Adam Haupt - Revision history

Satj: /* Sources */

2021-12-07T04:40:37Z

Sources

Satj at 04:38, 7 December 2021

2021-12-07T04:38:37Z

Satj at 04:36, 7 December 2021

2021-12-07T04:36:34Z

Satj at 06:24, 13 November 2012

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Satj at 06:23, 13 November 2012

2012-11-13T06:23:45Z

Satj at 06:21, 13 November 2012

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Satj at 06:14, 13 November 2012

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Satj at 05:56, 13 November 2012

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Satj at 05:55, 13 November 2012

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Satj: /* Sources */

2012-11-13T05:48:09Z

Sources

← Older revision		Revision as of 04:40, 7 December 2021
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	http://cfms.uct.ac.za/staff/xprof-adam-haupt/		http://cfms.uct.ac.za/staff/xprof-adam-haupt/
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		+	http://dwkaaps.co.za/

	Go to [[South African Theatre/Bibliography]]		Go to [[South African Theatre/Bibliography]]

← Older revision		Revision as of 04:38, 7 December 2021
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	Haupt is Coordinating Editor of Global Hip Hop Studies with J. Griffith Rollefson and serves on the advisory board for the first Hip Hop Book Series by University of California Press and on the advisory board of CIPHER: Hip Hop Interpellation.		Haupt is Coordinating Editor of Global Hip Hop Studies with J. Griffith Rollefson and serves on the advisory board for the first Hip Hop Book Series by University of California Press and on the advisory board of CIPHER: Hip Hop Interpellation.
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		+	Om 2021 he becamed the Media Liaison Officer for the the ''[[Trilingual Dictionary of Kaaps]]'' ([[TDK]]), a descriptive corpus project that will develop the first dictionary of the language known as [[Kaaps]].

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-(19**-) Theatre and film critic and researcher. Having taught in the English Department at the [[University of the Western Cape]] as well as in the English and Drama departments at the [[Stellenbosch University]], (where he also co-authored a study of arts activities in Stellenbosch, with [[Temple Hauptfleisch]]), he became an Associate Professor in the [[Centre for Film and Media Studies]] ([[University of Cape Town]]).
+[[Adam Haupt]] (19**-) Theatre, music and film critic, researcher and academic.
 He edits the youth culture archive website [[Staticphlow]], which aims to bridge the gap between scholars, artists and activists who are working on aspects of youth culture.
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 Besides his research articles and reviews, he is the author of two books: ''Static: Race and Representation in Post-Apartheid Music, Media and Film'' (HSRC Press, 2012) and ''Stealing Empire: P2P, Intellectual Property and Hip-Hop Subversion'' (HSRC Press, 2008).
-In 2010 he was awarded a Mandela Mellon Fellowship to work at the W.E.B. du Bois Institute of African and African American Research at Harvard University.
+He is co-editor of ''Neva Again: Hip-Hop Art, Activism and Education in Post-Apartheid South Africa'' with [[Quentin Williams]], [[Emile Jansen]] and [[H. Samy Alim]]. He co-produced an EP, #IntheKeyofB, for the book project with Bradley Lodewyk and is the author of Static: Race and Representation in Post-Apartheid Music, Media and Film and Stealing Empire: P2P, Intellectual Property and Hip-Hop Subversion.

← Older revision		Revision as of 06:24, 13 November 2012
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−	(19**-) Theatre and film critic and researcher. Having taught in the English Department at the [[University of the Western Cape]] as well as in the English and Drama departments at the [[Stellenbosch University]], (where he also co-authored a study of arts activities in Stellenbosch), he became an Associate Professor in the [[Centre for Film and Media Studies]] ([[University of Cape Town]]).	+	(19**-) Theatre and film critic and researcher. Having taught in the English Department at the [[University of the Western Cape]] as well as in the English and Drama departments at the [[Stellenbosch University]], (where he also co-authored a study of arts activities in Stellenbosch, with [[Temple Hauptfleisch]]), he became an Associate Professor in the [[Centre for Film and Media Studies]] ([[University of Cape Town]]).

