Background, origins and history - Revision history

Satj: /* 2010-2011: The birth of ESAT */

2021-05-28T08:31:54Z

2010-2011: The birth of ESAT

Satj: /* 2012-2013: The expansion of ESAT */

2014-03-15T15:00:18Z

2012-2013: The expansion of ESAT

Satj: /* 2012-2013: The expansion of ESAT */

2014-03-15T14:56:21Z

2012-2013: The expansion of ESAT

Satj: /* 2012-2013: The expansion of ESAT */

2014-03-15T14:55:28Z

2012-2013: The expansion of ESAT

Satj at 14:54, 15 March 2014

2014-03-15T14:54:09Z

Satj at 14:52, 15 March 2014

2014-03-15T14:52:39Z

Satj: /* 2012-2013: The expansion of ESAT */

2014-03-15T14:52:00Z

2012-2013: The expansion of ESAT

Satj at 14:50, 15 March 2014

2014-03-15T14:50:36Z

Satj at 14:47, 15 March 2014

2014-03-15T14:47:34Z

Satj: /* The History of ESAT */

2014-03-15T14:39:25Z

The History of ESAT

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 == 2010-2011: The birth of ESAT ==
-In May 2010 a meeting was held with Ms [[Ina Smith]] head of [[SUNScholar]] and Mr [[Hilton Gibson]] IT specialist for the [[J.S. Gericke Library]], to create a website for The [[Encyclopaedia of South African Theatre and Performance]] (ESAT). This would form part of the University of Stellenbosch's [[Libopedia]] programme. The various templates were now developed, the staff were trained and transferal of the data to the [[ESAT]] file began in July 2010.
+In May 2010 a meeting was held with Ms [[Ina Smith]] head of [[SUNScholar]] and Mr [[Hilton Gibson]] IT specialist for the [[J.S. Gericke Library]], to create a website for The [[Encyclopaedia of South African Theatre and Performance]] (ESAT). The various templates were now developed, the staff were trained and transferal of the data to the [[ESAT]] file began in July 2010.
 The new online version of [[COMSAT]], now called [[ESAT]],  was conceived as a means of "publishing" all that material online, and thus making the results of all existing and emerging academic and other research more readily accessible to the general reader and the theatre enthusiast nationally and internationally. In this sense the basic aim is rather to condense and collate ''available'' information on all [[South African]] theatre and performance forms (as far as they have been documented) in one place and in a handy and accessible digital format, rather than to undertake any comprehensive new research. Happily a great deal of little known and/or forgotten information has in fact come to the fore in the process, and much is still being discovered as the project grows. However, that was never - nor is it - the fundamental aim of this first version of [[ESAT]].

@@ Line 32: / Line 32: @@
 == 2012-2013: The expansion of ESAT ==
-In 2012-2013 the scope of the ESAT Project was considerably enlarged by two crucial factors. In 2012 a meeting was held with [[Marisa Keuris]] and members of her archival project called [[SA Drama- en teaterbewaring]]  ("SA Drama and Theatre Conservation"), which aims at creating a digital archive of materials on South African theatre, in association with similar international archives, such as . This association means that the [[ESAT]] project and the [[SADET]] project become partners, sharing information and each supporting and supplementing the other. Discussions on this matters continued into 2013. In 2013 another expansion took place, when film specialist [[Freddy Ogterop]] approached the project team to suggest that we expand the scope of [[ESAT]] to include [[South African Film]]. This discussion led to the idea that perhaps [[Radio Drama]] and [[Television drama|TV Drama]] may also be added to the scope of [[ESAT]]. Ogterop declared himself willing to join the research team and be the editor for the film section. This was immediately implemented, and the title of the project provisionally changed, even though the implications of these ideas are still being investigated.
+In 2012-2013, besides the continued uploading of new material and editing of the existing material, the scope of the ESAT Project was considerably enlarged by two crucial meetings:
-Besides the continued uploading of new material and editing of the existing material, three events of major importance occurred in this period.
+In 2012 a meeting was held with [[Marisa Keuris]] and members of her archival project called [[SA Drama- en teaterbewaring]]  ("SA Drama and Theatre Conservation"), which aims at creating a digital archive of materials on South African theatre, in association with similar international archives, such as . This association means that the [[ESAT]] project and the [[SADET]] project become partners, sharing information and each supporting and supplementing the other. Discussions on this matters continued into 2013.
 (1) The scope of the Encyclopaedia expanded radically to include [[film]], [[media]] and [[performance]],  and led to a restructuring of virtually the entire online publication. The editorial board finally decided to rename the project the [[Encyclopaedia of South African Theatre, Film, Media and Performance]] (but retaining [[ESAT]] as the acronym). In addition, provision was now made for three sub-editors, one each for [[Theatre]] and [[Performance]]; [[Film]]; and [[Media]].

