Bruce Anderson - Revision history

Darryl: /* Contribution to SA theatre, film, media and/or performance */

2024-02-24T17:15:07Z

Contribution to SA theatre, film, media and/or performance

Miriamt: /* Sources */

2017-07-20T13:39:13Z

Sources

Miriamt at 06:01, 2 March 2017

2017-03-02T06:01:42Z

Miriamt at 14:52, 4 December 2013

2013-12-04T14:52:45Z

Miriamt at 14:24, 1 March 2013

2013-03-01T14:24:32Z

Satj at 07:20, 29 September 2012

2012-09-29T07:20:54Z

Satj at 07:20, 29 September 2012

2012-09-29T07:20:28Z

Satj at 07:20, 29 September 2012

2012-09-29T07:20:07Z

Satj at 07:19, 29 September 2012

2012-09-29T07:19:18Z

Satj at 08:18, 26 April 2012

2012-04-26T08:18:46Z

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 ==Contribution to SA theatre, film, media and/or performance==
-His connection with South Africa started in 1936, when he was a member of the company that toured this country with ''White Horse Inn'', an operetta or musical comedy by Ralph Benatzky and Robert Stolz. He returned in 1937 to join the [[SABC]], establishing a reputation as a producer of radio opera productions and as a solo and operatic singer. After 1938 he collaborated with [[John Connell]] in his ''Music Fortnights'', participating mainly on the operatic side. At the outbreak of war, he joined the First South African Brigade and was transferred to the Mobile Recording Unit, becoming the first South African to be awarded the OBE in recognition of his work as a war correspondent. After the war he was on the staff of the South African Embassy in Rome (1945-47), where he resumed his singing career. In 1947 her returned to South Africa to take over the teaching practice of Margaret Roux, and to participate in Connell's opera seasons as a singer and producer. Until 1950 he was active as a teacher of singing, and as singer-producer in a variety of works, including ''Die Fledermaus'', ''Tannhäuser'' and ''Aida'' (1949), and ''Faust'' and ''Pagliacci'' (1950). He exerted himself for the creation of a National Opera Company and was one of the members of the committee of the National Opera Association formed by Alexander Rota in 1955. In June 1958 he produced Gianni Schicchi, one of the four operas staged at the [[Reps Theatre]] by the federated National Opera Association of South Africa and Die Operavereniging van Suid-Afrika (OPSA). After the creation of the [[Performing Arts Councils]] in 1963, he would also do operatic work for[[ PACT]] and otther organizations.
+His connection with South Africa started in 1936, when he was a member of the company that toured this country with ''[[White Horse Inn]]'', an operetta or musical comedy by Ralph Benatzky and Robert Stolz. He returned in 1937 to join the [[SABC]], establishing a reputation as a producer of radio opera productions and as a solo and operatic singer. After 1938 he collaborated with [[John Connell]] in his ''Music Fortnights'', participating mainly on the operatic side.
-Alongside his operatic work and his radio work, Anderson also became well known as an actor and producer in a variety of theatre productions. For example he worked with the [[Alexander Theatre]] and in 1955 went into partnership with actors [[Marjorie Gordon]] and [[Stuart Brown]] to form [[The Company of  Three]]. Their first production was ''[[Third Person]]'' and was staged at the [[Johannesburg REPS]]. He starred in [[Sandy Wilson]]’s ''[[The Boy Friend]]'' which was staged at the [[Brooke Theatre]] in May 1957. He also featured in the film ''Cry the Beloved Country'' (based on the novel of [[Alan Paton]]).
+At the outbreak of war, he joined the First South African Brigade and was transferred to the Mobile Recording Unit, becoming the first South African to be awarded the OBE in recognition of his work as a war correspondent. After the war he was on the staff of the South African Embassy in Rome (1945-47), where he resumed his singing career.
 == Awards, etc ==

@@ Line 29: / Line 29: @@
 http://saoperasingers.homestead.com/Bruce_Anderson_Bio.html
-[[SACD]] 1973;  ([[SACD|Limelight]] 1975/76.
+[[SACD]] 1973; [[SACD|Limelight]] 1975/76.
 [[ESAT Bibliography Tra-Tz|Tucker]], 1997.

