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	<id>https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Ambrose_Gwinett%2C_or_A_Sea_Side_Story</id>
	<title>Ambrose Gwinett, or A Sea Side Story - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Ambrose_Gwinett%2C_or_A_Sea_Side_Story"/>
	<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Ambrose_Gwinett,_or_A_Sea_Side_Story&amp;action=history"/>
	<updated>2026-08-12T07:53:59Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.33.2</generator>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Ambrose_Gwinett,_or_A_Sea_Side_Story&amp;diff=111196&amp;oldid=prev</id>
		<title>Satj: /* Performance history in South Africa */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Ambrose_Gwinett,_or_A_Sea_Side_Story&amp;diff=111196&amp;oldid=prev"/>
		<updated>2016-07-26T05:03:51Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Performance history in South Africa&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 05:03, 26 July 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l24&quot; &gt;Line 24:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 24:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1838: Performed by the [[English Amateur Company]] in the [[African Theatre|Cape Town Theatre]] on 13 October, 1838, with as afterpiece ''[[The Spectre Bridegroom, or A Ghost in spite of Himself]]'' (Moncrieff).  The title again wrongly given as ''[[Ambrose Guinett, or a Sea-Side Story]]''. According to [[F.C.L. Bosman|Bosman]] (1928), this was to be the last production mounted in the [[African Theatre]] before it was sold and turned into a church, and it was also the last production by English amateurs in Cape Town till 1843, for the Methodist anti-theatre movement had temporarily won the battle.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;1838: Performed by the [[English Amateur Company]] in the [[African Theatre|Cape Town Theatre]] on 13 October, 1838, with as afterpiece ''[[The Spectre Bridegroom, or A Ghost in spite of Himself]]'' (Moncrieff).  The title again wrongly given as ''[[Ambrose Guinett, or a Sea-Side Story]]''. According to [[F.C.L. Bosman|Bosman]] (1928), this was to be the last production mounted in the [[African Theatre]] before it was sold and turned into a church, and it was also the last production by English amateurs in Cape Town till 1843, for the Methodist anti-theatre movement had temporarily won the battle.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Ambrose_Gwinett,_or_A_Sea_Side_Story&amp;diff=111195&amp;oldid=prev</id>
		<title>Satj: /* The original text */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Ambrose_Gwinett,_or_A_Sea_Side_Story&amp;diff=111195&amp;oldid=prev"/>
		<updated>2016-07-26T05:02:40Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;The original text&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 05:02, 26 July 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l13&quot; &gt;Line 13:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 13:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to a &amp;quot;Researcher's Note&amp;quot; in the online  ''Encyclopædia Britannica''[https://global.britannica.com/topic/Ambrose-Bierces-middle-name-1694744], the American author Ambrose Bierce[https://en.wikipedia.org/wiki/Ambrose_Bierce]’s full given names are Ambrose Gwinett (or Gwinnett) Bierce and derived from the title of Jerrold's popular play.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to a &amp;quot;Researcher's Note&amp;quot; in the online  ''Encyclopædia Britannica''[https://global.britannica.com/topic/Ambrose-Bierces-middle-name-1694744], the American author Ambrose Bierce[https://en.wikipedia.org/wiki/Ambrose_Bierce]’s full given names are Ambrose Gwinett (or Gwinnett) Bierce and derived from the title of Jerrold's popular play.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In addition, Bierce's one biographer, Roy Morris Jr (1995: p. 10), while scathingly refering to Jerrold, one of the leading melodramatists of his day, as the &amp;quot;little known English dramatist&amp;quot;, and the successful 19th century text as a &amp;quot;penny-dreadful play&amp;quot;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;doe &lt;/del&gt;point out that Bierce's most famous work, ''An Occurrence at Owl Creek Bridge'' (1890), &amp;quot;shares the play's basic plot contrivance of a young man surviving - or apparently surviving - a hanging&amp;quot;, and suggests that Bierce may have read (or perhaps seen?) the play. Of course Bierce may even have known Bickerstaffe's original monologue. ''Wikipedia''[https://en.wikipedia.org/wiki/An_Occurrence_at_Owl_Creek_Bridge] has numerous other potential sources for Bierce's brilliant tale, but does not mention either Jerrold or Bickerstaffe.