@@ Line 40: / Line 40: @@
 (2) A number of templates were developed tested and finalised for writing entries for the various sections of the encylopaedia (see [[ESAT Templates]]), not only to facilitate writing, uploading and editing of entries, but also for use in training new research associates, and to serve as guidelines for the growing number of contributors submitting material to the encyclopaedia.
-(3) The ESAT project began to collaborate with other programmes (e.g.  "[[SA Drama and Theatre Heritage]]", a project launched by [[Marisa Keuris]] and her research team at [[UNISA]]), as part of a national initiative to devise a strategy for the long-term preservation of theatre materials in South Africa.
+(3) The ESAT project began to collaborate formally with the "[[SA Drama and Theatre Heritage]]" project at [[UNISA]]), as part of a national initiative to devise a strategy for the long-term preservation of theatre materials in South Africa.
 == Return to ==

@@ Line 36: / Line 36: @@
 Besides the continued uploading of new material and editing of the existing material, three events of major importance occurred in this period.
-(1) The scope of the Encyclopaedia expanded radically to include [[film]], [[media]] and [[performance]]. This occurred as the result of a request from film specialist [[Freddy Ogterop]], to become a part of the project and to upload his large digital database on [[South African film]] (narrative and documentary film) onto the ESAT website, for use by researchers. This offer was eagerly accepted by the research team and after much discussion and experimentation led to a significant change in the name and scope of the project, and a restructuring of virtually the entire online publication. The editorial board finally decided to rename the project the [[Encyclopaedia of South African Theatre, Film, Media and Performance]] (but retaining [[ESAT]] as the acronym). In addition, provision was now made for three sub-editors, one each for [[Theatre]] and [[Performance]]; [[Film]]; and [[Media]].
+(1) The scope of the Encyclopaedia expanded radically to include [[film]], [[media]] and [[performance]],  and led to a restructuring of virtually the entire online publication. The editorial board finally decided to rename the project the [[Encyclopaedia of South African Theatre, Film, Media and Performance]] (but retaining [[ESAT]] as the acronym). In addition, provision was now made for three sub-editors, one each for [[Theatre]] and [[Performance]]; [[Film]]; and [[Media]].
 (2) A number of templates were developed tested and finalised for writing entries for the various sections of the encylopaedia (see [[ESAT Templates]]), not only to facilitate writing, uploading and editing of entries, but also for use in training new research associates, and to serve as guidelines for the growing number of contributors submitting material to the encyclopaedia.
 (3) The ESAT project began to collaborate with other programmes (e.g.  "[[SA Drama and Theatre Heritage]]", a project launched by [[Marisa Keuris]] and her research team at [[UNISA]]), as part of a national initiative to devise a strategy for the long-term preservation of theatre materials in South Africa.
 == Return to ==

