Annie Barnes - Revision history

Darryl: /* Contribution to SA theatre, film, media and/or performance */

2026-05-24T17:55:18Z

Contribution to SA theatre, film, media and/or performance

2026-05-22T15:23:44Z

Contribution to SA theatre, film, media and/or performance

2026-05-22T14:37:01Z

Contribution to SA theatre, film, media and/or performance

2026-05-22T14:36:53Z

Contribution to SA theatre, film, media and/or performance

2026-05-20T15:39:54Z

Contribution to SA theatre, film, media and/or performance

2026-05-19T10:35:25Z

Contribution to SA theatre, film, media and/or performance

2026-05-08T12:56:52Z

Contribution to SA theatre, film, media and/or performance

2017-03-14T14:38:33Z

2017-03-14T14:37:41Z

2017-03-14T14:36:18Z

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 Her work is characterised by audience participation. In ''[[Rainbow Land]]'', an educational play about nature conservation, the ten to twelve year olds in the audience form an integral part of the action, representing the inhabitants of the endangered land. It is a technique also used in her other plays, e.g. The ''[[The Jubba Jugga Junkyard Jollies!]]'' (1980) and ''[[Hey! Hooray!]]'' (1981).
-She also wrote ''[[Beware the Moonshadows]]'' and ''[[You and I Exactly Different]]'' (1987).
+She also wrote ''[[Beware the Moonshadows]]'' (1980) and ''[[You and I Exactly Different]]'' (1987).
 She played in ''[[Tarradiddle Travels]]'' ([[Baxter Theatre]] 1980).  She wrote and directed ''[[Once Upon a Bootless Christmas]]'' (Baxter 1981), ''[[Scoring the Goal]]'' (Baxter 1982), ''[[The Popcorn People]]'' (1982), ''[[There's a Freebee in my Fishbowl]]'' (Baxter 1983) and ''[[Odds and Ends]]'' (Baxter 1983).

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 Moving to Johannesburg, she started the [[Out of the Box Company]].
-Her work is characterised by audience participation. In ''[[Rainbow Land]]'', an educational play about nature conservation, the ten to twelve year olds in the audience form an integral part of the action, representing the inhabitants of the endangered land. It is a technique also used in her other plays, e.g. The ''[[The Jubba Jugga Junkyard Jollies!]]'' and ''[[Hey! Hooray!]]'' (1981).
+Her work is characterised by audience participation. In ''[[Rainbow Land]]'', an educational play about nature conservation, the ten to twelve year olds in the audience form an integral part of the action, representing the inhabitants of the endangered land. It is a technique also used in her other plays, e.g. The ''[[The Jubba Jugga Junkyard Jollies!]]'' (1980) and ''[[Hey! Hooray!]]'' (1981).
 She also wrote ''[[Beware the Moonshadows]]'' and ''[[You and I Exactly Different]]'' (1987).

@@ Line 6: / Line 6: @@
 Moving to Johannesburg, she started the [[Out of the Box Company]].
-Her work is characterised by audience participation. In ''[[Rainbow Land]]'', an educational play about nature conservation, the ten to twelve year olds in the audience form an integral part of the action, representing the inhabitants of the endangered land. It is a technique also used in her other plays, e.g. The ''[[The Jubba Jugga Junkyard Jollies!]]'' and ''[[Hey!Hooray!]]'' (1981).
+Her work is characterised by audience participation. In ''[[Rainbow Land]]'', an educational play about nature conservation, the ten to twelve year olds in the audience form an integral part of the action, representing the inhabitants of the endangered land. It is a technique also used in her other plays, e.g. The ''[[The Jubba Jugga Junkyard Jollies!]]'' and ''[[Hey! Hooray!]]'' (1981).
 She also wrote ''[[Beware the Moonshadows]]'' and ''[[You and I Exactly Different]]'' (1987).

@@ Line 6: / Line 6: @@
 Moving to Johannesburg, she started the [[Out of the Box Company]].
-Her work is characterised by audience participation. In ''[[Rainbow Land]]'', an educational play about nature conservation, the ten to twelve year olds in the audience form an integral part of the action, representing the inhabitants of the endangered land. It is a technique also used in her other plays, e.g. The ''[[The Jubba Jugga Junkyard Jollies!]]'' and ''[[Hey!Hooray!]]''.
+Her work is characterised by audience participation. In ''[[Rainbow Land]]'', an educational play about nature conservation, the ten to twelve year olds in the audience form an integral part of the action, representing the inhabitants of the endangered land. It is a technique also used in her other plays, e.g. The ''[[The Jubba Jugga Junkyard Jollies!]]'' and ''[[Hey!Hooray!]]'' (1981).
 She also wrote ''[[Beware the Moonshadows]]'' and ''[[You and I Exactly Different]]'' (1987).

@@ Line 10: / Line 10: @@
 She also wrote ''[[Beware the Moonshadows]]'' and ''[[You and I Exactly Different]]'' (1987).
-She played in ''[[Tarradiddle Travels]]'' ([[Baxter Theatre]] 1980).  She wrote and directed ''[[Once Upon a Bootless Christmas]]'' (Baxter 1981), ''[[Scoring the Goal]]'' (Baxter 1982), ''[[There's a Freebee in my Fishbowl]]'' (Baxter 1983) and ''[[Odds and Ends]]'' (Baxter 1983).
+She played in ''[[Tarradiddle Travels]]'' ([[Baxter Theatre]] 1980).  She wrote and directed ''[[Once Upon a Bootless Christmas]]'' (Baxter 1981), ''[[Scoring the Goal]]'' (Baxter 1982), ''[[The Popcorn People]]'' (1982), ''[[There's a Freebee in my Fishbowl]]'' (Baxter 1983) and ''[[Odds and Ends]]'' (Baxter 1983).
 == Sources ==

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 ==Contribution to SA theatre, film, media and/or performance==
-Since the early 1980s she has been writing and directing plays for young audiences. She started the [[Two Hoots Company]] in Cape Town with [[Liz Mills]] in 19**. Moving to Johannesburg, she started the [[Out of the Box Company]]. Her work is characterised by audience participation. In ''[[Rainbow Land]]'', an educational play about nature conservation, the ten to twelve year olds in the audience form an integral part of the action, representing the inhabitants of the endangered land. It is a technique also used in her other plays, e.g. The ''[[The Jubba Jugga Junkyard Jollies!]]'' and ''[[Hey!Hooray!]]''.
+Since the early 1980s she has been writing and directing plays for young audiences. She started [[Two Hoots Youth Theatre Productions]]]] in Cape Town with [[Liz Mills]].
 She also wrote ''[[Beware the Moonshadows]]'' and ''[[You and I Exactly Different]]'' (1987).

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 Various entries in the [[NELM]] catalogue.
-[[ESAT Bibliography Bar-Bas|
+[[ESAT Bibliography Bar-Bas|Barrow, Brian & Williams-Short, Yvonne]], 1988.
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