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	<id>https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Charles_II%2C_or_The_Wags_of_Wapping</id>
	<title>Charles II, or The Wags of Wapping - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Charles_II%2C_or_The_Wags_of_Wapping"/>
	<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Charles_II,_or_The_Wags_of_Wapping&amp;action=history"/>
	<updated>2026-09-12T22:45:00Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Charles_II,_or_The_Wags_of_Wapping&amp;diff=147638&amp;oldid=prev</id>
		<title>Satj: Redirected page to La Jeunesse de Henri V</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Charles_II,_or_The_Wags_of_Wapping&amp;diff=147638&amp;oldid=prev"/>
		<updated>2018-04-17T04:32:28Z</updated>

		<summary type="html">&lt;p&gt;Redirected page to &lt;a href=&quot;/index.php/La_Jeunesse_de_Henri_V&quot; title=&quot;La Jeunesse de Henri V&quot;&gt;La Jeunesse de Henri V&lt;/a&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 04:32, 17 April 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;#REDIRECT&lt;/ins&gt;[[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;La Jeunesse &lt;/ins&gt;de &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Henri V&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Ballet of The Wags of Wapping', at Drury-Lane Theatre, from The Illustrated London News, 21st November 1846. &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The comedy ''&lt;/del&gt;[[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Charles the Second, or The Merry Monarch]]'' by John Howard Payne (1791-1852) opened in Covent Garden on May 27th 1824, with Charles Kemble as the king. &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Betty, a French Ballet  version of the comedy Charles the Second by M. Mazilier, first produced in Paris at the Academie Royale &lt;/del&gt;de &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Musique, as a vehicle for the dancer Sophie Fuoco,  was brought to London as a “grand Ballet” , the  re-production now called ''[[The Wags of Wapping&lt;/del&gt;]&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]'' (Since the title &amp;quot;Betty&amp;quot; did not work in English) and first performed at the Drury Lane Theatre on 16 November, 1846. &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;''The Illustrated London News'', Volume 9 , p. November 1, 1846: p325[https://books.google.co.za/books?id=W9FCAQAAIAAJ&amp;amp;pg=PA325&amp;amp;lpg=PA325&amp;amp;dq='The+Wags+of+Wapping&amp;amp;source=bl&amp;amp;ots=GxTKjx0K5w&amp;amp;sig=bO_fkW8MGzsHciqbwd7_nIbybjQ&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=0ahUKEwjggbWAscDaAhUrLMAKHbXfDyoQ6AEIXDAN#v=onepage&amp;amp;q='The%20Wags%20of%20Wapping&amp;amp;f=false]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;''The Theatrical times'', 1847: p. 208[https://books.google.co.za/books?id=euEIAAAAQAAJ&amp;amp;pg=PA208&amp;amp;lpg=PA208&amp;amp;dq='The+Wags+of+Wapping&amp;amp;source=bl&amp;amp;ots=_l6BGbSaMD&amp;amp;sig=hG0de6ohGp3AvaAs-3vzZ3b8JAM&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=0ahUKEwjggbWAscDaAhUrLMAKHbXfDyoQ6AEIXjAO#v=onepage&amp;amp;q='The%20Wags%20of%20Wapping&amp;amp;f=false]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Facsimile version of the 1846 edition by William Taylor, ''The Internet Archive''[https://archive.org/details/charlessecondorm00payn&lt;/del&gt;]&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Charles_II,_or_The_Wags_of_Wapping&amp;diff=147633&amp;oldid=prev</id>
		<title>Satj at 04:17, 17 April 2018</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Charles_II,_or_The_Wags_of_Wapping&amp;diff=147633&amp;oldid=prev"/>
		<updated>2018-04-17T04:17:34Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 04:17, 17 April 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l8&quot; &gt;Line 8:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 8:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Betty, a French Ballet  version of the comedy Charles the Second by M. Mazilier, first produced in Paris at the Academie Royale de Musique, as a vehicle for the dancer Sophie Fuoco,  was brought to London as a “grand Ballet” , the  re-production now called ''[[The Wags of Wapping]]'' (Since the title &amp;quot;Betty&amp;quot; did not work in English) and first performed at the Drury Lane Theatre on 16 November, 1846.