	He edits the youth culture archive website [[Staticphlow]], which aims to bridge the gap between scholars, artists and activists who are working on aspects of youth culture.		He edits the youth culture archive website [[Staticphlow]], which aims to bridge the gap between scholars, artists and activists who are working on aspects of youth culture.

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 He edits the youth culture archive website [[Staticphlow]], which aims to bridge the gap between scholars, artists and activists who are working on aspects of youth culture.
-Other activities included freelance criticism and articles  for the [[Mail and Guardian]], SL and Y magazines; e-commerce ventures, dabbling in television and video production and experiments in music and spoken word / poetry performance. Author of two books: ''Static: Race and Representation in Post-Apartheid Music, Media and Film'' (HSRC Press, 2012) and ''Stealing Empire: P2P, Intellectual Property and Hip-Hop Subversion'' (HSRC Press, 2008).
+Other activities included freelance criticism and articles  for the [[Mail and Guardian]], SL and Y magazines; e-commerce ventures, dabbling in television and video production and experiments in music and spoken word / poetry performance.
 In 2010 he was awarded a Mandela Mellon Fellowship to work at the W.E.B. du Bois Institute of African and African American Research at Harvard University.

← Older revision		Revision as of 05:56, 13 November 2012
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−	(19**-) Theatre and film critic and researcher. Having taught in the English Department at the [[University of the Western Cape]] as well as in the English and Drama departments at the [[Stellenbosch University]], (where he also co-authored a study of arts activities in Stellenbosch), he became an Associate Professor in the Centre for Film and Media Studies ([[University of Cape Town]]).	+	(19**-) Theatre and film critic and researcher. Having taught in the English Department at the [[University of the Western Cape]] as well as in the English and Drama departments at the [[Stellenbosch University]], (where he also co-authored a study of arts activities in Stellenbosch), he became an Associate Professor in the [[Centre for Film and Media Studies]] ([[University of Cape Town]]).

	He runs the youth culture archive [[Staticphlow.com]], which aims to bridge the gap between scholars, artists and activists who are working on aspects of youth culture.		He runs the youth culture archive [[Staticphlow.com]], which aims to bridge the gap between scholars, artists and activists who are working on aspects of youth culture.

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−	(19-) Theatre and film critic and researcher. Having taught in the English ~~departments~~ at the ~~Universities~~ of ~~Stellenbosch and~~ Western Cape, and ~~the~~ Drama ~~department~~ at [[Stellenbosch University]] (where he also co-authored a study of arts activities in Stellenbosch), he became an Associate Professor in the Centre for Film and Media Studies ([[University of Cape Town]]). He is the ~~author of ''~~[[~~Stealing Empire: P2P~~, ~~Intellectual Property~~ and ~~Hip-Hop Subversion]]'' (~~[[~~HSRC Press~~]], ~~2008)~~ and ~~''[[Static: Music & Identity after Apartheid]]'' ([[HSRC Press]]~~, ~~2012)~~.~~*~~	+	(19**-) Theatre and film critic and researcher. Having taught in the English Department at the [[University of the Western Cape]] as well as in the English and Drama departments at the [[Stellenbosch University]], (where he also co-authored a study of arts activities in Stellenbosch), he became an Associate Professor in the Centre for Film and Media Studies ([[University of Cape Town]]).
		+
		+	He runs the youth culture archive [[Staticphlow.com]], which aims to bridge the gap between scholars, artists and activists who are working on aspects of youth culture.
		+
		+	Other activities included freelance criticism and articles for the [[Mail and Guardian]], SL and Y magazines; e-commerce ventures, dabbling in television and video production and experiments in music and spoken word / poetry performance.

	== Sources ==		== Sources ==

← Older revision		Revision as of 05:48, 13 November 2012
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	== Sources ==		== Sources ==
		+
		+	http://cfms.uct.ac.za/staff/xprof-adam-haupt/

	Go to [[South African Theatre/Bibliography]]		Go to [[South African Theatre/Bibliography]]