Article 27 Arts and Culture Consultants - Revision history

Satj at 07:44, 20 April 2014

2014-04-20T07:44:21Z

Satj at 07:41, 20 April 2014

2014-04-20T07:41:25Z

Satj at 07:41, 20 April 2014

2014-04-20T07:41:00Z

Satj at 05:06, 20 April 2014

2014-04-20T05:06:43Z

Satj at 04:58, 20 April 2014

2014-04-20T04:58:13Z

Satj at 04:57, 20 April 2014

2014-04-20T04:57:56Z

Satj at 04:57, 20 April 2014

2014-04-20T04:57:36Z

Satj: /* Sources */

2014-04-20T04:57:20Z

Sources

Satj at 04:56, 20 April 2014

2014-04-20T04:56:56Z

Satj at 04:56, 20 April 2014

2014-04-20T04:56:29Z

← Older revision		Revision as of 07:44, 20 April 2014
Line 1:		Line 1:
−	An independent arts policy organisation and consultancy founded by [[Mike van Graan]] and [[Tammy ~~Ballentyne~~]] in 1996, it offers services in arts and culture, event management, policy research and development, and arts administration training. Publications include ''[[The Cultural Weapon]]'' from 199* to 2000?, the ''[[South African Arts and Culture Handbook]]'' (19-)and in recent years plays by [[Mike van Graan]]. Manages the ''[[President’s Fund for the Arts]]''? **. The name derives from [[Article 27 of the Universal Declaration of Human Rights]], which reads:	+	An independent arts policy organisation and consultancy founded by [[Mike van Graan]] and [[Tammy Ballantyne]] in 1996, it offers services in arts and culture, event management, policy research and development, and arts administration training. Publications include ''[[The Cultural Weapon]]'' from 199* to 2000?, the ''[[South African Arts and Culture Handbook]]'' (19-)and in recent years plays by [[Mike van Graan]]. Manages the ''[[President’s Fund for the Arts]]''? **. The name derives from [[Article 27 of the Universal Declaration of Human Rights]], which reads:

	"''Everyone has the right freely to participate in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits.''		"''Everyone has the right freely to participate in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits.''

← Older revision		Revision as of 07:41, 20 April 2014
Line 1:		Line 1:
−	An independent arts policy organisation and consultancy founded by [[Mike van Graan]] and [[Tammy Ballentyne]] in 1996, it offers services in arts and culture, event management, policy research and development, and arts administration training. Publications include ''[[The Cultural Weapon]]'' from 199* to 2000?, the ''[[South African ~~Handbook for~~ Arts and Culture]]'' (19-)and in recent years plays by [[Mike van Graan]]. Manages the ''[[President’s Fund for the Arts]]''? **. The name derives from [[Article 27 of the Universal Declaration of Human Rights]], which reads:	+	An independent arts policy organisation and consultancy founded by [[Mike van Graan]] and [[Tammy Ballentyne]] in 1996, it offers services in arts and culture, event management, policy research and development, and arts administration training. Publications include ''[[The Cultural Weapon]]'' from 199* to 2000?, the ''[[South African Arts and Culture Handbook]]'' (19-)and in recent years plays by [[Mike van Graan]]. Manages the ''[[President’s Fund for the Arts]]''? **. The name derives from [[Article 27 of the Universal Declaration of Human Rights]], which reads:

	"''Everyone has the right freely to participate in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits.''		"''Everyone has the right freely to participate in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits.''

← Older revision		Revision as of 07:41, 20 April 2014
Line 1:		Line 1:
−	An independent arts policy organisation and consultancy founded by [[Mike van Graan]] and [[Tammy Ballentyne]] in 1996, it offers services in arts and culture, event management, policy research and development, and arts administration training. Publications include ''[[The Cultural Weapon]]'' from 199* to 2000?, ''[[~~The~~ South African Handbook for Arts and Culture]]'' (19-)and in recent years plays by [[Mike van Graan]]. Manages the ''[[President’s Fund for the Arts]]''? **. The name derives from [[Article 27 of the Universal Declaration of Human Rights]], which reads:	+	An independent arts policy organisation and consultancy founded by [[Mike van Graan]] and [[Tammy Ballentyne]] in 1996, it offers services in arts and culture, event management, policy research and development, and arts administration training. Publications include ''[[The Cultural Weapon]]'' from 199* to 2000?, the ''[[South African Handbook for Arts and Culture]]'' (19-)and in recent years plays by [[Mike van Graan]]. Manages the ''[[President’s Fund for the Arts]]''? **. The name derives from [[Article 27 of the Universal Declaration of Human Rights]], which reads:

	"''Everyone has the right freely to participate in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits.''		"''Everyone has the right freely to participate in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits.''

← Older revision		Revision as of 05:06, 20 April 2014
Line 1:		Line 1:
−	An independent arts policy organisation and consultancy founded by [[Mike van Graan]] and [[Tammy ~~Ballentine~~]] in 1996, it offers services in arts and culture, event management, policy research and development, and arts administration training. Publications include ''[[The Cultural Weapon]]'' from 199* to 2000?, ''[[The South African Handbook for Arts and Culture]]'' (19-)and in recent years plays by Mike van Graan. Manages the ''[[President’s Fund for the Arts]]''? **. The name derives from [[Article 27 of the Universal Declaration of Human Rights]], which reads:	+	An independent arts policy organisation and consultancy founded by [[Mike van Graan]] and [[Tammy Ballentyne]] in 1996, it offers services in arts and culture, event management, policy research and development, and arts administration training. Publications include ''[[The Cultural Weapon]]'' from 199* to 2000?, ''[[The South African Handbook for Arts and Culture]]'' (19-)and in recent years plays by [[Mike van Graan]]. Manages the ''[[President’s Fund for the Arts]]''? **. The name derives from [[Article 27 of the Universal Declaration of Human Rights]], which reads:

	"''Everyone has the right freely to participate in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits.''		"''Everyone has the right freely to participate in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits.''

← Older revision		Revision as of 04:58, 20 April 2014
Line 1:		Line 1:
−	An independent arts policy organisation and consultancy founded by [[Mike van Graan]] and [[Tammy Ballentine]] in 1996, it offers services in arts and culture, event management, policy research and development, and arts administration training. Publications include ''[[The Cultural Weapon]]'' from 199* to 2000?, ''[[The South African Handbook for Arts and Culture]]'' (19-)and in recent years plays by Mike van Graan. Manages the ''[[President’s Fund for the Arts]]''? **. The name derives from [[Article 27 of the Universal Declaration of Human Rights]~~][http://www.un.org/en/documents/udhr/~~], which reads:	+	An independent arts policy organisation and consultancy founded by [[Mike van Graan]] and [[Tammy Ballentine]] in 1996, it offers services in arts and culture, event management, policy research and development, and arts administration training. Publications include ''[[The Cultural Weapon]]'' from 199* to 2000?, ''[[The South African Handbook for Arts and Culture]]'' (19-)and in recent years plays by Mike van Graan. Manages the ''[[President’s Fund for the Arts]]''? **. The name derives from [[Article 27 of the Universal Declaration of Human Rights]], which reads:

	"''Everyone has the right freely to participate in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits.''		"''Everyone has the right freely to participate in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits.''

← Older revision		Revision as of 04:57, 20 April 2014
Line 3:		Line 3:
	"''Everyone has the right freely to participate in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits.''		"''Everyone has the right freely to participate in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits.''

−	''Everyone has the right to the protection of the moral and material interests resulting from any scientific, literary or artistic production of which he is the author.''"	+	''Everyone has the right to the protection of the moral and material interests resulting from any scientific, literary or artistic production of which he is the author.''"[http://www.un.org/en/documents/udhr/]

← Older revision		Revision as of 04:57, 20 April 2014
Line 12:		Line 12:

	http://www.mikevangraan.co.za/about/biography		http://www.mikevangraan.co.za/about/biography
−

	== Return to ==		== Return to ==

@@ Line 1: / Line 1: @@
 An independent arts policy organisation and consultancy founded by [[Mike van Graan]] and [[Tammy Ballentine]] in 1996, it offers services in arts and culture, event management, policy research and development, and arts administration training. Publications include ''[[The Cultural Weapon]]'' from 199* to 2000*?, ''[[The South African Handbook for Arts and Culture]]'' (19**-)and in recent years plays by Mike van Graan. Manages the ''[[President’s Fund for the Arts]]''*? **. The name derives from  [[Article 27 of the Universal Declaration of Human Rights]], which reads:
-''Everyone has the right freely to participate in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits.
+"''Everyone has the right freely to participate in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits.''
-Everyone has the right to the protection of the moral and material interests resulting from any scientific, literary or artistic production of which he is the author.''
+''Everyone has the right to the protection of the moral and material interests resulting from any scientific, literary or artistic production of which he is the author.''"

← Older revision		Revision as of 04:56, 20 April 2014
Line 1:		Line 1:
	An independent arts policy organisation and consultancy founded by [[Mike van Graan]] and [[Tammy Ballentine]] in 1996, it offers services in arts and culture, event management, policy research and development, and arts administration training. Publications include ''[[The Cultural Weapon]]'' from 199* to 2000?, ''[[The South African Handbook for Arts and Culture]]'' (19-)and in recent years plays by Mike van Graan. Manages the ''[[President’s Fund for the Arts]]''? **. The name derives from [[Article 27 of the Universal Declaration of Human Rights]], which reads:		An independent arts policy organisation and consultancy founded by [[Mike van Graan]] and [[Tammy Ballentine]] in 1996, it offers services in arts and culture, event management, policy research and development, and arts administration training. Publications include ''[[The Cultural Weapon]]'' from 199* to 2000?, ''[[The South African Handbook for Arts and Culture]]'' (19-)and in recent years plays by Mike van Graan. Manages the ''[[President’s Fund for the Arts]]''? **. The name derives from [[Article 27 of the Universal Declaration of Human Rights]], which reads:
−	''Everyone has the right freely to participate in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits. Everyone has the right to the protection of the moral and material interests resulting from any scientific, literary or artistic production of which he is the author.''	+
		+	''Everyone has the right freely to participate in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits.
		+
		+	Everyone has the right to the protection of the moral and material interests resulting from any scientific, literary or artistic production of which he is the author.''