Antoinette Pienaar - Revision history

Satj: /* Biography */

2025-07-15T06:53:33Z

Biography

Karina2: /* Contribution to South African theatre and performance */

2023-07-07T10:53:08Z

Contribution to South African theatre and performance

Karina2: /* Sources */

2023-05-06T15:16:25Z

Sources

Karina2: /* Contribution to South African theatre and performance */

2023-05-06T15:15:40Z

Contribution to South African theatre and performance

Karina2: /* Sources */

2023-02-09T13:55:27Z

Sources

Karina2: /* Sources */

2022-07-21T16:09:03Z

Sources

Karina2: /* Contribution to South African theatre and performance */

2022-05-20T14:01:42Z

Contribution to South African theatre and performance

Satj: /* Sources */

2022-02-16T04:15:20Z

Sources

Satj: /* Sources */

2022-02-16T03:48:49Z

Sources

Satj: /* Sources */

2022-02-16T03:46:57Z

Sources

@@ Line 5: / Line 5: @@
 == Biography ==
-Born one of five sisters  in Beaufort West, she grew up in Carnavon and studied drama at the [[University of Stellenbosch]] and the [[University of Cape Town]].
+Born one of five sisters in Beaufort West, she grew up in Carnavon and studied drama at the [[University of Stellenbosch]] and the [[University of Cape Town]].
 ==Contribution to South African theatre and performance ==

@@ Line 15: / Line 15: @@
 In 1988 she performed as a singer in ''[[The Melody Lingers On]]'' (a narrated musical tribute to Irving Berlin by [[Henry Holloway]]), performing with [[Marilyn Verster]], [[De Wet Wraight]] and musician and composer [[Derek Fordyce]].
-She later went on to one-woman cabarets (''[[Porta for Sale]]'' and ''[[Putting on the Ritz]]'') also with Fordyce, gradually developing her own style of writing and musical performance. Working with her own Marimba style group, Asazi Makwheru/Die Skietsels,  she began to develop a kind of musical storytelling which made her a unique presence in the theatre of the 1990s, developing shows like ''[[Krotoa]]'' (1995), ''[[Allie anner Vrouens]]'' (1996), ''[[Gorrels ytie Groot Garob]]'' and ''[[Allie Ander Vrouens]'' in ](1996) and ''[[Die Gariep Roep]]'' (1996).
+She later went on to one-woman cabarets (''[[Porta for Sale]]'' and ''[[Putting on the Ritz]]'') also with Fordyce, gradually developing her own style of writing and musical performance. Working with her own Marimba style group, Asazi Makwheru/Die Skietsels,  she began to develop a kind of musical storytelling which made her a unique presence in the theatre of the 1990s, developing shows like ''[[Krotoa]]'' (1995), ''[[Allie anner Vrouens]]'' (1996), ''[[Gorrels ytie Groot Garob]]'' and ''[[Die Gariep Roep]]'' (1996).
 At the 1999 [[KKNK Festival]] she performed in ''[[Johanna]]'' a music drama with the verses of [[Leipoldt]]'s  set to music by [[Derek Fordyce]] in 1999.

← Older revision		Revision as of 15:16, 6 May 2023
Line 31:		Line 31:

	''[[ADA]]'' No 11. 1992. Cape Town A-Z.		''[[ADA]]'' No 11. 1992. Cape Town A-Z.
		+
		+	[[Krit]], 31 March 1996.

	[[Krit]], 2 April 1996.		[[Krit]], 2 April 1996.

