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	<id>https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Cecil_Pym</id>
	<title>Cecil Pym - Revision history</title>
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	<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Cecil_Pym&amp;action=history"/>
	<updated>2026-09-27T04:26:55Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Cecil_Pym&amp;diff=175337&amp;oldid=prev</id>
		<title>Miriamt: /* Contribution to SA theatre, film, media and/or performance */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Cecil_Pym&amp;diff=175337&amp;oldid=prev"/>
		<updated>2019-09-09T15:47:20Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Contribution to SA theatre, film, media and/or performance&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 15:47, 9 September 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot; &gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Contribution to SA theatre, film, media and/or performance==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Contribution to SA theatre, film, media and/or performance==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Among the many productions for which he designed or built sets were ''[[Point of Departure]]'' (1952), ''[[The Middle Watch]]'', ''[[A Woman of No Importance]]'', ''[[The Ascent of F6]]'', ''[[The Tidings Brought to Mary]]'', ''[[The River Line]]'', ''[[Spring 1600]]'', ''[[Berkeley Square]]'', ''[[Lottie Dundass]]'', ''[[Dear Brutus]]'', ''[[Home of the Brave]]'', ''[[Martine]]'', ''[[Captain Carvallo]]'', ''[[Lady Windermere's Fan]]'', ''[[Venus Observed]]'', ''[[I Have Been Here Before]]'', ''[[The Boy David]]'', ''[[The Man of Destiny]]'', ''[[The Critic]]'', ''[[Cockpit]]'', ''[[Uncle Harry]]'', ''[[The Knight of the Burning Pestle]]'', ''[[Le Paquebot Tenacity]]'', ''[[The Firstborn]]'', ''[[Time and the Conways]]'', ''[[Life With Father]]'', ''[[The Apple Cart]]'', ''[[Tiger at the Gates]]'', ''[[Sixteen]]'', ''[[The Lady's not for Burning]]'', ''[[Heartbreak House]]'', ''[[Mrs Warren's Profession]]'', ''[[Major Barbara]]'', ''[[Die Goue Kring]]'', ''[[Salomé Dans!]]'', ''[[The Government Inspector]]'', ''[[The Madwoman of Chaillot]]'', ''[[Gas Light]]'', ''[[Sister Angelica]]'', ''[[The Oresteia]]'', ''[[The Glass Menagerie]]'', ''[[Beauty and the Beast]]'', ''[[Le Bourgeois Gentilhomme]]'', ''[[Eurydice]]'', ''[[The Cherry Orchard]]'', ''[[La Casa de Bernarda Alba|The House of Bernarda Alba]]'' (1951), ''[[Waiting for Godot]]'' (1955-6).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Among the many productions for which he designed or built sets were ''[[Point of Departure]]'' (1952), ''[[The Middle Watch]]'', ''[[A Woman of No Importance]]'', ''[[The Ascent of F6]]'', ''[[The Tidings Brought to Mary]]'', ''[[The River Line]]'', ''[[Spring 1600]]'', ''[[Berkeley Square]]'', ''[[Lottie Dundass]]'', ''[[Dear Brutus]]'', ''[[Home of the Brave]]'', ''[[Martine]]'', ''[[Captain Carvallo]]'', ''[[Lady Windermere's Fan]]'', ''[[Venus Observed]]'', ''[[I Have Been Here Before]]'', ''[[The Boy David]]'', ''[[The Man of Destiny]]'', ''[[The Critic]]'', ''[[Cockpit]]'', ''[[Uncle Harry]]'', ''[[The Knight of the Burning Pestle]]'', ''[[Le Paquebot Tenacity]]'', ''[[The Firstborn]]'', ''[[Time and the Conways]]'', ''[[Life With Father]]'', ''[[The Apple Cart]]'', ''[[Tiger at the Gates]]'', ''[[Sixteen]]'', ''[[The Lady's not for Burning]]'', ''[[Heartbreak House]]'', ''[[Mrs Warren's Profession]]'', ''[[Major Barbara]]'', ''[[Die Goue Kring]]'', ''[[Salomé Dans!]]'', ''[[The Government Inspector]]'', ''[[The Madwoman of Chaillot]]'', ''[[Gas Light]]'', ''[[Sister Angelica]]'', ''[[The Oresteia]]'', ''[[The Glass Menagerie]]'', ''[[Beauty and the Beast]]'', ''[[Le Bourgeois Gentilhomme&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;|The Would-be Gentleman&lt;/ins&gt;]]'' &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(1951)&lt;/ins&gt;, ''[[Eurydice]]'', ''[[The Cherry Orchard]]'', ''[[La Casa de Bernarda Alba|The House of Bernarda Alba]]'' (1951), ''[[Waiting for Godot]]'' (1955-6).