@@ Line 1: / Line 1: @@
-(1905-****).  Actor, baritone, director and producer for opera, theatre and radio. Born in Southport, England and was educated in St Paul's School in London. He studied singing on a scholarship of the Royal Academy of Music under Thomas Meux (1924-27), then further studies in Milan where he made his operatic debut at the Teatro Duse in ''Madama Butterfly''. Back in England, he sang for various opera companies and in broadcasts, as well as in [[Noël Coward]]'s ''[[Bitter Sweet]]'' (New York).
+'''Bruce Anderson''' (1905-****).  Actor, baritone, director and producer for opera, theatre and radio.
 His connection with South Africa started in 1936, when he was a member of the company that toured this country with ''White Horse Inn'', an operetta or musical comedy by Ralph Benatzky and Robert Stolz. He returned in 1937 to join the [[SABC]], establishing a reputation as a producer of radio opera productions and as a solo and operatic singer. After 1938 he collaborated with [[John Connell]] in his ''Music Fortnights'', participating mainly on the operatic side. At the outbreak of war, he joined the First South African Brigade and was transferred to the Mobile Recording Unit, becoming the first South African to be awarded the OBE in recognition of his work as a war correspondent. After the war he was on the staff of the South African Embassy in Rome (1945-47), where he resumed his singing career. In 1947 her returned to South Africa to take over the teaching practice of Margaret Roux, and to participate in Connell's opera seasons as a singer and producer. Until 1950 he was active as a teacher of singing, and as singer-producer in a variety of works, including ''Die Fledermaus'', ''Tannhäuser'' and ''Aida'' (1949), and ''Faust'' and ''Pagliacci'' (1950). He exerted himself for the creation of a National Opera Company and was one of the members of the committee of the National Opera Association formed by Alexander Rota in 1955. In June 1958 he produced Gianni Schicchi, one of the four operas staged at the [[Reps Theatre]] by the federated National Opera Association of South Africa and Die Operavereniging van Suid-Afrika (OPSA). After the creation of the [[Performing Arts Councils]] in 1963, he would also do operatic work for[[ PACT]] and otther organizations.
 Alongside his operatic work and his radio work, Anderson also became well known as an actor and producer in a variety of theatre productions. For example he worked with the [[Alexander Theatre]] and in 1955 went into partnership with actors [[Marjorie Gordon]] and [[Stuart Brown]] to form [[The Company of  Three]]. Their first production was ''[[Third Person]]'' and was staged at the [[Johannesburg REPS]]. He starred in [[Sandy Wilson]]’s ''[[The Boy Friend]]'' which was staged at the [[Brooke Theatre]] in May 1957. He also featured in the film ''Cry the Beloved Country'' (based on the novel of [[Alan Paton]]).
 == Sources ==
@@ Line 9: / Line 29: @@
 http://saoperasingers.homestead.com/Bruce_Anderson_Bio.html
-[[SACD]] 1973;  ([[SACD|Limelight]] 1975/76
+[[SACD]] 1973;  ([[SACD|Limelight]] 1975/76.
-Go to [[South African Theatre/Bibliography]]
+Go to [[ESAT Bibliography]]
 == Return to ==
-Return to [[ESAT Personalities A]]
+Return to [[ESAT Personalities  A]]
 Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]

