Care of Dowb]]'' (Morton), ''[[The Warlock of the Glen]]'' (Walker), ''[[Love in Humble Life]]'' (Scribe/Payne), ''[[A Glorious Case]]'' (Stocqueler), ''[[The Idiot Witness, or A Tale of Blood]]'' (Haines), ''[[The Miller's Maid]]'' (Saville), ''[[That Blessed Baby]]'' (), ''[[Our Wife, or The Rose of Amiens]]'' (Morton), ''[[The Maid of the Mill]]'' (Bickerstaffe), ''[[A Perfect Cure]]'' (Sapte), ''[[The Pilot, or A Tale of the Sea]]'' (Fitzball), ''[[My Wife's Out]]'' (Rodwell), ''[[The Married Bachelor, or Master and Man]]'' (O'Calligan), ''[[The Rough Diamond]]'' (Buckstone), ''[[The Youthful Queen, or Christine of Sweden]]'' (Shannon),  ''[[An Object of Interest]]'' (Stocqueler), ''[[Midnight; the Thirteenth Chime, or Old Saint Paul's]]'' (Barnett), ''[[Don Caesar de Bazan]]'' (Dumanoir), ''[[That Blessed Baby]]'' (Moore), ''[[The Iron Chest]]'' (Colman), ''[[Living Too Fast, or A Twelvemonth's Honeymoon]]'' (Troughton), ''[[It's Never too Late to Mend, or Gold, Gold, Gold]]'' (Reade), ''[[Marriage at any Price]]'' (Wooler), ''[[Faust and Marguerite]]'' (Goethe/Carré), ''[[Paul Pry]]'' (Jerrold), ''[[Poll and my Partner Joe]]'' (Haines) and ''[[Born to Good Luck, or The Irishman in Italy]]'' (Power).
 In October [[Mrs Tellett]] and her company apparently performed in Caledon.

@@ Line 9: / Line 9: @@
 She on occasion performed for the [[Cape Town Theatrical Club]] (later to become the [[Cape Town Dramatic Club]]) in the period 1858-1862. In 1862 she hired the [[Theatre Royal]] in Cape Town for six months (mid July till mid December), where she put on a short season of plays herself with  a "selected company" for two months, thereafter tending to manage the theatre, letting it various companies, e.g. the [[CTDC]], the [[Christy Minstrels]], [[Prof. Hansen]] the mesmerist, and others, including four benefit evenings for [[T. Brazier]], [[James Leffler]], [[Mr Raymond]] and [[J. Spencer]].
-Her repertoire for 16 June to 18 August 1862 included productions of ''[[Madeleine, or The Daughter of the Regiment]]'' (Stirling), ''[[Hunting a Turtle, or Trust a Woman's Wit]]'' (Selby),  ''[[The Housekeeper, or The White Rose]]'' (Jerrold), ''[[Catching an Heiress, or Which is Which]]'' (Selby), ''[[My American Cousin, or A Slight Misunderstanding]]'' ("a Gentleman of Cape Town"), ''[[The Old Chateau, or A Night of Peril]]'' (Coyne), ''[[The Prima Donna]]'' (Boucicault), ''[[A Desperate Game]]'' (Morton), ''[[Temptation, or The Fatal Brand]]'' (Townsend), ''[[The Maid with the Milking Pail]]'' (Morton), ''[[Take Care of Dowb]]'' (Morton), ''[[The Warlock of the Glen]]'' (Walker), ''[[Love in Humble Life]]'' (Scribe/Payne), ''[[A Glorious Case]]'' (Stocqueler), ''[[The Idiot Witness, or A Tale of Blood]]'' (Haines), ''[[The Miller's Maid]]'' (Saville), ''[[That Blessed Baby]]'' (), ''[[Our Wife, or The Rose of Amiens]]'' (Morton), ''[[The Maid of the Mill]]'' (Bickerstaffe), ''[[A Perfect Cure]]'' (Sapte), ''[[The Pilot, or A Tale of the Sea]]'' (Fitzball), ''[[My Wife's Out]]'' (Rodwell), ''[[The Married Bachelor, or Master and Man]]'' (O'Calligan), ''[[The Rough Diamond]]'' (Buckstone), ''[[The Youthful Queen, or Christine of Sweden]]'' (Shannon),  ''[[An Object of Interest]]'' (Stocqueler), ''[[Midnight; the Thirteenth Chime, or Old Saint Paul's]]'' (Barnett), ''[[Don Caesar de Bazan]]'' (Dumanoir), ''[[That Blessed Baby]]'' (Moore), ''[[The Iron Chest]]'' (Colman), ''[[Living Too Fast, or A Twelvemonth's Honeymoon]]'' (Troughton), ''[[It's Never too Late to Mend, or Gold, Gold, Gold]]'' (Reade), ''[[Marriage at any Price]]'' (Wooler), ''[[Faust and Marguerite]]'' (Goethe/Carré), ''[[Paul Pry]]'' (Jerrold), ''[[Poll and my Partner Joe]]'' () and ''[[Born to Good Luck, or The Irish Man in Italy]]'' ().
