CESAT - Revision history

Satj: Redirected page to Centre for South African Theatre Research

2019-06-03T15:28:50Z

Redirected page to Centre for South African Theatre Research

Centaps: Replaced content with "Acronym for the Centre for South African Theatre Research"

2010-12-07T08:50:06Z

Replaced content with "Acronym for the Centre for South African Theatre Research"

Centaps at 07:04, 18 October 2010

2010-10-18T07:04:26Z

Centaps: /* The dismantling of CESAT */

2010-10-18T07:03:50Z

The dismantling of CESAT

Centaps: /* The CESAT Research */

2010-10-18T07:02:29Z

The CESAT Research

Centaps: /* The Centre for South African Theatre Research (CESAT) */

2010-10-18T06:59:57Z

The Centre for South African Theatre Research (CESAT)

Centaps at 06:40, 18 October 2010

2010-10-18T06:40:00Z

Centaps: /* The Centre for South African Theatre Research (CESAT) */

2010-10-18T06:39:31Z

The Centre for South African Theatre Research (CESAT)

Centaps: Created page with " = The National Documentation Centre for the Performing Arts = = The Centre for South African Theatre Research (CESAT) = An archive and documentation centre as well as a r..."

2010-10-18T06:38:34Z

Created page with " = The National Documentation Centre for the Performing Arts = = The Centre for South African Theatre Research (CESAT) = An archive and documentation centre as well as a r..."

New page

= The National Documentation Centre for the Performing Arts =

= The Centre for South African Theatre Research (CESAT) =

An archive and documentation centre as well as a research facility and clearinghouse housed in the [[Institute for Languages, Literatures and Arts]] of the [[Human Sciences Research Council]]. The centre derives from the '''National Documentation Centre for the Performing Arts''' (1971-1978) discussed above. In 1979, on the retirement of Rinie Stead, the HSRC appointed Temple Hauptfleisch as head and researcher with the commission to expand it into a far more active research centre. It was then renamed CESAT and, while it continued collecting archival material on South African theatre and performance under the curatorship of Astrid Schwenke (née Schüler) and Joey Fourie, the centre now also undertook a number of specific research projects. These include studies by Temple Hauptfleisch and Eunice Reynecke of research methodology in the performing arts (e.g. Hauptfleisch 198* and 198*, Reynecke 198*), studies on the history of theatre (e.g Rinie Stead’s unpublished history of the National Theatre Organisation (1980), Hauptfleisch 1984a, Schwenke, 198*), studies on the sociology of theatre and theatre attendance (e.g Hauptfleisch 198*, 198*, 198*) and source guides on theatre in general and on specific topics (e.g. Viljoen, 198*, Hauptfleisch, Schuler and Van Greunen, 198*). The Centre also undertook focussed research on theatre in education over an extended period, with Paddy Terry and Temple Hauptfleisch as researchers in this field and served as secretariat for the SA Association for Drama and Youth Theatre (SAADYT), editing and publishing the SAADYT Journal for a number of years. Between 1986 - 1987 the Centre also provided the editorial offices for the newly launched South African Theatre Journal (SATJ), edited by Temple Hauptfleisch and Ian Steadman. In 1988 Temple Hauptfleisch left the Centre for an academic position and to found the Centre for Theatre and Performance Studies (CENTAPS) at the University of Stellenbosch Drama Department. Eunice Reynecke briefly took over the headship, but in 1989 the HSRC closed down the centre and transferred the documentation to the National Film Archives in Pretoria. (See also: National Documentation Centre for the Performing Arts) (See Hauptfleisch 1985)

Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]]

Return to [[The ESAT Entries]]

Return to [[Main Page]]

← Older revision		Revision as of 15:28, 3 June 2019
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−	~~Acronym for the~~ [[Centre for South African Theatre Research]]	+	#REDIRECT [[Centre for South African Theatre Research]]

← Older revision		Revision as of 08:50, 7 December 2010
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−	~~= The National Documentation Centre for the Performing Arts =~~	+	Acronym for the [[Centre for South African Theatre Research]]
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−	~~= The Centre for South African Theatre Research (CESAT) =~~
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−	An archive and documentation centre as well as a research facility and clearinghouse housed in the [[Institute for Languages, Literatures and Arts]] of the [[Human Sciences Research Council]]. The centre derives from the '''National Documentation Centre for the Performing Arts''' (1971-1978) discussed above. In 1979, on the retirement of [[Rinie Stead]], the HSRC appointed [[Temple Hauptfleisch]] as head and researcher with the commission to expand it into a far more active research centre. It was then renamed '''CESAT''' and, while it continued collecting archival material on South African theatre and performance under the curatorship of Astrid Schwenke (née Schüler) and [[Joey Fourie]], the centre now also undertook a number of specific research projects.
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−	~~== The CESAT Collection ==~~
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−	~~This refers to the vast collection of theatre materials originally collected by the '''National Documentation Centre~~ for the ~~Performing Arts''' (1971-1979) and continued by the Centre for South African Theatre Research (~~[[~~CESAT]] – 1979-1989) at the [[Human Sciences Research Council]] (HSRC), but transferred to the [[National Film and Video Archives]] in Pretoria in 1989 (See~~ Centre for South African Theatre Research~~.) Later known as the ** collection.~~
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−	~~== The CESAT Research ==~~
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−	The research undertaken included studies by Temple Hauptfleisch and Eunice Reynecke of research methodology in the performing arts (e.g. Hauptfleisch 198* and 198, Reynecke 198), studies on the history of theatre (e.g Rinie Stead’s unpublished history of the National Theatre Organisation (1980), Hauptfleisch 1984a, Schwenke, 198), studies on the sociology of theatre and theatre attendance (e.g Hauptfleisch 198, 198, 198) and source guides on theatre in general and on specific topics (e.g. Viljoen, 198, Hauptfleisch, Schuler and Van Greunen, 198). The Centre also undertook focussed research on theatre in education over an extended period, with Paddy Terry and Temple Hauptfleisch as researchers in this field and served as secretariat for the SA Association for Drama and Youth Theatre (SAADYT), editing and publishing the SAADYT Journal for a number of years. Between 1986 - 1987 the Centre also provided the editorial offices for the newly launched South African Theatre Journal (SATJ), edited by Temple Hauptfleisch and Ian Steadman.
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−	~~== The dismantling of CESAT ==~~
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−
−	In 1988 Temple Hauptfleisch left the Centre for an academic position and to found the Centre for Theatre and Performance Studies (CENTAPS) at the University of Stellenbosch Drama Department. [[Eunice Reynecke]] briefly took over the headship, but in 1989 the HSRC closed down the centre and transferred the documentation to the [[National Film Archives]] in Pretoria. ((See Hauptfleisch 1985) The research impetus moved to the [[University of Stellenbosch]] and its [[Centre for Theatre and Performance Studies]].
−
−	~~=Return to=~~
−
−	~~Return to [[South_African_Theatre/Venues\|South African Theatre Venues, Companies, Societies, etc ]]~~
−
−	~~Return to [[The ESAT Entries]]~~
−
−	~~Return to [[Main Page~~]]

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 = The National Documentation Centre for the Performing Arts =
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 In 1988 Temple Hauptfleisch left the Centre for an academic position and to found the Centre for Theatre and Performance Studies (CENTAPS) at the University of Stellenbosch Drama Department. [[Eunice Reynecke]] briefly took over the headship, but in 1989 the HSRC closed down the centre and transferred the documentation to the [[National Film Archives]] in Pretoria. ((See Hauptfleisch 1985) The research impetus moved to the [[University of Stellenbosch]] and its [[Centre for Theatre and Performance Studies]].
 Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]]

← Older revision		Revision as of 07:03, 18 October 2010
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−	In 1988 Temple Hauptfleisch left the Centre for an academic position and to found the Centre for Theatre and Performance Studies (CENTAPS) at the University of Stellenbosch Drama Department. [[Eunice Reynecke]] briefly took over the headship, but in 1989 the HSRC closed down the centre and transferred the documentation to the [[National Film Archives]] in Pretoria. ((See Hauptfleisch 1985) The research impetus moved to the [[University of Stellenbosch]] and its [[~~CESAT\|~~Centre for Theatre and Performance Studies]].	+	In 1988 Temple Hauptfleisch left the Centre for an academic position and to found the Centre for Theatre and Performance Studies (CENTAPS) at the University of Stellenbosch Drama Department. [[Eunice Reynecke]] briefly took over the headship, but in 1989 the HSRC closed down the centre and transferred the documentation to the [[National Film Archives]] in Pretoria. ((See Hauptfleisch 1985) The research impetus moved to the [[University of Stellenbosch]] and its [[Centre for Theatre and Performance Studies]].

	Return to [[South_African_Theatre/Venues\|South African Theatre Venues, Companies, Societies, etc ]]		Return to [[South_African_Theatre/Venues\|South African Theatre Venues, Companies, Societies, etc ]]

← Older revision		Revision as of 07:02, 18 October 2010
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−	The research undertaken included studies by Temple Hauptfleisch and Eunice Reynecke of research methodology in the performing arts (e.g. Hauptfleisch 198* and 198, Reynecke 198), studies on the history of theatre (e.g Rinie Stead’s unpublished history of the National Theatre Organisation (1980), Hauptfleisch 1984a, Schwenke, 198), studies on the sociology of theatre and theatre attendance (e.g Hauptfleisch 198, 198, 198) and source guides on theatre in general and on specific topics (e.g. Viljoen, 198, Hauptfleisch, Schuler and Van Greunen, 198). The Centre also undertook focussed research on theatre in education over an extended period, with Paddy Terry and Temple Hauptfleisch as researchers in this field and served as secretariat for the SA Association for Drama and Youth Theatre (SAADYT), editing and publishing the SAADYT Journal for a number of years. Between 1986 - 1987 the Centre also provided the editorial offices for the newly launched South African Theatre Journal (SATJ), edited by Temple Hauptfleisch and Ian Steadman. In 1988 Temple Hauptfleisch left the Centre for an academic position and to found the Centre for Theatre and Performance Studies (CENTAPS) at the University of Stellenbosch Drama Department. Eunice Reynecke briefly took over the headship, but in 1989 the HSRC closed down the centre and transferred the documentation to the National Film Archives in Pretoria. (~~See also: National Documentation Centre for the Performing Arts)~~ (See Hauptfleisch 1985)	+	The research undertaken included studies by Temple Hauptfleisch and Eunice Reynecke of research methodology in the performing arts (e.g. Hauptfleisch 198* and 198, Reynecke 198), studies on the history of theatre (e.g Rinie Stead’s unpublished history of the National Theatre Organisation (1980), Hauptfleisch 1984a, Schwenke, 198), studies on the sociology of theatre and theatre attendance (e.g Hauptfleisch 198, 198, 198) and source guides on theatre in general and on specific topics (e.g. Viljoen, 198, Hauptfleisch, Schuler and Van Greunen, 198). The Centre also undertook focussed research on theatre in education over an extended period, with Paddy Terry and Temple Hauptfleisch as researchers in this field and served as secretariat for the SA Association for Drama and Youth Theatre (SAADYT), editing and publishing the SAADYT Journal for a number of years. Between 1986 - 1987 the Centre also provided the editorial offices for the newly launched South African Theatre Journal (SATJ), edited by Temple Hauptfleisch and Ian Steadman.
		+
		+
		+	== The dismantling of CESAT ==
		+
		+
		+	In 1988 Temple Hauptfleisch left the Centre for an academic position and to found the Centre for Theatre and Performance Studies (CENTAPS) at the University of Stellenbosch Drama Department. [[Eunice Reynecke]] briefly took over the headship, but in 1989 the HSRC closed down the centre and transferred the documentation to the [[National Film Archives]] in Pretoria. ((See Hauptfleisch 1985) The research impetus moved to the [[University of Stellenbosch]] and its [[CESAT\|Centre for Theatre and Performance Studies]].

	Return to [[South_African_Theatre/Venues\|South African Theatre Venues, Companies, Societies, etc ]]		Return to [[South_African_Theatre/Venues\|South African Theatre Venues, Companies, Societies, etc ]]

@@ Line 9: / Line 9: @@
 = The Centre for South African Theatre Research (CESAT) =
-An archive and documentation centre as well as a research facility and clearinghouse housed in the [[Institute for Languages, Literatures and Arts]] of the [[Human Sciences Research Council]]. The centre derives from the '''National Documentation Centre for the Performing Arts''' (1971-1978) discussed above. In 1979, on the retirement of [[Rinie Stead]],  the HSRC appointed [[Temple Hauptfleisch]] as head and researcher with the commission to expand it into a far more active  research centre. It was then renamed '''CESAT''' and, while it continued collecting archival material on South African theatre and performance under the curatorship of  Astrid Schwenke (née Schüler) and Joey Fourie, the centre now also undertook a number of specific research projects. These include studies by Temple Hauptfleisch and Eunice Reynecke of research methodology in the performing arts (e.g. Hauptfleisch 198* and 198*, Reynecke 198*), studies on the history of theatre (e.g Rinie Stead’s unpublished history of the National Theatre Organisation (1980), Hauptfleisch 1984a, Schwenke, 198*), studies on the sociology of theatre and theatre attendance (e.g Hauptfleisch 198*, 198*, 198*) and source guides on theatre in general and on specific topics (e.g. Viljoen, 198*, Hauptfleisch, Schuler and Van Greunen, 198*). The Centre also undertook focussed research on theatre in education over an extended period, with Paddy Terry and Temple Hauptfleisch as researchers in this field and served as secretariat for the SA Association for Drama and Youth Theatre (SAADYT), editing and publishing the SAADYT Journal for a number of years. Between 1986 - 1987 the Centre also provided the editorial offices for the newly launched South African Theatre Journal (SATJ), edited by Temple Hauptfleisch and Ian Steadman. In 1988 Temple Hauptfleisch left the Centre for an academic position and to found the Centre for Theatre and Performance Studies (CENTAPS) at the University of Stellenbosch Drama Department. Eunice Reynecke briefly took over the headship, but in 1989 the HSRC closed down the centre and transferred the documentation to the National Film Archives in Pretoria. (See also: National Documentation Centre for the Performing Arts) (See Hauptfleisch 1985)
+An archive and documentation centre as well as a research facility and clearinghouse housed in the [[Institute for Languages, Literatures and Arts]] of the [[Human Sciences Research Council]]. The centre derives from the '''National Documentation Centre for the Performing Arts''' (1971-1978) discussed above. In 1979, on the retirement of [[Rinie Stead]],  the HSRC appointed [[Temple Hauptfleisch]] as head and researcher with the commission to expand it into a far more active  research centre. It was then renamed '''CESAT''' and, while it continued collecting archival material on South African theatre and performance under the curatorship of  Astrid Schwenke (née Schüler) and [[Joey Fourie]], the centre now also undertook a number of specific research projects.
 Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]]

← Older revision		Revision as of 06:40, 18 October 2010
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−

	= The National Documentation Centre for the Performing Arts =		= The National Documentation Centre for the Performing Arts =