Berdine Grünewald - Revision history

Satj: /* Credits */

2022-04-17T16:16:37Z

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Fogterop at 19:13, 28 May 2019

2019-05-28T19:13:05Z

Miriamt: /* Credits */

2018-04-28T09:21:11Z

Credits

Fogterop at 06:40, 26 April 2018

2018-04-26T06:40:52Z

Fogterop at 16:38, 7 April 2018

2018-04-07T16:38:30Z

Fogterop at 16:30, 7 April 2018

2018-04-07T16:30:59Z

Fogterop at 16:19, 7 April 2018

2018-04-07T16:19:15Z

Fogterop at 16:14, 7 April 2018

2018-04-07T16:14:32Z

Fogterop at 19:32, 30 March 2018

2018-03-30T19:32:07Z

Fogterop at 19:30, 30 March 2018

2018-03-30T19:30:28Z

@@ Line 13: / Line 13: @@
 – ''[[Oom Paul]]'' (Directed by [[Hendrik Hanekom]]) (took over from [[Elsa Fouché]] in 1935),
-– ''[[Erfsonde]''] (Directed by [[Hendrik Hanekom]]),
+– ''[[Erfsonde]]'' (Directed by [[Hendrik Hanekom]]),
 – ''[[Die Geleende Bruid]]'' (Directed by [[Hendrik Hanekom]]),
 – ''[[Generaal de Wet]]'' (Directed by [[Hendrik Hanekom]]),

@@ Line 25: / Line 25: @@
 – ''[[Satansloon]]'' (Directed by [[Pierre de Wet]] for [[Teatergroep]]),
 – ''[[Die Rooi Pruik]]'' (Produced by [[Siegfried Mynhardt]] for [[Die Maskerspelers]] and later taken to North Africa to be performed for South African troops in Cairo),
 – ''[[Hamlet]]'' (Directed by [[Anna Neethling-Pohl]] & [[Siegfried Mynhardt]]),
 – ''[[The Witch]]'' ([[Johannesburg Repertory Society]]),

@@ Line 32: / Line 32: @@
 – ''[[The Devil’s Disciple]]'' (Produced by Ngaio Marsh for British Commonwealth Theatre Company in Sydney),
 – ''[[Six Characters in Search of an Author]]'' (Produced by [[Ruth Oppenheim]] at [[Windmill Theatre]], Johannesburg),
-* - ''[[The immoralist]]'' (Produced by [[Ruth Oppenheim]] at [[Windmill Theatre]], Johannesburg),
+* - ''[[The Immoralist]]'' (Produced by [[Ruth Oppenheim]] at [[Windmill Theatre]], Johannesburg),
 – ''[[Gekonkel in die Nag]]'' ([[National Theatre Organisation]]),
 – ''[[Skrikkeljaar]]'' (Directed by [[Robert Mohr]] for [[National Theatre Organisation]]),

@@ Line 4: / Line 4: @@
 == Biography ==
-Born Berdine Groenewald, Berdine Grünewald was considered by many to have been one of the most attractive women to have appeared on the South African stage.  A classically trained actress, she started her theatrical career at the age of 21 when, in 1935, she took over the role of Esther, originally played by [[Elsa Fouché]], in ''[[Oom Paul]]'', presented by [[Hendrik]] and [[Mathilde Hanekom]]’s touring company.  She stayed with the Hanekoms for three years and then joined [[André Huguenet]] for ''[[Die Kwaksalwer]]'' in 1939 and several other productions.  She also made a number of appearances for the [[Volksteater]] and the [[National Theatre Organisation]].  She and Huguenet remained close and she played Ophelia opposite him in his Afrikaans-language version of ''[[Hamlet]]'' in 1947 and as Lady Macduff in ''[[Macbeth]]'' in 1950.  In 1951 she visited Australia with the British Commonwealth Theatre Company and in 1955 worked with [[Ruth Oppenheim]] at Johannesburg’s [[Windmill Theatre]].  Her last stage performance in South Africa was in ''[[Die Dame met die Kamelias]]'' in 1966.
+Born Anne Bernadine Groenewald, Berdine Grünewald was considered by many to have been one of the most attractive women to have appeared on the South African stage.  A classically trained actress, she started her theatrical career at the age of 21 when, in 1935, she took over the role of Esther, originally played by [[Elsa Fouché]], in ''[[Oom Paul]]'', presented by [[Hendrik]] and [[Mathilde Hanekom]]’s touring company.  She stayed with the Hanekoms for three years and then joined [[André Huguenet]] for ''[[Die Kwaksalwer]]'' in 1939 and several other productions.  She also made a number of appearances for the [[Volksteater]] and the [[National Theatre Organisation]].  She and Huguenet remained close and she played Ophelia opposite him in his Afrikaans-language version of ''[[Hamlet]]'' in 1947 and as Lady Macduff in ''[[Macbeth]]'' in 1950.  In 1951 she visited Australia with the British Commonwealth Theatre Company and in 1955 worked with [[Ruth Oppenheim]] at Johannesburg’s [[Windmill Theatre]].  Her last stage performance in South Africa was in ''[[Die Dame met die Kamelias]]'' in 1966.
-In 1960 she married the American playwright, screenwriter and popular/controversial science writer Robert Ardrey and as Berdine Ardrey illustrated three of his books on the science of human origins: African Genesis (1961), The Territorial Imperative (1966) and The Social Contract (1970).  They initially settled in Rome’s Trastevere neighbourhood and 1977 came back to South Africa to live in Kalk Bay.  Robert died there in 1980 and Berdine in 1994.
+In 1939 she married Barend Botha, a medical practitioner, but this marriage may have ended in divorce.  Then, in 1960 she married the American playwright, screenwriter and popular/controversial science writer Robert Ardrey and as Berdine Ardrey illustrated three of his books on the science of human origins: African Genesis (1961), The Territorial Imperative (1966) and The Social Contract (1970).  They initially settled in Rome’s Trastevere neighbourhood and 1977 came back to South Africa to live in Kalk Bay.  Robert died there in 1980 and Berdine in 1994.
 == Credits ==

