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	<id>https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Abe_Barker</id>
	<title>Abe Barker - Revision history</title>
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	<updated>2026-09-01T14:21:01Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Abe_Barker&amp;diff=170889&amp;oldid=prev</id>
		<title>Fogterop at 16:24, 22 June 2019</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Abe_Barker&amp;diff=170889&amp;oldid=prev"/>
		<updated>2019-06-22T16:24:19Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:24, 22 June 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Glasgow, 09/03/1891 - d. Springburn, Glasgow, 25/04/1961)&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;. Actor.  Abraham (Abe/Abie) Barker &lt;/del&gt;was a Scottish actor &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;who, as a boy, acted in Arthur Hengel’s ''The Redskins''.  For some years he was a member of [[Graham Moffat]]’s theatrical company and while Moffat only toured South Africa in 1921, Barker was with him long before that.  When the company first staged ''Bunty Pulls the Strings'' (1914), which would be one of its greatest hits, Barker was a member of the cast of one of the touring companies and appeared on the stage with Margaret Niven, who was Dirk Bogarde’s mother.  Almost immediately afterwards the company left for an extensive tour of Australia and New Zealand, staging ''The Burglar and the Lady'' at the Palace Theatre in Sydney and thereafter visiting all the large cities with ''Bunty Pulls the Strings'' and ''A Scrape o’ the Pen''.   When the tour came to an end, three members of the company – Jean Clyde, her husband David Urquhart and Barker – formed the Bunty Trio, travelling throughout Australia for another 18 months and then setting sail for South Africa&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''Abe Barker''' &lt;/ins&gt;(b. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Gorbals, &lt;/ins&gt;Glasgow, 09/03/1891 - d. Springburn, Glasgow, 25/04/1961) was a Scottish actor.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In July 1918 he appeared in ''[[Very Good&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;Eddie]]'' at the [[Empire Theatre]] in Johannesburg and it was during this time that [[H. Lisle Lucoque]] cast him as Alphonse in the silent film version of ''[[Allan Quatermain]]'' (released in 1919) for [[African Film Productions]]. While Clyde and Urquhart moved on to the United States, Barker stayed on and in December 1921 he arrived back in England, subsequently returning to the stage in Scotland. Relatively late in life he started turning up in British films, notably as the engineer in Alexander Mackendrick’s ''The Maggie'' (1954), but for about a decade after the end of World War II he was still an active member of the Citizens’ Theatre Company in Glasgow, making appearances in a range of productions.   (FO)  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=Biography=&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Abraham (Abe/Abie) Barker was born to Joseph Barber, who was then a bookseller’s assistant, and his wife, Rose Heron.   As a boy he acted in Arthur Hengler’s circus spectacular ''The Redskins''. For some years he was a member of [[Graham Moffat]]’s theatrical company and while Moffat only toured South Africa in 1921, Barker was with him long before that.  When the company first staged ''Bunty Pulls the Strings'' (1914), which would be one of its greatest hits, Barker was a member of the cast of one of the touring companies and appeared on the stage with Margaret Niven, who was Dirk Bogarde’s mother.  Almost immediately afterwards the company left for an extensive tour of Australia and New Zealand, staging ''The Burglar and the Lady'' at the Palace Theatre in Sydney and thereafter visiting all the large cities with ''Bunty Pulls the Strings'' and ''A Scrape o’ the Pen''.   When the tour came to an end, three members of the company – Jean Clyde, her husband David Urquhart and Barker – formed the Bunty Trio, travelling throughout Australia for another 18 months and then setting sail for South Africa.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In July 1918 he appeared in ''[[Very Good Eddie]]'' at the [[Empire Theatre]] in Johannesburg and it was during this time that [[H. Lisle Lucoque]] cast him as Alphonse in the silent film version of ''[[Allan Quatermain]]'' (released in 1919) for [[African Film Productions]]. While Clyde and Urquhart moved on to the United States, Barker stayed on and in December 1921 he arrived back in England, subsequently returning to the stage in Scotland. Relatively late in life he started turning up in British films, notably as the engineer in Alexander Mackendrick’s ''The Maggie'' (1954), but for about a decade after the end of World War II he was still an active member of the Citizens’ Theatre Company in Glasgow, making appearances in a range of productions.   (FO)  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Abe_Barker&amp;diff=142058&amp;oldid=prev</id>
		<title>Fogterop at 19:39, 3 February 2018</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Abe_Barker&amp;diff=142058&amp;oldid=prev"/>
