ESAT Bibliography Pia-Pie

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Picardie, Michael 1999. A comparative perspective on two plays by South African women (Gcina Mhlope, Fatima Dike). Contemporary Theatre Review, 9(2):39-50.

Picardie, Michael 2009. The drama and theatre of two South African plays under apartheid. Unpublished master's thesis. Aberystwyth: Aberystwyth University.

Picardie, Michael. 2014. Towards a philosophy of theatre inspired by Aristotle’s poetics and post-structuralist aesthetics in relation to three South African plays. Unpublished Ph.D. Thesis, University of South Wales.

Pienaar, B. 1985. Deon: hoe yswind sy gesig verlam het (Deon van Zyl). Huisgenoot, 12-13. Oktober 17.

Pienaar, B. 1985. Mooie Amanda: pyn agter die glimlag (Amanda Strydom). Huisgenoot, 14-15. Julie 25.

Pienaar, Hans 1999. Die Engelse KKNK... Insig, 08/99: 41.

Pienaar, L. 1951. Gebrek aan dramaturge. Helikon, 1(1):12-14.

Pienaar, L. 1952. Dramaturg en die regisseur. Helikon, 1(3):88-91.

Pienaar, Léonie 1941. Toneelonderrig in die skool. Huisgenoot, 26(1029):23. Desember 12.

Pienaar, Samantha 1997. Fitting the Word to the Action: An Ethnographic Journey Into Theatre, by Neilesh Bose. Reviewed in: South African Theatre Journal, 11(1&2):323-324.

Pienaar, Samantha 1997. Interculturalism and South African Indian Fusion Dance, by Suria Govender. Reviewed in: South African Theatre Journal, 11(1&2):322.

Pienaar, Samantha 1998. Alien Bodies: Representations of Modernity,’ Race’ and Nation In Early Modern Dance, by Ramsay Burt. Reviewed in: South African Theatre Journal, 12(1&2):262-265.

Pienaar, Samantha 2002. Songs of the Women Migrants: Performance and Identity in South Africa, by Deborah James. Reviewed in: South African Theatre Journal, 16:228-229.

Pieter-Dirk Uys, in Herber, Avril 1979. Conversations: Some People, Some Place, Some Time South Africa. Johannesburg: Bateleur Press. 90-96.

Pieter-Dirk Uys, in Watterson, Lore (ed.). 2009. Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 214-215.

Pieterse, Annel 2014. Polanski and Perception: The Psychology of Seeing and the Cinema of Roman Polanski, by David Caputo. Reviewed in: South African Theatre Journal, 27)2:151-155.

Pieterse, Henning 1991. Die Keiser – ‘n teksontledingstrategie. Tydskrif vir Letterkunde, 29(2):112-135.

Pietersen Dudley 1999. Patterns of change; audience, attendance, and music at the 1994 Grahamstown Festival. Contemporary Theatre Review, 9(2):61-70.

Pietersen, Issaac Dudley 1998. South African drama and theories of the apocalypse. Unpublished master’s thesis. Bellville: University of the Western Cape.

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