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Chetham-Strode, Warren 1952. Background (dramatic criticism) Helikon, 1(6):73-74. Aug

The children’s theatre in South Africa. 1957. Lantern, 146-130. December.

Chinyowa, Kennedy 2009. Theatrical performance as technology: the case of drama in AIDS education (DramAidE) in South Africa. Studies in Theatre & Performance, 29(1):33-52.

Chinyowa, Kennedy 2010. Communicating Development Through Applied Theatre : Case Study of a Community Theatre Project in South Africa. Saarbrucken : Lambert Academic Pub.

A chronology of SA theatre: 1887-1984 compiled by CESAT. 1985, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 142-155.

Cilliers, J. 1979. Best little powerhouse in Jo’burg. (Dawn Lindberg). Fair Lady, 15(13):62-67. October 19.

Cima, Gibson Alessandro 2012. Postconflict Nostalgia: Postapartheid South African Theatre, 1990-2010. Unpublished doctoral dissertation. University of Washington.

Cima, Gibson Alessandro 2014. Sarafina! in Black and White: revival, colour-conscious casting and new social cohesion paradigms. South African Theatre Journal, 27(3):207-221.

Civic Theatre at Johannesburg. 1962. South African Builder, 40(8):14-23.

Claassen, Jacques 1986. Maude vir Antjie. De Kat, 2(3):50-53.

Claassen, George 1996. News as vaudeville: the dramatic image; news diffusion and demise of cultural literacy through show business. South African Theatre Journal, 10(2):101-115.

Claassen, George 1998. Just the ticket! – my 50 years in show business by Percy Tucker. Reviewed in: South African Theatre Journal, 12(1&2):237-243.

Claassen, J.-M.. 1996. Germanicus revisited – and revised? Akroterion, 41:133–50.

Claassen, J.-M.. 2006. Rendering Caesar: thoughts on the translation into English of N.P. van Wyk Louw's Germanicus. Akroterion, 51(2):57–69.

Claassen, Jo-Marie. 2017. ’n Klassikus se ontleding van N.P. Van Wyk Louw se Germanicus as ’n beeld van mag en onmag. LitNet Akademies (Geesteswetenskappe) Jaargang 14(3).

Clarence, S. 1992. Theatre for Africa. Environmental Education Bulletin, 122(6):25-29.

Cleary, Beth 2000. The Zulu by Mbongeni Ngema. Reviewed in: Theatre Journal, 52(4):571-572.

Cloete, H. 2007. The influence of Goethe's Faust on N.P. van Wyk Louw's Die Dieper Reg. Journal for Language Teaching, 41(1):

Cloete, L. 1971. Sphinx on Table mountain. [sets for Aïda]. Personality, 55-56. March 14.

Cloete, L. 1977. Sterrewagteater in Bloemfontein. Lantern, 27(1):72-73. May.

Cloete, Mike (ed.). 1974. The first ten years – CAPAB/KRUIK – Die eerste tien jaar. Cape Town: The Standard Press.

Cloete, Nicola 2011. Gendering performance in At her Feet (Nadia Davids). South African Theatre Journal, 25(1):45-53.

Cloete, T.T. 1965. Die stem in die literêre kunswerk - 'n ondersoek na die aanbiedingswyse in die liriese en epiese poësie, verhalende prosa en drama, deur J.C. Kannemeyer. Reviewed in: Tydskrif vir Geesteswetenskappe, 5(4):438-442.

Cloete, T.T. 1966. Vyfling : 'n bundel eenbedrywe van Hertzogpryswenners. Kaapstad: Nasionale Boekhandel.

Cloete, T.T. 1975a. Die begrip intellektueel by N.P. van Wyk Louw, by R. Pretorius. Reviewed in: Tydskrif vir Geesteswetenskappe, 15(3),

Cloete, T.T. 1975b. Henriëtte Grové se Toe Hulle die Vierkleur op Rooigrond Gehys het. [Literary criticism]. Tydskrif vir Letterkunde, 13(4):82-84.

Cloete, T.T. 1984. Die dramatiese vers van Die Laaste Aand, in Malan, Charles (ed.) ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''. Johannesburg: Perskor. 105-114.

Cloete, T.T., Botha, Elize and Malan, Charles (eds) 1985. Gids by die Literatuurstudie. Pretoria HAUM Literêr.

Clouts, Rita 1956. The Brian Brooke story, 1. Sound, 1(2):20-21.

Clouts, Rita 1956. The Brian Brooke story, 2. Sound, 1(3):20-21.

Clouts, Rita 1956. The Brian Brooke story, 3. Sound, 1(4):5.

Clowes, L. 2008. Masculinity, matrimony and generation: reconfiguring patriarchy in Drum 1951-1983. Journal of Southern African Studies, 34(1):179-192.

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