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Cronjé, D.C. 1986. NDP wys sy slag in die toneelwêreld. Paratus, 37(1):60-61.

Cronjé, G. 1967. Dramakuns naas woordkuns en dramawetenskap naas literatuurwetenskap. Tydskrif vir Geesteswetenskappe, 7:446-454.

Cronjé, G. 1971. Die Drama as Speelstuk. Johannesburg: Voortrekkerpers.

Cronjé, J. 1972. Gerhard Beukes gehuldig. Die Taalgenoot, 41(2):11. January.

Cronjé, Jan 1985. Op die toneelswerfpad, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 78-92.

Crous, E. 1985a. Donkerkop het durf. Golda Raff Sarie, 36-37. December 18.

Crous, E. 1985b. Plesierige paar : (Rika Sennett en James Borthwick). Sarie, 142-143. November 6.

Crous, M.L. 1991. Karakterisering in Christine: ’n Jungiaanse perspektief. Literator, 12(3):103-110.

Crous, M.L. 1992. Al speel ek hoe goed, ek gaan nog bly : drie voorbeelde van spel-binne-die spel (Die Heks by Louis Leipoldt, Nagspel by Chris Barnard, Diepe Grond by Reza de Wet. Klasgids, 27(1):45-48.

Crow, Brian 1986. Theatre and Cultural Struggle in South Africa, by Robert Kavanagh. Reviewed in: Theatre Research International, 11(2):179-182.

Crow, Brian 1996a. Athol Fugard and the South African ‘workshop’ play, in Brian Crow. An Introduction to Post-Colonial Theatre. Cambridge: Cambridge University Press, 96-111.

Crow, Brian 1996b. ‘A truly living moment’: acting and the Statements plays, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 13-24.

Crow, Brian 2002. African metatheater: criticizing society, celebrating the stage Research in African Literatures, 33(1):133-143.

Crow, Brian 2003. Shakespeare in South Africa: Stage Production during the Apartheid Era, by Rohan Quince. Reviewed in: New Theatre Quarterly,19(3):291-293.

Crowther, E. 1983. Teaching The Merchant of Venice to Standard 8: English. Educamus 29(5):

Cruywagen, Eben 1993. The radio drama and the radio feature in South Africa : a comparative study. Unpublished master’s thesis. Durban: University of Durban-Westville.

Cruywagen, Eben 1999a. Dance, Media Entertainment and Popular Theatre in South East Africa, by David Kerr. Reviewed in: South African Theatre Journal, 13(1&2):197-202.

Cruywagen, Eben 1999b. Luister-leer: die opvoedkundige moontlikhede van die hoorspel in Suid-Afrika. Unpublished doctoral dissertataion. Stellenbosch: Universiteit van Stellenbsoch.

Cruywagen, Eben 2002. ''African Broadcast Cultures. Radio in Transition'', edited by R. Fardon & G. Furniss. Reviewed in: South African Theatre Journal, 16:230 – 240.

Cruywagen, Eben 2002. Report on the Klein Karoo National Arts Festival (KKNK) 2002. South African Theatre Journal, 16:190 – 191.

Cruywagen, W.A. 1985. Windybrow : PACT’s new home in Johannesburg. Scenaria, (50):3-4.

Culture is breaking out all over: a rush of opera houses. 1967. Construction in Southern Africa, 12(6):71-79.

Cunningham, Kate 1978. Public I: Absurd Person Singular. Reviewed in: Speak, 1(4):51-52.

Curtain call – theatrical photography. Creative Photography, 5(11):23-28.

Curtains up on Diane Wilson. 1963. Femina and Woman's Life, June 6:54-57.

Curtis, Stephen 1979. The playwright’s dilemma. Scenaria, (15):3.

Czarnecki, M. 1983. Master Harold… and the boys. Reviews. Maclean’s, 96:70. Sept 26.

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