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	<id>https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Asmod%C3%A9e%2C_ou_La_Philosophie_du_D%C3%ADable</id>
	<title>Asmodée, ou La Philosophie du Díable - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Asmod%C3%A9e%2C_ou_La_Philosophie_du_D%C3%ADable"/>
	<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Asmod%C3%A9e,_ou_La_Philosophie_du_D%C3%ADable&amp;action=history"/>
	<updated>2026-09-28T07:14:11Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Asmod%C3%A9e,_ou_La_Philosophie_du_D%C3%ADable&amp;diff=118001&amp;oldid=prev</id>
		<title>Satj: /* The original text and possible sources */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Asmod%C3%A9e,_ou_La_Philosophie_du_D%C3%ADable&amp;diff=118001&amp;oldid=prev"/>
		<updated>2016-11-11T05:00:13Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;The original text and possible sources&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 05:00, 11 November 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot; &gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This work had started life as ''[[Der Krumme Teufel]]'' (&amp;quot;The Lame Devil&amp;quot; or &amp;quot;The Limping Devil&amp;quot;),  a  ''Singspiel''[https://en.wikipedia.org/wiki/Singspiel]  in two acts by Kurz and Haydn - possibly based on the D'Ancourt version of 1707(?). This was first performed ca. 1751, but banned after 2 performances, but was performed again in 1752, and a revised version, ''[[Der Neue Krumme Teufel]]'' (&amp;quot;The Return of the Lame Devil&amp;quot; or literally &amp;quot;The New Limping Devil&amp;quot;), was  performed in 1757 or 1758, and published ca. 1760. Another revised,  three act,  version - now entitled ''[[Asmodeus der Krumme Teufel]]'' - was then written by Von Kurz, published and printed by Johann Thomas Edlen von Trattnern, in 1770.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This work had started life as ''[[Der Krumme Teufel]]'' (&amp;quot;The Lame Devil&amp;quot; or &amp;quot;The Limping Devil&amp;quot;),  a  ''Singspiel''[https://en.wikipedia.org/wiki/Singspiel]  in two acts by Kurz and Haydn - possibly based on the D'Ancourt version of 1707(?). This was first performed ca. 1751, but banned after 2 performances, but was performed again in 1752, and a revised version, ''[[Der Neue Krumme Teufel]]'' (&amp;quot;The Return of the Lame Devil&amp;quot; or literally &amp;quot;The New Limping Devil&amp;quot;), was  performed in 1757 or 1758, and published ca. 1760. Another revised,  three act,  version - now entitled ''[[Asmodeus der Krumme Teufel]]'' - was then written by Von Kurz, published and printed by Johann Thomas Edlen von Trattnern, in 1770.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A third, very likely, candidate text may have been '''''[[Les Effets de la Haine et de la Constance, ou Asmodée Diable Boîteux]]''''' (&amp;quot;the effects of hatred and constancy, or Asmodée the devil on two sticks&amp;quot;), a comic &amp;quot;Opéra-Féerie&amp;quot; in prose and three acts. Inspired by the 1707 comic novel of the same name, written by Alain-René Lesage (1668–1747)[https://en.wikipedia.org/wiki/Alain-Ren%C3%A9_Lesage]. The play was written by Verteuil L'Aîné with music composed by Guillmino, and  was first performed by Les Comédiens &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;De &lt;/del&gt;Toulouse &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;and &lt;/del&gt;in Marseille, in 1777 and published in 1779.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A third, very likely, candidate text may have been '''''[[Les Effets de la Haine et de la Constance, ou Asmodée Diable Boîteux]]''''' (&amp;quot;the effects of hatred and constancy, or Asmodée the devil on two sticks&amp;quot;), a comic &amp;quot;Opéra-Féerie&amp;quot; in prose and three acts. Inspired by the 1707 comic novel of the same name, written by Alain-René Lesage (1668–1747)[https://en.wikipedia.org/wiki/Alain-Ren%C3%A9_Lesage]. The play was written by Verteuil L'Aîné with music composed by Guillmino, and  was first performed by Les Comédiens &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;de &lt;/ins&gt;Toulouse &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(also &lt;/ins&gt;in Marseille&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;)&lt;/ins&gt;, in 1777 and published in 1779.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== South African performances ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== South African performances ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Asmod%C3%A9e,_ou_La_Philosophie_du_D%C3%ADable&amp;diff=118000&amp;oldid=prev</id>