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In addition, Bierce's one biographer, Roy Morris Jr (1995: p. 10), while scathingly refering to Jerrold, one of the leading melodramatists of his day, as the &amp;quot;little known English dramatist&amp;quot;, and the successful 19th century text as a &amp;quot;penny-dreadful play&amp;quot;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;does &lt;/ins&gt;point out &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;the interesting fact &lt;/ins&gt;that Bierce's most famous work, ''An Occurrence at Owl Creek Bridge'' (1890), &amp;quot;shares the play's basic plot contrivance of a young man surviving - or apparently surviving - a hanging&amp;quot;, and suggests that Bierce may have read (or perhaps seen?) the play. Of course Bierce may even have known Bickerstaffe's original monologue. ''Wikipedia''[https://en.wikipedia.org/wiki/An_Occurrence_at_Owl_Creek_Bridge] has numerous other potential sources for Bierce's brilliant tale, but does not mention either Jerrold or Bickerstaffe.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Translations and adaptations==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Translations and adaptations==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Ambrose_Gwinett,_or_A_Sea_Side_Story&amp;diff=111194&amp;oldid=prev</id>
		<title>Satj: /* The original text */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Ambrose_Gwinett,_or_A_Sea_Side_Story&amp;diff=111194&amp;oldid=prev"/>
		<updated>2016-07-26T05:01:55Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;The original text&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 05:01, 26 July 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l13&quot; &gt;Line 13:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 13:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to a &amp;quot;Researcher's Note&amp;quot; in the online  ''Encyclopædia Britannica''[https://global.britannica.com/topic/Ambrose-Bierces-middle-name-1694744], the American author Ambrose Bierce[https://en.wikipedia.org/wiki/Ambrose_Bierce]’s full given names are Ambrose Gwinett (or Gwinnett) Bierce and derived from the title of Jerrold's popular play.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to a &amp;quot;Researcher's Note&amp;quot; in the online  ''Encyclopædia Britannica''[https://global.britannica.com/topic/Ambrose-Bierces-middle-name-1694744], the American author Ambrose Bierce[https://en.wikipedia.org/wiki/Ambrose_Bierce]’s full given names are Ambrose Gwinett (or Gwinnett) Bierce and derived from the title of Jerrold's popular play.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In addition, Bierce's one biographer, Roy Morris Jr (1995: p. 10), while scathingly refering to Jerrold, one of the leading melodramatists of his day, as the &amp;quot;little known English dramatist&amp;quot;, and the successful 19th century text as a &amp;quot;penny-dreadful play&amp;quot;, doe point out that Bierce's most famous work, ''An Occurrence at Owl Creek Bridge'' (1890), &amp;quot;shares the play's basic plot contrivance of a young man surviving - or apparently surviving - a hanging&amp;quot;, and suggests that Bierce may have read (or perhaps seen?) the play. Of course Bierce may even have known Bickerstaffe's original monologue. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The &lt;/del&gt;''Wikipedia''[https://en.wikipedia.org/wiki/An_Occurrence_at_Owl_Creek_Bridge] has numerous other potential sources for Bierce's brilliant tale, but does not mention either Jerrold or Bickerstaffe.