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1959 the sets designed by Walter Tillemans in Antwerp for a production of ''[[Der kaukasische Kreidekreis|Caucasian Chalk Circle]]'' was executed under his direction.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1959 the sets designed by Walter Tillemans in Antwerp for a production of ''[[Der kaukasische Kreidekreis|Caucasian Chalk Circle]]'' was executed under his direction.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Miriamt</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Cecil_Pym&amp;diff=175336&amp;oldid=prev</id>
		<title>Miriamt: /* Contribution to SA theatre, film, media and/or performance */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Cecil_Pym&amp;diff=175336&amp;oldid=prev"/>
		<updated>2019-09-09T15:45:38Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Contribution to SA theatre, film, media and/or performance&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 15:45, 9 September 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot; &gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Contribution to SA theatre, film, media and/or performance==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Contribution to SA theatre, film, media and/or performance==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Among the many productions for which he designed or built sets were ''[[Point of Departure]]'' (1952), ''[[The Middle Watch]]'', ''[[A Woman of No Importance]]'', ''[[The Ascent of F6]]'', ''[[The Tidings Brought to Mary]]'', ''[[The River Line]]'', ''[[Spring 1600]]'', ''[[Berkeley Square]]'', ''[[Lottie Dundass]]'', ''[[Dear Brutus]]'', ''[[Home of the Brave]]'', ''[[Martine]]'', ''[[Captain Carvallo]]'', ''[[Lady Windermere's Fan]]'', ''[[Venus Observed]]'', ''[[I Have Been Here Before]]'', ''[[The Boy David]]'', ''[[The Man of Destiny]]'', ''[[The Critic]]'', ''[[Cockpit]]'', ''[[Uncle Harry]]'', ''[[The Knight of the Burning Pestle]]'', ''[[Le Paquebot Tenacity]]'', ''[[The Firstborn]]'', ''[[Time and the Conways]]'', ''[[Life With Father]]'', ''[[The Apple Cart]]'', ''[[Tiger at the Gates]]'', ''[[Sixteen]]'', ''[[The Lady's not for Burning]]'', ''[[Heartbreak House]]'', ''[[Mrs Warren's Profession]]'', ''[[Major Barbara]]'', ''[[Die Goue Kring]]'', ''[[Salomé Dans!]]'', ''[[The Government Inspector]]'', ''[[The Madwoman of Chaillot]]'', ''[[Gas Light]]'', ''[[Sister Angelica]], ''[[The Oresteia]]'', ''[[The Glass Menagerie]]'', ''[[Beauty and the Beast]]'', ''[[Le Bourgeois Gentilhomme]]'', ''[[Eurydice]]'', ''[[The Cherry Orchard]]''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, ''[[Der kaukasische Kreidekreis|Caucasian Chalk Circle]]'' (Walter Tillemans in Antwerp and executed under the direction of Cecil Pym1959)&lt;/del&gt;, ''[[La Casa de Bernarda Alba|The House of Bernarda Alba]]'' (1951), ''[[Waiting for Godot]]'' (1955-6).