		<title>Satj: /* The original text and possible sources */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Asmod%C3%A9e,_ou_La_Philosophie_du_D%C3%ADable&amp;diff=118000&amp;oldid=prev"/>
		<updated>2016-11-11T04:59:36Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;The original text and possible sources&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 04:59, 11 November 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot; &gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This work had started life as ''[[Der Krumme Teufel]]'' (&amp;quot;The Lame Devil&amp;quot; or &amp;quot;The Limping Devil&amp;quot;),  a  ''Singspiel''[https://en.wikipedia.org/wiki/Singspiel]  in two acts by Kurz and Haydn - possibly based on the D'Ancourt version of 1707(?). This was first performed ca. 1751, but banned after 2 performances, but was performed again in 1752, and a revised version, ''[[Der Neue Krumme Teufel]]'' (&amp;quot;The Return of the Lame Devil&amp;quot; or literally &amp;quot;The New Limping Devil&amp;quot;), was  performed in 1757 or 1758, and published ca. 1760. Another revised,  three act,  version - now entitled ''[[Asmodeus der Krumme Teufel]]'' - was then written by Von Kurz, published and printed by Johann Thomas Edlen von Trattnern, in 1770.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This work had started life as ''[[Der Krumme Teufel]]'' (&amp;quot;The Lame Devil&amp;quot; or &amp;quot;The Limping Devil&amp;quot;),  a  ''Singspiel''[https://en.wikipedia.org/wiki/Singspiel]  in two acts by Kurz and Haydn - possibly based on the D'Ancourt version of 1707(?). This was first performed ca. 1751, but banned after 2 performances, but was performed again in 1752, and a revised version, ''[[Der Neue Krumme Teufel]]'' (&amp;quot;The Return of the Lame Devil&amp;quot; or literally &amp;quot;The New Limping Devil&amp;quot;), was  performed in 1757 or 1758, and published ca. 1760. Another revised,  three act,  version - now entitled ''[[Asmodeus der Krumme Teufel]]'' - was then written by Von Kurz, published and printed by Johann Thomas Edlen von Trattnern, in 1770.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A third, very likely, candidate text may have been '''''[[Les Effets de la Haine et de la Constance, ou Asmodée Diable Boîteux]]''''' (&amp;quot;the effects of hatred and constancy, or Asmodée the devil on two sticks&amp;quot;), a comic &amp;quot;Opéra-Féerie&amp;quot; in prose and three acts. Inspired by the 1707 comic novel of the same name, written by Alain-René Lesage (1668–1747)[https://en.wikipedia.org/wiki/Alain-Ren%C3%A9_Lesage]. The play was written by Verteuil L'Aîné with music composed by Guillmino, and  was first performed by Les Comédiens De Toulouse and in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Marseilles&lt;/del&gt;, in 1777 and published in 1779.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A third, very likely, candidate text may have been '''''[[Les Effets de la Haine et de la Constance, ou Asmodée Diable Boîteux]]''''' (&amp;quot;the effects of hatred and constancy, or Asmodée the devil on two sticks&amp;quot;), a comic &amp;quot;Opéra-Féerie&amp;quot; in prose and three acts. Inspired by the 1707 comic novel of the same name, written by Alain-René Lesage (1668–1747)[https://en.wikipedia.org/wiki/Alain-Ren%C3%A9_Lesage]. The play was written by Verteuil L'Aîné with music composed by Guillmino, and  was first performed by Les Comédiens De Toulouse and in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Marseille&lt;/ins&gt;, in 1777 and published in 1779.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== South African performances ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== South African performances ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Asmod%C3%A9e,_ou_La_Philosophie_du_D%C3%ADable&amp;diff=117999&amp;oldid=prev</id>