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In addition, Bierce's one biographer, Roy Morris Jr (1995: p. 10), while scathingly refering to Jerrold, one of the leading melodramatists of his day, as the &amp;quot;little known English dramatist&amp;quot;, and the successful 19th century text as a &amp;quot;penny-dreadful play&amp;quot;, doe point out that Bierce's most famous work, ''An Occurrence at Owl Creek Bridge'' (1890), &amp;quot;shares the play's basic plot contrivance of a young man surviving - or apparently surviving - a hanging&amp;quot;, and suggests that Bierce may have read (or perhaps seen?) the play. Of course Bierce may even have known Bickerstaffe's original monologue. ''Wikipedia''[https://en.wikipedia.org/wiki/An_Occurrence_at_Owl_Creek_Bridge] has numerous other potential sources for Bierce's brilliant tale, but does not mention either Jerrold or Bickerstaffe.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Translations and adaptations==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Translations and adaptations==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Ambrose_Gwinett,_or_A_Sea_Side_Story&amp;diff=111193&amp;oldid=prev</id>
		<title>Satj: /* The original text */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Ambrose_Gwinett,_or_A_Sea_Side_Story&amp;diff=111193&amp;oldid=prev"/>
		<updated>2016-07-26T05:01:41Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;The original text&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 05:01, 26 July 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l13&quot; &gt;Line 13:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 13:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to a &amp;quot;Researcher's Note&amp;quot; in the online  ''Encyclopædia Britannica''[https://global.britannica.com/topic/Ambrose-Bierces-middle-name-1694744], the American author Ambrose Bierce[https://en.wikipedia.org/wiki/Ambrose_Bierce]’s full given names are Ambrose Gwinett (or Gwinnett) Bierce and derived from the title of Jerrold's popular play.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to a &amp;quot;Researcher's Note&amp;quot; in the online  ''Encyclopædia Britannica''[https://global.britannica.com/topic/Ambrose-Bierces-middle-name-1694744], the American author Ambrose Bierce[https://en.wikipedia.org/wiki/Ambrose_Bierce]’s full given names are Ambrose Gwinett (or Gwinnett) Bierce and derived from the title of Jerrold's popular play.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In addition, Bierce's one biographer, Roy Morris Jr (1995: p. 10), scathingly &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;refers &lt;/del&gt;to Jerrold, one of the leading melodramatists of his day, as the &amp;quot;little known English dramatist&amp;quot;, and the successful 19th century text as a &amp;quot;penny-dreadful play&amp;quot;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;points &lt;/del&gt;out that Bierce's most famous work, ''An Occurrence at Owl Creek Bridge'' (1890), &amp;quot;shares the play's basic plot contrivance of a young man surviving - or apparently surviving - a hanging&amp;quot;, and suggests that Bierce may have read (or perhaps seen?) the play. Of course Bierce may even have known Bickerstaffe's original monologue.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In addition, Bierce's one biographer, Roy Morris Jr (1995: p. 10), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;while &lt;/ins&gt;scathingly &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;refering &lt;/ins&gt;to Jerrold, one of the leading melodramatists of his day, as the &amp;quot;little known English dramatist&amp;quot;, and the successful 19th century text as a &amp;quot;penny-dreadful play&amp;quot;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;doe point &lt;/ins&gt;out that Bierce's most famous work, ''An Occurrence at Owl Creek Bridge'' (1890), &amp;quot;shares the play's basic plot contrivance of a young man surviving - or apparently surviving - a hanging&amp;quot;, and suggests that Bierce may have read (or perhaps seen?) the play. Of course Bierce may even have known Bickerstaffe's original monologue&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. The ''Wikipedia''[https://en.wikipedia.org/wiki/An_Occurrence_at_Owl_Creek_Bridge] has numerous other potential sources for Bierce's brilliant tale, but does not mention either Jerrold or Bickerstaffe&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Translations and adaptations==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Translations and adaptations==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Ambrose_Gwinett,_or_A_Sea_Side_Story&amp;diff=111191&amp;oldid=prev</id>
