After Cardenio - Revision history

Miriamt: /* Sources */

2018-04-28T08:41:40Z

Sources

2018-02-14T11:12:19Z

2017-05-23T05:06:42Z

Sources

2017-05-23T05:06:36Z

Sources

2017-05-23T05:06:22Z

Sources

2017-05-23T05:05:56Z

2017-05-23T05:04:52Z

2017-05-23T04:38:15Z

2017-05-23T04:37:47Z

Performance history in South Africa

2015-04-06T11:53:04Z

Performance history in South Africa

@@ Line 27: / Line 27: @@
 http://www.gipca.uct.ac.za/jane-taylor-discusses-what-happened-after-after-cardenio/#sthash.o4o9h0sp.dpuf
-The text of ''[[After Cardenio]]'', [[South African Theatre Journal]], 26(2):185-217(2012).
+The text of ''[[After Cardenio]]'', ''[[South African Theatre Journal]]'', 26(2):185-217(2012).
 Go to [[ESAT Bibliography]]

← Older revision		Revision as of 11:12, 14 February 2018
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	== Performance history in South Africa ==		== Performance history in South Africa ==

−	It was first performed in 2011 at the historical [[Anatomy Lecture Theatre]] on the University of Cape Town's Hiddingh Campus. It was created as part of '''The Cardenio Project''' and is a work of avant garde puppet theatre, which utilizes a vellum puppet made by South African sculptor [[Gavin Younge]].	+	It was first performed in 2011 at the historical [[Anatomy Lecture Theatre]] on the University of Cape Town's Hiddingh Campus. It was created as part of '''The Cardenio Project''' and is a work of avant-garde puppet theatre, which utilizes a vellum puppet made by South African sculptor [[Gavin Younge]].

@@ Line 27: / Line 27: @@
 http://www.gipca.uct.ac.za/jane-taylor-discusses-what-happened-after-after-cardenio/#sthash.o4o9h0sp.dpuf
-The text of ''[[AfterCardenio]]'', [[South African Theatre Journal]], 26(2):185-217(2012).
+The text of ''[[After Cardenio]]'', [[South African Theatre Journal]], 26(2):185-217(2012).
 Go to [[ESAT Bibliography]]

@@ Line 27: / Line 27: @@
 http://www.gipca.uct.ac.za/jane-taylor-discusses-what-happened-after-after-cardenio/#sthash.o4o9h0sp.dpuf
-The text of ''[[Cardenio]]'', [[South African Theatre Journal]], 26(2):185-217(2012).
+The text of ''[[AfterCardenio]]'', [[South African Theatre Journal]], 26(2):185-217(2012).
 Go to [[ESAT Bibliography]]

@@ Line 27: / Line 27: @@
 http://www.gipca.uct.ac.za/jane-taylor-discusses-what-happened-after-after-cardenio/#sthash.o4o9h0sp.dpuf
-[[South African Theatre Journal]], 26(2):185-217(2012).
+The text of ''[[Cardenio]]'', [[South African Theatre Journal]], 26(2):185-217(2012).
 Go to [[ESAT Bibliography]]

@@ Line 20: / Line 20: @@
 == Sources ==
 http://www.fas.harvard.edu/~cardenio/index.html
 [[South African Theatre Journal]], 26(2):185-217(2012).

@@ Line 25: / Line 25: @@
 [[South African Theatre Journal]], 26(2):185-217(2012).
-Go to [[South African Theatre/Bibliography|ESAT Bibliography]]
+Go to [[ESAT Bibliography]]
 == Return to ==
-Return to [[ESAT Plays 2 A|A]] in Plays II Foreign Plays
+Return to [[PLAYS I: Original SA plays]]
-Return to [[South_African_Theatre/Plays]]
+Return to [[PLAYS II: Foreign plays]]
 Return to [[The ESAT Entries]]
 Return to [[Main Page]]

← Older revision		Revision as of 04:38, 23 May 2017
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−	A collaborative play, devised by [[Jane Taylor]].	+	''[[After Cardenio]]'' is a collaborative play, devised by [[Jane Taylor]].

	A new work of experimental theatre, described as "a combination of sculptural puppetry, live performance, sound and visual art. The work is a meditation on the late works of William Shakespeare, and the lost play ''[[The History of Cardenio]]'' (registered 1653)".		A new work of experimental theatre, described as "a combination of sculptural puppetry, live performance, sound and visual art. The work is a meditation on the late works of William Shakespeare, and the lost play ''[[The History of Cardenio]]'' (registered 1653)".

@@ Line 7: / Line 7: @@
 == Performance history in South Africa ==
-It was first performed in 2011 at the  historical [[Anatomy Lecture Theatre]] on the University of Cape Town's Hiddingh Campus. It was created as part of '''The Cardenio Project'''
+It was first performed in 2011 at the  historical [[Anatomy Lecture Theatre]] on the University of Cape Town's Hiddingh Campus. It was created as part of '''The Cardenio Project''' and is a work of avant garde puppet theatre, which utilizes a vellum puppet made by South African sculptor [[Gavin Younge]].
 Writer/director: [[Jane Taylor]],
@@ Line 16: / Line 17: @@
 CAST: [[Jemma Kahn]] as Anne Greene/Dorotea; [[Dylan Esbach]] as Dr Petty and Cardenio; [[Martin Kintu]] as primary puppeteer, and Printer, and Luscinda;; [[Rouxnet Brown]] as the Assistant, and warrior puppeteer; [[Jeroen Kranenburg]] as Town crier and Don Quixote
-First published in the [[South African Theatre Journal]], 26(2):185-217(2012).
+The text of this work was first published in the [[South African Theatre Journal]], 26(2):185-217(2012).
 == Sources ==

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 Sound design and composition: [[Julia Raynham]]
 Artist: [[Penny Siopis]] as anatomy artist
-CAST: [[Jemma Kahn]] as Anne Greene/Dorotea; [[Dylan Esbach]] as Dr Petty and Cardenio; [[Martin Kintu]] as primary puppeteer, and Printer, and Luscinda;; [[Rouxnet Brown]] as the Assistant, and warrior puppeteer; [[Jeroen Kranenberg]] as Town crier and Don Quixote
+CAST: [[Jemma Kahn]] as Anne Greene/Dorotea; [[Dylan Esbach]] as Dr Petty and Cardenio; [[Martin Kintu]] as primary puppeteer, and Printer, and Luscinda;; [[Rouxnet Brown]] as the Assistant, and warrior puppeteer; [[Jeroen Kranenburg]] as Town crier and Don Quixote
 First published in the [[South African Theatre Journal]], 26(2):185-217(2012).