		<title>Satj: /* The original text and possible sources */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Asmod%C3%A9e,_ou_La_Philosophie_du_D%C3%ADable&amp;diff=117999&amp;oldid=prev"/>
		<updated>2016-11-11T04:57:30Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;The original text and possible sources&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 04:57, 11 November 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot; &gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This work had started life as ''[[Der Krumme Teufel]]'' (&amp;quot;The Lame Devil&amp;quot; or &amp;quot;The Limping Devil&amp;quot;),  a  ''Singspiel''[https://en.wikipedia.org/wiki/Singspiel]  in two acts by Kurz and Haydn - possibly based on the D'Ancourt version of 1707(?). This was first performed ca. 1751, but banned after 2 performances, but was performed again in 1752, and a revised version, ''[[Der Neue Krumme Teufel]]'' (&amp;quot;The Return of the Lame Devil&amp;quot; or literally &amp;quot;The New Limping Devil&amp;quot;), was  performed in 1757 or 1758, and published ca. 1760. Another revised,  three act,  version - now entitled ''[[Asmodeus der Krumme Teufel]]'' - was then written by Von Kurz, published and printed by Johann Thomas Edlen von Trattnern, in 1770.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This work had started life as ''[[Der Krumme Teufel]]'' (&amp;quot;The Lame Devil&amp;quot; or &amp;quot;The Limping Devil&amp;quot;),  a  ''Singspiel''[https://en.wikipedia.org/wiki/Singspiel]  in two acts by Kurz and Haydn - possibly based on the D'Ancourt version of 1707(?). This was first performed ca. 1751, but banned after 2 performances, but was performed again in 1752, and a revised version, ''[[Der Neue Krumme Teufel]]'' (&amp;quot;The Return of the Lame Devil&amp;quot; or literally &amp;quot;The New Limping Devil&amp;quot;), was  performed in 1757 or 1758, and published ca. 1760. Another revised,  three act,  version - now entitled ''[[Asmodeus der Krumme Teufel]]'' - was then written by Von Kurz, published and printed by Johann Thomas Edlen von Trattnern, in 1770.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A third, very likely, candidate text may have been '''''[[Les Effets de la Haine et de la Constance, ou Asmodée Diable Boîteux]]''''' (&amp;quot;the effects of hatred and constancy, or Asmodée the devil on two sticks&amp;quot;), a comic &amp;quot;Opéra-Féerie&amp;quot; in prose and three acts. Inspired by the 1707 comic novel of the same name, written by Alain-René Lesage (1668–1747)[https://en.wikipedia.org/wiki/Alain-Ren%C3%A9_Lesage]. The play was written by Verteuil L'Aîné with music composed by Guillmino, and  was first performed by Les Comédiens De Toulouse and in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Marsailles&lt;/del&gt;, in 1777 and published in 1779.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A third, very likely, candidate text may have been '''''[[Les Effets de la Haine et de la Constance, ou Asmodée Diable Boîteux]]''''' (&amp;quot;the effects of hatred and constancy, or Asmodée the devil on two sticks&amp;quot;), a comic &amp;quot;Opéra-Féerie&amp;quot; in prose and three acts. Inspired by the 1707 comic novel of the same name, written by Alain-René Lesage (1668–1747)[https://en.wikipedia.org/wiki/Alain-Ren%C3%A9_Lesage]. The play was written by Verteuil L'Aîné with music composed by Guillmino, and  was first performed by Les Comédiens De Toulouse and in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Marseilles&lt;/ins&gt;, in 1777 and published in 1779.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== South African performances ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== South African performances ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Asmod%C3%A9e,_ou_La_Philosophie_du_D%C3%ADable&amp;diff=117998&amp;oldid=prev</id>
		<title>Satj at 04:56, 11 November 2016</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Asmod%C3%A9e,_ou_La_Philosophie_du_D%C3%ADable&amp;diff=117998&amp;oldid=prev"/>