		<title>Satj: /* The original text */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Ambrose_Gwinett,_or_A_Sea_Side_Story&amp;diff=111191&amp;oldid=prev"/>
		<updated>2016-07-26T04:57:50Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;The original text&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 04:57, 26 July 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l13&quot; &gt;Line 13:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 13:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to a &amp;quot;Researcher's Note&amp;quot; in the online  ''Encyclopædia Britannica''[https://global.britannica.com/topic/Ambrose-Bierces-middle-name-1694744], the American author Ambrose Bierce[https://en.wikipedia.org/wiki/Ambrose_Bierce]’s full given names are Ambrose Gwinett (or Gwinnett) Bierce and derived from the title of Jerrold's popular play.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to a &amp;quot;Researcher's Note&amp;quot; in the online  ''Encyclopædia Britannica''[https://global.britannica.com/topic/Ambrose-Bierces-middle-name-1694744], the American author Ambrose Bierce[https://en.wikipedia.org/wiki/Ambrose_Bierce]’s full given names are Ambrose Gwinett (or Gwinnett) Bierce and derived from the title of Jerrold's popular play.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In addition, Bierce's one biographer, Roy Morris Jr (1995: p. 10), scathingly refers to Jerrold, one of the leading melodramatists of his day, as the &amp;quot;little known English dramatist&amp;quot;, and the successful 19th century text as a &amp;quot;penny-dreadful play&amp;quot;, points out that Bierce's most famous work, ''An Occurrence at Owl Creek Bridge'' (1890), &amp;quot;shares the play's basic plot contrivance of a young man surviving - or apparently surviving - a hanging&amp;quot;, and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;suggesting &lt;/del&gt;Bierce may have read (or perhaps seen?) the play. Of course &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;he &lt;/del&gt;may even have known Bickerstaffe's original monologue.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In addition, Bierce's one biographer, Roy Morris Jr (1995: p. 10), scathingly refers to Jerrold, one of the leading melodramatists of his day, as the &amp;quot;little known English dramatist&amp;quot;, and the successful 19th century text as a &amp;quot;penny-dreadful play&amp;quot;, points out that Bierce's most famous work, ''An Occurrence at Owl Creek Bridge'' (1890), &amp;quot;shares the play's basic plot contrivance of a young man surviving - or apparently surviving - a hanging&amp;quot;, and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;suggests that &lt;/ins&gt;Bierce may have read (or perhaps seen?) the play. Of course &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Bierce &lt;/ins&gt;may even have known Bickerstaffe's original monologue.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Translations and adaptations==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Translations and adaptations==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Ambrose_Gwinett,_or_A_Sea_Side_Story&amp;diff=111190&amp;oldid=prev</id>
		<title>Satj: /* The original text */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Ambrose_Gwinett,_or_A_Sea_Side_Story&amp;diff=111190&amp;oldid=prev"/>
		<updated>2016-07-26T04:57:05Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;The original text&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 04:57, 26 July 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l13&quot; &gt;Line 13:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 13:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to a &amp;quot;Researcher's Note&amp;quot; in the online  ''Encyclopædia Britannica''[https://global.britannica.com/topic/Ambrose-Bierces-middle-name-1694744], the American author Ambrose Bierce[https://en.wikipedia.org/wiki/Ambrose_Bierce]’s full given names are Ambrose Gwinett (or Gwinnett) Bierce and derived from the title of Jerrold's popular play.