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''[[The Illustrious Stranger, or Married and Buried]]'' is a "comic operatic farce" in two acts by John Gideon Millingen[https://en.wikisource.org/wiki/Page:Dictionary_of_National_Biography_volume_37.djvu/453] and James Kenney[https://en.wikipedia.org/wiki/James_Kenney_(dramatist)]. (In some publications the play is accredited to only one or the other of the authors.) 

Also found as ''[[The Illustrious Stranger]]'', ''[[The Illustrious Stranger, or Married and Single]]'',  even ''[[Buried Alive, or The Illustrious Stranger]]'' or simply ''[[Buried Alive]]'', it seems. 

Sometimes also referred to as a "[[burlesque]] extravaganza" (e.g. [[F.C.L. Bosman]], 1980: p. 70)

== The original text ==
  
The text was apparently based in part on the French one act play, '''''[[Le Naufrage, ou La Pompe Funèbre de Crispin]]''''',  by Joseph de Lafont (1686-1725)[https://en.wikipedia.org/wiki/Joseph_de_La_Font], first performed on 17 June, 1710 and printed in the same year.  

The English text of [[The Illustrious Stranger, or Married and Buried]] was first performed at the Theatre Royal Drury Lane in 1827, with music by Isaac Nathan, and printed by William Kenneth in 1827.

One source, the entry on Millingen in the 1894 ''Dictionary of National Biography'' (Vol 37: p. 439), [http://en.wikisource.org/wiki/Page:Dictionary_of_National_Biography_volume_37.djvu/453],  refers to a one act farce in prose by Kenney and Millingen, called '''''[[The Illustrious Stranger, or Married and Single]]''''', published in ''Home Plays'', London, 1862 (this must surely read 1826?). If this is not simply an error (the article does not mention the later two act version at all),  then this could have been the original work from which the 1827 operatic farce in two acts was developed by the authors, but as this is the only reference to the particular title, it would appear somewhat unlikely.

==Translations and adaptations==

It formed the basis for a burlesque version called ''[[Brown and the Brahmins,  or Captain Pop and The Princess Pretty Eyes!]]'' by Robert Brown Reece. (For South African performances, see the entry on '''''[[Brown and the Brahmins,  or Captain Pop and The Princess Pretty Eyes!]]''''')

It appears Reece did another version of the original play, now called  '''''[[The Stranger: Stranger than Ever]]''''' in the New Queen's Theatre Royal on 4 November, 1868, and dubbing it "A Piece of Extravaganza".

== Performance history in South Africa ==

1833: First performed in Cape Town in the [[African Theatre]] by the [[All the World's a Stage]] on Monday 6 May, as afterpiece to ''[[The Pilot, or a Tale of the Sea]]'' (Fitzball, based on Cooper). The production was a benefit for [[Mr Whiley]].

1834: Performed in the [[Garrison Theatre]] by the [[Garrison Players|Garrison Amateurs]] on Wednesday 19 November, as afterpiece to ''[[The Midnight Hour]]'' (Inchbald). The production was a benefit for [[Mrs Black]].

1853: Performed in the [[Garrison Theatre]] by the [[Garrison Players|Officers of the Garrison]] on Wednesday 14 September,  with as afterpieces ''[[Bombastes Furioso]]'' (Rhodes) and ''[[Did You Ever Send Your Wife to Camberwell?]]'' (Coyne).  Actors included [[R.A. Pasley]], [[Captain Hall]] and [[Captain Fisher]]. The play was apparently announced as "Kenney's Operatic Farce..".

1858: Performed by [[Sefton Parry]] and his company as ''[[Buried Alive, or The Illustrious Stranger]]'',  under protection of Colonel Hope and the [[Cape Volunteer Corps]], on 27 April in the [[Cape Town Theatre]]. Also performed was an English song ("The Ratcatcher's Daughter") and a play called ''[[All is not Gold that Glitters, or The Factory Girl]]''. The orchestra of the [[Cape Royal Rifles]] also performed.

1858: Performed by [[Sefton Parry]] and his company as ''[[Buried Alive, or The Illustrious Stranger]]'',  under protection of Colonel Hope and the [[Cape Volunteer Corps]], on 27 April in the [[Cape Town Theatre]]. Also performed was an English song ("The Ratcatcher's Daughter") and a play called ''[[All is not Gold that Glitters, or The Factory Girl]]''. The orchestra of the [[Cape Royal Rifles]] also performed.