		<updated>2016-11-11T04:56:27Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 04:56, 11 November 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l28&quot; &gt;Line 28:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 28:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Facsimile version of ''[[Les Effets de la Haine et de la Constance, ou Asmodée Diable Boîteux]]'', BnF Gallica[http://gallica.bnf.fr/ark:/12148/bpt6k5777031b]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Facsimile version of ''[[Les Effets de la Haine et de la Constance, ou Asmodée Diable Boîteux]]'', BnF Gallica[http://gallica.bnf.fr/ark:/12148/bpt6k5777031b]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https://en.wikipedia.org/wiki/Alain-Ren%C3%A9_Lesage&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[F.C.L. Bosman]]. 1928. ''Drama en Toneel in Suid-Afrika'', Deel I: 1652-1855. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. p. 129&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[F.C.L. Bosman]]. 1928. ''Drama en Toneel in Suid-Afrika'', Deel I: 1652-1855. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. p. 129&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Asmod%C3%A9e,_ou_La_Philosophie_du_D%C3%ADable&amp;diff=117997&amp;oldid=prev</id>
		<title>Satj: /* The original text and possible sources */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Asmod%C3%A9e,_ou_La_Philosophie_du_D%C3%ADable&amp;diff=117997&amp;oldid=prev"/>
		<updated>2016-11-11T04:56:10Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;The original text and possible sources&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 04:56, 11 November 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot; &gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This work had started life as ''[[Der Krumme Teufel]]'' (&amp;quot;The Lame Devil&amp;quot; or &amp;quot;The Limping Devil&amp;quot;),  a  ''Singspiel''[https://en.wikipedia.org/wiki/Singspiel]  in two acts by Kurz and Haydn - possibly based on the D'Ancourt version of 1707(?). This was first performed ca. 1751, but banned after 2 performances, but was performed again in 1752, and a revised version, ''[[Der Neue Krumme Teufel]]'' (&amp;quot;The Return of the Lame Devil&amp;quot; or literally &amp;quot;The New Limping Devil&amp;quot;), was  performed in 1757 or 1758, and published ca. 1760. Another revised,  three act,  version - now entitled ''[[Asmodeus der Krumme Teufel]]'' - was then written by Von Kurz, published and printed by Johann Thomas Edlen von Trattnern, in 1770.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This work had started life as ''[[Der Krumme Teufel]]'' (&amp;quot;The Lame Devil&amp;quot; or &amp;quot;The Limping Devil&amp;quot;),  a  ''Singspiel''[https://en.wikipedia.org/wiki/Singspiel]  in two acts by Kurz and Haydn - possibly based on the D'Ancourt version of 1707(?). This was first performed ca. 1751, but banned after 2 performances, but was performed again in 1752, and a revised version, ''[[Der Neue Krumme Teufel]]'' (&amp;quot;The Return of the Lame Devil&amp;quot; or literally &amp;quot;The New Limping Devil&amp;quot;), was  performed in 1757 or 1758, and published ca. 1760. Another revised,  three act,  version - now entitled ''[[Asmodeus der Krumme Teufel]]'' - was then written by Von Kurz, published and printed by Johann Thomas Edlen von Trattnern, in 1770.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A third, very likely, candidate text may have been '''''[[Les Effets de la Haine et de la Constance, ou Asmodée Diable Boîteux]]''''' (&amp;quot;the effects of hatred and constancy, or Asmodée the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;lame &lt;/del&gt;devil&amp;quot;), a comic &amp;quot;Opéra-Féerie&amp;quot; in prose and three acts. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Ostensibly inspired &lt;/del&gt;by &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;a &lt;/del&gt;novel of the same name, written by Lesage (1668–1747)[]. The play was written by Verteuil L'Aîné with music composed by  was first performed by Les Comédiens De Toulouse and in Marsailles, in 1777 and published in 1779.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A third, very likely, candidate text may have been '''''[[Les Effets de la Haine et de la Constance, ou Asmodée Diable Boîteux]]''''' (&amp;quot;the effects of hatred and constancy, or Asmodée the devil &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;on two sticks&lt;/ins&gt;&amp;quot;), a comic &amp;quot;Opéra-Féerie&amp;quot; in prose and three acts. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Inspired &lt;/ins&gt;by &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;the 1707 comic &lt;/ins&gt;novel of the same name, written by &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Alain-René &lt;/ins&gt;Lesage (1668–1747)[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;https://en.wikipedia.org/wiki/Alain-Ren%C3%A9_Lesage&lt;/ins&gt;]. The play was written by Verteuil L'Aîné with music composed by &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Guillmino, and &lt;/ins&gt; was first performed by Les Comédiens De Toulouse and in Marsailles, in 1777 and published in 1779.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== South African performances ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== South African performances ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Asmod%C3%A9e,_ou_La_Philosophie_du_D%C3%ADable&amp;diff=117996&amp;oldid=prev</id>
		<title>Satj: /* The original text and possible sources */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Asmod%C3%A9e,_ou_La_Philosophie_du_D%C3%ADable&amp;diff=117996&amp;oldid=prev"/>
		<updated>2016-11-11T04:52:18Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;The original text and possible sources&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 04:52, 11 November 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot; &gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This work had started life as ''[[Der Krumme Teufel]]'' (&amp;quot;The Lame Devil&amp;quot; or &amp;quot;The Limping Devil&amp;quot;),  a  ''Singspiel''[https://en.wikipedia.org/wiki/Singspiel]  in two acts by Kurz and Haydn - possibly based on the D'Ancourt version of 1707(?). This was first performed ca. 1751, but banned after 2 performances, but was performed again in 1752, and a revised version, ''[[Der Neue Krumme Teufel]]'' (&amp;quot;The Return of the Lame Devil&amp;quot; or literally &amp;quot;The New Limping Devil&amp;quot;), was  performed in 1757 or 1758, and published ca. 1760. Another revised,  three act,  version - now entitled ''[[Asmodeus der Krumme Teufel]]'' - was then written by Von Kurz, published and printed by Johann Thomas Edlen von Trattnern, in 1770.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This work had started life as ''[[Der Krumme Teufel]]'' (&amp;quot;The Lame Devil&amp;quot; or &amp;quot;The Limping Devil&amp;quot;),  a  ''Singspiel''[https://en.wikipedia.org/wiki/Singspiel]  in two acts by Kurz and Haydn - possibly based on the D'Ancourt version of 1707(?). This was first performed ca. 1751, but banned after 2 performances, but was performed again in 1752, and a revised version, ''[[Der Neue Krumme Teufel]]'' (&amp;quot;The Return of the Lame Devil&amp;quot; or literally &amp;quot;The New Limping Devil&amp;quot;), was  performed in 1757 or 1758, and published ca. 1760. Another revised,  three act,  version - now entitled ''[[Asmodeus der Krumme Teufel]]'' - was then written by Von Kurz, published and printed by Johann Thomas Edlen von Trattnern, in 1770.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A third, very likely, candidate text may have been '''''[[Les Effets de la Haine et de la Constance, ou Asmodée Diable Boîteux]]''''' (&amp;quot;the effects of hatred and constancy, or Asmodée the lame devil&amp;quot;), a comic &amp;quot;Opéra-Féerie&amp;quot; in prose and three acts. Ostensibly inspired by the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;novel ''Le Sage''&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;with a text &lt;/del&gt;by Verteuil L'Aîné &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;and &lt;/del&gt;music by &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Guillmino, it &lt;/del&gt;was first performed by Les Comédiens De Toulouse and in Marsailles, in 1777 and published in 1779.