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to a &amp;quot;Researcher's Note&amp;quot; in the online  ''Encyclopædia Britannica''[https://global.britannica.com/topic/Ambrose-Bierces-middle-name-1694744], the American author Ambrose Bierce[https://en.wikipedia.org/wiki/Ambrose_Bierce]’s full given names are Ambrose Gwinett (or Gwinnett) Bierce and derived from the title of Jerrold's popular play.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In addition, Bierce's one biographer, Roy Morris Jr (1995: p. 10), scathingly refers to Jerrold, one of the leading melodramatists of his day, as the &amp;quot;little known English dramatist&amp;quot;, and the successful 19th century text as a &amp;quot;penny-dreadful play&amp;quot;, points out that Bierce's most famous work, ''An Occurrence at Owl Creek Bridge'' (), &amp;quot;shares the play's basic plot contrivance of a young man surviving - or apparently surviving - a hanging&amp;quot;, and suggesting Bierce may have read (or perhaps seen?) the play. Of course he may even have known Bickerstaffe's original monologue.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In addition, Bierce's one biographer, Roy Morris Jr (1995: p. 10), scathingly refers to Jerrold, one of the leading melodramatists of his day, as the &amp;quot;little known English dramatist&amp;quot;, and the successful 19th century text as a &amp;quot;penny-dreadful play&amp;quot;, points out that Bierce's most famous work, ''An Occurrence at Owl Creek Bridge'' (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1890&lt;/ins&gt;), &amp;quot;shares the play's basic plot contrivance of a young man surviving - or apparently surviving - a hanging&amp;quot;, and suggesting Bierce may have read (or perhaps seen?) the play. Of course he may even have known Bickerstaffe's original monologue.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Translations and adaptations==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Translations and adaptations==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Ambrose_Gwinett,_or_A_Sea_Side_Story&amp;diff=111188&amp;oldid=prev</id>
		<title>Satj: /* The original text */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Ambrose_Gwinett,_or_A_Sea_Side_Story&amp;diff=111188&amp;oldid=prev"/>
		<updated>2016-07-26T04:54:53Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;The original text&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 04:54, 26 July 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l13&quot; &gt;Line 13:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 13:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to a &amp;quot;Researcher's Note&amp;quot; in the online  ''Encyclopædia Britannica''[https://global.britannica.com/topic/Ambrose-Bierces-middle-name-1694744], the American author Ambrose Bierce[https://en.wikipedia.org/wiki/Ambrose_Bierce]’s full given names are Ambrose Gwinett (or Gwinnett) Bierce and derived from the title of Jerrold's popular play.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to a &amp;quot;Researcher's Note&amp;quot; in the online  ''Encyclopædia Britannica''[https://global.britannica.com/topic/Ambrose-Bierces-middle-name-1694744], the American author Ambrose Bierce[https://en.wikipedia.org/wiki/Ambrose_Bierce]’s full given names are Ambrose Gwinett (or Gwinnett) Bierce and derived from the title of Jerrold's popular play.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In addition, Bierce's one biographer, Roy Morris (1995: p. 10), scathingly refers to Jerrold, one of the leading melodramatists of his day, as the &amp;quot;little known English dramatist&amp;quot;, and the successful 19th century text as a &amp;quot;penny-dreadful play&amp;quot;, points out that Bierce's most famous work, ''An Occurrence at Owl Creek Bridge'' (), &amp;quot;shares the play's basic plot contrivance of a young man surviving - or apparently surviving - a hanging&amp;quot;, and suggesting Bierce may have read (or perhaps seen?) the play.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In addition, Bierce's one biographer, Roy Morris &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Jr &lt;/ins&gt;(1995: p. 10), scathingly refers to Jerrold, one of the leading melodramatists of his day, as the &amp;quot;little known English dramatist&amp;quot;, and the successful 19th century text as a &amp;quot;penny-dreadful play&amp;quot;, points out that Bierce's most famous work, ''An Occurrence at Owl Creek Bridge'' (), &amp;quot;shares the play's basic plot contrivance of a young man surviving - or apparently surviving - a hanging&amp;quot;, and suggesting Bierce may have read (or perhaps seen?) the play&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. Of course he may even have known Bickerstaffe's original monologue&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Translations and adaptations==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Translations and adaptations==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Ambrose_Gwinett,_or_A_Sea_Side_Story&amp;diff=111185&amp;oldid=prev</id>