+Her repertoire for 16 June to 18 August 1862 included productions of ''[[Madeleine, or The Daughter of the Regiment]]'' (Stirling), ''[[Hunting a Turtle, or Trust a Woman's Wit]]'' (Selby),  ''[[The Housekeeper, or The White Rose]]'' (Jerrold), ''[[Catching an Heiress, or Which is Which]]'' (Selby), ''[[My American Cousin, or A Slight Misunderstanding]]'' ("a Gentleman of Cape Town"), ''[[The Old Chateau, or A Night of Peril]]'' (Coyne), ''[[The Prima Donna]]'' (Boucicault), ''[[A Desperate Game]]'' (Morton), ''[[Temptation, or The Fatal Brand]]'' (Townsend), ''[[The Maid with the Milking Pail]]'' (Morton), ''[[Take Care of Dowb]]'' (Morton), ''[[The Warlock of the Glen]]'' (Walker), ''[[Love in Humble Life]]'' (Scribe/Payne), ''[[A Glorious Case]]'' (Stocqueler), ''[[The Idiot Witness, or A Tale of Blood]]'' (Haines), ''[[The Miller's Maid]]'' (Saville), ''[[That Blessed Baby]]'' (), ''[[Our Wife, or The Rose of Amiens]]'' (Morton), ''[[The Maid of the Mill]]'' (Bickerstaffe), ''[[A Perfect Cure]]'' (Sapte), ''[[The Pilot, or A Tale of the Sea]]'' (Fitzball), ''[[My Wife's Out]]'' (Rodwell), ''[[The Married Bachelor, or Master and Man]]'' (O'Calligan), ''[[The Rough Diamond]]'' (Buckstone), ''[[The Youthful Queen, or Christine of Sweden]]'' (Shannon),  ''[[An Object of Interest]]'' (Stocqueler), ''[[Midnight; the Thirteenth Chime, or Old Saint Paul's]]'' (Barnett), ''[[Don Caesar de Bazan]]'' (Dumanoir), ''[[That Blessed Baby]]'' (Moore), ''[[The Iron Chest]]'' (Colman), ''[[Living Too Fast, or A Twelvemonth's Honeymoon]]'' (Troughton), ''[[It's Never too Late to Mend, or Gold, Gold, Gold]]'' (Reade), ''[[Marriage at any Price]]'' (Wooler), ''[[Faust and Marguerite]]'' (Goethe/Carré), ''[[Paul Pry]]'' (Jerrold), ''[[Poll and my Partner Joe]]'' (Haines) and ''[[Born to Good Luck, or The Irish Man in Italy]]'' ().
 In October [[Mrs Tellett]] and her company apparently performed in Caledon.

@@ Line 9: / Line 9: @@
 She on occasion performed for the [[Cape Town Theatrical Club]] (later to become the [[Cape Town Dramatic Club]]) in the period 1858-1862. In 1862 she hired the [[Theatre Royal]] in Cape Town for six months (mid July till mid December), where she put on a short season of plays herself with  a "selected company" for two months, thereafter tending to manage the theatre, letting it various companies, e.g. the [[CTDC]], the [[Christy Minstrels]], [[Prof. Hansen]] the mesmerist, and others, including four benefit evenings for [[T. Brazier]], [[James Leffler]], [[Mr Raymond]] and [[J. Spencer]].
-Her repertoire for 16 June to 18 August 1862 included productions of ''[[Madeleine, or The Daughter of the Regiment]]'' (Stirling), ''[[Hunting a Turtle, or Trust a Woman's Wit]]'' (Selby),  ''[[The Housekeeper, or The White Rose]]'' (Jerrold), ''[[Catching an Heiress, or Which is Which]]'' (Selby), ''[[My American Cousin, or A Slight Misunderstanding]]'' ("a Gentleman of Cape Town"), ''[[The Old Chateau, or A Night of Peril]]'' (Coyne), ''[[The Prima Donna]]'' (Boucicault), ''[[A Desperate Game]]'' (Morton), ''[[Temptation, or The Fatal Brand]]'' (Townsend), ''[[The Maid with the Milking Pail]]'' (Morton), ''[[Take Care of Dowb]]'' (Morton), ''[[The Warlock of the Glen]]'' (Walker), ''[[Love in Humble Life]]'' (Scribe/Payne), ''[[A Glorious Case]]'' (Stocqueler), ''[[The Idiot Witness, or A Tale of Blood]]'' (Haines), ''[[The Miller's Maid]]'' (Saville), ''[[That Blessed Baby]]'' (), ''[[Our Wife, or The Rose of Amiens]]'' (Morton), ''[[The Maid of the Mill]]'' (Bickerstaffe), ''[[A Perfect Cure]]'' (Sapte), ''[[The Pilot, or A Tale of the Sea]]'' (Fitzball), ''[[My Wife's Out]]'' (Rodwell), ''[[The Married Bachelor, or Master and Man]]'' (O'Calligan), ''[[The Rough Diamond]]'' (Buckstone), ''[[The Youthful Queen, or Christine of Sweden]]'' (Shannon),  ''[[An Object of Interest]]'' (Stocqueler), ''[[Midnight; the Thirteenth Chime, or Old Saint Paul's]]'' (Barnett), ''[[Don Caesar de Bazan]]'' (Dumanoir), ''[[That Blessed Baby]]'' (Moore), ''[[The Iron Chest]]'' (Colman), ''[[Living Too Fast, or A Twelvemonth's Honeymoon]]'' (Troughton), ''[[It's Never too Late to Mend, or Gold, Gold, Gold]]'' (Reade), ''[[Marriage at any Price]]'' (Wooler), ''[[Faust and Marguerite]]'' (Goethe/Carré), ''[[Paul Pry]]'' (Jerrold), ''[[Poll and My Partner Joe]]'' () and ''[[Born to Good Luck, or The Irish Man in Italy]]'' ().
+Her repertoire for 16 June to 18 August 1862 included productions of ''[[Madeleine, or The Daughter of the Regiment]]'' (Stirling), ''[[Hunting a Turtle, or Trust a Woman's Wit]]'' (Selby),  ''[[The Housekeeper, or The White Rose]]'' (Jerrold), ''[[Catching an Heiress, or Which is Which]]'' (Selby), ''[[My American Cousin, or A Slight Misunderstanding]]'' ("a Gentleman of Cape Town"), ''[[The Old Chateau, or A Night of Peril]]'' (Coyne), ''[[The Prima Donna]]'' (Boucicault), ''[[A Desperate Game]]'' (Morton), ''[[Temptation, or The Fatal Brand]]'' (Townsend), ''[[The Maid with the Milking Pail]]'' (Morton), ''[[Take Care of Dowb]]'' (Morton), ''[[The Warlock of the Glen]]'' (Walker), ''[[Love in Humble Life]]'' (Scribe/Payne), ''[[A Glorious Case]]'' (Stocqueler), ''[[The Idiot Witness, or A Tale of Blood]]'' (Haines), ''[[The Miller's Maid]]'' (Saville), ''[[That Blessed Baby]]'' (), ''[[Our Wife, or The Rose of Amiens]]'' (Morton), ''[[The Maid of the Mill]]'' (Bickerstaffe), ''[[A Perfect Cure]]'' (Sapte), ''[[The Pilot, or A Tale of the Sea]]'' (Fitzball), ''[[My Wife's Out]]'' (Rodwell), ''[[The Married Bachelor, or Master and Man]]'' (O'Calligan), ''[[The Rough Diamond]]'' (Buckstone), ''[[The Youthful Queen, or Christine of Sweden]]'' (Shannon),  ''[[An Object of Interest]]'' (Stocqueler), ''[[Midnight; the Thirteenth Chime, or Old Saint Paul's]]'' (Barnett), ''[[Don Caesar de Bazan]]'' (Dumanoir), ''[[That Blessed Baby]]'' (Moore), ''[[The Iron Chest]]'' (Colman), ''[[Living Too Fast, or A Twelvemonth's Honeymoon]]'' (Troughton), ''[[It's Never too Late to Mend, or Gold, Gold, Gold]]'' (Reade), ''[[Marriage at any Price]]'' (Wooler), ''[[Faust and Marguerite]]'' (Goethe/Carré), ''[[Paul Pry]]'' (Jerrold), ''[[Poll and my Partner Joe]]'' () and ''[[Born to Good Luck, or The Irish Man in Italy]]'' ().