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Betty, a French Ballet  version of the comedy Charles the Second by M. Mazilier, first produced in Paris at the Academie Royale de Musique, as a vehicle for the dancer Sophie Fuoco,  was brought to London as a “grand Ballet” , the  re-production now called ''[[The Wags of Wapping]]'' (Since the title &amp;quot;Betty&amp;quot; did not work in English) and first performed at the Drury Lane Theatre on 16 November, 1846.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Illustrated London News, Volume 9 , p. November 1, 1846: p325[https://books.google.co.za/books?id=W9FCAQAAIAAJ&amp;amp;pg=PA325&amp;amp;lpg=PA325&amp;amp;dq='The+Wags+of+Wapping&amp;amp;source=bl&amp;amp;ots=GxTKjx0K5w&amp;amp;sig=bO_fkW8MGzsHciqbwd7_nIbybjQ&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=0ahUKEwjggbWAscDaAhUrLMAKHbXfDyoQ6AEIXDAN#v=onepage&amp;amp;q='The%20Wags%20of%20Wapping&amp;amp;f=false]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;The Illustrated London News&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;, Volume 9 , p. November 1, 1846: p325[https://books.google.co.za/books?id=W9FCAQAAIAAJ&amp;amp;pg=PA325&amp;amp;lpg=PA325&amp;amp;dq='The+Wags+of+Wapping&amp;amp;source=bl&amp;amp;ots=GxTKjx0K5w&amp;amp;sig=bO_fkW8MGzsHciqbwd7_nIbybjQ&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=0ahUKEwjggbWAscDaAhUrLMAKHbXfDyoQ6AEIXDAN#v=onepage&amp;amp;q='The%20Wags%20of%20Wapping&amp;amp;f=false]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Theatrical times, 1847: p. 208[https://books.google.co.za/books?id=euEIAAAAQAAJ&amp;amp;pg=PA208&amp;amp;lpg=PA208&amp;amp;dq='The+Wags+of+Wapping&amp;amp;source=bl&amp;amp;ots=_l6BGbSaMD&amp;amp;sig=hG0de6ohGp3AvaAs-3vzZ3b8JAM&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=0ahUKEwjggbWAscDaAhUrLMAKHbXfDyoQ6AEIXjAO#v=onepage&amp;amp;q='The%20Wags%20of%20Wapping&amp;amp;f=false]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;The Theatrical times&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;, 1847: p. 208[https://books.google.co.za/books?id=euEIAAAAQAAJ&amp;amp;pg=PA208&amp;amp;lpg=PA208&amp;amp;dq='The+Wags+of+Wapping&amp;amp;source=bl&amp;amp;ots=_l6BGbSaMD&amp;amp;sig=hG0de6ohGp3AvaAs-3vzZ3b8JAM&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=0ahUKEwjggbWAscDaAhUrLMAKHbXfDyoQ6AEIXjAO#v=onepage&amp;amp;q='The%20Wags%20of%20Wapping&amp;amp;f=false]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Facsimile version of the 1846 edition by William Taylor, The Internet Archive[https://archive.org/details/charlessecondorm00payn]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Facsimile version of the 1846 edition by William Taylor, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;The Internet Archive&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[https://archive.org/details/charlessecondorm00payn]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Charles_II,_or_The_Wags_of_Wapping&amp;diff=147628&amp;oldid=prev</id>
		<title>Satj at 04:11, 17 April 2018</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Charles_II,_or_The_Wags_of_Wapping&amp;diff=147628&amp;oldid=prev"/>
		<updated>2018-04-17T04:11:37Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 04:11, 17 April 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ballet of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;'&lt;/del&gt;The Wags of Wapping', at Drury-Lane Theatre, from The Illustrated London News, 21st November 1846.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ballet of The Wags of Wapping', at Drury-Lane Theatre, from The Illustrated London News, 21st November 1846.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The comedy ''[[Charles the Second, or The Merry Monarch]]'' by John Howard Payne (1791-1852) opened in Covent Garden on May 27th 1824, with Charles Kemble as the king.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The comedy ''[[Charles the Second, or The Merry Monarch]]'' by John Howard Payne (1791-1852) opened in Covent Garden on May 27th 1824, with Charles Kemble as the king.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Charles_II,_or_The_Wags_of_Wapping&amp;diff=147624&amp;oldid=prev</id>
		<title>Satj at 04:07, 17 April 2018</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Charles_II,_or_The_Wags_of_Wapping&amp;diff=147624&amp;oldid=prev"/>
