Cabaret - Revision history

Darryl: /* South African productions */

2025-08-04T16:46:26Z

South African productions

Darryl: /* South African productions */

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South African productions

Satj: /* The term as used in South Africa */

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The term as used in South Africa

Satj: /* The term as used in South Africa */

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The term as used in South Africa

Satj: /* The term as used in South Africa */

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The term as used in South Africa

Satj: /* The term as used in South Africa */

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The term as used in South Africa

Satj: /* Sources */

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Sources

Satj: /* South African productions */

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South African productions

Satj: /* South African productions */

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South African productions

Satj: /* South African productions */

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South African productions

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 == South African productions ==
-: First produced in South African by [[Taubie Kushlick]] in April 1969. Set design by Anthony Farmer. Presented at the [[Brooke Theatre|Brooke]] in 1969. [[Bonnie Walker]] did choreography and it starred [[Amanda Barrie]].
+: First produced in South African by [[Taubie Kushlick]] in April 1969. Set design by [[Anthony Farmer]]. Presented at the [[Brooke Theatre|Brooke]] in 1969. [[Bonnie Walker]] did choreography and it starred [[Amanda Barrie]].
 : Produced by [[ArtsCape]] ([[Nico Theatre]]) , directed by [[Marthinus Basson]], featuring [[Anthea Thompson]] as Sally Bowles, [[Charl-Johan Lingenfelder]], [[Paddy Canavan]], [[Karin van der Laag]], [[June Wells]]. Opened on Saturday, August 26, 1995. Nico Theatre, Cape Town. Musical director: [[Trevor Harper]]. Choreographer: [[Julian Brandon]]. Scenic and costume designer: [[Michael Mitchell]]. Lighting designer: [[Malcolm Hurrell]]. Sound designer: [[Robin Shuttleworth]]. Assistant director: [[Alfred Rietmann]]. Production Manager: [[Marius Golding]]. Stage hands: [[Sidney Savage]], [[Abdullah Douti]], [[Moegamat Cloete]], [[Ricardo Kinnear]], [[Mark Messina]], [[Chris Baatjies]]. [[CAPAB]] Musical Theatre in association with Nedbank.

@@ Line 35: / Line 35: @@
 == South African productions ==
+: First produced in South African by [[Taubie Kushlick]] in April 1969. Set design by Anthony Farmer. Presented at the [[Brooke Theatre|Brooke]] in 1969. [[Bonnie Walker]] did choreography and it starred [[Amanda Barrie]].
 : Produced by [[ArtsCape]] ([[Nico Theatre]]) , directed by [[Marthinus Basson]], featuring [[Anthea Thompson]] as Sally Bowles, [[Charl-Johan Lingenfelder]], [[Paddy Canavan]], [[Karin van der Laag]], [[June Wells]]. Opened on Saturday, August 26, 1995. Nico Theatre, Cape Town. Musical director: [[Trevor Harper]]. Choreographer: [[Julian Brandon]]. Scenic and costume designer: [[Michael Mitchell]]. Lighting designer: [[Malcolm Hurrell]]. Sound designer: [[Robin Shuttleworth]]. Assistant director: [[Alfred Rietmann]]. Production Manager: [[Marius Golding]]. Stage hands: [[Sidney Savage]], [[Abdullah Douti]], [[Moegamat Cloete]], [[Ricardo Kinnear]], [[Mark Messina]], [[Chris Baatjies]]. [[CAPAB]] Musical Theatre in association with Nedbank.

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 In South Africa the form is also referred to by the [[Dutch]]/[[Afrikaans]] name of '''[[Kabaret]]'''.
-[[Cabaret]] came back into prominence as a serious ''political'' form in the 1970s, coinciding with (and possibly inspired by) the influential 1972 film, mainly driven by [[Afrikaans]]-speaking theatre practitioners and eloquently theorized by author and  playwright [[Hennie Aucamp]] (1934-2014), who specifically used the [[Afrikaans]] term [[Kabaret]] to distinguish this form from the more entertainment-oriented [[cabaret]] performances popular with musical performers in the mid 20th century, also in South Africa. Gradually the satirical and political power of the form re-emerged in the country during the periosd of the so-called "[[cultural struggle" , and often shown on the [[festival]] circuit that emerged during the 1980s and grew to substantial proportions over the following two decades.
+[[Cabaret]] came back into prominence as a serious ''political'' form in the 1970s, coinciding with (and possibly inspired by) the influential 1972 film, mainly driven by [[Afrikaans]]-speaking theatre practitioners and eloquently theorized by author and  playwright [[Hennie Aucamp]] (1934-2014), who specifically used the [[Afrikaans]] term '''[[Kabaret]]''' to distinguish this form from the more entertainment-oriented [[cabaret]] performances popular with musical performers in the mid 20th century, also in South Africa. Gradually the satirical and political power of the form re-emerged in the country during the periosd of the so-called "[[cultural struggle" , and often shown on the [[festival]] circuit that emerged during the 1980s and grew to substantial proportions over the following two decades.
 '''See also [[Cabaret in South Africa]]''' and '''[[Music Hall]]'''