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A third, very likely, candidate text may have been '''''[[Les Effets de la Haine et de la Constance, ou Asmodée Diable Boîteux]]''''' (&amp;quot;the effects of hatred and constancy, or Asmodée the lame devil&amp;quot;), a comic &amp;quot;Opéra-Féerie&amp;quot; in prose and three acts. Ostensibly inspired by &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;a novel of &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;same name&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;written by Lesage (1668–1747)[]. The play was written &lt;/ins&gt;by Verteuil L'Aîné &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;with &lt;/ins&gt;music &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;composed &lt;/ins&gt;by &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/ins&gt;was first performed by Les Comédiens De Toulouse and in Marsailles, in 1777 and published in 1779.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== South African performances ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== South African performances ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Asmod%C3%A9e,_ou_La_Philosophie_du_D%C3%ADable&amp;diff=117995&amp;oldid=prev</id>
		<title>Satj at 04:46, 11 November 2016</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Asmod%C3%A9e,_ou_La_Philosophie_du_D%C3%ADable&amp;diff=117995&amp;oldid=prev"/>
		<updated>2016-11-11T04:46:55Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 04:46, 11 November 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''[[Asmodée, ou La Philosophie du Díable]]'' is a French ''opéra-comique''[https://en.wikipedia.org/wiki/Op%C3%A9ra_comique] in five acts, by an anonymous author.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''[[Asmodée, ou La Philosophie du Díable]]'' is a French ''opéra-comique''[https://en.wikipedia.org/wiki/Op%C3%A9ra_comique] in five acts, by an anonymous author.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== The original text and sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== The original text and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;possible &lt;/ins&gt;sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It is referred to in the advert as &amp;quot;het niewe stuk&amp;quot; (&amp;quot;the new piece&amp;quot;), but no text or reference to a French play by precisely this name can be found. It is most likely to have been an adaptation of one of a number of plays about the character of the &amp;quot;limping devil&amp;quot;[https://fr.wikipedia.org/wiki/Asmod%C3%A9e].  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It is referred to in the advert as &amp;quot;het niewe stuk&amp;quot; (&amp;quot;the new piece&amp;quot;), but no text or reference to a French play by precisely this name can be found. It is most likely to have been an adaptation of one of a number of plays about the character of the &amp;quot;limping devil&amp;quot;[https://fr.wikipedia.org/wiki/Asmod%C3%A9e].  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Asmod%C3%A9e,_ou_La_Philosophie_du_D%C3%ADable&amp;diff=117994&amp;oldid=prev</id>
		<title>Satj at 04:46, 11 November 2016</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Asmod%C3%A9e,_ou_La_Philosophie_du_D%C3%ADable&amp;diff=117994&amp;oldid=prev"/>
		<updated>2016-11-11T04:46:41Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 04:46, 11 November 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''[[Asmodée, ou La Philosophie du Díable]]'' is a French ''opéra-comique''[https://en.wikipedia.org/wiki/Op%C3%A9ra_comique] in five acts, by an anonymous author.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''[[Asmodée, ou La Philosophie du Díable]]'' is a French ''opéra-comique''[https://en.wikipedia.org/wiki/Op%C3%A9ra_comique] in five acts, by an anonymous author.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== The original text ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== The original text &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;and sources &lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It is referred to in the advert as &amp;quot;het niewe stuk&amp;quot; (&amp;quot;the new piece&amp;quot;), but no text or reference to a French play by precisely this name can be found. It is most likely to have been an adaptation of one of a number of plays about the character of the &amp;quot;limping devil&amp;quot;[https://fr.wikipedia.org/wiki/Asmod%C3%A9e].  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It is referred to in the advert as &amp;quot;het niewe stuk&amp;quot; (&amp;quot;the new piece&amp;quot;), but no text or reference to a French play by precisely this name can be found. It is most likely to have been an adaptation of one of a number of plays about the character of the &amp;quot;limping devil&amp;quot;[https://fr.wikipedia.org/wiki/Asmod%C3%A9e].  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Asmod%C3%A9e,_ou_La_Philosophie_du_D%C3%ADable&amp;diff=117993&amp;oldid=prev</id>