@@ Line 1: / Line 1: @@
-== Preamble ==
+== 1979-1989: Background and origins ==
 == 1990-2010: COMSAT ==
 The project proper began as a research and documentation project, [[A Companion to South African Theatre and Performance (COMSAT)]] which was  originally conceived and initiated by [[Temple Hauptfleisch]] in 1994, when he founded the [[Centre for Theatre and Performance Studies]] at the [[University of Stellenbosch]]. The aim was to involve a range of  researchers and students to compile a general reference work on [[South African theatre]] and performance which would make the results of academic and other research more readily accessible to the general reader and the theatre enthusiast. In this sense the basic aim was rather to condense and collate available information on all South African theatre and performance forms (as far as they have been documented) in a single volume and in a handy format, rather than undertake any comprehensive new research. A key model for this project was Phyllis Hartnoll’s famous ''Oxford Companion to the Theatre''.
@@ Line 25: / Line 22: @@
-=== 2010-2011: The birth of ESAT ===
+== 2010-2011: The birth of ESAT ==
 In May 2010 a meeting was held with Ms [[Ina Smith]] head of [[SUNScholar]] and Mr [[Hilton Gibson]] IT specialist for the [[J.S. Gericke Library]], to create a website for The [[Encyclopaedia of South African Theatre and Performance]] (ESAT). This would form part of the University of Stellenbosch's [[Libopedia]] programme. The various templates were now developed, the staff were trained and transferal of the data to the [[ESAT]] file began in July 2010.
@@ Line 33: / Line 30: @@
 In this period the bulk of the original material was transferred to the new [[ESAT]] website by a number of student-assistants and Ms [[Miriam Terblanche]], the project's research assistant and administrator. The entries were uploaded as they were, unedited as yet. The website was initially kept closed to outsiders, in order to facilitate the process of uploading material. However, at the end of 2011, the University opened up the website to readers and internet users, and a circular was sent out to alert potential users of its existence and inviting their help in expanding, correcting and improving the resource.
-=== 2012-2013: The expansion of ESAT ===
+== 2012-2013: The expansion of ESAT ==
 In 2012-2013 the scope of the ESAT Project was considerably enlarged by two crucial factors. In 2012 a meeting was held with [[Marisa Keuris]] and members of her archival project called [[SA Drama- en teaterbewaring]]  ("SA Drama and Theatre Conservation"), which aims at creating a digital archive of materials on South African theatre, in association with similar international archives, such as . This association means that the [[ESAT]] project and the [[SADET]] project become partners, sharing information and each supporting and supplementing the other. Discussions on this matters continued into 2013. In 2013 another expansion took place, when film specialist [[Freddy Ogterop]] approached the project team to suggest that we expand the scope of [[ESAT]] to include [[South African Film]]. This discussion led to the idea that perhaps [[Radio Drama]] and [[Television drama|TV Drama]] may also be added to the scope of [[ESAT]]. Ogterop declared himself willing to join the research team and be the editor for the film section. This was immediately implemented, and the title of the project provisionally changed, even though the implications of these ideas are still being investigated.
@@ Line 44: / Line 41: @@
 (3) The ESAT project began to collaborate with other programmes (e.g.  "[[SA Drama and Theatre Heritage]]", a project launched by [[Marisa Keuris]] and her research team at [[UNISA]]), as part of a national initiative to devise a strategy for the long-term preservation of theatre materials in South Africa.
 '''Return to [[Main Page]]'''

← Older revision		Revision as of 14:52, 15 March 2014
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	In 2012-2013 the scope of the ESAT Project was considerably enlarged by two crucial factors. In 2012 a meeting was held with [[Marisa Keuris]] and members of her archival project called [[SA Drama- en teaterbewaring]] ("SA Drama and Theatre Conservation"), which aims at creating a digital archive of materials on South African theatre, in association with similar international archives, such as . This association means that the [[ESAT]] project and the [[SADET]] project become partners, sharing information and each supporting and supplementing the other. Discussions on this matters continued into 2013. In 2013 another expansion took place, when film specialist [[Freddy Ogterop]] approached the project team to suggest that we expand the scope of [[ESAT]] to include [[South African Film]]. This discussion led to the idea that perhaps [[Radio Drama]] and [[Television drama\|TV Drama]] may also be added to the scope of [[ESAT]]. Ogterop declared himself willing to join the research team and be the editor for the film section. This was immediately implemented, and the title of the project provisionally changed, even though the implications of these ideas are still being investigated.		In 2012-2013 the scope of the ESAT Project was considerably enlarged by two crucial factors. In 2012 a meeting was held with [[Marisa Keuris]] and members of her archival project called [[SA Drama- en teaterbewaring]] ("SA Drama and Theatre Conservation"), which aims at creating a digital archive of materials on South African theatre, in association with similar international archives, such as . This association means that the [[ESAT]] project and the [[SADET]] project become partners, sharing information and each supporting and supplementing the other. Discussions on this matters continued into 2013. In 2013 another expansion took place, when film specialist [[Freddy Ogterop]] approached the project team to suggest that we expand the scope of [[ESAT]] to include [[South African Film]]. This discussion led to the idea that perhaps [[Radio Drama]] and [[Television drama\|TV Drama]] may also be added to the scope of [[ESAT]]. Ogterop declared himself willing to join the research team and be the editor for the film section. This was immediately implemented, and the title of the project provisionally changed, even though the implications of these ideas are still being investigated.
−
−	~~===2012-2014===~~

	Besides the continued uploading of new material and editing of the existing material, three events of major importance occurred in this period.		Besides the continued uploading of new material and editing of the existing material, three events of major importance occurred in this period.