@@ Line 10: / Line 10: @@
 In South Africa the form is also referred to by the [[Dutch]]/[[Afrikaans]] name of '''[[Kabaret]]'''.
-[[Cabaret]] came back into prominence as a serious ''political'' form in the 1970s, coinciding with (and possibly inspired by) the influential 1972 film, mainly driven by [[Afrikaans]]-speaking theatre practitioners and eloquently theorized by author and  playwright [[Hennie Aucamp]] ((1934-2014), who specifically used the [[Afrikaans]] term [[Kabaret]] to distinguish this form from the more entertainment-oriented [[cabaret]] performances popular with musical performers in the mid 20th century, also in South Africa. Gradually the satirical and political power of the form re-emerged in the country during the periosd of the so-called "[[cultural struggle" , and often shown on the [[festival]] circuit that emerged during the 1980s and grew to substantial proportions over the following two decades.
+[[Cabaret]] came back into prominence as a serious ''political'' form in the 1970s, coinciding with (and possibly inspired by) the influential 1972 film, mainly driven by [[Afrikaans]]-speaking theatre practitioners and eloquently theorized by author and  playwright [[Hennie Aucamp]] (1934-2014), who specifically used the [[Afrikaans]] term [[Kabaret]] to distinguish this form from the more entertainment-oriented [[cabaret]] performances popular with musical performers in the mid 20th century, also in South Africa. Gradually the satirical and political power of the form re-emerged in the country during the periosd of the so-called "[[cultural struggle" , and often shown on the [[festival]] circuit that emerged during the 1980s and grew to substantial proportions over the following two decades.
 '''See also [[Cabaret in South Africa]]''' and '''[[Music Hall]]'''

@@ Line 10: / Line 10: @@
 In South Africa the form is also referred to by the [[Dutch]]/[[Afrikaans]] name of '''[[Kabaret]]'''.
-[[Cabaret]] came back into prominence as a serious ''political'' form in the 1970s, coinciding with (and possibly inspired by) the influential 1972 film, mainly driven by [[Afrikaans]]-speaking theatre practitioners and eloquently theorized by author and  playwright [[Hennie Aucamp]] (), who specifically used the [[Afrikaans]] term [[Kabaret]] to distinguish this form from the more entertainment-oriented [[cabaret]] performances popular with musical performers in the mid 20th century. Gradually the satirical and political power of the form re-emerged in the country during the periosd of the so-called "[[cultural struggle" , and often shown on the [[festival]] circuit that emerged during the 1980s and grew to substantial proportions over the following two decades.
+[[Cabaret]] came back into prominence as a serious ''political'' form in the 1970s, coinciding with (and possibly inspired by) the influential 1972 film, mainly driven by [[Afrikaans]]-speaking theatre practitioners and eloquently theorized by author and  playwright [[Hennie Aucamp]] ((1934-2014), who specifically used the [[Afrikaans]] term [[Kabaret]] to distinguish this form from the more entertainment-oriented [[cabaret]] performances popular with musical performers in the mid 20th century, also in South Africa. Gradually the satirical and political power of the form re-emerged in the country during the periosd of the so-called "[[cultural struggle" , and often shown on the [[festival]] circuit that emerged during the 1980s and grew to substantial proportions over the following two decades.
 '''See also [[Cabaret in South Africa]]''' and '''[[Music Hall]]'''

← Older revision		Revision as of 17:57, 9 December 2023
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	http://www.artlink.co.za/news_article.htm?contentID=37197		http://www.artlink.co.za/news_article.htm?contentID=37197
		+
		+	https://www.bizcommunity.com/Article/196/429/80453.html

	http://en.wikipedia.org/wiki/Cabaret_(musical)		http://en.wikipedia.org/wiki/Cabaret_(musical)