		<updated>2018-02-03T19:39:58Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 19:39, 3 February 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Glasgow&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, Scotland&lt;/del&gt;, 09/03/1891 - d. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;**&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;**&lt;/del&gt;/1961&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;?&lt;/del&gt;). Actor.  Abraham (Abe/Abie) Barker was a Scottish actor who, as a boy, acted in Arthur Hengel’s ''The Redskins''.  For some years he was a member of [[Graham Moffat]]’s theatrical company and while Moffat only toured South Africa in 1921, Barker was with him long before that.  When the company first staged ''Bunty Pulls the Strings'' (1914), which would be one of its greatest hits, Barker was a member of the cast of one of the touring companies and appeared on the stage with Margaret Niven, who was Dirk Bogarde’s mother.  Almost immediately afterwards the company left for an extensive tour of Australia and New Zealand, staging ''The Burglar and the Lady'' at the Palace Theatre in Sydney and thereafter visiting all the large cities with ''Bunty Pulls the Strings'' and ''A Scrape o’ the Pen''.   When the tour came to an end, three members of the company – Jean Clyde, her husband David Urquhart and Barker – formed the Bunty Trio, travelling throughout Australia for another 18 months and then setting sail for South Africa.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Glasgow, 09/03/1891 - d. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Springburn, Glasgow, 25&lt;/ins&gt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;04&lt;/ins&gt;/1961). Actor.  Abraham (Abe/Abie) Barker was a Scottish actor who, as a boy, acted in Arthur Hengel’s ''The Redskins''.  For some years he was a member of [[Graham Moffat]]’s theatrical company and while Moffat only toured South Africa in 1921, Barker was with him long before that.  When the company first staged ''Bunty Pulls the Strings'' (1914), which would be one of its greatest hits, Barker was a member of the cast of one of the touring companies and appeared on the stage with Margaret Niven, who was Dirk Bogarde’s mother.  Almost immediately afterwards the company left for an extensive tour of Australia and New Zealand, staging ''The Burglar and the Lady'' at the Palace Theatre in Sydney and thereafter visiting all the large cities with ''Bunty Pulls the Strings'' and ''A Scrape o’ the Pen''.   When the tour came to an end, three members of the company – Jean Clyde, her husband David Urquhart and Barker – formed the Bunty Trio, travelling throughout Australia for another 18 months and then setting sail for South Africa.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In July 1918 he appeared in ''[[Very Good, Eddie]]'' at the [[Empire Theatre]] in Johannesburg and it was during this time that [[H. Lisle Lucoque]] cast him as Alphonse in the silent film version of ''[[Allan Quatermain]]'' (released in 1919) for [[African Film Productions]]. While Clyde and Urquhart moved on to the United States, Barker stayed on and in December 1921 he arrived back in England, subsequently returning to the stage in Scotland. Relatively late in life he started turning up in British films, notably as the engineer in Alexander Mackendrick’s ''The Maggie'' (1954), but for about a decade after the end of World War II he was still an active member of the Citizens’ Theatre Company in Glasgow, making appearances in a range of productions.   (FO)  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In July 1918 he appeared in ''[[Very Good, Eddie]]'' at the [[Empire Theatre]] in Johannesburg and it was during this time that [[H. Lisle Lucoque]] cast him as Alphonse in the silent film version of ''[[Allan Quatermain]]'' (released in 1919) for [[African Film Productions]]. While Clyde and Urquhart moved on to the United States, Barker stayed on and in December 1921 he arrived back in England, subsequently returning to the stage in Scotland. Relatively late in life he started turning up in British films, notably as the engineer in Alexander Mackendrick’s ''The Maggie'' (1954), but for about a decade after the end of World War II he was still an active member of the Citizens’ Theatre Company in Glasgow, making appearances in a range of productions.   (FO)  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Abe_Barker&amp;diff=90774&amp;oldid=prev</id>
		<title>Satj at 14:03, 18 September 2015</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Abe_Barker&amp;diff=90774&amp;oldid=prev"/>
		<updated>2015-09-18T14:03:22Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 14:03, 18 September 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Glasgow, Scotland, 09/03/1891 - d. **/**/1961?). Actor.  Abraham (Abe/Abie) Barker was a Scottish actor who, as a boy, acted in Arthur Hengel’s ''The Redskins''.  For some years he was a member of [[Graham Moffat]]’s theatrical company and while Moffat only toured South Africa in 1921, Barker was with him long before that.  When the company first staged ''Bunty Pulls the Strings'' (1914), which would be one of its greatest hits, Barker was a member of the cast of one of the touring companies and appeared on the stage with Margaret Niven, who was Dirk Bogarde’s mother.  