		<updated>2018-04-17T04:07:23Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 04:07, 17 April 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot; &gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ballet of 'The Wags of Wapping', at Drury-Lane Theatre, from The Illustrated London News, 21st November 1846.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ballet of 'The Wags of Wapping', at Drury-Lane Theatre, from The Illustrated London News, 21st November 1846.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The comedy Charles the Second opened in Covent Garden on May 27th 1824, with Charles Kemble as the king.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The comedy &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Charles the Second&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, or The Merry Monarch]]'' by John Howard Payne (1791-1852) &lt;/ins&gt;opened in Covent Garden on May 27th 1824, with Charles Kemble as the king.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Betty, a French Ballet  version of the comedy Charles the Second by M. Mazilier, first produced in Paris at the Academie Royale de Musique, as a vehicle for the dancer Sophie Fuoco,  was brought to London as a “grand Ballet” , the  re-production now called ''[[The Wags of Wapping]]'' (Since the title &amp;quot;Betty&amp;quot; did not work in English) and first performed at the Drury Lane Theatre on 16 November, 1846.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Betty, a French Ballet  version of the comedy Charles the Second by M. Mazilier, first produced in Paris at the Academie Royale de Musique, as a vehicle for the dancer Sophie Fuoco,  was brought to London as a “grand Ballet” , the  re-production now called ''[[The Wags of Wapping]]'' (Since the title &amp;quot;Betty&amp;quot; did not work in English) and first performed at the Drury Lane Theatre on 16 November, 1846.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot; &gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Theatrical times, 1847: p. 208[https://books.google.co.za/books?id=euEIAAAAQAAJ&amp;amp;pg=PA208&amp;amp;lpg=PA208&amp;amp;dq='The+Wags+of+Wapping&amp;amp;source=bl&amp;amp;ots=_l6BGbSaMD&amp;amp;sig=hG0de6ohGp3AvaAs-3vzZ3b8JAM&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=0ahUKEwjggbWAscDaAhUrLMAKHbXfDyoQ6AEIXjAO#v=onepage&amp;amp;q='The%20Wags%20of%20Wapping&amp;amp;f=false]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Theatrical times, 1847: p. 208[https://books.google.co.za/books?id=euEIAAAAQAAJ&amp;amp;pg=PA208&amp;amp;lpg=PA208&amp;amp;dq='The+Wags+of+Wapping&amp;amp;source=bl&amp;amp;ots=_l6BGbSaMD&amp;amp;sig=hG0de6ohGp3AvaAs-3vzZ3b8JAM&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=0ahUKEwjggbWAscDaAhUrLMAKHbXfDyoQ6AEIXjAO#v=onepage&amp;amp;q='The%20Wags%20of%20Wapping&amp;amp;f=false]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Facsimile version of the 1846 edition by William Taylor, The Internet Archive[https://archive.org/details/charlessecondorm00payn]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Charles_II,_or_The_Wags_of_Wapping&amp;diff=147623&amp;oldid=prev</id>
		<title>Satj at 04:00, 17 April 2018</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Charles_II,_or_The_Wags_of_Wapping&amp;diff=147623&amp;oldid=prev"/>
		<updated>2018-04-17T04:00:43Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 04:00, 17 April 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The comedy Charles the Second opened in Covent Garden on May 27th 1824, with Charles Kemble as the king.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The comedy Charles the Second opened in Covent Garden on May 27th 1824, with Charles Kemble as the king.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Betty, a French Ballet  version of the comedy Charles the Second by M. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Barrez&lt;/del&gt;, first produced in Paris at the Academie Royale de Musique, as a vehicle for the dancer Sophie Fuoco,  was brought to London as a “grand Ballet” , the  re-production now called The Wags of Wapping.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Betty, a French Ballet  version of the comedy Charles the Second by M. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Mazilier&lt;/ins&gt;, first produced in Paris at the Academie Royale de Musique, as a vehicle for the dancer Sophie Fuoco,  was brought to London as a “grand Ballet” , the  re-production now called &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;The Wags of Wapping&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' (Since the title &amp;quot;Betty&amp;quot; did not work in English) and first performed at the Drury Lane Theatre on 16 November, 1846&lt;/ins&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Illustrated London News, Volume 9 , p. November 1, 1846: p325[https://books.google.co.za/books?id=W9FCAQAAIAAJ&amp;amp;pg=PA325&amp;amp;lpg=PA325&amp;amp;dq='The+Wags+of+Wapping&amp;amp;source=bl&amp;amp;ots=GxTKjx0K5w&amp;amp;sig=bO_fkW8MGzsHciqbwd7_nIbybjQ&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=0ahUKEwjggbWAscDaAhUrLMAKHbXfDyoQ6AEIXDAN#v=onepage&amp;amp;q='The%20Wags%20of%20Wapping&amp;amp;f=false]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Illustrated London News, Volume 9 , p. November 1, 1846: p325[https://books.google.co.za/books?id=W9FCAQAAIAAJ&amp;amp;pg=PA325&amp;amp;lpg=PA325&amp;amp;dq='The+Wags+of+Wapping&amp;amp;source=bl&amp;amp;ots=GxTKjx0K5w&amp;amp;sig=bO_fkW8MGzsHciqbwd7_nIbybjQ&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=0ahUKEwjggbWAscDaAhUrLMAKHbXfDyoQ6AEIXDAN#v=onepage&amp;amp;q='The%20Wags%20of%20Wapping&amp;amp;f=false]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Theatrical times, 1847: p. 208[https://books.google.co.za/books?id=euEIAAAAQAAJ&amp;amp;pg=PA208&amp;amp;lpg=PA208&amp;amp;dq='The+Wags+of+Wapping&amp;amp;source=bl&amp;amp;ots=_l6BGbSaMD&amp;amp;sig=hG0de6ohGp3AvaAs-3vzZ3b8JAM&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=0ahUKEwjggbWAscDaAhUrLMAKHbXfDyoQ6AEIXjAO#v=onepage&amp;amp;q='The%20Wags%20of%20Wapping&amp;amp;f=false]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Theatrical times, 1847: p. 208[https://books.google.co.za/books?id=euEIAAAAQAAJ&amp;amp;pg=PA208&amp;amp;lpg=PA208&amp;amp;dq='The+Wags+of+Wapping&amp;amp;source=bl&amp;amp;ots=_l6BGbSaMD&amp;amp;sig=hG0de6ohGp3AvaAs-3vzZ3b8JAM&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=0ahUKEwjggbWAscDaAhUrLMAKHbXfDyoQ6AEIXjAO#v=onepage&amp;amp;q='The%20Wags%20of%20Wapping&amp;amp;f=false]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Charles_II,_or_The_Wags_of_Wapping&amp;diff=147622&amp;oldid=prev</id>
		<title>Satj: Created page with &quot;   Ballet of 'The Wags of Wapping', at Drury-Lane Theatre, from The Illustrated London News, 21st November 1846.   The comedy Charles the Second opened in Covent Garden on May...&quot;</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Charles_II,_or_The_Wags_of_Wapping&amp;diff=147622&amp;oldid=prev"/>
		<updated>2018-04-17T03:54:57Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;   Ballet of &amp;#039;The Wags of Wapping&amp;#039;, at Drury-Lane Theatre, from The Illustrated London News, 21st November 1846.   The comedy Charles the Second opened in Covent Garden on May...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&lt;br /&gt;
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Ballet of 'The Wags of Wapping', at Drury-Lane Theatre, from The Illustrated London News, 21st November 1846. &lt;br /&gt;
&lt;br /&gt;
The comedy Charles the Second opened in Covent Garden on May 27th 1824, with Charles Kemble as the king. &lt;br /&gt;
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Betty, a French Ballet  version of the comedy Charles the Second by M. Barrez, first produced in Paris at the Academie Royale de Musique, as a vehicle for the dancer Sophie Fuoco,  was brought to London as a “grand Ballet” , the  re-production now called The Wags of Wapping. &lt;br /&gt;
&lt;br /&gt;
The Illustrated London News, Volume 9 , p. November 1, 1846: p325[https://books.google.co.za/books?id=W9FCAQAAIAAJ&amp;amp;pg=PA325&amp;amp;lpg=PA325&amp;amp;dq='The+Wags+of+Wapping&amp;amp;source=bl&amp;amp;ots=GxTKjx0K5w&amp;amp;sig=bO_fkW8MGzsHciqbwd7_nIbybjQ&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=0ahUKEwjggbWAscDaAhUrLMAKHbXfDyoQ6AEIXDAN#v=onepage&amp;amp;q='The%20Wags%20of%20Wapping&amp;amp;f=false]&lt;br /&gt;
&lt;br /&gt;
The Theatrical times, 1847: p. 208[https://books.google.co.za/books?id=euEIAAAAQAAJ&amp;amp;pg=PA208&amp;amp;lpg=PA208&amp;amp;dq='The+Wags+of+Wapping&amp;amp;source=bl&amp;amp;ots=_l6BGbSaMD&amp;amp;sig=hG0de6ohGp3AvaAs-3vzZ3b8JAM&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ved=0ahUKEwjggbWAscDaAhUrLMAKHbXfDyoQ6AEIXjAO#v=onepage&amp;amp;q='The%20Wags%20of%20Wapping&amp;amp;f=false]&lt;/div&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
</feed>