ESAT Bibliography Kn-Kro

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Knight, Natalie 1972a. Magda Hanekom, mother of Afrikaans theatre. Artlook, 5(10):32-35. October.

Knight, Natalie 1972b. One year at the Arena. Artlook, 5(8):32-33. August.

Knight, Natalie 1973a. Academy Theatre: the theatre of laughter. Artlook, 6(5):36-37. May.

Knight, Natalie 1973b. Muriel Alexander and her theatre. Artlook, 6(1):30-31. January.

Knight, Natalie 1974. Theatre scene (Adam Leslie Theatre). Artlook, 7(2):26-28. February.

Knight, Natalie 1975. Experimental theatre. (Arena Theatre). South African Panorama, 20(4):4-5. April.

Knight, Natalie 1976. 50 years of Afrikaans drama. Artlook, 9(1):34-35. February-March.

Knight, Natalie 1976. Market Theatre complex. Lantern, 25:64-71. June.

Knight, Natalie 1976. Sparkling theatre scene. South African Panorama, 21(11):30-35. November.

Knight, Natalie 1977. The future of the theatre (SAITT symposium). Scenaria, June/July: 36-39.

Knight, Natalie 2006. Sarah Sylvia – a personal recollection. Jewish Affairs, 61(4):19-22.

Knox, Cathy 1982. John Slemon: the players’ king. Fair Lady, 17(23):138-143. August 11.

Knox, Cathy 1985. Work is a four-letter word that Fiona Ramsay uses with relish. Fair Lady, 20(13):56-59. July 10.

Knox, Cathy 1986. Reza de Wet : dark laughter. Fair Lady, 21(18):74-79. October 15.

Knox, Cathy 1997. James Whyle's production of King Lear at the 1998 Standard Bank National Arts Festival. Shakespeare in Southern Africa, 10(70).

Knox-Shaw, Peter 1988. Under a waning moon: Twelfth Night at Maynardville. Shakespeare in Southern Africa, 2:96-99.

Koch, Blaise 2002. In, Around, Through and Out: An Actor's Life. Cape Town: Spearhead/New Africa Books.

Koch, Ingmar. 1997. Het Ochtendgloren boven Kaapstad. Nederlandse Rederijkers in Zuid-Afrika in Tydskrif vir Nederlands en Afrikaans 4, 162−202.

Kock, Levina Jacoba 1997. The drama of Senkatana by S.M. Mofekeng: a speech act exploration. Unpublished doctoral dissertation. Pretoria: University of South Africa.

Koekemoer, Gerhardus P. 2008. Lighting design in an African context. Unpublished master’s thesis. Pretoria: Tshwane University of Technology.

Koekemoer, Kaye 2006. "... we must not hold our fears..." : a case study exploring the use of group drama therapy as a therapeutic intervention with children and adolescents living in poverty. Unpublished master’s thesis. Stellenbsoch: University of Stellenbsoch.

Koen, R. 1971. Kruik se kragtoer. Sarie Marais, 23(4):28-37. August 25.

Kohler, Adrian 2001. Episodes: an installation of puppets from seven productions over sixteen years by the Handspring Puppet Company. Grahamstown: The Albany Museum.

Konya, Phyllis 1960. The position has improved. (Theatre scene in Pretoria) Playtime, (146):22.

Konya, Phyllis 1985. The Federation of Amateur Theatrical Societies of Southern Africa FATSSA: 1938-1960), in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 61-64.

Köppe, Walter 1994. Trits: Mis, Mirakel, Drif, deur Reza de Wet. Reviewed in: South African Theatre Journal, 8(1):91-93.

Krause, R.C. 1963. Intimate theatre for East London. South African Panorama, 8(6):6-7.

Kraai, N. 1973. Black theatre. PET Newsletter, 1:11-12.

Kriek, J.J. 1987. The future of the performing arts in South Africa. Scenaria, 81:11-12.

Krige, D. 1966. Hekse laat die ogies rek. Huisgenoot, 42(2287):22-24.

Krige, Uys 1946. Servicemen have a broader outlook on life called the new South Africanism. Outspan. 39(998):17-19. April 12.

Kroll, J. 1974. Beloved country: Serpent Players Theater Company. Newsweek, 84:98. 2 Dec.

Kroll, J. 1984. The Road to Mecca, by Athol Fugard. Reviewed in: Newsweek, 103:85+ 28 May.

Kroll, J. 1986. Cry the beloved country (South Africa’s black theater). Newsweek, 108:85. September 22.

Kromhout, J. 1958. Dirk G. Richard tot dusver. Helikon, 8(28):36-38.

Kromhout, M. 1988. Kontekstuele vrae oor Dias. Klasgids, 23(3):112-120.

Krouse, Matthew 1996. My life in the theatre of war: the development of an alternative consciousness, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 101-114.

Krowitz, Nicole 1998. The theatrical rehearsal process : ego relations, the individual and the group. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.

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K-Kem Ken-Kez Kh-Kl Kn-Kro Kru-Kz

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