← Older revision		Revision as of 16:38, 7 April 2018
Line 45:		Line 45:
	Together with the likes of [[Hendrik Hanekom]], [[Mathilde Hanekom]], [[Antonius Ferreira]], [[Jacques Lochner]] and [[Johann Lubbe]] she acted in ''[[Tamboere in die Nag]]'', the first Afrikaans radio series adapted from the detective story ''[[Die Skerpioen]]'' by [[Hendrik Brand]].		Together with the likes of [[Hendrik Hanekom]], [[Mathilde Hanekom]], [[Antonius Ferreira]], [[Jacques Lochner]] and [[Johann Lubbe]] she acted in ''[[Tamboere in die Nag]]'', the first Afrikaans radio series adapted from the detective story ''[[Die Skerpioen]]'' by [[Hendrik Brand]].

		+	== Sources ==
		+
		+	Binge, L.W.B. - Ontwikkeling van die Afrikaanse toneel (1932 tot 1950) (1969)
		+
		+	Botha, Danie - Voetligte & applous!: die beginjare van die Afrikaanse beroepstoneel (2006)
		+
		+	Le Roux, André I. & Fourie, Lilla – Filmverlede: geskiedenis van die Suid-Afrikaanse speelfilm (1982)
		+
		+	Minnaar-Vos, Anna - Die spel gaan voort: die verhaal van Hendrik en Mathilde Hanekom (1969)