@@ Line 1: / Line 1: @@
 (1905-****).  Actor, baritone, director and producer for opera, theatre and radio. Born in Southport, England and was educated in St Paul's School in London. He studied singing on a scholarship of the Royal Academy of Music under Thomas Meux (1924-27), then further studies in Milan where he made his operatic debut at the Teatro Duse in ''Madama Butterfly''. Back in England, he sang for various opera companies and in broadcasts, as well as in [[Noël Coward]]'s ''[[Bitter Sweet]]'' (New York).
-His connection with South Africa started in 1936, when he was a member of the company that toured this country with ''[[White Horse Inn]]''. He returned in 1937 to join the [[SABC]], establishing a reputation as a producer of radio opera productions and as a solo and operatic singer. After 1938 he collaborated with [[John Connell]] in his ''Music Fortnights'', participating mainly on the operatic side. At the outbreak of war, he joined the First South African Brigade and was transferred to the Mobile Recording Unit, becoming the first South African to be awarded the OBE in recognition of his work as a war correspondent. After the war he was on the staff of the South African Embassy in Rome (1945-47), where he resumed his singing career. In 1947 her returned to South Africa to take over the teaching practice of Margaret Roux, and to participate in Connell's opera seasons as a singer and producer. Until 1950 he was active as a teacher of singing, and as singer-producer in a variety of works, including ''Die Fledermaus'', ''Tannhäuser'' and ''Aida'' (1949), and ''Faust'' and ''Pagliacci'' (1950). He exerted himself for the creation of a National Opera Company and was one of the members of the committee of the National Opera Association formed by Alexander Rota in 1955. In June 1958 he produced Gianni Schicchi, one of the four operas staged at the [[Reps Theatre]] by the federated National Opera Association of South Africa and Die Operavereniging van Suid-Afrika (OPSA). After the creation of the [[Performing Arts Councils]] in 1963, he would also do operatic work for[[ PACT]] and otther organizations.
+His connection with South Africa started in 1936, when he was a member of the company that toured this country with ''White Horse Inn'', an operetta or musical comedy by Ralph Benatzky and Robert Stolz. He returned in 1937 to join the [[SABC]], establishing a reputation as a producer of radio opera productions and as a solo and operatic singer. After 1938 he collaborated with [[John Connell]] in his ''Music Fortnights'', participating mainly on the operatic side. At the outbreak of war, he joined the First South African Brigade and was transferred to the Mobile Recording Unit, becoming the first South African to be awarded the OBE in recognition of his work as a war correspondent. After the war he was on the staff of the South African Embassy in Rome (1945-47), where he resumed his singing career. In 1947 her returned to South Africa to take over the teaching practice of Margaret Roux, and to participate in Connell's opera seasons as a singer and producer. Until 1950 he was active as a teacher of singing, and as singer-producer in a variety of works, including ''Die Fledermaus'', ''Tannhäuser'' and ''Aida'' (1949), and ''Faust'' and ''Pagliacci'' (1950). He exerted himself for the creation of a National Opera Company and was one of the members of the committee of the National Opera Association formed by Alexander Rota in 1955. In June 1958 he produced Gianni Schicchi, one of the four operas staged at the [[Reps Theatre]] by the federated National Opera Association of South Africa and Die Operavereniging van Suid-Afrika (OPSA). After the creation of the [[Performing Arts Councils]] in 1963, he would also do operatic work for[[ PACT]] and otther organizations.
 Alongside his operatic work and his radio work, Anderson also became well known as an actor and producer in a variety of theatre productions. For example he worked with the [[Alexander Theatre]] and in 1955 went into partnership with actors [[Marjorie Gordon]] and [[Stuart Brown]] to form [[The Company of  Three]]. Their first production was ''[[Third Person]]'' and was staged at the [[Johannesburg REPS]]. He starred in [[Sandy Wilson]]’s ''[[The Boy Friend]]'' which was staged at the [[Brooke Theatre]] in May 1957. He also featured in the film ''Cry the Beloved Country'' (based on the novel of [[Alan Paton]]).

