ESAT Bibliography Ca-Cha

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Cade, Madge O. 1942. The Reps in 1941. Playtime, (26):3-5,21,23.

Calburn, Caroline Judith 1994. A critical documentation of Mavis Taylor's teaching of improvisation. Unpublished master’s thesis. Cape Town: University of Cape Town.

Calburn, Robert C. (ed.). 1978. The future of the theatre as a business, as an industry, as entertainment : a report of the proceedings at the International Symposium of the South African Institute of Theatre Technology (SAITT) held at the Civic Theatre, Johannesburg from 24 August 1976 to 27 August 1976 / [International Symposium on the Future of the Theatre. Braamfontein, Johannesburg : SAITT,

Callaghan, Cedric 1983. Black theatre in South Africa. Black American Literary Forum, 17(2):82-83.

Cameron, James Henry 1991. Sosio-politieke verset in die Afrikaanse drama. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education.

Cameron, Nicholas Wesley 1993. Reclaimed territory : the plays of John McGrath and the 7:84 Theatre Company considered as a continuum of twentieth-century theories concerning theatrical form. Unpublished doctoral dissertation. Cape Town: University of Cape Town.

Campbell, Roderick Edwyn & Campbell, Shani 2009. Symphony of Puppets : A Story of Modelmaking, Animation and Puppetry in South Africa. Fish Hoek: R.E. Campbell.

Canonici, Noverino 1990. The folktale tradition yesterday and today, in Groenewald, H.C. (ed.). Oral Studies in Southern Africa. Pretoria: Human Sciences Research Council. 128-153 (at 143, 144).

Canonici, Noverino 1998. Cetshwayo ka Mpande in Zulu literature. Alternation, 5(2):72-90. (H.I.E. Dhlomo's drama Cetshwayo 79-82; M.A.J. Blose's Uqomisa Mina Nje Uqomisa Iliba 87-89)

Canonici, Noverino 1999. Interplay between orality and literacy in Zulu literature. Smit, J. (ed.) The Dancing Dwarf from the Land of the Spirits. Durban: CSSALL.

Can’t stop the Karnaval: [Karnaval – a Long Street celebration]. 1981. Scenaria, (23): 23.

CAPAB Annual Reports (1986/87 and 1987/88). Cape Town: Van Riebeeck Press.

CAPAB’s dynamic Fourie. 1978. Scenaria, June/July:18.

Cape Town’s Baxter Theatre turns 21. Scenaria, (211):15-16.

A career behind the scenes. 1986. Scenaria, (61):31-32.

Careers in the performing arts. 1974. My Career, 25(3)-(4).

Carklin, Michael 1996. Drama in South African secondary schools: meeting the challenge of educational change. Unpublished master’s thesis. Grahamstown: Rhodes University.

Carklin, Michael 1996. Mediums of change: The Arts in Africa ’95 Conference. South African Theatre Journal, 10(1):88-93.

Carklin, Michael 1997. Rainbows and spider webs: new challenges for theatre in a transformed system of education in South Africa [1]. Research in Drama Education, 2(2):203-213.

Carklin, Michael 1999. New challenges for theatre, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre as/and Intervention. Amsterdam: Rodopi. 169-180.

Carlin, R. 1952. Every night is amateur night in Johannesburg. Theatre Arts, 38:77+ July

Carola, Luther 1985. Problems and possibilities: a discussion on the making of alternative theatre in South Africa. English Academy Review, 2:19-32.

Carr, G. 1951. Early drama in South Africa. Trek, 15(1):26-27.

Carr, Stephen 1987. Black Theater, Dance and Ritual in South Africa, by Peter Larlham. Reviewed in: Critical Arts, 4(3):70-72.

Carruthers, H. 1953. South Africa’s Lilliput Theatre. Outspan, 53(1391):34-35. October 23.

Carstens, Beatrice Hendrina Jacoba 2009. Hertzogprystoekennings vir drama: 1915-1971. Unpublished doctoral dissertation. Pretoria: University of Pretoria. viewed yymmdd < http://upetd.up.ac.za/thesis/available/etd-05092010-205329/ >

Carter-Johnson,Edythe 1942. Troop show (Johannesburg Repertory Society, French Without Tears). Playtime, (30):4-5,20.

Cartwright, J. 1980. Visual index to plays in performance. Jagger Journal, 1:3-5.

Castelyn, Sarahleigh 2010. Mapping the body's movement. South African Theatre Journal, 24:220-240.

Catanzarite, D, & Sannar, T 1997. The Good Woman of Sharkville: South Africa's Market Theatre at the crossroads. Brecht Yearbook/Das Brecht-Jahrbuch, 22:224-237.

Causton, Patricia 1949. How we’re providing entertainment really suitable for children. Outspan. 45(1168):21. July 15

Causton, Patricia 1957. The children’s theatre in South Africa. Lantern. December.

Celli, Luisa 1937. South African dramatists. South African Opinion, 3(15):13-14. May

Centre for Conflict Resolution 2004. Prison transformation in South Africa, in Balfour, Michael (ed.). Theatre in Prison. Bristol: Intellect. 161-176.

Certainly with it [children’s theatre group]. 1967. South African Panorama, 12(9):20-23. Chaillet, Ned 1988. Athol Fugard, in Kirkpatrick, D.L. (ed.). Contemporary Dramatists, 4th ed. Chicago, Ill.: St James Press. 178-180.

Chaka, Ponny Piet 2004. Mokotaba le kgohlano ho Ditshwantshiso tsa Zakes Mda. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch. Chambers, Stephan 1984. The Market Theatre Johannesburg. Cue, 5(30):10-12.

Chapman, Michael 1989. The critic in a state of emergency: toward a theory of reconstruction. SAVAL conference papers IX. 269-291.

Chapman, Michael, Gardner, Colin & Mphahlele, Es'kia (eds.). 1992. Perspectives on South African English Literature. Johannesburg: Ad Donker.

Chapman, Michael 1996. Southern African Literatures. London: Longman.

Chatrooghoon, Mawalall 1988. A comparative assessment of the verbal communication of standard ten speech and drama and non-speech and drama pupils in Verulam. Unpublished master’s thesis. Durban: University of Durban-Westville.

Chatrooghoon, Mawalall 1992. The value of creative drama in the treatment of stuttering. Unpublished doctoral dissertation. Durban: University of Durban-Westville.

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Ca-Cha Che-Cl Coa-Col Com-Cop Cor-Cri Cro-Cz

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