 In October [[Mrs Tellett]] and her company apparently performed in Caledon.

@@ Line 9: / Line 9: @@
 She on occasion performed for the [[Cape Town Theatrical Club]] (later to become the [[Cape Town Dramatic Club]]) in the period 1858-1862. In 1862 she hired the [[Theatre Royal]] in Cape Town for six months (mid July till mid December), where she put on a short season of plays herself with  a "selected company" for two months, thereafter tending to manage the theatre, letting it various companies, e.g. the [[CTDC]], the [[Christy Minstrels]], [[Prof. Hansen]] the mesmerist, and others, including four benefit evenings for [[T. Brazier]], [[James Leffler]], [[Mr Raymond]] and [[J. Spencer]].
-Her repertoire for 16 June to 18 August 1862 included productions of ''[[Madeleine, or The Daughter of the Regiment]]'' (Stirling), ''[[Hunting a Turtle, or Trust a Woman's Wit]]'' (Selby),  ''[[The Housekeeper, or The White Rose]]'' (Jerrold), ''[[Catching an Heiress, or Which is Which]]'' (Selby), ''[[My American Cousin, or A Slight Misunderstanding]]'' ("a Gentleman of Cape Town"), ''[[The Old Chateau, or A Night of Peril]]'' (Coyne), ''[[The Prima Donna]]'' (Boucicault), ''[[A Desperate Game]]'' (Morton), ''[[Temptation, or The Fatal Brand]]'' (Townsend), ''[[The Maid with the Milking Pail]]'' (Morton), ''[[Take Care of Dowb]]'' (Morton), ''[[The Warlock of the Glen]]'' (Walker), ''[[Love in Humble Life]]'' (Scribe/Payne), ''[[A Glorious Case]]'' (Stocqueler), ''[[The Idiot Witness, or A Tale of Blood]]'' (Haines), ''[[The Miller's Maid]]'' (Saville), ''[[That Blessed Baby]]'' (), ''[[Our Wife, or The Rose of Amiens]]'' (Morton), ''[[The Maid of the Mill]]'' (Bickerstaffe), ''[[A Perfect Cure]]'' (Sapte), ''[[The Pilot, or A Tale of the Sea]]'' (Fitzball), ''[[My Wife's Out]]'' (Rodwell), ''[[The Married Bachelor, or Master and Man]]'' (O'Calligan), ''[[The Rough Diamond]]'' (Buckstone), ''[[The Youthful Queen, or Christine of Sweden]]'' (Shannon),  ''[[An Object of Interest]]'' (Stocqueler), ''[[Midnight; the Thirteenth Chime, or Old Saint Paul's]]'' (Barnett), ''[[Don Caesar de Bazan]]'' (Dumanoir), ''[[That Blessed Baby]]'' (Moore), ''[[The Iron Chest]]'' (Colman), ''[[Living Too Fast, or A Twelvemonth's Honeymoon]]'' (Troughton), ''[[It's Never too Late to Mend, or Gold, Gold, Gold]]'' (Reade), ''[[Marriage at any Price]]'' (Wooler), ''[[Faust and Marguerite]]'' (Goethe/Carré), ''[[Paul Pry]]'' (), ''[[Poll and My Partner Joe]]'' () and ''[[Born to Good Luck, or The Irish Man in Italy]]'' ().
+Her repertoire for 16 June to 18 August 1862 included productions of ''[[Madeleine, or The Daughter of the Regiment]]'' (Stirling), ''[[Hunting a Turtle, or Trust a Woman's Wit]]'' (Selby),  ''[[The Housekeeper, or The White Rose]]'' (Jerrold), ''[[Catching an Heiress, or Which is Which]]'' (Selby), ''[[My American Cousin, or A Slight Misunderstanding]]'' ("a Gentleman of Cape Town"), ''[[The Old Chateau, or A Night of Peril]]'' (Coyne), ''[[The Prima Donna]]'' (Boucicault), ''[[A Desperate Game]]'' (Morton), ''[[Temptation, or The Fatal Brand]]'' (Townsend), ''[[The Maid with the Milking Pail]]'' (Morton), ''[[Take Care of Dowb]]'' (Morton), ''[[The Warlock of the Glen]]'' (Walker), ''[[Love in Humble Life]]'' (Scribe/Payne), ''[[A Glorious Case]]'' (Stocqueler), ''[[The Idiot Witness, or A Tale of Blood]]'' (Haines), ''[[The Miller's Maid]]'' (Saville), ''[[That Blessed Baby]]'' (), ''[[Our Wife, or The Rose of Amiens]]'' (Morton), ''[[The Maid of the Mill]]'' (Bickerstaffe), ''[[A Perfect Cure]]'' (Sapte), ''[[The Pilot, or A Tale of the Sea]]'' (Fitzball), ''[[My Wife's Out]]'' (Rodwell), ''[[The Married Bachelor, or Master and Man]]'' (O'Calligan), ''[[The Rough Diamond]]'' (Buckstone), ''[[The Youthful Queen, or Christine of Sweden]]'' (Shannon),  ''[[An Object of Interest]]'' (Stocqueler), ''[[Midnight; the Thirteenth Chime, or Old Saint Paul's]]'' (Barnett), ''[[Don Caesar de Bazan]]'' (Dumanoir), ''[[That Blessed Baby]]'' (Moore), ''[[The Iron Chest]]'' (Colman), ''[[Living Too Fast, or A Twelvemonth's Honeymoon]]'' (Troughton), ''[[It's Never too Late to Mend, or Gold, Gold, Gold]]'' (Reade), ''[[Marriage at any Price]]'' (Wooler), ''[[Faust and Marguerite]]'' (Goethe/Carré), ''[[Paul Pry]]'' (Jerrold), ''[[Poll and My Partner Joe]]'' () and ''[[Born to Good Luck, or The Irish Man in Italy]]'' ().
 In October [[Mrs Tellett]] and her company apparently performed in Caledon.

@@ Line 9: / Line 9: @@
 She on occasion performed for the [[Cape Town Theatrical Club]] (later to become the [[Cape Town Dramatic Club]]) in the period 1858-1862. In 1862 she hired the [[Theatre Royal]] in Cape Town for six months (mid July till mid December), where she put on a short season of plays herself with  a "selected company" for two months, thereafter tending to manage the theatre, letting it various companies, e.g. the [[CTDC]], the [[Christy Minstrels]], [[Prof. Hansen]] the mesmerist, and others, including four benefit evenings for [[T. Brazier]], [[James Leffler]], [[Mr Raymond]] and [[J. Spencer]].