← Older revision		Revision as of 14:50, 15 March 2014
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		+	== Preamble ==

−	~~== Background and origins ==~~

		+	=== 1979-1989: Background and origins ===

−	~~== The History of [[ESAT]]==~~
−
−
−	~~=== 1979-1989: The Preamble===~~

@@ Line 19: / Line 19: @@
 While the authors were working on the entries, the project’s co-ordinator [[Yvette Hutchison]] – with the help of Petra Malherbe of the University of Stellenbosch’s Data-centre, set about devising a computerized format for the various kinds of entries, utilizing the Microsoft’s Access programme.  This would allow the team to continually update the basic information, and possibly publish revised versions of the book or go on to an online facility or a CD-rom based product.
-When the original deadline for entries had come and gone in 1996, only 21 of the 80 people approached had accepted the contracts, 12 had submitted material, of which only 9 had had fulfilled their contracts completely and properly. (A few more submitted entries during 1997-8, bringing us to 11 contributors by 1999.) It became clear that the project was very close to getting bogged down. At a subsequent meeting,  the Committee decided that the rest of the book would be written by [[Temple Hauptfleisch]], assisted by [[Yvette Hutchison]] and some of the post-graduate students in the Department of Drama , while the two sub-editors – [[Edwin Hees]] and [[Arnold Blumer]] – would help with the final editing process.  The current database is the result of all the aforementioned processes.
+When the original deadline for entries had come and gone in 1996, only 21 of the 80 people approached had accepted the contracts, 12 had submitted material, of which only 9 had had fulfilled their contracts completely and properly. (A few more submitted entries during 1997-8, bringing us to 11 contributors by 1999.) It became clear that the project was very close to getting bogged down. At a subsequent meeting,  the Committee decided that the rest of the book would be written by [[Temple Hauptfleisch]], assisted by [[Yvette Hutchison]] and some of the post-graduate students in the Department of Drama , while the two sub-editors – [[Edwin Hees]] and [[Arnold Blumer]] – would help with the final editing process.
-From 1994 to 2010 the project expanded almost exponentially, generating over 10 000 individual entries and a number of sub-sections, including an overview of theatre and performance in the country, a chronology of theatre events (in the context of social, cultuiral and political events), a comprehensive bibliography and annotated lists of plays and performances.
+As a result of all the aforementioned processes, the project expanded almost exponentially between 1994 and 2010, generating over 10 000 new individual entries and a number of sub-sections, including an overview of theatre and performance in the country, a chronology of theatre events (in the context of social, cultuiral and political events), a comprehensive bibliography and annotated lists of plays and performances.
 This database of more than 2000 pages soon became a core resource for the research undertaken by the staff of the Centre for Theatre and Performance studies as well as the staff and students of the Drama Department. Gradually international enquiries also begtan to come in to the Centre.
 In view of this interest the pressure to publish the material in some form began to grow. However, it slowly became clear that that (a) few publishers were really interested in a publication of this enormous size and (b) as the material still kept on increasing , much editing still needed to be done, and there was an enormous amount of information still lacking. Thus the research team began to explore other possibilities. The most promising seemed to be an online version of the database, done in consultation with the [[Stellenbosch University]]'s IT section and the [[J.S. Gericke Library]].
 === 2010-2011: The birth of ESAT ===