Almost immediately afterwards the company left for an extensive tour of Australia and New Zealand, staging ''The Burglar and the Lady'' at the Palace Theatre in Sydney and thereafter visiting all the large cities with ''Bunty Pulls the Strings'' and ''A Scrape o’ the Pen''.   When the tour came to an end, three members of the company – Jean Clyde, her husband David Urquhart and Barker – formed the Bunty Trio, travelling throughout Australia for another 18 months and then setting sail for South Africa.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Glasgow, Scotland, 09/03/1891 - d. **/**/1961?). Actor.  Abraham (Abe/Abie) Barker was a Scottish actor who, as a boy, acted in Arthur Hengel’s ''The Redskins''.  For some years he was a member of [[Graham Moffat]]’s theatrical company and while Moffat only toured South Africa in 1921, Barker was with him long before that.  When the company first staged ''Bunty Pulls the Strings'' (1914), which would be one of its greatest hits, Barker was a member of the cast of one of the touring companies and appeared on the stage with Margaret Niven, who was Dirk Bogarde’s mother.  Almost immediately afterwards the company left for an extensive tour of Australia and New Zealand, staging ''The Burglar and the Lady'' at the Palace Theatre in Sydney and thereafter visiting all the large cities with ''Bunty Pulls the Strings'' and ''A Scrape o’ the Pen''.   When the tour came to an end, three members of the company – Jean Clyde, her husband David Urquhart and Barker – formed the Bunty Trio, travelling throughout Australia for another 18 months and then setting sail for South Africa.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In July 1918 he appeared in ''[[Very Good, Eddie]]''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[https://en.wikipedia.org/wiki/Very_Good_Eddie] &lt;/del&gt;at the [[Empire Theatre]] in Johannesburg and it was during this time that [[H. Lisle Lucoque]] cast him as Alphonse in the silent film version of ''[[Allan Quatermain]]'' (released in 1919) for [[African Film Productions]]. While Clyde and Urquhart moved on to the United States, Barker stayed on and in December 1921 he arrived back in England, subsequently returning to the stage in Scotland. Relatively late in life he started turning up in British films, notably as the engineer in Alexander Mackendrick’s ''The Maggie'' (1954), but for about a decade after the end of World War II he was still an active member of the Citizens’ Theatre Company in Glasgow, making appearances in a range of productions.   (FO)  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In July 1918 he appeared in ''[[Very Good, Eddie]]'' at the [[Empire Theatre]] in Johannesburg and it was during this time that [[H. Lisle Lucoque]] cast him as Alphonse in the silent film version of ''[[Allan Quatermain]]'' (released in 1919) for [[African Film Productions]]. While Clyde and Urquhart moved on to the United States, Barker stayed on and in December 1921 he arrived back in England, subsequently returning to the stage in Scotland. Relatively late in life he started turning up in British films, notably as the engineer in Alexander Mackendrick’s ''The Maggie'' (1954), but for about a decade after the end of World War II he was still an active member of the Citizens’ Theatre Company in Glasgow, making appearances in a range of productions.   (FO)  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Abe_Barker&amp;diff=90770&amp;oldid=prev</id>
		<title>Satj at 13:53, 18 September 2015</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Abe_Barker&amp;diff=90770&amp;oldid=prev"/>
		<updated>2015-09-18T13:53:21Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:53, 18 September 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Glasgow, Scotland, 09/03/1891 - d. **/**/1961?). Actor.  Abraham (Abe/Abie) Barker was a Scottish actor who, as a boy, acted in Arthur Hengel’s ''The Redskins''.  For some years he was a member of [[Graham Moffat]]’s theatrical company and while Moffat only toured South Africa in 1921, Barker was with him long before that.  When the company first staged ''Bunty Pulls the Strings'' (1914), which would be one of its greatest hits, Barker was a member of the cast of one of the touring companies and appeared on the stage with Margaret Niven, who was Dirk Bogarde’s mother.  Almost immediately afterwards the company left for an extensive tour of Australia and New Zealand, staging ''The Burglar and the Lady'' at the Palace Theatre in Sydney and thereafter visiting all the large cities with ''Bunty Pulls the Strings'' and ''A Scrape o’ the Pen''.   When the tour came to an end, three members of the company – Jean Clyde, her husband David Urquhart and Barker – formed the Bunty Trio, travelling throughout Australia for another 18 months and then setting sail for South Africa.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Glasgow, Scotland, 09/03/1891 - d. **/**/1961?). Actor.  Abraham (Abe/Abie) Barker was a Scottish actor who, as a boy, acted in Arthur Hengel’s ''The Redskins''.  For some years he was a member of [[Graham Moffat]]’s theatrical company and while Moffat only toured South Africa in 1921, Barker was with him long before that.  When the company first staged ''Bunty Pulls the Strings'' (1914), which would be one of its greatest hits, Barker was a member of the cast of one of the touring companies and appeared on the stage with Margaret Niven, who was Dirk Bogarde’s mother.  