@@ Line 15: / Line 15: @@
 In 1988 she performed as a singer in ''[[The Melody Lingers On]]'' (a narrated musical tribute to Irving Berlin by [[Henry Holloway]]), performing with [[Marilyn Verster]], [[De Wet Wraight]] and musician and composer [[Derek Fordyce]].
-She later went on to one-woman cabarets (''[[Porta for Sale]]'' and ''[[Putting on the Ritz]]'') also with Fordyce, gradually developing her own style of writing and musical performance. Working with her own Marimba style group, Asazi Makwheru/Die Skietsels,  she began to develop a kind of musical storytelling which made her a unique presence in the theatre of the 1990s, developing shows like ''[[Krotoa]]'' (1995), ''[[Allie anner Vrouens]]'' (1996), ''[[Gorrels ytie Groot Garob]]'' (1996) and ''[[Die Gariep Roep]]'' (1996).
+She later went on to one-woman cabarets (''[[Porta for Sale]]'' and ''[[Putting on the Ritz]]'') also with Fordyce, gradually developing her own style of writing and musical performance. Working with her own Marimba style group, Asazi Makwheru/Die Skietsels,  she began to develop a kind of musical storytelling which made her a unique presence in the theatre of the 1990s, developing shows like ''[[Krotoa]]'' (1995), ''[[Allie anner Vrouens]]'' (1996), ''[[Gorrels ytie Groot Garob]]'' and ''[[Allie Ander Vrouens]'' in ](1996) and ''[[Die Gariep Roep]]'' (1996).
 At the 1999 [[KKNK Festival]] she performed in ''[[Johanna]]'' a music drama with the verses of [[Leipoldt]]'s  set to music by [[Derek Fordyce]] in 1999.

← Older revision		Revision as of 13:55, 9 February 2023
Line 31:		Line 31:

	''[[ADA]]'' No 11. 1992. Cape Town A-Z.		''[[ADA]]'' No 11. 1992. Cape Town A-Z.
		+
		+	[[Krit]], 2 April 1996.

	http://www.kruiekraaikoning.co.za/		http://www.kruiekraaikoning.co.za/

← Older revision		Revision as of 16:09, 21 July 2022
Line 41:		Line 41:

	''[[Rekord Moot]]'', 28 September, 2001		''[[Rekord Moot]]'', 28 September, 2001
		+
		+	[[Vrouekeur]], 16 Maart 2018

	== Return to ==		== Return to ==

← Older revision		Revision as of 14:01, 20 May 2022
Line 16:		Line 16:

	She later went on to one-woman cabarets (''[[Porta for Sale]]'' and ''[[Putting on the Ritz]]'') also with Fordyce, gradually developing her own style of writing and musical performance. Working with her own Marimba style group, Asazi Makwheru/Die Skietsels, she began to develop a kind of musical storytelling which made her a unique presence in the theatre of the 1990s, developing shows like ''[[Krotoa]]'' (1995), ''[[Allie anner Vrouens]]'' (1996), ''[[Gorrels ytie Groot Garob]]'' (1996) and ''[[Die Gariep Roep]]'' (1996).		She later went on to one-woman cabarets (''[[Porta for Sale]]'' and ''[[Putting on the Ritz]]'') also with Fordyce, gradually developing her own style of writing and musical performance. Working with her own Marimba style group, Asazi Makwheru/Die Skietsels, she began to develop a kind of musical storytelling which made her a unique presence in the theatre of the 1990s, developing shows like ''[[Krotoa]]'' (1995), ''[[Allie anner Vrouens]]'' (1996), ''[[Gorrels ytie Groot Garob]]'' (1996) and ''[[Die Gariep Roep]]'' (1996).
		+	At the 1999 [[KKNK Festival]] she performed in ''[[Johanna]]'' a music drama with the verses of [[Leipoldt]]'s set to music by [[Derek Fordyce]] in 1999.

	In 2000 she began working with composer/accompanist [[Jacques Geldenhuys]] , to create more cabaret performances involving songs and her tales of the Karoo. Among them ''[[Antoinette se Konsert]]'' ("Antoinette's concert") at the [[Teaterhuisie]] in 2001, ''[[Vuur innie water]]'' ("Fire in the water") for the [[Groot Marico Kunstefees]], 2002.		In 2000 she began working with composer/accompanist [[Jacques Geldenhuys]] , to create more cabaret performances involving songs and her tales of the Karoo. Among them ''[[Antoinette se Konsert]]'' ("Antoinette's concert") at the [[Teaterhuisie]] in 2001, ''[[Vuur innie water]]'' ("Fire in the water") for the [[Groot Marico Kunstefees]], 2002.

@@ Line 39: / Line 39: @@
 ''[[Beeld]]'', 28 September 2001.
-''[[Pretoria Rekord]]'', 28 September, 2001
+''[[Rekord Moot]]'', 28 September, 2001
 == Return to ==

← Older revision		Revision as of 03:46, 16 February 2022
Line 38:		Line 38:

	[[Beeld]], 28 September 2001.		[[Beeld]], 28 September 2001.
		+
		+	ReKord

	== Return to ==		== Return to ==