		<title>Satj: /* The original text */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Ambrose_Gwinett,_or_A_Sea_Side_Story&amp;diff=111185&amp;oldid=prev"/>
		<updated>2016-07-26T04:52:11Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;The original text&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 04:52, 26 July 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l13&quot; &gt;Line 13:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 13:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to a &amp;quot;Researcher's Note&amp;quot; in the online  ''Encyclopædia Britannica''[https://global.britannica.com/topic/Ambrose-Bierces-middle-name-1694744], the American author Ambrose Bierce[https://en.wikipedia.org/wiki/Ambrose_Bierce]’s full given names are Ambrose Gwinett (or Gwinnett) Bierce and derived from the title of Jerrold's popular play.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to a &amp;quot;Researcher's Note&amp;quot; in the online  ''Encyclopædia Britannica''[https://global.britannica.com/topic/Ambrose-Bierces-middle-name-1694744], the American author Ambrose Bierce[https://en.wikipedia.org/wiki/Ambrose_Bierce]’s full given names are Ambrose Gwinett (or Gwinnett) Bierce and derived from the title of Jerrold's popular play.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In addition, Bierce's one biographer, Roy Morris (1995: p. 10), scathingly refers to Jerrold, one of the leading melodramatists of his day, as the &amp;quot;little known English dramatist&amp;quot;, and the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;play &lt;/del&gt;as a &amp;quot;penny-dreadful play&amp;quot;, points out that Bierce's most famous work, ''An Occurrence at Owl Creek Bridge'' (), &amp;quot;shares the play's basic plot contrivance of a young man surviving - or apparently surviving - a hanging&amp;quot;, and suggesting Bierce may have read (or perhaps seen?) the play.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In addition, Bierce's one biographer, Roy Morris (1995: p. 10), scathingly refers to Jerrold, one of the leading melodramatists of his day, as the &amp;quot;little known English dramatist&amp;quot;, and the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;successful 19th century text &lt;/ins&gt;as a &amp;quot;penny-dreadful play&amp;quot;, points out that Bierce's most famous work, ''An Occurrence at Owl Creek Bridge'' (), &amp;quot;shares the play's basic plot contrivance of a young man surviving - or apparently surviving - a hanging&amp;quot;, and suggesting Bierce may have read (or perhaps seen?) the play.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Translations and adaptations==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Translations and adaptations==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Ambrose_Gwinett,_or_A_Sea_Side_Story&amp;diff=111183&amp;oldid=prev</id>
		<title>Satj: /* The original text */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Ambrose_Gwinett,_or_A_Sea_Side_Story&amp;diff=111183&amp;oldid=prev"/>
		<updated>2016-07-26T04:51:06Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;The original text&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 04:51, 26 July 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l13&quot; &gt;Line 13:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 13:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to a &amp;quot;Researcher's Note&amp;quot; in the online  ''Encyclopædia Britannica''[https://global.britannica.com/topic/Ambrose-Bierces-middle-name-1694744], the American author Ambrose Bierce[https://en.wikipedia.org/wiki/Ambrose_Bierce]’s full given names are Ambrose Gwinett (or Gwinnett) Bierce and derived from the title of Jerrold's popular play.