Almost immediately afterwards the company left for an extensive tour of Australia and New Zealand, staging ''The Burglar and the Lady'' at the Palace Theatre in Sydney and thereafter visiting all the large cities with ''Bunty Pulls the Strings'' and ''A Scrape o’ the Pen''.   When the tour came to an end, three members of the company – Jean Clyde, her husband David Urquhart and Barker – formed the Bunty Trio, travelling throughout Australia for another 18 months and then setting sail for South Africa.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In July 1918 he appeared in ''[[Very Good, Eddie]]'' at the [[Empire Theatre]] in Johannesburg and it was during this time that [[H. Lisle Lucoque]] cast him as Alphonse in the silent film version of ''[[Allan Quatermain]]'' (released in 1919) for [[African Film Productions]]. While Clyde and Urquhart moved on to the United States, Barker stayed on and in December 1921 he arrived back in England, subsequently returning to the stage in Scotland. Relatively late in life he started turning up in British films, notably as the engineer in Alexander Mackendrick’s ''The Maggie'' (1954), but for about a decade after the end of World War II he was still an active member of the Citizens’ Theatre Company in Glasgow, making appearances in a range of productions.   (FO)  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In July 1918 he appeared in ''[[Very Good, Eddie]]''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[https://en.wikipedia.org/wiki/Very_Good_Eddie] &lt;/ins&gt;at the [[Empire Theatre]] in Johannesburg and it was during this time that [[H. Lisle Lucoque]] cast him as Alphonse in the silent film version of ''[[Allan Quatermain]]'' (released in 1919) for [[African Film Productions]]. While Clyde and Urquhart moved on to the United States, Barker stayed on and in December 1921 he arrived back in England, subsequently returning to the stage in Scotland. Relatively late in life he started turning up in British films, notably as the engineer in Alexander Mackendrick’s ''The Maggie'' (1954), but for about a decade after the end of World War II he was still an active member of the Citizens’ Theatre Company in Glasgow, making appearances in a range of productions.   (FO)  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Abe_Barker&amp;diff=90746&amp;oldid=prev</id>
		<title>Fogterop at 08:29, 18 September 2015</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Abe_Barker&amp;diff=90746&amp;oldid=prev"/>
		<updated>2015-09-18T08:29:33Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 08:29, 18 September 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Glasgow, Scotland, 09/03/1891 - d. **/**/1961?). Actor.  Abraham (Abe/Abie) Barker was a Scottish actor who, as a boy, acted in Arthur Hengel’s ''The Redskins''.  For some years he was a member of [[Graham Moffat]]’s theatrical company and while Moffat only toured South Africa in 1921, Barker was with him long before that.  When the company first staged ''Bunty Pulls the Strings'' (1914), which would be one of its greatest hits, Barker was a member of the cast of one of the touring companies and appeared on the stage with Margaret Niven, who was Dirk Bogarde’s mother.  Almost immediately afterwards the company left for an extensive tour of Australia and New Zealand, staging ''The Burglar and the Lady'' at the Palace Theatre in Sydney and thereafter visiting all the large cities with ''Bunty Pulls the Strings'' and ''A Scrape o’ the Pen''.   When the tour came to an end, three members of the company – Jean Clyde, her husband David Urquhart and Barker – formed the Bunty Trio, travelling throughout Australia for another 18 months and then setting sail for South Africa.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Glasgow, Scotland, 09/03/1891 - d. **/**/1961?). Actor.  Abraham (Abe/Abie) Barker was a Scottish actor who, as a boy, acted in Arthur Hengel’s ''The Redskins''.  For some years he was a member of [[Graham Moffat]]’s theatrical company and while Moffat only toured South Africa in 1921, Barker was with him long before that.  When the company first staged ''Bunty Pulls the Strings'' (1914), which would be one of its greatest hits, Barker was a member of the cast of one of the touring companies and appeared on the stage with Margaret Niven, who was Dirk Bogarde’s mother.  Almost immediately afterwards the company left for an extensive tour of Australia and New Zealand, staging ''The Burglar and the Lady'' at the Palace Theatre in Sydney and thereafter visiting all the large cities with ''Bunty Pulls the Strings'' and ''A Scrape o’ the Pen''.   When the tour came to an end, three members of the company – Jean Clyde, her husband David Urquhart and Barker – formed the Bunty Trio, travelling throughout Australia for another 18 months and then setting sail for South Africa.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In July 1918 he appeared in ''[[Very Good, Eddie]]'' at the [[Empire &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Palace&lt;/del&gt;]] in Johannesburg and it was during this time that [[H. Lisle Lucoque]] cast him as Alphonse in the silent film version of ''[[Allan Quatermain]]'' (released in 1919) for [[African Film Productions]]. While Clyde and Urquhart moved on to the United States, Barker stayed on and in December 1921 he arrived back in England, subsequently returning to the stage in Scotland. Relatively late in life he started turning up in British films, notably as the engineer in Alexander Mackendrick’s ''The Maggie'' (1954), but for about a decade after the end of World War II he was still an active member of the Citizens’ Theatre Company in Glasgow, making appearances in a range of productions.   (FO)  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In July 1918 he appeared in ''[[Very Good, Eddie]]'' at the [[Empire &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Theatre&lt;/ins&gt;]] in Johannesburg and it was during this time that [[H. Lisle Lucoque]] cast him as Alphonse in the silent film version of ''[[Allan Quatermain]]'' (released in 1919) for [[African Film Productions]]. While Clyde and Urquhart moved on to the United States, Barker stayed on and in December 1921 he arrived back in England, subsequently returning to the stage in Scotland. Relatively late in life he started turning up in British films, notably as the engineer in Alexander Mackendrick’s ''The Maggie'' (1954), but for about a decade after the end of World War II he was still an active member of the Citizens’ Theatre Company in Glasgow, making appearances in a range of productions.   (FO)  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Abe_Barker&amp;diff=90745&amp;oldid=prev</id>
		<title>Fogterop at 08:28, 18 September 2015</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Abe_Barker&amp;diff=90745&amp;oldid=prev"/>
		<updated>2015-09-18T08:28:49Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 08:28, 18 September 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot; &gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In July 1918 he appeared in ''[[Very Good, Eddie]]'' at the [[Empire Palace]] in Johannesburg and it was during this time that [[H. Lisle Lucoque]] cast him as Alphonse in the silent film version of ''[[Allan Quatermain]]'' (released in 1919) for [[African Film Productions]]. While Clyde and Urquhart moved on to the United States, Barker stayed on and in December 1921 he arrived back in England, subsequently returning to the stage in Scotland. Relatively late in life he started turning up in British films, notably as the engineer in Alexander Mackendrick’s ''The Maggie'' (1954), but for about a decade after the end of World War II he was still an active member of the Citizens’ Theatre Company in Glasgow, making appearances in a range of productions.   (FO)  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In July 1918 he appeared in ''[[Very Good, Eddie]]'' at the [[Empire Palace]] in Johannesburg and it was during this time that [[H. Lisle Lucoque]] cast him as Alphonse in the silent film version of ''[[Allan Quatermain]]'' (released in 1919) for [[African Film Productions]]. While Clyde and Urquhart moved on to the United States, Barker stayed on and in December 1921 he arrived back in England, subsequently returning to the stage in Scotland. Relatively late in life he started turning up in British films, notably as the engineer in Alexander Mackendrick’s ''The Maggie'' (1954), but for about a decade after the end of World War II he was still an active member of the Citizens’ Theatre Company in Glasgow, making appearances in a range of productions.   (FO)  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Abe_Barker&amp;diff=90744&amp;oldid=prev</id>
		<title>Fogterop at 08:28, 18 September 2015</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Abe_Barker&amp;diff=90744&amp;oldid=prev"/>
		<updated>2015-09-18T08:28:26Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 08:28, 18 September 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Glasgow, Scotland, 09/03/1891&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;? &lt;/del&gt;- d. **/**/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;****&lt;/del&gt;). Actor.  Abe Barker was a Scottish actor who &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;for &lt;/del&gt;some years was a member of [[Graham Moffat]]’s theatrical company&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;.  &lt;/del&gt;Moffat &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;first &lt;/del&gt;toured South Africa in 1921, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;but &lt;/del&gt;Barker was with him before that&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, when &lt;/del&gt;the company &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;performed one of their greatest hits, &lt;/del&gt;''Bunty Pulls the Strings'', &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;at &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Theatre Royal in Bristol in March 1914&lt;/del&gt;.  Almost immediately afterwards &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;they &lt;/del&gt;left for an extensive tour of Australia and New Zealand, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;presenting &lt;/del&gt;''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Bunty Pulls &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Strings&lt;/del&gt;'' at the Theatre &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Royal &lt;/del&gt;in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Adelaide (December 1914) &lt;/del&gt;and ''A Scrape o’ the Pen'' &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;at both the Palace Theatre in Sydney (June 1915) and at the Princess Theatre in Melbourne (October 1915)&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;When the tour came to an end, three members of the company – Jean Clyde, David Urquhart and Barker – formed the Bunty Trio, travelling throughout Australia for another 18 months and then setting sail for South Africa. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; It &lt;/del&gt;was during this time that &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Barker took the part of Alphonse in &lt;/del&gt;[[H. Lisle Lucoque]]&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;’s &lt;/del&gt;film version of [[Allan Quatermain]] (released in 1919) for [[African Film Productions]]. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; In &lt;/del&gt;December 1921 he arrived back in England &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;and &lt;/del&gt;subsequently &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;he returned &lt;/del&gt;to the stage in Scotland. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;Relatively late in life he started turning up in British films, notably as the engineer in Alexander Mackendrick’s ''The Maggie'' (1954)&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;.  Incidentally&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Moffat retired to South Africa and died &lt;/del&gt;in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Cape Town &lt;/del&gt;in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;December 1951&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;(FO) &lt;del class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Glasgow, Scotland, 09/03/1891 - d. **/**/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1961?&lt;/ins&gt;). Actor.  &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Abraham (&lt;/ins&gt;Abe&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;/Abie) &lt;/ins&gt;Barker was a Scottish actor who&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, as a boy, acted in Arthur Hengel’s ''The Redskins''.  For &lt;/ins&gt;some years &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;he &lt;/ins&gt;was a member of [[Graham Moffat]]’s theatrical company &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;and while &lt;/ins&gt;Moffat &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;only &lt;/ins&gt;toured South Africa in 1921, Barker was with him &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;long &lt;/ins&gt;before that&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;.  When &lt;/ins&gt;the company &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;first staged &lt;/ins&gt;''Bunty Pulls the Strings'' &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(1914)&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;which would be one of its greatest hits, Barker was a member of the cast of one of the touring companies and appeared on &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;stage with Margaret Niven, who was Dirk Bogarde’s mother&lt;/ins&gt;.  Almost immediately afterwards &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;the company &lt;/ins&gt;left for an extensive tour of Australia and New Zealand, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;staging &lt;/ins&gt;''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The Burglar and &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Lady&lt;/ins&gt;'' at the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Palace &lt;/ins&gt;Theatre in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Sydney and thereafter visiting all the large cities with ''Bunty Pulls the Strings'' &lt;/ins&gt;and ''A Scrape o’ the Pen''. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;  &lt;/ins&gt;When the tour came to an end, three members of the company – Jean Clyde, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;her husband &lt;/ins&gt;David Urquhart and Barker – formed the Bunty Trio, travelling throughout Australia for another 18 months and then setting sail for South Africa.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;In July 1918 he appeared in ''[[Very Good, Eddie]]'' at the [[Empire Palace]] in Johannesburg and it &lt;/ins&gt;was during this time that [[H. Lisle Lucoque]] &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;cast him as Alphonse in the silent &lt;/ins&gt;film version of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;[[Allan Quatermain]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;(released in 1919) for [[African Film Productions]]. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;While Clyde and Urquhart moved on to the United States, Barker stayed on and in &lt;/ins&gt;December 1921 he arrived back in England&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/ins&gt;subsequently &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;returning &lt;/ins&gt;to the stage in Scotland. Relatively late in life he started turning up in British films, notably as the engineer in Alexander Mackendrick’s ''The Maggie'' (1954), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;but for about a decade after the end of World War II he was still an active member of the Citizens’ Theatre Company &lt;/ins&gt;in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Glasgow, making appearances &lt;/ins&gt;in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;a range of productions&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;  &lt;/ins&gt;(FO)  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Abe_Barker&amp;diff=66043&amp;oldid=prev</id>
		<title>Fogterop at 16:01, 25 August 2014</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Abe_Barker&amp;diff=66043&amp;oldid=prev"/>
		<updated>2014-08-25T16:01:20Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:01, 25 August 2014&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Glasgow, Scotland, 09/03/1891? - d. **/**/****). Actor.  Abe Barker was a Scottish actor who for some years was a member of [[Graham Moffat]]’s theatrical company.  Moffat first toured South Africa in 1921, but Barker was with him before that, when the company performed one of their greatest hits, ''Bunty Pulls the Strings'', at the Theatre Royal in Bristol in March 1914.  Almost immediately afterwards they left for an extensive tour of Australia and New Zealand, presenting ''Bunty Pulls the Strings'' at the Theatre Royal in Adelaide (December 1914) and ''A Scrape o’ the Pen'' at both the Palace Theatre in Sydney (June 1915) and at the Princess Theatre in Melbourne (October 1915).  When the tour came to an end, three members of the company – Jean Clyde, David Urquhart and Barker – formed the Bunty Trio, travelling throughout Australia for another 18 months and then setting sail for South Africa.  It was during this time that Barker took the part of Alphonse in [[H. Lisle Lucoque]]’s film version of [[Allan Quatermain]] (released in 1919) for [[African Film Productions]].  In December 1921 he arrived back in England and subsequently he &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;was back on &lt;/del&gt;stage in Scotland.  Relatively late in life he started turning up in British films, notably as the engineer in Alexander Mackendrick’s ''The Maggie'' (1954).  Incidentally, Moffat retired to South Africa and died in Cape Town in December 1951.  (FO)   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Glasgow, Scotland, 09/03/1891? - d. **/**/****). Actor.  Abe Barker was a Scottish actor who for some years was a member of [[Graham Moffat]]’s theatrical company.  Moffat first toured South Africa in 1921, but Barker was with him before that, when the company performed one of their greatest hits, ''Bunty Pulls the Strings'', at the Theatre Royal in Bristol in March 1914.  Almost immediately afterwards they left for an extensive tour of Australia and New Zealand, presenting ''Bunty Pulls the Strings'' at the Theatre Royal in Adelaide (December 1914) and ''A Scrape o’ the Pen'' at both the Palace Theatre in Sydney (June 1915) and at the Princess Theatre in Melbourne (October 1915).  When the tour came to an end, three members of the company – Jean Clyde, David Urquhart and Barker – formed the Bunty Trio, travelling throughout Australia for another 18 months and then setting sail for South Africa.  It was during this time that Barker took the part of Alphonse in [[H. Lisle Lucoque]]’s film version of [[Allan Quatermain]] (released in 1919) for [[African Film Productions]].  In December 1921 he arrived back in England and subsequently he &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;returned to the &lt;/ins&gt;stage in Scotland.  Relatively late in life he started turning up in British films, notably as the engineer in Alexander Mackendrick’s ''The Maggie'' (1954).  Incidentally, Moffat retired to South Africa and died in Cape Town in December 1951.  (FO)   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Abe_Barker&amp;diff=66042&amp;oldid=prev</id>
		<title>Fogterop at 15:59, 25 August 2014</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Abe_Barker&amp;diff=66042&amp;oldid=prev"/>
		<updated>2014-08-25T15:59:54Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 15:59, 25 August 2014&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Glasgow, Scotland, 09/03/1891? - d. **/**/****). Actor.  Abe Barker was a Scottish actor who for some years was a member of [[Graham Moffat]]’s theatrical company.  Moffat first toured South Africa in 1921, but Barker was with him before that, when the company performed one of their greatest hits, ''Bunty Pulls the Strings'', at the Theatre Royal in Bristol in March 1914.  Almost immediately afterwards they left for an extensive tour of Australia and New Zealand, presenting ''Bunty Pulls the Strings'' at the Theatre Royal in Adelaide (December 1914) and ''A Scrape o’ the Pen'' at both the Palace Theatre in Sydney (June 1915) and at the Princess Theatre in Melbourne (October 1915).  When the tour came to an end, three members of the company – Jean Clyde, David Urquhart and Barker – formed the Bunty Trio, travelling throughout Australia for another 18 months and then setting sail for South Africa.  It was during this time that Barker took the part of Alphonse in [[H. Lisle Lucoque]]’s film version of [[Allan Quatermain]] (released in 1919) for [[African Film Productions]].  &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;During the 1920s &lt;/del&gt;he was back on stage in Scotland &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;and relatively &lt;/del&gt;late in life he started turning up in British films, notably as the engineer in Alexander Mackendrick’s ''The Maggie'' (1954).  