Annel Pieterse - Revision history

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Editorial work

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Editorial work

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Publications

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Publications

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Publications

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Training

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 Commissioned and edited content for the [https://www.youtube.com/@SLiPnetwork/featured Stellenbosch Literary Project]'s website slipnet.co.za (2011-2015). Associate Reviews Editor of ''Safundi'' [https://www.tandfonline.com/journals/rsaf20] (2016-2022) and member of its editorial board since 2023.
-In August 2026 she was appointed co-project leader and co-editor of open access digital publication ''[[The Encyclopaedia of South African Theatre, Film, Media and Performance]]'' (''[[ESAT]]'').
+On 17 August 2026 she was appointed co-project leader and co-editor of open access digital publication ''[[The Encyclopaedia of South African Theatre, Film, Media and Performance]]'' (''[[ESAT]]'').
 == Publications ==

← Older revision		Revision as of 08:12, 17 August 2026
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	Commissioned and edited content for the [https://www.youtube.com/@SLiPnetwork/featured Stellenbosch Literary Project]'s website slipnet.co.za (2011-2015). Associate Reviews Editor of ''Safundi'' [https://www.tandfonline.com/journals/rsaf20] (2016-2022) and member of its editorial board since 2023.		Commissioned and edited content for the [https://www.youtube.com/@SLiPnetwork/featured Stellenbosch Literary Project]'s website slipnet.co.za (2011-2015). Associate Reviews Editor of ''Safundi'' [https://www.tandfonline.com/journals/rsaf20] (2016-2022) and member of its editorial board since 2023.
		+
		+	In August 2026 she was appointed co-project leader and co-editor of open access digital publication ''[[The Encyclopaedia of South African Theatre, Film, Media and Performance]]'' (''[[ESAT]]'').

	== Publications ==		== Publications ==

← Older revision		Revision as of 08:12, 17 August 2026
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	Has published on South African theatre, including [[Marlene van Niekerk]]'s ''[[Die Kortstondige Raklewe van Anastasia W]]'' [https://hdl.handle.net/10520/EJC130524] (with [[Leon de Kock]], ''[[South African Theatre Journal]]'', 2012), on South African poetry and oral/techno poetics, and on South African film, including a review article on masculinity, violence and queer identity in recent South African cinema [https://doi.org/10.1080/17533171.2019.1601443] (''Safundi'', 2019).		Has published on South African theatre, including [[Marlene van Niekerk]]'s ''[[Die Kortstondige Raklewe van Anastasia W]]'' [https://hdl.handle.net/10520/EJC130524] (with [[Leon de Kock]], ''[[South African Theatre Journal]]'', 2012), on South African poetry and oral/techno poetics, and on South African film, including a review article on masculinity, violence and queer identity in recent South African cinema [https://doi.org/10.1080/17533171.2019.1601443] (''Safundi'', 2019).
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−	~~In August 2026 she was appointed co-project leader and co-editor of open access digital publication ''[[The Encyclopaedia of South African Theatre, Film, Media and Performance]]'' (''[[ESAT]]'').~~

	== Media work ==		== Media work ==

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 Has published on South African theatre, including [[Marlene van Niekerk]]'s ''[[Die Kortstondige Raklewe van Anastasia W]]'' [https://hdl.handle.net/10520/EJC130524] (with [[Leon de Kock]], ''[[South African Theatre Journal]]'', 2012), on South African poetry and oral/techno poetics, and on South African film, including a review article on masculinity, violence and queer identity in recent South African cinema [https://doi.org/10.1080/17533171.2019.1601443] (''Safundi'', 2019).
-In August 2026 she was appointed co-project leader and co-editor of open access digital publication ''[[The Encyclopaedia of South African Theatre, Fim, Media and Performance]]'' (''[[ESAT]]'').
+In August 2026 she was appointed co-project leader and co-editor of open access digital publication ''[[The Encyclopaedia of South African Theatre, Film, Media and Performance]]'' (''[[ESAT]]'').
 == Media work ==

← Older revision		Revision as of 08:11, 17 August 2026
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	Has published on South African theatre, including [[Marlene van Niekerk]]'s ''[[Die Kortstondige Raklewe van Anastasia W]]'' [https://hdl.handle.net/10520/EJC130524] (with [[Leon de Kock]], ''[[South African Theatre Journal]]'', 2012), on South African poetry and oral/techno poetics, and on South African film, including a review article on masculinity, violence and queer identity in recent South African cinema [https://doi.org/10.1080/17533171.2019.1601443] (''Safundi'', 2019).		Has published on South African theatre, including [[Marlene van Niekerk]]'s ''[[Die Kortstondige Raklewe van Anastasia W]]'' [https://hdl.handle.net/10520/EJC130524] (with [[Leon de Kock]], ''[[South African Theatre Journal]]'', 2012), on South African poetry and oral/techno poetics, and on South African film, including a review article on masculinity, violence and queer identity in recent South African cinema [https://doi.org/10.1080/17533171.2019.1601443] (''Safundi'', 2019).
		+
		+	In August 2026 she was appointed co-project leader and co-editor of open access digital publication ''[[The Encyclopaedia of South African Theatre, Fim, Media and Performance]]'' (''[[ESAT]]'').

	== Media work ==		== Media work ==

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	Return to [[Main Page]]		Return to [[Main Page]]
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−	~~[[Category:ESAT Personalities P]]~~

← Older revision		Revision as of 12:45, 19 June 2026
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	Return to [[Main Page]]		Return to [[Main Page]]

−	[[Category:ESAT Personalities]]	+	[[Category:ESAT Personalities P]]

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 == Training ==
-Obtained a PhD in English Studies from [[Stellenbosch University]] in 2012. Her doctoral thesis, ''Language Limits: The dissolution of the lyric subject in experimental print and performance poetry'' [https://scholar.sun.ac.za/handle/10019.1/71855] (2012), examined South African performance poetry and spoken-word practice, including the work of [[Lesego Rampolokeng]], [[Kgafela oa Magogodi]] and [[Jitsvinger]] (Quintin Goliath), with particular attention to South African orature: the inheritance of the ''imbongi'' (praise poet) as licensed social critic, the emergence of new "literate oralities", and the movement of poetry between voice, print, stage and screen.
+Obtained a PhD in English Studies from [[Stellenbosch University]] in 2012. Her doctoral thesis, ''Language Limits: The dissolution of the lyric subject in experimental print and performance poetry'' [https://scholar.sun.ac.za/handle/10019.1/71855] (2012), examined South African performance poetry and spoken-word practice, including the work of [[Lesego Rampolokeng]], [[Kgafela oa Magogodi]] and [[Jitsvinger]] ([[Quintin Goliath]]), with particular attention to South African orature: the inheritance of the ''[[imbongi]]'' (praise poet) as licensed social critic, the emergence of new "literate oralities", and the movement of poetry between voice, print, stage and screen.
 == Career ==