ESAT Bibliography Thr-Toz

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Three playwrights 1988. (Wayne Robbins, Norman Coombes, Deon Opperman). South African Theatre Journal, 2(2):105-109.

Three stages for Pretoria Opera House. 1971. Construction in Southern Africa, 16(8):83-87. November.

Thubisi, Masebolai Cynthia 1991. Kgotlhang mo ditlhangweng le tsa Setswana. Unpublished master’s thesis. Yunibesithing ya Bophuthatswana.

Thurman, Christopher 2006. 1956-2006: fifty years at Maynardville. Shakespeare in Southern Africa, 18(2):57-61.

Thurman, Christopher 2006. Sher and Doran’s Titus Andronicus [1995]: importing Shakespeare, exporting South Africa. Shakespeare in Southern Africa, 18(2):29-36.

Thurman, Christopher 2008. Romeo and Juliet. Shakespeare in Southern Africa, 20:64-66.

Thurman, Christopher 2008. Shakespeare at the National Arts Festival: theatre review. Shakespeare in Southern Africa, 20(4):63-64.

Thuynsma, Peter 1987. Xhosa ntsomi: the language of gesture. English Academy Review, (4):77–89.

Tien jaar toegewyde toneelarbeid. 1943. Huisgenoot. 28(1134):5. Desember 17.

The Time-image: William Kentridge interviewed by Cheryl Kaplan. 2005. PAJ: A Journal of Performance & Art, 27(80):28-44.

Titlestad, Peter and Sevenhuysen, Karina 2007. The Struggle for Freedom: Shakespeare on the Eastern Frontier. Shakespeare in Southern Africa, 19(7):1-12.

To be or not to be : that is the question : (air conditioning in the Natal Playhouse. 1985. South African Refrigeraion & Airconditioning, 1(3):10-12.

Toerien hangs out dirty linen. 1977. Scenaria, June/July : 15.

Toeskouer (skuilnaam) 1960. Slag van die Kaapse Vlakte. Standpunte, 14(2):4-13.

Tomaselli, Keyan 1981a. Black South African Theatre: Text and Context. English in Africa, 8(1):51-58

Tomaselli, Keyan 1981b. Ilanga le so phonela abasebenzi: an example of the devolution of theatre from the laser to the candle. South African Labour Bulletin, 6(7):

Tomaselli, Keyan 1981c. Semiotics of alternative theatre in South Africa. Critical Arts, 2(1):14-33.

Tomaselli, Keyan & Muller, Johan 1987. Class, race, and oppression: metaphor and metonymy in ’Black’ South African theatre. Critical Arts, 4(3):40-58.

Tomaselli, Keyan 1987a. 'Culture' as theatre-going, 'arts' as buildings: a critique of 'difference' in a South African propaganda film. South African Theatre Journal, 1(2):63-75.

Tomaselli, Keyan 1987b. South African Theatre: Four Plays and an Introduction, edited by Temple Hauptfleisch & Ian Steadman. Reviewed in: South African Theatre Journal, 1(1):142-146.

Tomaselli, Keyan 1991. Popular Communication in South Africa: “Mapantsula” and its Context of Struggle. South African Theatre Journal, 5(1)46-60.

Tomkins, Joanne 1995. “One point of sanity”: an interview with Barney Simon. South African Theatre Journal, 9(2):83-96.

Tompkins, Joanne 2000. The Drama of South Africa : Plays, Pageants and Publics Since 1910, by Loren Kruger. Reviewed in: Australasian Drama Studies, (37):124-126.

Toneel en die publiek. 1950. Huisgenoot, 34(1459):80. March 10.

Toneel uit eie bodem? Ons Eie Boek, 20(1):5-11.

Toneelfees op Krugersdorp (o.a. Nag het die Wind Gebring, deur W.A. de Klerk). 1945. Filma, 2(6):32.

Toneelgeselskap se groot prestasie. 1944. Huisgenoot, 28(1162):3. June 30.

Torres, Thain N.J. 2000. Theatre: the art of human being: locating the cultural value of theatre in the Age of Broadcast Media and a retrospective paper on the process leading towards the 2000 performance involving eternity. Unpublished master’s thesis. Cape Town: University of Cape Town.

Towards a national theatre: the Ffrancon-Davies-Vanne Co. 1943. Playtime, (36):15,21,24.

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Taa-Taz Tea-Tho Thr-Toz Tra-Tz

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