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Among the many productions for which he designed or built sets were ''[[Point of Departure]]'' (1952), ''[[The Middle Watch]]'', ''[[A Woman of No Importance]]'', ''[[The Ascent of F6]]'', ''[[The Tidings Brought to Mary]]'', ''[[The River Line]]'', ''[[Spring 1600]]'', ''[[Berkeley Square]]'', ''[[Lottie Dundass]]'', ''[[Dear Brutus]]'', ''[[Home of the Brave]]'', ''[[Martine]]'', ''[[Captain Carvallo]]'', ''[[Lady Windermere's Fan]]'', ''[[Venus Observed]]'', ''[[I Have Been Here Before]]'', ''[[The Boy David]]'', ''[[The Man of Destiny]]'', ''[[The Critic]]'', ''[[Cockpit]]'', ''[[Uncle Harry]]'', ''[[The Knight of the Burning Pestle]]'', ''[[Le Paquebot Tenacity]]'', ''[[The Firstborn]]'', ''[[Time and the Conways]]'', ''[[Life With Father]]'', ''[[The Apple Cart]]'', ''[[Tiger at the Gates]]'', ''[[Sixteen]]'', ''[[The Lady's not for Burning]]'', ''[[Heartbreak House]]'', ''[[Mrs Warren's Profession]]'', ''[[Major Barbara]]'', ''[[Die Goue Kring]]'', ''[[Salomé Dans!]]'', ''[[The Government Inspector]]'', ''[[The Madwoman of Chaillot]]'', ''[[Gas Light]]'', ''[[Sister Angelica]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;, ''[[The Oresteia]]'', ''[[The Glass Menagerie]]'', ''[[Beauty and the Beast]]'', ''[[Le Bourgeois Gentilhomme]]'', ''[[Eurydice]]'', ''[[The Cherry Orchard]]'', ''[[La Casa de Bernarda Alba|The House of Bernarda Alba]]'' (1951), ''[[Waiting for Godot]]'' (1955-6)&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;In 1959 the sets designed by Walter Tillemans in Antwerp for a production of ''[[Der kaukasische Kreidekreis|Caucasian Chalk Circle]]'' was executed under his direction&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Miriamt</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Cecil_Pym&amp;diff=175335&amp;oldid=prev</id>
		<title>Miriamt: /* Sources */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Cecil_Pym&amp;diff=175335&amp;oldid=prev"/>
		<updated>2019-09-09T15:43:26Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Sources&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 15:43, 9 September 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l8&quot; &gt;Line 8:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 8:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[ESAT Bibliography I|Inskip, Donald P.]], &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;19	&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[ESAT Bibliography I|Inskip, Donald P.]], &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1972.	&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Theatre programmes of various productions.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Theatre programmes of various productions.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Miriamt</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Cecil_Pym&amp;diff=175334&amp;oldid=prev</id>
		<title>Miriamt at 15:42, 9 September 2019</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Cecil_Pym&amp;diff=175334&amp;oldid=prev"/>
		<updated>2019-09-09T15:42:33Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 15:42, 9 September 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(19*-19*) Long time stage designer and stage carpenter at the [[Little Theatre]] in Cape Town. The son of [[Roland Pym]], who was chief scene painter and builder for [[Leonard Rayne]]. [[Jack Bligh]] brought him along in 1937 to the [[Little Theatre]], where he worked until 1960.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Cecil Pym]] &lt;/ins&gt;(19*-19*)&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. &lt;/ins&gt;Long time stage designer and stage carpenter at the [[Little Theatre]] in Cape Town.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;== Biography ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The son of [[Roland Pym]], who was chief scene painter and builder for [[Leonard Rayne]]. [[Jack Bligh]] brought him along in 1937 to the [[Little Theatre]], where he worked until 1960&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;==Contribution to SA theatre, film, media and/or performance==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Among the many productions for which he designed or built sets were ''[[Point of Departure]]'' (1952), ''[[The