-In 2010 a new version of [[COMSAT]], now called [[ESAT]],  was conceived, intended as a means of "publishing" all that material online, and thus making the results of all existing and emerging academic and other research more readily accessible to the general reader and the theatre enthusiast nationally and internationally. In this sense the basic aim is rather to condense and collate ''available'' information on all [[South African]] theatre and performance forms (as far as they have been documented) in one place and in a handy and accessible digital format, rather than to undertake any comprehensive new research. Happily a great deal of little known and/or forgotten information has in fact come to the fore in the process, and much is still being discovered as the project grows. However, that was never - nor is it - the fundamental aim of this first version of [[ESAT]].
+In May 2010 a meeting was held with Ms [[Ina Smith]] head of [[SUNScholar]] and Mr [[Hilton Gibson]] IT specialist for the [[J.S. Gericke Library]], to create a website for The [[Encyclopaedia of South African Theatre and Performance]] (ESAT). This would form part of the University of Stellenbosch's [[Libopedia]] programme. The various templates were now developed, the staff were trained and transferal of the data to the [[ESAT]] file began in July 2010.
-=== 2012-2013: The birth of ESAT ===
+In this period the bulk of the original material was transferred to the new [[ESAT]] website by a number of student-assistants and Ms [[Miriam Terblanche]], the project's research assistant and administrator. The entries were uploaded as they were, unedited as yet. The website was initially kept closed to outsiders, in order to facilitate the process of uploading material. However, at the end of 2011, the University opened up the website to readers and internet users, and a circular was sent out to alert potential users of its existence and inviting their help in expanding, correcting and improving the resource.
-In 2012-2013 the scope of the ESAT Project was considerably enlarged by two factors. In 2012 a meeting was held with [[Marisa Keuris]] and members of her archival project on provisionally called [[SA Drama- en teaterbewaring]]  ("SA Drama and Theatre Conservation"), which aims at creating a digital archive of materials on South African theatre, in association with similar international archives. This association means that the [[ESAT]] project and the [[SADET]] project become partners, sharing information and each supporting and supplementing the other. Discussions on this matters continued into 2013. In 2013 another expansion took place, when film specialist [[Freddy Ogterop]] approached the project team to suggest that we expand the scope of [[ESAT]] to include [[South African Film]]. This discussion led to the idea that perhaps [[Radio Drama]] and [[Television drama|TV Drama]] may also be added to the scope of [[ESAT]]. Ogterop declared himself willing to join the research team and be the editor for the film section. This was immediately implemented, and the title of the project provisionally changed, even though the implications of these ideas are still being investigated.
+In 2012-2013 the scope of the ESAT Project was considerably enlarged by two crucial factors. In 2012 a meeting was held with [[Marisa Keuris]] and members of her archival project called [[SA Drama- en teaterbewaring]]  ("SA Drama and Theatre Conservation"), which aims at creating a digital archive of materials on South African theatre, in association with similar international archives, such as . This association means that the [[ESAT]] project and the [[SADET]] project become partners, sharing information and each supporting and supplementing the other. Discussions on this matters continued into 2013. In 2013 another expansion took place, when film specialist [[Freddy Ogterop]] approached the project team to suggest that we expand the scope of [[ESAT]] to include [[South African Film]]. This discussion led to the idea that perhaps [[Radio Drama]] and [[Television drama|TV Drama]] may also be added to the scope of [[ESAT]]. Ogterop declared himself willing to join the research team and be the editor for the film section. This was immediately implemented, and the title of the project provisionally changed, even though the implications of these ideas are still being investigated.
 While the authors were working on the entries, the project’s co-ordinator [[Yvette Hutchison]] – with the help of Petra Malherbe of the University of Stellenbosch’s Data-centre, set about devising a computerized format for the various kinds of entries, utilizing the Microsoft’s Access programme.  This would allow the team to continually update the basic information, and possibly publish revised versions of the book or go on to an online facility or a CD-rom based product.