Incidentally, Moffat retired to South Africa and died in Cape Town in December 1951.  (FO)   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. Glasgow, Scotland, 09/03/1891? - d. **/**/****). Actor.  Abe Barker was a Scottish actor who for some years was a member of [[Graham Moffat]]’s theatrical company.  Moffat first toured South Africa in 1921, but Barker was with him before that, when the company performed one of their greatest hits, ''Bunty Pulls the Strings'', at the Theatre Royal in Bristol in March 1914.  Almost immediately afterwards they left for an extensive tour of Australia and New Zealand, presenting ''Bunty Pulls the Strings'' at the Theatre Royal in Adelaide (December 1914) and ''A Scrape o’ the Pen'' at both the Palace Theatre in Sydney (June 1915) and at the Princess Theatre in Melbourne (October 1915).  When the tour came to an end, three members of the company – Jean Clyde, David Urquhart and Barker – formed the Bunty Trio, travelling throughout Australia for another 18 months and then setting sail for South Africa.  It was during this time that Barker took the part of Alphonse in [[H. Lisle Lucoque]]’s film version of [[Allan Quatermain]] (released in 1919) for [[African Film Productions]].  &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;In December 1921 he arrived back in England and subsequently &lt;/ins&gt;he was back on stage in Scotland&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;.  Relatively &lt;/ins&gt;late in life he started turning up in British films, notably as the engineer in Alexander Mackendrick’s ''The Maggie'' (1954).  Incidentally, Moffat retired to South Africa and died in Cape Town in December 1951.  (FO)   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Abe_Barker&amp;diff=58748&amp;oldid=prev</id>
		<title>Fogterop at 15:33, 28 May 2014</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Abe_Barker&amp;diff=58748&amp;oldid=prev"/>
		<updated>2014-05-28T15:33:00Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 15:33, 28 May 2014&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;**&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;**&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;**** &lt;/del&gt;- d. **/**/****). Actor.  Abe Barker was a Scottish actor who for some years was a member of [[Graham Moffat]]’s theatrical company.  Moffat first toured South Africa in 1921, but Barker was with him before that, when the company performed one of their greatest hits, ''Bunty Pulls the Strings'', at the Theatre Royal in Bristol in March 1914.  Almost immediately afterwards they left for an extensive tour of Australia and New Zealand, presenting ''Bunty Pulls the Strings'' at the Theatre Royal in Adelaide (December 1914) and ''A Scrape o’ the Pen'' at both the Palace Theatre in Sydney (June 1915) and at the Princess Theatre in Melbourne (October 1915).  When the tour came to an end, three members of the company – Jean Clyde, David Urquhart and Barker – formed the Bunty Trio, travelling throughout Australia for another 18 months and then setting sail for South Africa.  It was during this time that Barker took the part of Alphonse in [[H. Lisle Lucoque]]’s film version of [[Allan Quatermain]] (released in 1919) for [[African Film Productions]].  During the 1920s he was back on stage in Scotland and relatively late in life he started turning up in British films, notably as the engineer in Alexander Mackendrick’s ''The Maggie'' (1954).  Incidentally, Moffat retired to South Africa and died in Cape Town in December 1951.  (FO)   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(b. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Glasgow, Scotland, 09&lt;/ins&gt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;03&lt;/ins&gt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1891? &lt;/ins&gt;- d. **/**/****). Actor.  Abe Barker was a Scottish actor who for some years was a member of [[Graham Moffat]]’s theatrical company.  Moffat first toured South Africa in 1921, but Barker was with him before that, when the company performed one of their greatest hits, ''Bunty Pulls the Strings'', at the Theatre Royal in Bristol in March 1914.  Almost immediately afterwards they left for an extensive tour of Australia and New Zealand, presenting ''Bunty Pulls the Strings'' at the Theatre Royal in Adelaide (December 1914) and ''A Scrape o’ the Pen'' at both the Palace Theatre in Sydney (June 1915) and at the Princess Theatre in Melbourne (October 1915).  When the tour came to an end, three members of the company – Jean Clyde, David Urquhart and Barker – formed the Bunty Trio, travelling throughout Australia for another 18 months and then setting sail for South Africa.  It was during this time that Barker took the part of Alphonse in [[H. Lisle Lucoque]]’s film version of [[Allan Quatermain]] (released in 1919) for [[African Film Productions]].  During the 1920s he was back on stage in Scotland and relatively late in life he started turning up in British films, notably as the engineer in Alexander Mackendrick’s ''The Maggie'' (1954).  Incidentally, Moffat retired to South Africa and died in Cape Town in December 1951.  (FO)   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
</feed>