-Her repertoire for 16 June to 18 August 1862 included productions of ''[[Madeleine, or The Daughter of the Regiment]]'' (Stirling), ''[[Hunting a Turtle, or Trust a Woman's Wit]]'' (Selby),  ''[[The Housekeeper, or The White Rose]]'' (Jerrold), ''[[Catching an Heiress, or Which is Which]]'' (Selby), ''[[My American Cousin, or A Slight Misunderstanding]]'' ("a Gentleman of Cape Town"), ''[[The Old Chateau, or A Night of Peril]]'' (Coyne), ''[[The Prima Donna]]'' (Boucicault), ''[[A Desperate Game]]'' (Morton), ''[[Temptation, or The Fatal Brand]]'' (Townsend), ''[[The Maid with the Milking Pail]]'' (Morton), ''[[Take Care of Dowb]]'' (Morton), ''[[The Warlock of the Glen]]'' (Walker), ''[[Love in Humble Life]]'' (Scribe/Payne), ''[[A Glorious Case]]'' (Stocqueler), ''[[The Idiot Witness, or A Tale of Blood]]'' (Haines), ''[[The Miller's Maid]]'' (Saville), ''[[That Blessed Baby]]'' (), ''[[Our Wife, or The Rose of Amiens]]'' (Morton), ''[[The Maid of the Mill]]'' (Bickerstaffe), ''[[A Perfect Cure]]'' (Sapte), ''[[The Pilot, or A Tale of the Sea]]'' (Fitzball), ''[[My Wife's Out]]'' (Rodwell), ''[[The Married Bachelor, or Master and Man]]'' (O'Calligan), ''[[The Rough Diamond]]'' (Buckstone), ''[[The Youthful Queen, or Christine of Sweden]]'' (Shannon),  ''[[An Object of Interest]]'' (Stocqueler), ''[[Midnight; the Thirteenth Chime, or Old Saint Paul's]]'' (Barnett), ''[[Don Caesar de Bazan]]'' (Dumanoir), ''[[That Blessed Baby]]'' (Moore), ''[[The Iron Chest]]'' (Colman), ''[[Living Too Fast, or A Twelvemonth's Honeymoon]]'' (Troughton), ''[[It's Never too Late to Mend, or Gold, Gold, Gold]]'' (Reade), ''[[Marriage at any Price]]'' (Wooler), ''[[Faust and Marguerite]]'' (), ''[[Paul Pry]]'' (), ''[[Poll and My Partner Joe]]'' () and ''[[Born to Good Luck, or The Irish Man in Italy]]'' ().
+Her repertoire for 16 June to 18 August 1862 included productions of ''[[Madeleine, or The Daughter of the Regiment]]'' (Stirling), ''[[Hunting a Turtle, or Trust a Woman's Wit]]'' (Selby),  ''[[The Housekeeper, or The White Rose]]'' (Jerrold), ''[[Catching an Heiress, or Which is Which]]'' (Selby), ''[[My American Cousin, or A Slight Misunderstanding]]'' ("a Gentleman of Cape Town"), ''[[The Old Chateau, or A Night of Peril]]'' (Coyne), ''[[The Prima Donna]]'' (Boucicault), ''[[A Desperate Game]]'' (Morton), ''[[Temptation, or The Fatal Brand]]'' (Townsend), ''[[The Maid with the Milking Pail]]'' (Morton), ''[[Take Care of Dowb]]'' (Morton), ''[[The Warlock of the Glen]]'' (Walker), ''[[Love in Humble Life]]'' (Scribe/Payne), ''[[A Glorious Case]]'' (Stocqueler), ''[[The Idiot Witness, or A Tale of Blood]]'' (Haines), ''[[The Miller's Maid]]'' (Saville), ''[[That Blessed Baby]]'' (), ''[[Our Wife, or The Rose of Amiens]]'' (Morton), ''[[The Maid of the Mill]]'' (Bickerstaffe), ''[[A Perfect Cure]]'' (Sapte), ''[[The Pilot, or A Tale of the Sea]]'' (Fitzball), ''[[My Wife's Out]]'' (Rodwell), ''[[The Married Bachelor, or Master and Man]]'' (O'Calligan), ''[[The Rough Diamond]]'' (Buckstone), ''[[The Youthful Queen, or Christine of Sweden]]'' (Shannon),  ''[[An Object of Interest]]'' (Stocqueler), ''[[Midnight; the Thirteenth Chime, or Old Saint Paul's]]'' (Barnett), ''[[Don Caesar de Bazan]]'' (Dumanoir), ''[[That Blessed Baby]]'' (Moore), ''[[The Iron Chest]]'' (Colman), ''[[Living Too Fast, or A Twelvemonth's Honeymoon]]'' (Troughton), ''[[It's Never too Late to Mend, or Gold, Gold, Gold]]'' (Reade), ''[[Marriage at any Price]]'' (Wooler), ''[[Faust and Marguerite]]'' (Goethe/Carré), ''[[Paul Pry]]'' (), ''[[Poll and My Partner Joe]]'' () and ''[[Born to Good Luck, or The Irish Man in Italy]]'' ().
 In October [[Mrs Tellett]] and her company apparently performed in Caledon.