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;According to a &amp;quot;Researcher's Note&amp;quot; in the online  ''Encyclopædia Britannica''[https://global.britannica.com/topic/Ambrose-Bierces-middle-name-1694744], the American author Ambrose Bierce[https://en.wikipedia.org/wiki/Ambrose_Bierce]’s full given names are Ambrose Gwinett (or Gwinnett) Bierce and derived from the title of Jerrold's popular play.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In addition, Bierce's one biographer, Roy Morris, scathingly refers to Jerrold, one of the leading melodramatists of his day, as the &amp;quot;little known English dramatist&amp;quot;, and the play as a &amp;quot;penny-dreadful play&amp;quot;, points out that Bierce's most famous work, ''An Occurrence at Owl Creek Bridge'' (), &amp;quot;shares the play's basic plot contrivance of a young man surviving - or apparently surviving - a hanging&amp;quot;, and suggesting Bierce may have read (or perhaps seen?) the play. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Morris&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In addition, Bierce's one biographer, Roy Morris &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(1995: p. 10)&lt;/ins&gt;, scathingly refers to Jerrold, one of the leading melodramatists of his day, as the &amp;quot;little known English dramatist&amp;quot;, and the play as a &amp;quot;penny-dreadful play&amp;quot;, points out that Bierce's most famous work, ''An Occurrence at Owl Creek Bridge'' (), &amp;quot;shares the play's basic plot contrivance of a young man surviving - or apparently surviving - a hanging&amp;quot;, and suggesting Bierce may have read (or perhaps seen?) the play.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Translations and adaptations==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Translations and adaptations==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Ambrose_Gwinett,_or_A_Sea_Side_Story&amp;diff=111182&amp;oldid=prev</id>
		<title>Satj: /* Sources */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Ambrose_Gwinett,_or_A_Sea_Side_Story&amp;diff=111182&amp;oldid=prev"/>
		<updated>2016-07-26T04:50:30Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Sources&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 04:50, 26 July 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l34&quot; &gt;Line 34:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 34:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;https://en.wikipedia.org/wiki/Ambrose_Bierce&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;https://en.wikipedia.org/wiki/Ambrose_Bierce&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Roy Morris. 1995. ''Ambrose Bierce: Alone in Bad Company''. Oxford University Press: p. 10[https://books.google.co.za/books?id=CVtO3Ff6BpoC&amp;amp;pg=PA20&amp;amp;lpg=PA20&amp;amp;dq=Ambrose+Gwinett,+or+A+Sea+Side+Story&amp;amp;source=bl&amp;amp;ots=AARXgQkJcJ&amp;amp;sig=wQeWGIV1t7ufdBZd-0WwjR2L41g&amp;amp;hl=af&amp;amp;sa=X&amp;amp;ved=0ahUKEwi8l7-xp5DOAhWLCcAKHW2PDTkQ6AEIIDAB#v=onepage&amp;amp;q=Ambrose%20Gwinett%2C%20or%20A%20Sea%20Side%20Story&amp;amp;f=false]. &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Frederick Burwick. 2015. ''British Drama of the Industrial Revolution''. Cambridge, Cambridge University Press: p. 198[https://books.google.co.za/books?id=wNMmCgAAQBAJ&amp;amp;pg=PA198&amp;amp;lpg=PA198&amp;amp;dq=Ambrose+Gwinett,+or+A+Sea+Side+Story&amp;amp;source=bl&amp;amp;ots=Yv4h55_YeI&amp;amp;sig=cglXAky5yr-SF1GVWMzXr7gB9W8&amp;amp;hl=af&amp;amp;sa=X&amp;amp;ved=0ahUKEwiBpIDqnpDOAhVsKMAKHcjNBN8Q6AEIJTAC#v=onepage&amp;amp;q=Ambrose%20Gwinett%2C%20or%20A%20Sea%20Side%20Story&amp;amp;f=false].  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Frederick Burwick. 2015. ''British Drama of the Industrial Revolution''. Cambridge, Cambridge University Press: p. 198[https://books.google.co.za/books?id=wNMmCgAAQBAJ&amp;amp;pg=PA198&amp;amp;lpg=PA198&amp;amp;dq=Ambrose+Gwinett,+or+A+Sea+Side+Story&amp;amp;source=bl&amp;amp;ots=Yv4h55_YeI&amp;amp;sig=cglXAky5yr-SF1GVWMzXr7gB9W8&amp;amp;hl=af&amp;amp;sa=X&amp;amp;ved=0ahUKEwiBpIDqnpDOAhVsKMAKHcjNBN8Q6AEIJTAC#v=onepage&amp;amp;q=Ambrose%20Gwinett%2C%20or%20A%20Sea%20Side%20Story&amp;amp;f=false].  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
</feed>