		<title>Satj: /* The original text */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Asmod%C3%A9e,_ou_La_Philosophie_du_D%C3%ADable&amp;diff=117993&amp;oldid=prev"/>
		<updated>2016-11-11T04:46:10Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;The original text&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 04:46, 11 November 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot; &gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This work had started life as ''[[Der Krumme Teufel]]'' (&amp;quot;The Lame Devil&amp;quot; or &amp;quot;The Limping Devil&amp;quot;),  a  ''Singspiel''[https://en.wikipedia.org/wiki/Singspiel]  in two acts by Kurz and Haydn - possibly based on the D'Ancourt version of 1707(?). This was first performed ca. 1751, but banned after 2 performances, but was performed again in 1752, and a revised version, ''[[Der Neue Krumme Teufel]]'' (&amp;quot;The Return of the Lame Devil&amp;quot; or literally &amp;quot;The New Limping Devil&amp;quot;), was  performed in 1757 or 1758, and published ca. 1760. Another revised,  three act,  version - now entitled ''[[Asmodeus der Krumme Teufel]]'' - was then written by Von Kurz, published and printed by Johann Thomas Edlen von Trattnern, in 1770.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This work had started life as ''[[Der Krumme Teufel]]'' (&amp;quot;The Lame Devil&amp;quot; or &amp;quot;The Limping Devil&amp;quot;),  a  ''Singspiel''[https://en.wikipedia.org/wiki/Singspiel]  in two acts by Kurz and Haydn - possibly based on the D'Ancourt version of 1707(?). This was first performed ca. 1751, but banned after 2 performances, but was performed again in 1752, and a revised version, ''[[Der Neue Krumme Teufel]]'' (&amp;quot;The Return of the Lame Devil&amp;quot; or literally &amp;quot;The New Limping Devil&amp;quot;), was  performed in 1757 or 1758, and published ca. 1760. Another revised,  three act,  version - now entitled ''[[Asmodeus der Krumme Teufel]]'' - was then written by Von Kurz, published and printed by Johann Thomas Edlen von Trattnern, in 1770.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A third, very likely, candidate text may have been '''''[[Les Effets de la Haine et de la Constance, ou Asmodée Diable Boîteux]]''''' (&amp;quot;the effects of hatred and constancy, or Asmodée the lame devil&amp;quot;), a comic &amp;quot;Opéra-Féerie&amp;quot; in prose and three acts. Ostensibly inspired by the novel ''Le Sage'', with a text by Verteuil L'Aîné and music by Guillmino, it was first performed by Les Comédiens De Toulouse and in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Marsellies&lt;/del&gt;, in 1777 and published in 1779.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A third, very likely, candidate text may have been '''''[[Les Effets de la Haine et de la Constance, ou Asmodée Diable Boîteux]]''''' (&amp;quot;the effects of hatred and constancy, or Asmodée the lame devil&amp;quot;), a comic &amp;quot;Opéra-Féerie&amp;quot; in prose and three acts. Ostensibly inspired by the novel ''Le Sage'', with a text by Verteuil L'Aîné and music by Guillmino, it was first performed by Les Comédiens De Toulouse and in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Marsailles&lt;/ins&gt;, in 1777 and published in 1779.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== South African performances ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== South African performances ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Asmod%C3%A9e,_ou_La_Philosophie_du_D%C3%ADable&amp;diff=117988&amp;oldid=prev</id>
		<title>Satj: /* The original text */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Asmod%C3%A9e,_ou_La_Philosophie_du_D%C3%ADable&amp;diff=117988&amp;oldid=prev"/>
