Alude Mahali - Revision history

Miriamt at 09:51, 8 June 2018

2018-06-08T09:51:53Z

Satj at 07:41, 30 January 2013

2013-01-30T07:41:08Z

Satj: Created page with "(19**-) Performer and academic. Studied at Rhodes University (BA Honours) and University of Cape Town (M.A. in Theatre Making) and enrolled for a PhD. Her research int..."

2013-01-30T07:40:07Z

Created page with "(19**-) Performer and academic. Studied at Rhodes University (BA Honours) and University of Cape Town (M.A. in Theatre Making) and enrolled for a PhD. Her research int..."

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(19**-) Performer and academic. Studied at [[Rhodes University]] (BA Honours) and [[University of Cape Town]] (M.A. in Theatre Making) and enrolled for a PhD. Her research interests lie in issues of black girlhood/wonmanhood, nostalgia, memory, vocality and displacement. As film and stage performer has collaborated with numerous international and national arts festivals.

Publications include an article on " 'Piecing together a Girlhood' ": Using the 'Girlfriend Aesthetic' as a Practical Methodology in the Making and Performance of ''Katuntu (...and you too)''. " (Igweonu, 2007)

== Sources ==

Igweonu, 2007: p 472

Go to [[South African Theatre/Bibliography]]

== Return to ==

Return to [[ESAT Personalities M]]

Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]

Return to [[The ESAT Entries]]

Return to [[Main Page]]

← Older revision		Revision as of 09:51, 8 June 2018
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−	(19**-) Performer and academic. ~~Studied~~ at [[Rhodes University]] (BA Honours) and [[University of Cape Town]] (M.A. in Theatre Making) and enrolled for a PhD. Her research interests lie in issues of black girlhood/wonmanhood, nostalgia, memory, vocality and displacement. Her research is closely allied to her performance work.	+	[[Alude Mahali]] (19**-). Performer and academic.
		+
		+	== Biography ==
		+	She studied at [[Rhodes University]] (BA Honours) and [[University of Cape Town]] (M.A. in Theatre Making) and enrolled for a PhD. Her research interests lie in issues of black girlhood/wonmanhood, nostalgia, memory, vocality and displacement. Her research is closely allied to her performance work.

	As film and stage performer has collaborated with numerous international and national arts festivals.		As film and stage performer has collaborated with numerous international and national arts festivals.

← Older revision		Revision as of 07:41, 30 January 2013
Line 1:		Line 1:
−	(19**-) Performer and academic. Studied at [[Rhodes University]] (BA Honours) and [[University of Cape Town]] (M.A. in Theatre Making) and enrolled for a PhD. Her research interests lie in issues of black girlhood/wonmanhood, nostalgia, memory, vocality and displacement. As film and stage performer has collaborated with numerous international and national arts festivals.	+	(19**-) Performer and academic. Studied at [[Rhodes University]] (BA Honours) and [[University of Cape Town]] (M.A. in Theatre Making) and enrolled for a PhD. Her research interests lie in issues of black girlhood/wonmanhood, nostalgia, memory, vocality and displacement. Her research is closely allied to her performance work.
		+
		+	As film and stage performer has collaborated with numerous international and national arts festivals.

	Publications include an article on " 'Piecing together a Girlhood' ": Using the 'Girlfriend Aesthetic' as a Practical Methodology in the Making and Performance of ''Katuntu (...and you too)''. " (Igweonu, 2007)		Publications include an article on " 'Piecing together a Girlhood' ": Using the 'Girlfriend Aesthetic' as a Practical Methodology in the Making and Performance of ''Katuntu (...and you too)''. " (Igweonu, 2007)