	== Return to ==		== Return to ==

@@ Line 12: / Line 12: @@
 '''Theatre'''
-– Oom Paul (Directed by Hendrik Hanekom) (took over from Elsa Fouché in 1935),
+– ''[[Oom Paul]]'' (Directed by [[Hendrik Hanekom]]) (took over from [[Elsa Fouché]] in 1935),
-– Erfsonde (Directed by Hendrik Hanekom),
+– ''[[Erfsonde]''] (Directed by [[Hendrik Hanekom]]),
-– Die Geleende Bruid (Directed by Hendrik Hanekom),
+– ''[[Die Geleende Bruid]]'' (Directed by [[Hendrik Hanekom]]),
-– Generaal de Wet (Directed by Hendrik Hanekom),
+– ''[[Generaal de Wet]]'' (Directed by [[Hendrik Hanekom]]),
-– Deugniet en Korrelkop (Directed by Hendrik Hanekom),
+– ''[[Deugniet en Korrelkop]]'' (Directed by [[Hendrik Hanekom]]),
-– Nita die Danseres (D.K.T. Teaters),
+– ''[[Nita die Danseres]]'' ([[D.K.T. Teaters]]),
-– Die Kwaksalwer (Directed by André Huguenet),
+– ''[[Die Kwaksalwer]]'' (Directed by [[André Huguenet]]),
-– Die Tweede Grieta (Directed by André Huguenet),
+– ''[[Die Tweede Grieta]]'' (Directed by [[André Huguenet]]),
-– As Mure Kan Praat (Directed by André Huguenet),
+– ''[[As Mure Kan Praat]]'' (Directed by [[André Huguenet]]),
-– Lenie (Directed by Anna Neethling-Pohl for Volksteater),
+– ''[[Lenie]]'' (Directed by [[Anna Neethling-Pohl]] for [[Volksteater]]),
-– Maria Stuart (Directed by Anna Neethling-Pohl for Volksteater),
+– ''[[Maria Stuart]]'' (Directed by [[Anna Neethling-Pohl]] for [[Volksteater]]),
-– Satansloon (Directed by Pierre de Wet for Teatergroep),
+– ''[[Satansloon]]'' (Directed by [[Pierre de Wet]] for [[Teatergroep]]),
-– Die Rooi Pruik (Produced by Siegfried Mynhardt for Die Maskerspelers and later taken to North Africa to be performed for South African troops in Cairo),
+– ''[[Die Rooi Pruik]]'' (Produced by [[Siegfried Mynhardt]] for [[Die Maskerspelers]] and later taken to North Africa to be performed for South African troops in Cairo),
-– Hamlet (Directed by Anna Neethling-Pohl & Siegfried Mynhardt),
+– ''[[Hamlet]]'' (Directed by [[Anna Neethling-Pohl]] & [[Siegfried Mynhardt]]),
-– The Witch (Johannesburg Repertory Society),
+– ''[[The Witch]]'' ([[Johannesburg Repertory Society]]),
-– Minnaar onder die wapen (Directed by Marda Vanne for National Theatre Organisation),
+– ''[[Minnaar Onder die Wapen]]'' (Directed by [[Marda Vanne]] for [[National Theatre Organisation]]),
-– Die Indringer (Directed by Siegfried Mynhardt for National Theatre Organisation),
+– ''[[Die Indringer]]'' (Directed by [[Siegfried Mynhardt]] for [[National Theatre Organisation]]),
-– Macbeth (Produced in Afrikaans by Gwen ffrangcon-Davies for National Theatre Organisation),
+– ''[[Macbeth]]'' (Produced in Afrikaans by [[Gwen ffrangcon-Davies]] for [[National Theatre Organisation]]),
-– The Devil’s Disciple (Produced by Ngaio Marsh for British Commonwealth Theatre Company in Sydney),
+– ''[[The Devil’s Disciple]]'' (Produced by Ngaio Marsh for British Commonwealth Theatre Company in Sydney),
-– Six Characters in Search of an Author (Produced by Ruth Oppenheim at Windmill Theatre, Johannesburg),
+– ''[[Six Characters in Search of an Author]]'' (Produced by [[Ruth Oppenheim]] at [[Windmill Theatre]], Johannesburg),
-* - The immoralist (Produced by Ruth Oppenheim at Windmill Theatre, Johannesburg),
+* - ''[[The immoralist]]'' (Produced by [[Ruth Oppenheim]] at [[Windmill Theatre]], Johannesburg),
-– Gekonkel in die Nag (National Theatre Organisation),
+– ''[[Gekonkel in die Nag]]'' ([[National Theatre Organisation]]),
-– Skrikkeljaar (Directed by Robert Mohr for National Theatre Organisation),
+– ''[[Skrikkeljaar]]'' (Directed by [[Robert Mohr]] for [[National Theatre Organisation]]),
-- Die Dame met die Kamelias (Directed by René Clermont for CAPAB).
+- ''[[Die Dame met die Kamelias]]'' (Directed by [[René Clermont]] for [[CAPAB]]).
 '''Film'''

← Older revision		Revision as of 16:19, 7 April 2018
Line 7:		Line 7:

	In 1960 she married the American playwright, screenwriter and popular/controversial science writer Robert Ardrey and as Berdine Ardrey illustrated three of his books on the science of human origins: African Genesis (1961), The Territorial Imperative (1966) and The Social Contract (1970). They initially settled in Rome’s Trastevere neighbourhood and 1977 came back to South Africa to live in Kalk Bay. Robert died there in 1980 and Berdine in 1994.		In 1960 she married the American playwright, screenwriter and popular/controversial science writer Robert Ardrey and as Berdine Ardrey illustrated three of his books on the science of human origins: African Genesis (1961), The Territorial Imperative (1966) and The Social Contract (1970). They initially settled in Rome’s Trastevere neighbourhood and 1977 came back to South Africa to live in Kalk Bay. Robert died there in 1980 and Berdine in 1994.
		+
		+	== Credits ==
		+
		+	'''Theatre'''
		+
		+	1934 – Oom Paul (Directed by Hendrik Hanekom) (took over from Elsa Fouché in 1935),
		+	1936 – Erfsonde (Directed by Hendrik Hanekom),
		+	1937 – Die Geleende Bruid (Directed by Hendrik Hanekom),
		+	1937 – Generaal de Wet (Directed by Hendrik Hanekom),
		+	1938 – Deugniet en Korrelkop (Directed by Hendrik Hanekom),
		+	1938 – Nita die Danseres (D.K.T. Teaters),
		+	1939 – Die Kwaksalwer (Directed by André Huguenet),
		+	1939 – Die Tweede Grieta (Directed by André Huguenet),
		+	1940 – As Mure Kan Praat (Directed by André Huguenet),
		+	1941 – Lenie (Directed by Anna Neethling-Pohl for Volksteater),
		+	1941 – Maria Stuart (Directed by Anna Neethling-Pohl for Volksteater),
		+	1942 – Satansloon (Directed by Pierre de Wet for Teatergroep),
		+	1945 – Die Rooi Pruik (Produced by Siegfried Mynhardt for Die Maskerspelers and later taken to North Africa to be performed for South African troops in Cairo),
		+	1947 – Hamlet (Directed by Anna Neethling-Pohl & Siegfried Mynhardt),
		+	1948 – The Witch (Johannesburg Repertory Society),
		+	1949 – Minnaar onder die wapen (Directed by Marda Vanne for National Theatre Organisation),
		+	1949 – Die Indringer (Directed by Siegfried Mynhardt for National Theatre Organisation),
		+	1950 – Macbeth (Produced in Afrikaans by Gwen ffrangcon-Davies for National Theatre Organisation),
		+	1951 – The Devil’s Disciple (Produced by Ngaio Marsh for British Commonwealth Theatre Company in Sydney),
		+	1955 – Six Characters in Search of an Author (Produced by Ruth Oppenheim at Windmill Theatre, Johannesburg),
		+	195* - The immoralist (Produced by Ruth Oppenheim at Windmill Theatre, Johannesburg),
		+	1956 – Gekonkel in die Nag (National Theatre Organisation),
		+	1958 – Skrikkeljaar (Directed by Robert Mohr for National Theatre Organisation),
		+	1966 - Die Dame met die Kamelias (Directed by René Clermont for CAPAB).
		+
		+	'''Film'''
		+
		+	She only acted in a few films. She played, uncredited, in [[Zoltan Korda]]’s film version of ''[[Cry, the Beloved Country]]'' (1951), acted in [[Bladon Peake]]’s ''[[Inspan]]'' (1953) and was in the now totally forgotten ''[[Die Leeu van Punda Maria]]'' (1954), made on 16mm by [[Gerrie Snyman]].
		+
		+	'''Radio'''
		+
		+	Together with the likes of [[Hendrik Hanekom]], [[Mathilde Hanekom]], [[Antonius Ferreira]], [[Jacques Lochner]] and [[Johann Lubbe]] she acted in ''[[Tamboere in die Nag]]'', the first Afrikaans radio series adapted from the detective story ''[[Die Skerpioen]]'' by [[Hendrik Brand]].

← Older revision		Revision as of 16:14, 7 April 2018
Line 1:		Line 1:

−	~~See~~ [[~~Grünewald~~, ~~Berdine\|Berdine~~ ~~Grünewald~~]]	+	'''Berdine Grünewald''' (b. 15/08/1914 – d. 07/08/1994) was an actress and illustrator.
		+
		+	== Biography ==
		+
		+	Born Berdine Groenewald, Berdine Grünewald was considered by many to have been one of the most attractive women to have appeared on the South African stage. A classically trained actress, she started her theatrical career at the age of 21 when, in 1935, she took over the role of Esther, originally played by [[Elsa Fouché]], in ''[[Oom Paul]]'', presented by [[Hendrik]] and [[Mathilde Hanekom]]’s touring company. She stayed with the Hanekoms for three years and then joined [[André Huguenet]] for ''[[Die Kwaksalwer]]'' in 1939 and several other productions. She also made a number of appearances for the [[Volksteater]] and the [[National Theatre Organisation]]. She and Huguenet remained close and she played Ophelia opposite him in his Afrikaans-language version of ''[[Hamlet]]'' in 1947 and as Lady Macduff in ''[[Macbeth]]'' in 1950. In 1951 she visited Australia with the British Commonwealth Theatre Company and in 1955 worked with [[Ruth Oppenheim]] at Johannesburg’s [[Windmill Theatre]]. Her last stage performance in South Africa was in ''[[Die Dame met die Kamelias]]'' in 1966.
		+
		+	In 1960 she married the American playwright, screenwriter and popular/controversial science writer Robert Ardrey and as Berdine Ardrey illustrated three of his books on the science of human origins: African Genesis (1961), The Territorial Imperative (1966) and The Social Contract (1970). They initially settled in Rome’s Trastevere neighbourhood and 1977 came back to South Africa to live in Kalk Bay. Robert died there in 1980 and Berdine in 1994.
		+

	== Return to ==		== Return to ==

← Older revision		Revision as of 19:32, 30 March 2018
Line 1:		Line 1:

−	See [[Berdine Grünewald]]	+	See [[Grünewald, Berdine\|Berdine Grünewald]]

	== Return to ==		== Return to ==

← Older revision		Revision as of 19:30, 30 March 2018
Line 1:		Line 1:

−	See [[Berdine Grünewald]]	+	See [[Berdine Grünewald]]

	== Return to ==		== Return to ==