ESAT Bibliography Or-Oz

Click on the appropriate letters of the alphabet in the sub-list below.

O-Od Oe-Ol Om-Oq Or-Oz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

Orkin, Martin 1985. Drama in South Africa: Gandhi in South Africa : the play. English Academy Review, 2:61-67.

Orkin, Martin 1986. Civility and the English colonial enterprise: notes on Shakespeare’s Othello. Theaoria, 68:1-14. December.

Orkin, Martin 1987a. Cruelty, King Lear, and the South African Land Act, 1913. Shakespeare Survey, 40:135-143.

Orkin, Martin 1987b. The European challenge. Scenaria, 78:47-48. July.

Orkin, Martin 1987c. Othello and the ‘plain face’ of racism. Shakespeare Quarterly, 38(2):166-188.

Orkin, Martin 1987d. Shakespeare Against Apartheid. Craighall: Ad Donker.

Orkin, Martin 1988a. Body and state in Blood Knot / The Blood Knot. South African Theatre Journal, 2(1):17-34.

Orkin, Martin 1990. “This bit of the world is ours”: Butler’s national theatre of the fifties. South African Theatre Journal, 4(2):87-98.

Orkin, Martin 1991a. Drama and the South African State. Johannesburg: Witwatersrand University Press.

Orkin, Martin 1991b. Shakespeare and the politics of “unrest”. English Academy Review, 8:85-97.

Orkin, Martin 1992. Whose popular theatre and performance? South African Theatre Journal, 6(2):30-42.

Orkin, Martin 1993a. The politics of editing the Shakespearean text in South Africa. Current Writing, 5(1):48-59.

Orkin, Martin 1993b. Re-presenting The Tempest in South Africa (1955-1990). Shakespeare in Southern Africa, 6:45-60.

Orkin, Martin 1995. Introduction to At The Junction: Four Plays by the Junction Avenue Theatre Company. Johannesburg: Witwatersrand University Press.

Orkin, Martin 1996. Possessing the book and peopling the text. Essays in Theatre, 15(1):45-57.

Orkin, Martin 1996b. Whose popular theatre and performance? , in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 49-64.

Orkin, Martin 1997. Whose things of darkness? Reading/representing The Tempest in South Africa, in Joughin, John J. (ed.). Shakespeare and National Culture. Manchester: Manchester University Press. 142-169.

Orkin, Martin 2005. Local Shakespeares: Proximations and Power. London and New York: Routledge.

Osborne, Jane 1990. The Gumboot dance: an historical, socio-economic and cultural perspective. South African Theatre Journal, 4(2):50-79.

O’Sheel, Patrick 1978. Athol Fugard’s “Poor theatre”. Journal of Commonwealth Literature, 12:67-77. April

Oude Libertas Centre. 1977. Architect and Builder, 27(12):18-25.

Oude Libertas-sentrum: ‘n monument vir wyn. 1977. Wynboer, 552:18-25.

An outsider’s impression on African drama. 1940. South African Outlook, 70:126.

Overall, Fiona Robyn 1984. The plays of Guy Menga : theatre and liberation. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.

Click on the appropriate letters of the alphabet in the sub-list below.

O-Od Oe-Ol Om-Oq Or-Oz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance