ESAT Bibliography H-Hat

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H.B. Thom-teater 25 jaar. 1991. Stellenbosch: Universiteit van Stellenbosch.

Haak, A-H. 1971. Stage lighting at the Nico Malan Theatre. South African Engineer, 62(638):5-11. July.

Haarhoff, T.J. 1941. Afrikaans theatre in the making. Forum, 3(53):14. March 29.

Haffter, Peter 1986. Gids by die Literatuurstudie, edited by T.T. Cloete, Elize Botha, Charles Malan. Reviewed in: Journal of Literary Studies, 2(2):69-71.

Haffter, Peter 1987. Bartho Smit se Don Juan onder die Boere binne die raamwerk van die Don Juan-makroteks. Journal of Literary Studies, 3(4):1-13.

Hagemann, Fred 1984. Concepts, images and expression in the movement learning process. Teaterforum, 5(1):7-16.

Hagemann, Frederick 2005. Thinking beyond the already recognisable: body, space and place in drama learning. South African Theatre Journal, 19:171-180.

Halligey Alex 2005. Re-inventing mythologies: arguments towards cultural identity in Medea and Rain in a Dead Man's Footprints. South African Theatre Journal, 19:208-222.

Hamber, John 1982. ''The Port Elizabeth Shakespearean Festival. an appreciation''. (Privately published: Copy in Centre for Theatre and Performance Studies, Stellenbosch)

Hamers, Jan 1979. Theatre technicians - creative artists or interpreters, in Hay-Whitton, Don (ed.). International Symposium of the South African Institute of Theatre Technology (1979: "Theatre - the fun house and its management" : a report of the proceedings at the International Symposium of the South African Institute of Theatre Technology (SAITT) held at the Nico Malan Theatre Centre, Cape Town, from 30 July to 3 August 1979. South African Institute of Theatre Technology. Section 7, 1-14.

Hamilton, Nan 1999. Performance as living heritage : reconstructing identity. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.

Hamlet. 1947. Libertas. 7(6):56-57. June.

Hamman, Frans Josias 2011. Sarah Kane en die liriek as literêr-musikale interteks. Unpublished master's thesis. Stellenbosch : University of Stellenbosch.

Hammerschlag, Tamantha 2011. The expanding role of the designer in the creation of new theatrical work. South African Theatre Journal, 25(1):5-12.

Hammond, Jonathan 1972. World theatre season : South Africa. Plays and Players, 19:7.

Hammond, Jonathan 1974. A South African season: Sizwe Bansi, The Island and Statements. Plays and Players, 21:40-43. March.

Handley, Patricia 1995. The First Physical Theatre Co. ADA, (13):54-55.

Handley, Patricia 2000. Richard Rive, in Scanlon, Paul A. (ed.). South African Writers. Detroit: Gale Group. 382-394.

Hanekom, Hendrik Andries. Standard Encyclopaedia of Southern Africa. 1971. Cape Town : NASOU. 5:422.

Hanekom, Hendrik 1945. Twintig jaar op ons beroepstoneel. Huisgenoot, 29(1201):9. March 30.

Hanekom, Mathilde 1951. Want ons werk mos nie! [Toneelspelers]. Brandwag, 15(48):28-30. December 28.

Hansen, John 1998. Culture in a state of siege, in Gunnarsen, Gorm (ed.). South African Resistance Culture. Copenhagen: Department of English, University of Copenhagen. 102-115.

Hansen, Thomas Blom 2000. Plays, politics and cultural identity among Indians in Durban. Journal of Southern African Studies, 26(2):255-269.

Hansen, Thomas Blom 2005. Melancholia of freedom: humour and nostalgia among Indians in South Africa. Modern Drama, 48(2):297-315.

Hanson-Moore, Thurlow 1990. The satirist in South African theatre. Unpublished honours’s thesis. Cape Town: University of Cape Town.

Hardie, Y.E. 1999. The emerging voice and outcomes-based education : voice building within speech and drama training in the further education and training band [grades 10-12]. Unpublished master’s thesis. Pretoria : Technikon Pretoria.

Haresnape, Geoffrey 2000. H.I.E. Dhlomo, in Scanlon, Paul A. (ed.). South African Writers. Detroit: Gale Group. 150-156.

Harley, M. 1968a. Adam’s apple (Adam Leslie Theatre). Femina, 76-77. October 3.

Harley, M. 1968b. Charles Vernon – actor. Personality, 123-130. August 15.

Harradine, Margaret. 1995. Port Elizabeth: A Social Chronicle to the End of 1945. Port Elizabeth: E.H. Walton Packaging (Pty) Ltd.

Harris, M.B. 1979. Bafokeng Civic Centre, Phokeng. Planning & Building Developments, 36:33-45. January-February.

Hart, Sheena 1988. Standard Bank Festival of the Arts. Scenaria, (93):16-23.

Hartley, L. Francis 1940. Platteland production. The South African Theatre, Music and Dance, 1(2):50-51.

Hartshorne, Claire Jeanine 1988. An exploration of the use of specific drama therapy techniques as an aid in the process of creating character for stage. Unpublished master’s thesis. Pietermaritzburg: University of Natal. Harward, Belinda Lesley Nova 1996. NAPAC : a conflict in the performing arts. Unpublished master’s thesis. Durban: University of Natal.

Hatfield, Denis 1943. What of our theatre? Trek, 8(10):13. November 5.

Hatfield, Denis 1945a. Marriage of two minds: The Merry Wives of Windsor by William Shakespeare. Trek, 9(24):18, 22.

Hatfield, Denis 1945b. The producer. Trek, 10(6):14. September 21.

Hatfield, Denis 1945c. Stage lighting. Trek, 10(6):18.

Hatfield, Denis 1946a. Ah, wilderness! Some notes on South African theatre. Trek, 11(3):12.

Hatfield, Denis 1946b. Theatre chronicle : behind the backcloth. (Cecil Pym) Trek, 10(15) :18.

Hatfield, Denis 1967. Cape Theatre in the 1940’s: Reviews of Ballet and Drama. Cape Town: Purnell.

Hattingh, Jana 2010. Bemarking van die Afrikaanse teater: vraag en aanbod ten opsigte van toneel as produk. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.

Hattingh, Mareli 2005. Kontemporêre woordkuns as teatergenre : 'n ondersoek na die aard van die vorm van die werke van enkele Stellenbosche woordkunstenaars. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.

Hattingh, S.C. 1956. Vergelegen, deur D.J. Opperman. Reviewed in: Helikon, 6(26):19.

Click on the appropriate letters of the alphabet in the sub-list below.

H-Hat Hau Haw-Her Hes-Hol Hom-How Hua-Hun Huo-Huz Hy-Hz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

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