Middle Watch]]'', ''[[A Woman of No Importance]]'', ''[[The Ascent of F6]]'', ''[[The Tidings Brought to Mary]]'', ''[[The River Line]]'', ''[[Spring 1600]]'', ''[[Berkeley Square]]'', ''[[Lottie Dundass]]'', ''[[Dear Brutus]]'', ''[[Home of the Brave]]'', ''[[Martine]]'', ''[[Captain Carvallo]]'', ''[[Lady Windermere's Fan]]'', ''[[Venus Observed]]'', ''[[I Have Been Here Before]]'', ''[[The Boy David]]'', ''[[The Man of Destiny]]'', ''[[The Critic]]'', ''[[Cockpit]]'', ''[[Uncle Harry]]'', ''[[The Knight of the Burning Pestle]]'', ''[[Le Paquebot Tenacity]]'', ''[[The Firstborn]]'', ''[[Time and the Conways]]'', ''[[Life With Father]]'', ''[[The Apple Cart]]'', ''[[Tiger at the Gates]]'', ''[[Sixteen]]'', ''[[The Lady's not for Burning]]'', ''[[Heartbreak House]]'', ''[[Mrs Warren's Profession]]'', ''[[Major Barbara]]'', ''[[Die Goue Kring]]'', ''[[Salomé Dans!]]'', ''[[The Government Inspector]]'', ''[[The Madwoman of Chaillot]]'', ''[[Gas Light]]'', ''[[Sister Angelica]], ''[[The Oresteia]]'', ''[[The Glass Menagerie]]'', ''[[Beauty and the Beast]]'', ''[[Le Bourgeois Gentilhomme]]'', ''[[Eurydice]]'', ''[[The Cherry Orchard]]'', ''[[Der kaukasische Kreidekreis|Caucasian Chalk Circle]]'' (Walter Tillemans in Antwerp and executed under the direction of Cecil Pym1959), ''[[La Casa de Bernarda Alba|The House of Bernarda Alba]]'' (1951), ''[[Waiting for Godot]]'' (1955-6)&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;See &lt;/del&gt;Inskip, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;197* [FdV&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;TH]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[ESAT Bibliography I|&lt;/ins&gt;Inskip, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Donald P.]]&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;19	&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Theatre programmes of various productions.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== Return to ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Return to [[ESAT Personalities P]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Return to [[ESAT Personalities P]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Miriamt</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Cecil_Pym&amp;diff=10975&amp;oldid=prev</id>
		<title>Gaerin: Created page with &quot;(19*-19*) Long time stage designer and stage carpenter at the Little Theatre in Cape Town. The son of Roland Pym, who was chief scene painter and builder for [[Leonard Ra...&quot;</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Cecil_Pym&amp;diff=10975&amp;oldid=prev"/>
		<updated>2011-01-10T14:41:42Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;(19*-19*) Long time stage designer and stage carpenter at the &lt;a href=&quot;/index.php/Little_Theatre&quot; title=&quot;Little Theatre&quot;&gt;Little Theatre&lt;/a&gt; in Cape Town. The son of &lt;a href=&quot;/index.php/Roland_Pym&quot; title=&quot;Roland Pym&quot;&gt;Roland Pym&lt;/a&gt;, who was chief scene painter and builder for [[Leonard Ra...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;(19*-19*) Long time stage designer and stage carpenter at the [[Little Theatre]] in Cape Town. The son of [[Roland Pym]], who was chief scene painter and builder for [[Leonard Rayne]]. [[Jack Bligh]] brought him along in 1937 to the [[Little Theatre]], where he worked until 1960. &lt;br /&gt;
&lt;br /&gt;
== Sources ==&lt;br /&gt;
See Inskip, 197* [FdV, TH]&lt;br /&gt;
&lt;br /&gt;
Return to [[ESAT Personalities P]]&lt;br /&gt;
&lt;br /&gt;
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]&lt;br /&gt;
&lt;br /&gt;
Return to [[Main Page]]&lt;/div&gt;</summary>
		<author><name>Gaerin</name></author>
		
	</entry>
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