1858: Performed by [[Sefton Parry]] and his company as ''[[Buried Alive, or The Illustrious Stranger]]'', on 17 June in the [[Cape Town Theatre]]. Also performed was ''[[Black-Eyed Susan, or All in the Downs]]'' (Jerrold).

1862: Performed by the [[Amateurs of the Band]] a drama group from the [[North Lincolnshire Regiment of Foot]] at the [[Garrison Theatre]], Keiskama Hoek, (sic) on November 26.  Cast: [[J. Diamond]] Cape Mounted Rifles (Aboulifar, King of the Island), [[W. Carr]] (Azan), [[P. Mulrennan]] (Alioajon ?), [[J. Davies]](Gimbo), [[J. M'Kechnie]] (Benjamin Bowbell), [[W. Allan]] (Showemin, the usher), [[A. Vogado]] (High Priest), [[P. Nelson]] Cape Mounted Rifles (Irza), ***** (Fatima).  Also performed was ''[[The Miller and His Men]]'' (Pocock and Bishop). ''(For more on contemporary responses to the performances, see the entry on the [[North Lincolnshire Regiment of Foot]])''

1862: The [[Amateurs of the Band]] ([[North Lincolnshire Regiment of Foot]]) repeated the two plays at the [[Garrison Theatre]], Keiskama Hoek, on November 29, with the same casts, except that "Aboulifar" in ''[[The Illustrious Stranger]]'' was played by [[J. Johnson]] of the Cape Mounted Rifles instead of [[J. Diamond]].

1871: Performed as ''[[The Illustrious Stranger]]'' in the [[St Aloysius Hall]], Cape Town, on 22 November by the brass band and the dramatic club of the  [[86th Royal Downshire Regiment]] as part of a "[[Literary and Musical Entertainment]]". The officers in the cast included [[Major Jerome]] and [[Lieutenant Boulcott]].

1875: Performed as ''[[The Illustrious Stranger]]'' by [[Disney Roebuck]] and his company in the [[Bijou Theatre]], Cape Town, on 5 April, with ''[[Leah, or The Forsaken]]'' (Daly).

1875: Seems to have been performed as ''[[The Illustrious Stranger]]'' by [[Disney Roebuck]] and his company in the [[Bijou Theatre]], Cape Town, on 24 July, as an afterpiece to ''[[Leah, or The Jewish Maiden]]'' (Daly) - but the entry for this date in [[F.C.L. Bosman]] (1980:p.325) is rather confusing, giving the afterpiece as "''[[Brown and the Brahmins, or Captain Pop and The Princess Pretty-eyes!|Brown and the Brahmins]]'', '''or''' ''[[Captain Pop and the Princess Pretty eyes]]'' (sic!) '''or''' ''[[The Illustrious Stranger]]''".

== Sources ==

Facsimile version of the original French text by Lafont, ''Théâtre Classique''[http://www.theatre-classique.fr/pages/programmes/edition.php?t=../documents/LAFONT_NAUFRAGE.xml]

[[North Lincoln Sphinx]], Vol 1, No 14, Keiskama Hoek, December 10, 1862, page 272.

1894 ''Dictionary of National Biography'' (Vol 37: p. 439), Wikisource[http://en.wikisource.org/wiki/Page:Dictionary_of_National_Biography_volume_37.djvu/453]

1892 ''Dictionary of National Biography'' (Vol 31: pp. 8-9), Wikisource[https://en.wikisource.org/wiki/Kenney,_James_(DNB00)]

https://en.wikipedia.org/wiki/James_Kenney_(dramatist)

Facsimile version of the original English text by Millingen and Kenney, ''Internet Archive''[https://archive.org/details/illustriousstra00nathgoog]

[[F.C.L. Bosman]]. 1928. ''Drama en Toneel in Suid-Afrika'', Deel I: 1652-1855. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 194, 226, 403-4, 433.  

[[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1916''. Pretoria: [[J.L. van Schaik]]: pp. 69, 70, 73, 266, 323, 325

''[[North Lincoln Sphinx]]'' Vol 1, No 10. Christmas Supplement, 1861.

Go to [[ESAT Bibliography]]

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