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 : Staged by the [[Port Elizabeth Gilbert & Sullivan Society]] in 2006, directed by [[Robin Williams]].
-: Produced by [[KickstArt Productions]] at [[Montecasino Theatre]], directed by  [[Steven Stead]] with [[Samantha Peo]], [[Sacha Halbhuber]] , [[Kate Normington]], [[Peter Court]]. Set design by [[Greg King]], costumes by [[Neil Stuart-Harris]], choreography by [[Janine Bennewith]] and lighting by [[Tina le Roux]].
+-12: Produced by [[KickstArt Productions]], directed by  [[Steven Stead]] with [[Samantha Peo]], [[Sacha Halbhuber]] , [[Kate Normington]], [[Peter Court]]. Set design by [[Greg King]], costumes by [[Neil Stuart-Harris]], choreography by [[Janine Bennewith]] and lighting by [[Tina le Roux]]. Having premiered in Durban in August 2011, it then went on tour, with a long run at the [[Montecasino Theatre]] in 2012 and finally playing  at the [[Theatre on the Bay]], Cape Town, in August 2012.
 : Produced by [[Eric Abraham]] and the [[Fugard Theatre]], directed by [[Matthew Wild]], with  [[Charl-Johan Lingenfelder]], [[Claire Taylor]], [[Daniel Buys]], [[Mike Huff]], [[Michele Maxwell]], [[Shannyn Fourie]], [[Ludwig Binge]], [[Matthew Berry]], [[Sven-Eric Müller]], [[Michael Wallace]], [[Lara Lipschitz]], [[Jenna Robinson Child]], [[Delray Burns]], [[Kyle Jardine]], [[Chloe Perling]], [[Pulane Rampoana]] and [[Adrian Galley]]. The technical team included [[Louisa Talbot]] (Choreographer), [[Charl-Johan Lingenfelder]] (Musical Supervisor), [[Mark Malherbe]] (Sound Design), [[Daniel Galloway]] and [[Ben du Plessis]] (Lighting Design), [[Tina Driedijk]] (Set Design) and [[Penny Simpson]] (Costume Design).

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 S. Coltrini - drums/percussion
-: A co-production by the Schools of Music and Dramatic Art of the University of the Witwatersrand was directed by [[Fred Hagemann]] in 1996 presented through special arrangement with [[DALRO]].
+: A co-production by the Schools of Music and Dramatic Art of the [[University of the Witwatersrand]] was directed by [[Fred Hagemann]] in 1996 presented through special arrangement with [[DALRO]].
 : Staged by the [[Port Elizabeth Gilbert & Sullivan Society]] in 2006, directed by [[Robin Williams]].
-: Produced by [[KickstArt Productions]] at [[Montecasino Theatre]], directed by  [[Steven Stead]] with [[Samantha Peo]], [[Sacha Halbhuber]] and [[Kate Normington]]. Set design by [[Greg King]], costumes by [[Neil Stuart-Harris]], choreography by [[Janine Bennewith]] and lighting by [[Tina le Roux]].
+: Produced by [[KickstArt Productions]] at [[Montecasino Theatre]], directed by  [[Steven Stead]] with [[Samantha Peo]], [[Sacha Halbhuber]] , [[Kate Normington]], [[Peter]]. Set design by [[Greg King]], costumes by [[Neil Stuart-Harris]], choreography by [[Janine Bennewith]] and lighting by [[Tina le Roux]].
 : Produced by [[Eric Abraham]] and the [[Fugard Theatre]], directed by [[Matthew Wild]], with  [[Charl-Johan Lingenfelder]], [[Claire Taylor]], [[Daniel Buys]], [[Mike Huff]], [[Michele Maxwell]], [[Shannyn Fourie]], [[Ludwig Binge]], [[Matthew Berry]], [[Sven-Eric Müller]], [[Michael Wallace]], [[Lara Lipschitz]], [[Jenna Robinson Child]], [[Delray Burns]], [[Kyle Jardine]], [[Chloe Perling]], [[Pulane Rampoana]] and [[Adrian Galley]]. The technical team included [[Louisa Talbot]] (Choreographer), [[Charl-Johan Lingenfelder]] (Musical Supervisor), [[Mark Malherbe]] (Sound Design), [[Daniel Galloway]] and [[Ben du Plessis]] (Lighting Design), [[Tina Driedijk]] (Set Design) and [[Penny Simpson]] (Costume Design).