@@ Line 5: / Line 5: @@
 == The History of [[ESAT]]==
 The project proper began as a research and documentation project, [[A Companion to South African Theatre and Performance (COMSAT)]] which was  originally conceived and initiated by [[Temple Hauptfleisch]] in 1994, when he founded the [[Centre for Theatre and Performance Studies]] at the [[University of Stellenbosch]]. The aim was to involve a range of  researchers and students to compile a general reference work on [[South African theatre]] and performance which would make the results of academic and other research more readily accessible to the general reader and the theatre enthusiast. In this sense the basic aim was rather to condense and collate available information on all South African theatre and performance forms (as far as they have been documented) in a single volume and in a handy format, rather than undertake any comprehensive new research. A key model for this project was Phyllis Hartnoll’s famous ''Oxford Companion to the Theatre''.
@@ Line 12: / Line 15: @@
 The working procedures for the original [[COMSAT]] project were relatively simple. The basic framework of the project was conceived by [[Temple Hauptfleisch]], while the detail principles for the publication – and especially the the format for the entries (see below) – were devised by the Project Committee in consultation with the Advisors. With these in hand the members of the Project Committee thereupon did a basic search of  the most prominent books and articles on South African theatre and performance, in order to compile a gross list of possible entries for the Companion. The gross list was then honed down to a basic shortlist of about 2000 entries, which were apportioned out to possible authors.
 This first version of the encyclopaedia focussed only on live stage performance and was originally intended to be a formally published mini-encyclopaedia and reference work called [[COMSAT|A Companion to South African Theatre and Performance]] ([[COMSAT]]) and was  derived from a database collated by [[Temple Hauptfleisch]] and the [[Centre for Theatre and Performance Studies]] ([[CENTAPS]]) at Stellenbosch (with the help of a large number of associates and assistants) over the course of twenty years (1990-2010)
 While the authors were working on the entries, the project’s co-ordinator [[Yvette Hutchison]] – with the help of Petra Malherbe of the University of Stellenbosch’s Data-centre, set about devising a computerized format for the various kinds of entries, utilizing the Microsoft’s Access programme.  This would allow the team to continually update the basic information, and possibly publish revised versions of the book or go on to an online facility or a CD-rom based product.
@@ Line 33: / Line 29: @@
 So, in May 2010 a meeting was held with Ms [[Ina Smith]] head of [[SUNScholar]] and Mr [[Hilton Gibson]] IT specialist for the [[J.S. Gericke Library]], to create a website for The [[Encyclopaedia of South African Theatre and Performance]] (ESAT). (See http://esat.sun.ac.za/index.php/Main_Page) This would form part of the University of Stellenbosch's [[Libopedia]] programme. The various templates were now developed, the staff were trained and transferral of the data to the [[ESAT]] file began in July 2010.
 === 2010-2011 ===
 In 2010 a new version of [[COMSAT]], now called [[ESAT]],  was conceived, intended as a means of "publishing" all that material online, and thus making the results of all existing and emerging academic and other research more readily accessible to the general reader and the theatre enthusiast nationally and internationally. In this sense the basic aim is rather to condense and collate ''available'' information on all [[South African]] theatre and performance forms (as far as they have been documented) in one place and in a handy and accessible digital format, rather than to undertake any comprehensive new research. Happily a great deal of little known and/or forgotten information has in fact come to the fore in the process, and much is still being discovered as the project grows. However, that was never - nor is it - the fundamental aim of this first version of [[ESAT]].
-In 2010 a new version of [[COMSAT]], now called [[ESAT]],  was conceived, intended as a means of "publishing" all that material online, and thus making the results of all existing and emerging academic and other research more readily accessible to the general reader and the theatre enthusiast nationally and internationally. In this sense the basic aim is rather to condense and collate ''available'' information on all [[South African]] theatre and performance forms (as far as they have been documented) in one place and in a handy and accessible digital format, rather than to undertake any comprehensive new research. Happily a great deal of little known and/or forgotten information has in fact come to the fore in the process, and much is still being discovered as the project grows. However, that was never - nor is it - the fundamental aim of this first version of [[ESAT]].
+=== 2012-2013: The birth of ESAT ===
-In this period the bulk of the original material was transferred to the new ESAT website by a number of student-assistants and Ms Miriam Terblanche, the project's research assistant and administrator. The entries were uploaded as they were, unedited as yet. At the end of 2011, the University opened up the website to readers and internet users, and a circular was sent out to alert potential users of its existence and inviting their help in expanding, correcting and improving the resource.
+When the original deadline for entries had come and gone in 1996, only 21 of the 80 people approached had accepted the contracts, 12 had submitted material, of which only 9 had had fulfilled their contracts completely and properly. (A few more submitted entries during 1997-8, bringing us to 11 contributors by 1999.) It became clear that the project was very close to getting bogged down. At a subsequent meeting,  the Committee decided that the rest of the book would be written by [[Temple Hauptfleisch]], assisted by [[Yvette Hutchison]] and some of the post-graduate students in the Department of Drama , while the two sub-editors – [[Edwin Hees]] and [[Arnold Blumer]] – would help with the final editing process.  The current database is the result of all the aforementioned processes.
 ===2012-2014===