← Older revision		Revision as of 14:24, 1 March 2013
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−	(1905-****). Actor, baritone, director and producer for opera, theatre and radio. Born in Southport, England and was educated in St Paul's School in London. He studied singing on a scholarship of the Royal Academy of Music under Thomas Meux (1924-27), then further studies in Milan where he made his operatic debut at the Teatro Duse in ''Madama Butterfly''. Back in England, he sang for various opera companies and in broadcasts, as well as in [[~~Noel~~ Coward]]'s ''[[Bitter Sweet]]'' (New York).	+	(1905-****). Actor, baritone, director and producer for opera, theatre and radio. Born in Southport, England and was educated in St Paul's School in London. He studied singing on a scholarship of the Royal Academy of Music under Thomas Meux (1924-27), then further studies in Milan where he made his operatic debut at the Teatro Duse in ''Madama Butterfly''. Back in England, he sang for various opera companies and in broadcasts, as well as in [[Noël Coward]]'s ''[[Bitter Sweet]]'' (New York).

	His connection with South Africa started in 1936, when he was a member of the company that toured this country with ''[[White Horse Inn]]''. He returned in 1937 to join the [[SABC]], establishing a reputation as a producer of radio opera productions and as a solo and operatic singer. After 1938 he collaborated with [[John Connell]] in his ''Music Fortnights'', participating mainly on the operatic side. At the outbreak of war, he joined the First South African Brigade and was transferred to the Mobile Recording Unit, becoming the first South African to be awarded the OBE in recognition of his work as a war correspondent. After the war he was on the staff of the South African Embassy in Rome (1945-47), where he resumed his singing career. In 1947 her returned to South Africa to take over the teaching practice of Margaret Roux, and to participate in Connell's opera seasons as a singer and producer. Until 1950 he was active as a teacher of singing, and as singer-producer in a variety of works, including ''Die Fledermaus'', ''Tannhäuser'' and ''Aida'' (1949), and ''Faust'' and ''Pagliacci'' (1950). He exerted himself for the creation of a National Opera Company and was one of the members of the committee of the National Opera Association formed by Alexander Rota in 1955. In June 1958 he produced Gianni Schicchi, one of the four operas staged at the [[Reps Theatre]] by the federated National Opera Association of South Africa and Die Operavereniging van Suid-Afrika (OPSA). After the creation of the [[Performing Arts Councils]] in 1963, he would also do operatic work for[[ PACT]] and otther organizations.		His connection with South Africa started in 1936, when he was a member of the company that toured this country with ''[[White Horse Inn]]''. He returned in 1937 to join the [[SABC]], establishing a reputation as a producer of radio opera productions and as a solo and operatic singer. After 1938 he collaborated with [[John Connell]] in his ''Music Fortnights'', participating mainly on the operatic side. At the outbreak of war, he joined the First South African Brigade and was transferred to the Mobile Recording Unit, becoming the first South African to be awarded the OBE in recognition of his work as a war correspondent. After the war he was on the staff of the South African Embassy in Rome (1945-47), where he resumed his singing career. In 1947 her returned to South Africa to take over the teaching practice of Margaret Roux, and to participate in Connell's opera seasons as a singer and producer. Until 1950 he was active as a teacher of singing, and as singer-producer in a variety of works, including ''Die Fledermaus'', ''Tannhäuser'' and ''Aida'' (1949), and ''Faust'' and ''Pagliacci'' (1950). He exerted himself for the creation of a National Opera Company and was one of the members of the committee of the National Opera Association formed by Alexander Rota in 1955. In June 1958 he produced Gianni Schicchi, one of the four operas staged at the [[Reps Theatre]] by the federated National Opera Association of South Africa and Die Operavereniging van Suid-Afrika (OPSA). After the creation of the [[Performing Arts Councils]] in 1963, he would also do operatic work for[[ PACT]] and otther organizations.

