ESAT Bibliography B-Ban

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Baanbrekers. 1963. Vita Musica, 1(2):18-19.

Bacqua, S. 1997. Investigation of the play Sarafina II: Public Protector’s Report. Pretoria: Office of the Public Protector.

Badenhorst, Frik 1978. Die mense van Soetwater. Scenaria, December/January: 39-40.

Badenhorst, Zuanda 2005. South African puppetry for the theatre since 1975. Pretoria: Tshwane University of Technology. Unpublished master's degree.

Bagasie sonder bestemming. (Literary criticism, Jac J. Brits). 1974. Tydskrif vir Geesteswetenskappe, 14:218-221. September.

Bailes, A. 1984. Puppetry : an art form. Scenaria, (42):8-9.

Bailey, Brett 1998. Performing so the spirit may speak. South African Theatre Journal, 12(1&2):191-202.

Brett Bailey: drama 2001. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 132-133.

Bain, Keith 1996. The 1996 Standard Bank National Arts Festival, Grahamstown. South African Theatre Journal, 10(2):135-147.

Bain, Keith 1997. Berkoff, boerewors and box-office betrayal: Standard Bank National Arts Festival 1997. South African Theatre Journal, 11(1&2):239-257.

Bain, Keith & Hauptfleisch, Gaerin 1998. Brecht 2001: a photo essay. Chris Vorster directs Bertolt Brecht's first play, Baal. South African Theatre Journal, 12(1&2):212-227.

Bain, Keith 1998. Make believe: Standard Bank National Arts Festival 1998. South African Theatre Journal, 12(1&2):139-164.

Bain, Keith 1999. Magical millennium dress rehearsal: 25th anniversary of the Standard Bank National Arts Festival, Grahamstown, 1999. South African Theatre Journal, 13(1&2):179-195.

Bain, Keith & Hauptfleisch, Temple 2001. Playing the changes: thoughts on the restructuring of the theatrical system and the arts industry in South Africa after apartheid. South African Theatre Journal, 15:8-24.

Bain, Keith 2003. Hypertheatrical performance on the post-apartheid stage, in Wasserman, Herman & Jacobs Sean (eds.). Shifting Selves: Post-apartheid Essays on Mass Media, Culture and Identity. Cape Town: Kwela Books. 145-165.

Bain, Roxanne 2012. Vagina Dentata – a kabarett: re-imagining The Vagina Monologues. South African Theatre Journal, 261(1):45-60.

Baker, A.C. 1988. Popular Theatre and Politics in South Africa 1976-1987. Unpublished master’s thesis. Northampton, Mass.: Smith College.

Baker, Gavin Roy 1995. Towards a Dynamic Voice Approach Evolving from Leading Voice and Movement Theorists. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch. Baker, Gavin Roy 2001. Negotiated Dramaturgy – Industrial Theatre as Communication in the Organization. Unpublished doctoral dissertation. Empangeni: University of Zululand. Baker, S. 1969. O come all ye faithful [passion plays]. Fair Lady, 5(5): 80-92. April 30.

Baleka, Justus 2009. The Tempest, Janice Honeyman: theatre review. Shakespeare in Southern Africa, 21(1):88-89.

Ball, John Agee 2003. The dramatic art of Athol Fugard: from South Africa to the world by Albert Wertheim. Reviewed in Theatre Journal, 55(1):188-190.

Ballantine, C. 1993. Marabi Nights: Early South African Jazz and Vaudeville. Johannesburg: Ravan Press.

Balme, Christopher 1996. The performance aesthetics of township theatre: frames and codes, in Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 65-84.

Balseiro, Isabel 2003. Between Alexandra and Jurassic Park: interview with Professor Es’kia Mphahlele. South African Theatre Journal, 17:212-232.

Balt, Christine 2009. "A dark revolt of being" : abjection, sacrifice and the real in performance art, with reference to the works of Peter van Heerden and Steven Cohen. Unpublished master’s thesis. Grahamstown: Rhodes University.

Baneshik, Percy 2006. Taubie Kushlick – woman of the theatre. Jewish Affairs, 61(4):62-66.

Banham, Martin 1985. South African Theatre : Four Plays and an Introduction, edited by Temple Hauptfleisch and Ian Steadman. Reviewed in: Theatre Research International, 10(3):261-262.

Banning, Yvonne 1989a. English language usage in South African theatre since 1976. Unpublished master’s thesis. Johannesburg: Witwatersrand University. Banning, Yvonne 1989b. Ghosts with ears: the WESSA in contemporary drama. English Academy Review, 6:19-27.

Banning, Yvonne 1989c. Sophiatown, by Junction Avenue Theatre Company. Reviewed in: South African Theatre Journal, 3(1):95-102.

Banning, Yvonne 1990. Language in the theatre: Mediating realities in an audience. South African Theatre Journal, 4(1):12-37.

Banning, Yvonne 1997. (Re)viewing Medea: cultural perceptions and gendered consciousness in reviewers’ responses to the New South African theatre. South African Theatre Journal, 11(1&2):55-87.

Banning, Yvonne 1998. Oral English in South African theater of the 1980s. Oral Tradition, 13(2):398-421.

Banning, Yvonne 1999. Speaking silences: images of cultural difference and gender in Fleishman and Reznek’s Medea, in Blumberg, Marcia & Walder, Dennis (eds). South African Theatre As/And Intervention. Amsterdam: Rodopi. 41-47.

Banning, Yvonne 2002. Footprints on the shore: documenting site-specific community performance. The Freedom Project, Robben Island, April 27th, 2001. South African Theatre Journal, 16:137 – 156.

Banning, Yvonne 2003. Learning to act in L 2 English: an ethnographic comparison of two students in a South African university drama department. Research in Drama Education. 8(2):183-201.

Banning, Yvonne 2005. Embodied selves: ritual, relationships and identity in theatre production: an ethnographic case study of Dance in the Shadow of Pain South African Theatre Journal, 19:72-92.

Banning, Yvonne 2006. Directors Forum: Baxter Theatre, Cape Town, Saturday 19 August 2006. South African Theatre Journal, 20:252-254.

Banning, Yvonne, Calburn, Caroline & Richardson, Lucy 2006. Project Phakama: stories of South Africa, London and Lesotho: landscapes of the heart, in Etherton, Michael & Plastow, Jane (eds.). ''African theatre. Youth''. Oxford: James Curry. 151-165.

Banning, Yvonne 2007. Creating vocal style in a scripted theatre production: issues of visibility, autonomy and integration in vocal practice as research. South African Theatre Journal, 21:180-202.

Bantu theatre company impresses. 1956. South Africana, (4).

Click on the appropriate letters of the alphabet in the sub-list below.

B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By

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