Claire French - Revision history

Satj: /* Contribution to South African theatre and performance */

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Contribution to South African theatre and performance

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Sources

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Sources

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Contribution to South African theatre and performance

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Biography

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Contribution to South African theatre and performance

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Return to

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Contribution to South African theatre and performance

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 ==Contribution to South African theatre and performance==
-Her PhD in Theatre Studies (2015-2019), entitled ''Methodologies for mobilising languaging: Facilitating dynamic linguistic resources in applied performance praxis'' (University of Warwick, 2019)  is an interdisciplinary methodological investigation into (collaborative) theatremaking in multilingual/multicultural contexts, based on in depth study of South African examples, notably the theories and work of playwright/creators [[H.I.E. Dhlomo]], [[Barney Simon]], [[Mandla Mbothwe]] and [[Micia de Wet]].
+Her PhD in Theatre Studies (2015-2019), entitled ''Methodologies for mobilising languaging: Facilitating dynamic linguistic resources in applied performance praxis'' (University of Warwick, 2019)  is an interdisciplinary methodological investigation into (collaborative) theatremaking in multilingual/multicultural contexts, aimed at examining the role of the collaborating actor’s body in improvisational exercises to disrupt dominant languages. To this end the study utilizes in depth studies of South African examples, notably the work of playwright/creators [[H.I.E. Dhlomo]], [[Barney Simon]], [[Mandla Mbothwe]] and [[Micia de Wet]].
 ==Sources==

← Older revision		Revision as of 07:18, 27 May 2020
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	==Sources==		==Sources==
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		+	https://warwick.ac.uk/fac/arts/scapvc/theatre/staff/clairefrench/

	http://www.clairefrench.com/		http://www.clairefrench.com/

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 ==Contribution to South African theatre and performance==
-The thesis for her PhD in Theatre Studies (2015-2019), entitled ''Methodologies for mobilising languaging: Facilitating dynamic linguistic resources in applied performance praxis'' is an interdisciplinary methodological investigation into (collaborative) theatremaking in multilingual/multicultural contexts, based on study of South African examples, notably the theories and practice/praxis of [[H.I.E. Dhlomo]], [[Barney Simon]], [[Mandla Mbothwe]] and [[Micia de Wet]].
+Her PhD in Theatre Studies (2015-2019), entitled ''Methodologies for mobilising languaging: Facilitating dynamic linguistic resources in applied performance praxis'' (University of Warwick, 2019)  is an interdisciplinary methodological investigation into (collaborative) theatremaking in multilingual/multicultural contexts, based on in depth study of South African examples, notably the theories and work of playwright/creators [[H.I.E. Dhlomo]], [[Barney Simon]], [[Mandla Mbothwe]] and [[Micia de Wet]].
 ==Sources==

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 Currently an early career Research Fellow at the Institute of Advanced Studies, University of
-Warwick, Coventry, her professional career has previously included stints as:
+Warwick, Coventry, her professional career has previously included stints as Programme Director at bamBOO Mainstage Amphitheatre, Perth; Communications Director of events and outreach for emerging filmmakers, FilmFestivalLife, Berlin (in partnership with Berlinale Film Festival); Researcher on the Annual Report for participatory video organisation, InsightShare, Oxford; Project Facilitator for the community performance company "Housed" by David Watson, Old Vic New Voices, The Old Vic, London; Research Administrator to Professor Jakelin Troy at the University of Sydney, Department of Linguistics, School of Literature, Art and Media, Sydney and Programme Director at Visible Theatre Ensemble, London.
-Programme Director, bamBOO Mainstage Amphitheatre, Perth
+She has created/published a number of pieces in her field, including projects and articles on the conflux of creative writing and language diversity.
 ==Contribution to South African theatre and performance==

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 She has published a number of pieces in her field, including articles on the conflux of creative writing and language diversity.
 ==Contribution to South African theatre and performance==
+The thesis for her PhD in Theatre Studies (2015-2019), entitled ''Methodologies for mobilising languaging: Facilitating dynamic linguistic resources in applied performance praxis'' is an interdisciplinary methodological investigation into theatremaking in multilingual/multicultural contexts, based on study of South African examples, notably the theories and practice/praxis of [[H.I.E. Dhlomo]], [[Barney Simon]], [[Mandla Mbothwe]] and [[Micia de Wet]].
 ==Sources==

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 == Return to ==
-Return to [[ESAT Personalities  N]]
+Return to [[ESAT Personalities  F]]
 Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]

← Older revision		Revision as of 04:15, 27 May 2020
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	http://www.clairefrench.com/		http://www.clairefrench.com/
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		+
		+	Go to the [[ESAT Bibliography]]
		+
		+	== Return to ==
		+
		+	Return to [[ESAT Personalities N]]
		+
		+	Return to [[South_African_Theatre/Personalities\|South African Theatre Personalities]]
		+
		+	Return to [[The ESAT Entries]]
		+
		+	Return to [[Main Page]]

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-The thesis for her PhD in Theatre Studies (2015-2019), entitled ''Methodologies for mobilising languaging: Facilitating dynamic linguistic resources in applied performance praxis'' is an interdisciplinary methodological investigation, based on study of South African examples that include the theories, works and praxis of [[H.I.E. Dhlomo]], [[Barney Simon]], and  [[Micia de Wet]] study
+The thesis for her PhD in Theatre Studies (2015-2019), entitled ''Methodologies for mobilising languaging: Facilitating dynamic linguistic resources in applied performance praxis'' is an interdisciplinary methodological investigation, based on study of South African examples that include the theories and praxis of [[H.I.E. Dhlomo]], [[Barney Simon]], [[Mandla Mbothwe]] and [[Micia de Wet]].
 ==Sources==
 http://www.clairefrench.com/