@@ Line 1: / Line 1: @@
 (1905-****).  Actor, baritone, director and producer for opera, theatre and radio. Born in Southport, England and was educated in St Paul's School in London. He studied singing on a scholarship of the Royal Academy of Music under Thomas Meux (1924-27), then further studies in Milan where he made his operatic debut at the Teatro Duse in ''Madama Butterfly''. Back in England, he sang for various opera companies and in broadcasts, as well as in [[Noel Coward]]'s ''[[Bitter Sweet]]'' (New York).
-His connection with South Africa started in 1936, when he was a member of the company that toured this country with ''[[White Horse Inn]]''. He returned in 1937 to join the [[SABC]], establishing a reputation as a producer of radio opera productions and as a solo and operatic singer. After 1938 he collaborated with [[John Connell]] in his ''Music Fortnights'', participating mainly on the operatic side. At the outbreak of war, he joined the First South African Brigade and was transferred to the Mobile Recording Unit, becoming the first South African to be awarded the OBE in recognition of his work as a war correspondent. After the war he was on the staff of the South African Embassy in Rome (1945-47), where he resumed his singing career. In 1947 her returned to South Africa to take over the teaching practice of Margaret Roux, and to participate in Connell's opera seasons as a singer and producer. Until 1950 he was active as a teacher of singing, and as singer-producer in a variety of works, including ''Die Fledermaus'', ''Tannhäuser'' and ''Aida'' (1949), and ''Faust'' and ''Pagliacci'' (1950). He exerted himself for the creation of a National Opera Company and was one of the members of the committee of the National Opera Association formed by Alexander Rota in 1955. In June 1958 he produced Gianni Schicchi, one of the four operas staged at the [[Johannesburg Reps]]   [[Reps Theatre]] by the federated National Opera Association of South Africa and Die Operavereniging van Suid-Afrika (OPSA). After the creation of the Performing Arts Councils in 1963, he would also do operatic work for PACT and otther organizations.
+His connection with South Africa started in 1936, when he was a member of the company that toured this country with ''[[White Horse Inn]]''. He returned in 1937 to join the [[SABC]], establishing a reputation as a producer of radio opera productions and as a solo and operatic singer. After 1938 he collaborated with [[John Connell]] in his ''Music Fortnights'', participating mainly on the operatic side. At the outbreak of war, he joined the First South African Brigade and was transferred to the Mobile Recording Unit, becoming the first South African to be awarded the OBE in recognition of his work as a war correspondent. After the war he was on the staff of the South African Embassy in Rome (1945-47), where he resumed his singing career. In 1947 her returned to South Africa to take over the teaching practice of Margaret Roux, and to participate in Connell's opera seasons as a singer and producer. Until 1950 he was active as a teacher of singing, and as singer-producer in a variety of works, including ''Die Fledermaus'', ''Tannhäuser'' and ''Aida'' (1949), and ''Faust'' and ''Pagliacci'' (1950). He exerted himself for the creation of a National Opera Company and was one of the members of the committee of the National Opera Association formed by Alexander Rota in 1955. In June 1958 he produced Gianni Schicchi, one of the four operas staged at the [[Reps Theatre]] by the federated National Opera Association of South Africa and Die Operavereniging van Suid-Afrika (OPSA). After the creation of the Performing Arts Councils in 1963, he would also do operatic work for PACT and otther organizations.
 Alongside his operatic work and his radio work, Anderson also became well known as an actor and producer in a variety of theatre productions. For example he worked with the [[Alexander Theatre]] and in 1955 went into partnership with actors [[Marjorie Gordon]] and [[Stuart Brown]] to form [[The Company of  Three]]. Their first production was ''[[Third Person]]'' and was staged at the [[Johannesburg REPS]]. He starred in [[Sandy Wilson]]’s ''[[The Boy Friend]]'' which was staged at the [[Brooke Theatre]] in May 1957. He also featured in the film ''Cry the Beloved Country'' (based on the novel of [[Alan Paton]]).

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 (19**-) Actor and producer. * Went into partnership with actors [[Marjorie Gordon]] and [[Stuart Brown]] to form [[The Company of  Three]] in 1955. Their first production was ''[[Third Person]]'' and was staged at the [[Johannesburg REPS]]. He starred in [[Sandy Wilson]]’s ''[[The Boy Friend]]'' which was staged at the [[Brooke Theatre]] in May 1957.
 Return to [[ESAT Personalities A]]
 Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]
 Return to [[Main Page]]