		<updated>2016-11-11T04:40:44Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;The original text&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 04:40, 11 November 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot; &gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It is referred to in the advert as &amp;quot;het niewe stuk&amp;quot; (&amp;quot;the new piece&amp;quot;), but no text or reference to a French play by precisely this name can be found. It is most likely to have been an adaptation of one of a number of plays about the character of the &amp;quot;limping devil&amp;quot;[https://fr.wikipedia.org/wiki/Asmod%C3%A9e].  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It is referred to in the advert as &amp;quot;het niewe stuk&amp;quot; (&amp;quot;the new piece&amp;quot;), but no text or reference to a French play by precisely this name can be found. It is most likely to have been an adaptation of one of a number of plays about the character of the &amp;quot;limping devil&amp;quot;[https://fr.wikipedia.org/wiki/Asmod%C3%A9e].  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A French text, '''''[[Le Diable Boiteux]]''''', by D'Ancourt and featuring &amp;quot;Asmodée,&amp;quot;, appeared as early as 1707, published by Thomas Amaulry, 1707.  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A French text, '''''[[Le Diable Boiteux]]''''' &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(&amp;quot;the lame or limping devil&amp;quot;)&lt;/ins&gt;, by D'Ancourt and featuring &amp;quot;Asmodée,&amp;quot;, appeared as early as 1707, published by Thomas Amaulry, 1707.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[F.C.L. Bosman|Bosman]] (1928, p. 129) suggests that this may possibly have been a French translation of '''''[[Asmodeus der Krumme Teufel]]''''', a three act opera comique[https://en.wikipedia.org/wiki/Op%C3%A9ra_comique] by Joseph Felix von Kurz (1717-1784)[https://de.wikipedia.org/wiki/Joseph_Felix_von_Kurz], with music by Joseph Haydn (1732-1809)[https://en.wikipedia.org/wiki/Joseph_Haydn].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[F.C.L. Bosman|Bosman]] (1928, p. 129) suggests that this may possibly have been a French translation of '''''[[Asmodeus der Krumme Teufel]]''''' &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(&amp;quot;Asmodeus the lame or limping devil&amp;quot;)&lt;/ins&gt;, a three act opera comique[https://en.wikipedia.org/wiki/Op%C3%A9ra_comique] by Joseph Felix von Kurz (1717-1784)[https://de.wikipedia.org/wiki/Joseph_Felix_von_Kurz], with music by Joseph Haydn (1732-1809)[https://en.wikipedia.org/wiki/Joseph_Haydn].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This work had started life as ''[[Der Krumme Teufel]]'' (&amp;quot;The Lame Devil&amp;quot; or &amp;quot;The Limping Devil&amp;quot;),  a  ''Singspiel''[https://en.wikipedia.org/wiki/Singspiel]  in two acts by Kurz and Haydn - possibly based on the D'Ancourt version of 1707(?). This was first performed ca. 1751, but banned after 2 performances, but was performed again in 1752, and a revised version, ''[[Der Neue Krumme Teufel]]'' (&amp;quot;The Return of the Lame Devil&amp;quot; or literally &amp;quot;The New Limping Devil&amp;quot;), was  performed in 1757 or 1758, and published ca. 1760. Another revised,  three act,  version - now entitled ''[[Asmodeus der Krumme Teufel]]'' - was then written by Von Kurz, published and printed by Johann Thomas Edlen von Trattnern, in 1770.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This work had started life as ''[[Der Krumme Teufel]]'' (&amp;quot;The Lame Devil&amp;quot; or &amp;quot;The Limping Devil&amp;quot;),  a  ''Singspiel''[https://en.wikipedia.org/wiki/Singspiel]  in two acts by Kurz and Haydn - possibly based on the D'Ancourt version of 1707(?). This was first performed ca. 1751, but banned after 2 performances, but was performed again in 1752, and a revised version, ''[[Der Neue Krumme Teufel]]'' (&amp;quot;The Return of the Lame Devil&amp;quot; or literally &amp;quot;The New Limping Devil&amp;quot;), was  performed in 1757 or 1758, and published ca. 1760. Another revised,  three act,  version - now entitled ''[[Asmodeus der Krumme Teufel]]'' - was then written by Von Kurz, published and printed by Johann Thomas Edlen von Trattnern, in 1770.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
</feed>